WO2016169243A1 - Bz高温颜色釉瓷板画制作方法 - Google Patents

Bz高温颜色釉瓷板画制作方法 Download PDF

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WO2016169243A1
WO2016169243A1 PCT/CN2015/093049 CN2015093049W WO2016169243A1 WO 2016169243 A1 WO2016169243 A1 WO 2016169243A1 CN 2015093049 W CN2015093049 W CN 2015093049W WO 2016169243 A1 WO2016169243 A1 WO 2016169243A1
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glaze
color
white
weight
water
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French (fr)
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张利
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张利
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Priority to US15/559,056 priority Critical patent/US20180141873A1/en
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    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/80—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone of only ceramics
    • C04B41/81—Coating or impregnation
    • C04B41/85—Coating or impregnation with inorganic materials
    • C04B41/86—Glazes; Cold glazes
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C1/00—Processes, not specifically provided for elsewhere, for producing decorative surface effects
    • B44C1/005—Processes, not specifically provided for elsewhere, for producing decorative surface effects by altering locally the surface material
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B33/00—Clay-wares
    • C04B33/24—Manufacture of porcelain or white ware
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B33/00—Clay-wares
    • C04B33/32—Burning methods
    • C04B33/34—Burning methods combined with glazing
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/0072—Heat treatment
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/009—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone characterised by the material treated
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
    • C04B41/50—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials
    • C04B41/5022—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials with vitreous materials
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    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
    • C04B41/52—Multiple coating or impregnating multiple coating or impregnating with the same composition or with compositions only differing in the concentration of the constituents, is classified as single coating or impregnation
    • C04B41/526—Multiple coating or impregnation with materials having the same composition but different characteristics
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/80—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone of only ceramics
    • C04B41/81—Coating or impregnation
    • C04B41/89—Coating or impregnation for obtaining at least two superposed coatings having different compositions
    • C—CHEMISTRY; METALLURGY
    • C09—DYES; PAINTS; POLISHES; NATURAL RESINS; ADHESIVES; COMPOSITIONS NOT OTHERWISE PROVIDED FOR; APPLICATIONS OF MATERIALS NOT OTHERWISE PROVIDED FOR
    • C09C—TREATMENT OF INORGANIC MATERIALS, OTHER THAN FIBROUS FILLERS, TO ENHANCE THEIR PIGMENTING OR FILLING PROPERTIES ; PREPARATION OF CARBON BLACK  ; PREPARATION OF INORGANIC MATERIALS WHICH ARE NO SINGLE CHEMICAL COMPOUNDS AND WHICH ARE MAINLY USED AS PIGMENTS OR FILLERS
    • C09C1/00—Treatment of specific inorganic materials other than fibrous fillers; Preparation of carbon black
    • C09C1/0009—Pigments for ceramics
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B2111/00—Mortars, concrete or artificial stone or mixtures to prepare them, characterised by specific function, property or use
    • C04B2111/80—Optical properties, e.g. transparency or reflexibility
    • C04B2111/82—Coloured materials

Definitions

  • the invention relates to the technical field of ceramics, in particular to a high-temperature color glaze painting pigment and a corresponding method for manufacturing the porcelain plate painting.
  • painting materials are an important part of the art of painting. Different materials express different artistic languages in decorative painting and produce different visual effects. In recent years, with the development of industrial technology, new types of painting materials have emerged in an endless stream. The innovation of new materials has promoted the development of painting art, supporting the artist's continuous exploration of the style and painting techniques of the works, through the harmonious combination of materials and unexpected performance techniques. Create a new visual language that makes the work more expressive and artistic.
  • Jingdezhen high-temperature color glaze porcelain plate painting is the modern invention of Jingdezhen.
  • the porcelain plate painting is divided into glaze color, underglaze color and high temperature color glaze. It is a traditional craft from ancient times to the present.
  • the high temperature color glaze has risen in the past half century.
  • the present invention provides a high temperature color glaze paint and a corresponding method for making a porcelain plate.
  • a high temperature color glaze paint comprises a color glaze, a white toning glaze, and a clear color glaze comprising from 50% to 66% by weight of a high temperature resistant color glaze mineral And 50% by weight to 34% by weight of water, the white color glaze consists of 70% by weight of high temperature resistant white glaze mineral and 30% by weight of water, the tonal color glaze is 30% by weight of high temperature and colorless a glaze mineral composed of 70% by weight of water, wherein the weight ratio of the color glaze to the white tinting glaze is from 12.5:1 to 50:1, the color glaze and the colorless glaze The weight ratio is 20:1 to 100:1.
  • the color glaze is selected from the group consisting of red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze and cyan glaze, wherein the red glaze is 55 wt% Red glaze mineral consisting of 50% by weight of yellow glaze mineral and 50% by weight of water, and blue glaze consisting of 60% by weight of blue glaze mineral and 40% by weight of water Composition, the green glaze consists of 58 wt% green glaze mineral and 42 wt% water, the purple glaze consists of 65 wt% purple glaze mineral and 35 wt% water, and the orange glaze consists of 63 wt% orange glaze Made up of minerals and 37% by weight of water, the cyan glaze consists of 66% by weight of cyan glaze minerals and 34% by weight of water, and the weight percentage of red glaze to white glaze and clear glaze is 500: 10:5, the weight percentage of the yellow glaze and the white toning glaze and the colorless glaze is 500:15:10, and the weight percentage of the blue glaze and the white toning glaze and the colorless glaze is 500.
  • a method for fabricating a high temperature color glazed porcelain panel comprises:
  • the kaolin and water are stirred into a billet at a weight ratio of 7:3, and then pressed into a porcelain plate of different sizes, and then dried in the shade;
  • the different high temperature resistant minerals and water are proportioned according to the following weight ratios to form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze and cyan glaze:
  • Red glaze mineral and water ratio is 55%: 45%
  • the yellow glaze mineral and water ratio is 50%: 50%
  • a white color glaze and a clear color glaze are respectively added to the above-mentioned respective color glazes in the following proportions, the white color glaze consisting of 70% by weight of high temperature resistant white glaze mineral and 30% by weight of water, The colorless glaze consists of 30% by weight of high temperature resistant colorless glaze mineral and 70% by weight of water:
  • the red glaze and the white toning glaze and the colorless glaze have a weight percentage of 500:10:5,
  • the weight percentage of the yellow glaze and the white toning glaze and the colorless glaze is 500:15:10.
  • the blue glaze and the white glaze and the colorless glaze have a weight percentage of 500:20:15.
  • the weight percentage of the green glaze and the white toning glaze and the colorless glaze is 500:25:20.
  • the purple glaze and the white glaze and the colorless glaze have a weight percentage of 500:30:15.
  • the weight percentage of the orange glaze and the white toning glaze and the colorless glaze is 500:35:20.
  • the weight percentage of cyan glaze and white toning glaze and tonal glaze is 500:40:25;
  • the glazes containing at least red, yellow, and blue colors are applied to the dried porcelain plate in the order of red, yellow, blue, green, purple, orange, and cyan;
  • the painted porcelain plate is fired at a high temperature.
  • the thickness of the porcelain plate is 2-3 cm.
  • the dry time is about one week.
  • high temperature firing is carried out using a gas kiln, an electric kiln or a wood kiln.
  • the temperature is controlled at 500-600 degrees on the first day, the temperature is controlled at 600-800 degrees on the second day, and the temperature is controlled at 1300-1350 degrees on the third day. Then stop firing and naturally cool to room temperature.
  • composition disclosed in the present invention can be used as a drawing material, wherein each component raw material can be conveniently obtained on the market, the raw materials of each component are mixed according to the corresponding ratio, and used according to the steps and process conditions disclosed in the present invention.
  • the art works with an overall pattern of irregular patterns can be obtained, and many works have achieved good returns in the auction market.
  • the technical solutions disclosed in the present invention can also be used in the decoration and decoration industry, for example, the production of background walls, etc. Has a high market value.
  • preparation of the composition of the drawing material and the drawing of the invention can be carried out manually by the artist according to experience, or can be carried out by means of modern industrial control technology and industrial production, and provides various ways for the production of such works. .
  • FIG. 1 is a BZ art high temperature color glaze plate drawing picture drawn in accordance with an embodiment of the present invention.
  • the invention is produced by a multi-media experiment carried out under the unique "BZ art" theoretical ideology system.
  • the high-temperature color glaze porcelain plate painting various glaze colors are incompatible and independent.
  • the high-temperature color glaze porcelain plate painting of the invention achieves the fusion of glaze color, such as oil painting, gouache, watercolor and the like, the color changes are infinite, the hue is saturated, and the glaze is fission uniform.
  • the "BZ Art” high temperature color glaze porcelain plate painting process according to the present invention is as follows:
  • Kaolin especially the unique kaolin in Jingdezhen
  • water is added with water, and the ratio is 7:3. It is stirred into a billet, and then pressed into a flat plate of different sizes, such as a mirror, with a thickness of 2 to 3 cm. Do not dry in the sun, about a week or so;
  • Red glaze mineral and water ratio is 55%: 45%
  • the yellow glaze mineral and water ratio is 50%: 50%
  • a white color glaze and a colorless glaze are added to the various color glazes, wherein the white color glaze is composed of 70% by weight of high temperature resistant white glaze minerals and 30% by weight of water, the colorless The glaze consists of 30% by weight of high temperature resistant colorless glaze mineral and 70% by weight of water:
  • 35g white tinting glaze and 20g colorless glaze are added to each 500g orange glaze.
  • the various high-temperature color glaze paints obtained by the above ratios are used in the combination of various color glazes in porcelain painting, and the hue is more pure, more saturated and more spectacular, and is also included in the protection of the present application. range.
  • the color glazes of the various color glazes after adding the white color glaze and the colorless glaze are drawn in the following steps: first, red, yellow, blue, green, purple, orange, and blue are respectively applied to the dried porcelain. Just on the board.
  • red, yellow, blue, green, purple, orange, and blue are respectively applied to the dried porcelain.
  • the above is only the most preferred embodiment.
  • the BZ artistic effect can be similarly achieved by using only the various color glazes including at least three kinds of red, yellow and blue added white color glaze and a clear color glaze.
  • the gas kiln When entering the kiln, it is best to use the gas kiln, followed by the electric kiln and the coal kiln.
  • the first day of the kiln firing is controlled at a temperature of 500-600 degrees, and the next day is controlled at a high temperature of 600-800 degrees. After three days of control at a high temperature of 1,300-1,350 degrees, the fire can be stopped and placed in the kiln for three to four days to cool naturally and the outside weather temperature is close to the kiln.
  • FIG. 1 An example of a BZ art high temperature color glazed porcelain plate drawing picture drawn according to the present embodiment is shown in FIG.

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Abstract

一种高温颜色釉绘画颜料，包括颜色釉料、白色调色釉料以及无色调色釉料，颜色釉料由50wt%-66 wt%的耐高温颜色釉料矿物质和50 wt%-34 wt%的水组成，白色调色釉料由70 wt%的耐高温白色釉料矿物质和30 wt%的水组成，无色调色釉料由30 wt%的耐高温无色釉料矿物质和70 wt%的水组成，其中颜色釉料与白色调色釉料的重量比为12.5:1至50:1，颜色釉料与无色调色釉料的重量比为20:1至100:1。还提供了一种高温颜色釉瓷板画的制作方法。

Description

BZ高温颜色釉瓷板画制作方法 技术领域
本发明涉及陶瓷技术领域，尤其涉及一种高温颜色釉绘画颜料及相应的瓷板画制作方法。
背景技术
绘画材料作为一种绘画要素，是绘画艺术的重要组成部分，不同材料在装饰绘画中表达不同的艺术语言，产生不同的视觉效果。近年来，随着工业技术的发展，新型绘画材料层出不穷，新材料的创新推动了绘画艺术的发展，支撑了艺术家对作品风格、绘画技法的不断探索，通过材料的和谐组合和出人意料的表现技巧，创造出新的视觉语言，使作品更富表现力和艺术感染力。
传统绘画的审美取向是有准确的平面造型、完整的视觉空间、优雅而有层次的色彩，而新型绘画材料改变了人们传统的审美取向，绘画的重心也从纯粹的手工描绘过渡到对画面制作的关注，包括作品的形式感及维度，人们尝试着利用新型绘画材料的外部特点及内在的物理化学特性进行绘画作品的制作，表现形式从传统的“艺术家用材料说话”到“艺术家让材料说话”。
二十世纪五十年代末，前苏联科学家别罗索夫(Belousov)和柴波廷斯基(Zhabotinskii)在化学实验中发现，当满足适当条件时，参加反应的化学物质在宏观上好像接到某种统一命令，出现色彩或图案的自组织现象，形成空间和时间上的一致行为，人们将这一现象称为“化学振荡”，并选取两位科学家名字的首字母，简称为“BZ反应”。
景德镇高温颜色釉瓷板画，是景德镇近现代的发明创造，瓷板画分釉上彩、釉下彩和高温颜色釉，是从古至今的传统工艺，近半个世纪以来高温颜色釉兴起。
现有的高温颜色釉瓷板画工艺经过1300度到1500度高温烧制时，颜色釉会出现变色，变成更鲜艳的各种饱和色素，但各种色素是不相融的，不像其它画种，如油画、水粉、水彩等，其各种颜色釉料之间的相融不纯正、不饱和。
发明内容
为了克服现有技术的不足，本发明提供了一种高温颜色釉绘画颜料及相应的瓷板画制作方法。
根据本发明的一个方面，一种高温颜色釉绘画颜料包括颜色釉料、白色调色釉料以及无色调色釉料，所述颜色釉料由50wt％-66wt％的耐高温颜色釉料矿物质和50wt％-34wt％的水组成，所述白色调色釉料由70wt％的耐高温白色釉料矿物质和30wt％的水组成，所述无色调色釉料由30wt％的耐高温无色釉料矿物质和70wt％的水组成，其中所述颜色釉料与所述白色调色釉料的重量比为12.5:1至50:1，所述颜色釉料与所述无色调色釉料的重量比为20:1至100:1。
优选地，所述颜色釉料选自红色釉料、黄色釉料、蓝色釉料、绿色釉料、紫色釉料、橙色釉料和青色釉料之一，其中，红色釉料由55wt％的红色釉料矿物质和45wt％的水组成，黄色釉料由50wt％的黄色釉料矿物质和50wt％的水组成，蓝色釉料由60wt％的蓝色釉料矿物质和40wt％的水组成，绿色釉料由58wt％的绿色釉料矿物质和42wt％的水组成，紫色釉料由65wt％的紫色釉料矿物质和35wt％的水组成，橙色釉料由63wt％的橙色釉料矿物质和37wt％的水组成，青色釉料由66wt％的青色釉料矿物质和34wt％的水组成，以及红色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：10：5，黄色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：15：10，蓝色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：20：15，绿色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：25：20，紫色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：30：15，橙色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：35：20，青色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：40：25。
根据本发明的另一方面，一种高温颜色釉瓷板画制作方法，包括：
以重量比为7:3的比例将高岭土和水搅拌为坯状，然后将其压制成大小不一的瓷板，然后阴干；
将不同耐高温矿物质与水按照以下重量比进行配比，分别形成红色釉料、黄色釉料、蓝色釉料、绿色釉料、紫色釉料、橙色釉料和青色釉料：
红色釉料矿物质和水配比为55％：45％，
黄色釉料矿物质和水配比为50％：50％，
蓝色釉料矿物质和水配比为60％：40％，
绿色釉料矿物质和水配比为58％：42％，
紫色釉料矿物质和水配比为65％：35％，
橙色釉料矿物质和水配比为63％：37％，
青色釉料矿物质和水配比为66％：34％；
在上述各色釉料中按照以下比例分别加入白色调色釉料和无色调色釉料，所述白色调色釉料由70wt％的耐高温白色釉料矿物质和30wt％的水组成，所述无色调色釉料由30wt％的耐高温无色釉料矿物质和70wt％的水组成：
红色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：10：5，
黄色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：15：10，
蓝色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：20：15，
绿色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：25：20，
紫色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：30：15，
橙色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：35：20，
青色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：40：25；
将加入白色调色釉料以及无色调色釉料的至少包含红、黄、蓝的各色釉料按照红、黄、蓝、绿、紫、橙、青的顺序涂在阴干的瓷板；
将涂色后的瓷板进行高温烧制。
优选地，其中瓷板的厚度在2-3cm。
优选地，其中阴干时间在一周左右。
优选地，其中采用气窑、电窑或者柴窑进行高温烧制。
优选地，其中将涂色后的瓷板进行高温烧制具体为第一天温度控制在500-600度，第二天温度控制在600-800度，第三天温度控制在1300-1350度，而后停止烧制，自然冷却至室温。
本发明披露的可作为绘画材料的组合物，其中各组分原料均可方便地在市场上取得，将各组分原料按照相应配比进行混合，并根据本发明披露的步骤及工艺条件使用，可获得整体造型为不规则图案的美术作品，多件作品已在拍卖市场取得很好的回报，同时，本发明披露的技术方案还可用于装饰装修行业中，例如背景墙面的制作等，故具有较高的市场价值。而且，本发明制备绘画材料组合物及绘制作品的操作，既可以由艺术家根据经验手工完成，也可以利用现代的工控技术，采用工业化生产的方式进行，为此类作品的生产提供了多种方式。
“BZ艺术”高温颜色釉瓷板画的发明与创新解决了各种颜色釉料之间的相融、渗透、演变成大千世界的各种色彩，给世界增添了艺术的魅力。
“BZ艺术”BZ高温颜色釉的发明创造与成功实现，是有史以来的技术革命，不但改变了各种颜色釉料之间相融合更使色相更纯、更饱和、更绚烂。
附图说明
为了更清楚地说明本发明实施例或现有技术中的技术方案，以下将对实施例或现有技术描述中所需要使用的附图作简单地介绍。显而易见地，以下描述中的附图仅仅是本发明的一些实施例，对于本领域普通技术人员而言，还可以根据这些附图所示实施例得到其它的实施例及其附图。
图1是根据本发明的实施例所绘制的BZ艺术高温颜色釉瓷板画画面。
具体实施方式
以下将结合附图对本发明各实施例的技术方案进行清楚、完整的描述，显然，所描述的实施例仅仅是本发明的一部分实施例，而不是全部的实施例。基于本发明中的实施例，本领域普通技术人员在没有做出创造性劳动的前提下所得到的所有其它实施例，都属于本发明所保护的范围。
本发明是独有“BZ艺术”理论思想体系下进行的多媒介实验产生的，发明前高温颜色釉瓷板画各种釉料色是不相融独立的。本发明高温颜色釉瓷板画做到了釉料色相融，就像油画、水粉、水彩等各种颜色变化无穷，色相饱和，釉料裂变均匀。
根据本发明的“BZ艺术”高温颜色釉瓷板画制作过程如下：
高岭土(尤其是景德镇当地独有的高岭土)加水，配比为7:3参与搅拌成坯状，再用铁杖杆等压成平整如镜的大小不一的板块，厚度在2～3cm，然后不在阳光直晒下阴干，大约在一周左右即可；
各种颜色釉料由纯天然的耐高温矿物质加水配比而成：
红色釉料矿物质和水配比为55％：45％，
黄色釉料矿物质和水配比为50％：50％，
蓝色釉料矿物质和水配比为60％：40％，
绿色釉料矿物质和水配比为58％：42％，
紫色釉料矿物质和水配比为65％：35％，
橙色釉料矿物质和水配比为63％：37％，
青色釉料矿物质和水配比为66％：34％；
在得到上述各种颜色釉料后，在各种颜色釉料中加入白色调色釉料和无色调色釉料，其中所述白色调色釉料由70wt％的耐高温白色釉料矿物质和30wt％的水组成，所述无色调 色釉料由30wt％的耐高温无色釉料矿物质和70wt％的水组成：
每500g红色釉料中添加10g白色调色釉料和5g无色调色釉料，
每500g黄色釉料中添加15g白色调色釉料和10g无色调色釉料，
每500g蓝色釉料中添加20g白色调色釉料和15g无色调色釉料，
每500g绿色釉料中添加25g白色调色釉料和20g无色调色釉料，
每500g紫色釉料中添加30g白色调色釉料和15g无色调色釉料，
每500g橙色釉料中添加35g白色调色釉料和20g无色调色釉料，
每500g青色釉料中添加40g白色调色釉料和25g无色调色釉料；
采用上述配比得到的各种高温颜色釉绘画颜料应用于瓷板画绘画时各种颜色釉料之间相融合，更使色相更纯、更饱和、更绚烂，在此也纳入本申请的保护范围。
其后将加入白色调色釉料和无色调色釉料之后的各种颜色釉料按作画步骤和顺序为：先画红、黄、蓝、绿、紫、橙、青分别涂在阴干的瓷板上即可。当然，以上只是最优选的实施方式。同样地，按照上述配比和涂色次序，仅使用至少包括红、黄、蓝三种加入白色调色釉料和无色调色釉料之后的各种颜色釉料，可同样实现BZ艺术效果。
创作高温颜色釉瓷板画时间以景德镇9月-10月为宜，在该温度和湿度下做瓷板画最好。
进窑烧制时最好使用气窑，次之为电窑、柴窑，进窑烧制瓷板第一天温度控制在500-600度高温，第二天控制在600-800度高温，第三天控制在1300-1350度高温，即可停止烧制用火，在窑内放置三到四天自然降温和外面天气温度接近再出窑即可。
根据本实施例所绘制的BZ艺术高温颜色釉瓷板画画面的示例如图1所示。
“BZ艺术”高温颜色釉瓷板画的发明与创新解决了各种颜色釉料之间的相融、渗透、演变成大千世界的各种色彩，给世界增添了艺术的魅力。
“BZ艺术”BZ高温颜色釉的发明创造与成功实现，是有史以来的技术革命，不但改变了各种颜色釉料之间相融合更使色相更纯、更饱和、更绚烂。
显然，本领域技术人员可以对本发明进行各种改动和变型而不脱离本发明的精神和范围。这样，倘若对本发明的这些修改和变型属于本发明权利要求及其等同技术的范围之内，则本发明也包含这些改动和变型在内。

Claims (7)

  1. 一种高温颜色釉绘画颜料，其包括颜色釉料、白色调色釉料以及无色调色釉料，其特征在于：所述颜色釉料由50wt％-66wt％的耐高温颜色釉料矿物质和50wt％-34wt％的水组成，所述白色调色釉料由70wt％的耐高温白色釉料矿物质和30wt％的水组成，所述无色调色釉料由30wt％的耐高温无色釉料矿物质和70wt％的水组成，其中所述颜色釉料与所述白色调色釉料的重量比为12.5:1至50:1，所述颜色釉料与所述无色调色釉料的重量比为20:1至100:1。
  2. 根据权利要求1所述的高温颜色釉绘画颜料，其特征在于：其中所述颜色釉料选自红色釉料、黄色釉料、蓝色釉料、绿色釉料、紫色釉料、橙色釉料和青色釉料之一，其中，红色釉料由55wt％的红色釉料矿物质和45wt％的水组成，黄色釉料由50wt％的黄色釉料矿物质和50wt％的水组成，蓝色釉料由60wt％的蓝色釉料矿物质和40wt％的水组成，绿色釉料由58wt％的绿色釉料矿物质和42wt％的水组成，紫色釉料由65wt％的紫色釉料矿物质和35wt％的水组成，橙色釉料由63wt％的橙色釉料矿物质和37wt％的水组成，青色釉料由66wt％的青色釉料矿物质和34wt％的水组成，以及红色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：10：5，黄色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：15：10，蓝色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：20：15，绿色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：25：20，紫色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：30：15，橙色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：35：20，青色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：40：25。
  3. 一种高温颜色釉瓷板画制作方法，包括：
    以重量比为7:3的比例将高岭土和水搅拌为坯状，然后将其压制成大小不一的瓷板，然后阴干；
    将不同耐高温矿物质与水按照以下重量比进行配比，分别形成红色釉料、黄色釉料、蓝色釉料、绿色釉料、紫色釉料、橙色釉料和青色釉料：
    红色釉料矿物质和水配比为55％：45％，
    黄色釉料矿物质和水配比为50％：50％，
    蓝色釉料矿物质和水配比为60％：40％，
    绿色釉料矿物质和水配比为58％：42％，
    紫色釉料矿物质和水配比为65％：35％，
    橙色釉料矿物质和水配比为63％：37％，
    青色釉料矿物质和水配比为66％：34％；
    在上述各色釉料中按照以下比例分别加入白色调色釉料和无色调色釉料，所述白色调色釉料由70wt％的耐高温白色釉料矿物质和30wt％的水组成，所述无色调色釉料由30wt％的耐高温无色釉料矿物质和70wt％的水组成：
    红色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：10：5，
    黄色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：15：10，
    蓝色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：20：15，
    绿色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：25：20，
    紫色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：30：15，
    橙色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：35：20，
    青色釉料与白色调色釉料以及无色调色釉料的重量百分比为500：40：25；
    将加入白色调色釉料以及无色调色釉料的至少包含红、黄、蓝的各色釉料按照红、黄、蓝、绿、紫、橙、青的顺序涂在阴干的瓷板；
    将涂色后的瓷板进行高温烧制。
  4. 根据权利要求3所述的高温颜色釉瓷板画制作方法，其中瓷板的厚度在2-3cm。
  5. 根据权利要求3或者4所述的高温颜色釉瓷板画制作方法，其中阴干时间在一周左右。
  6. 根据权利要求5所述的高温颜色釉瓷板画制作方法，其中采用气窑、电窑或者柴窑进行高温烧制。
  7. 根据权利要求3所述的高温颜色釉瓷板画制作方法，其中将涂色后的瓷板进行高温烧制具体为第一天温度控制在500-600度，第二天温度控制在600-800度，第三天温度控制在1300-1350度，而后停止烧制，自然冷却至室温。
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