Classifications

• • B—PERFORMING OPERATIONS; TRANSPORTING
  • B41—PRINTING; LINING MACHINES; TYPEWRITERS; STAMPS
  • B41N—PRINTING PLATES OR FOILS; MATERIALS FOR SURFACES USED IN PRINTING MACHINES FOR PRINTING, INKING, DAMPING, OR THE LIKE; PREPARING SUCH SURFACES FOR USE AND CONSERVING THEM
  • B41N1/00—Printing plates or foils; Materials therefor
  • B41N1/24—Stencils; Stencil materials; Carriers therefor
  • B41N1/242—Backing sheets; Top sheets; Intercalated sheets, e.g. cushion sheets; Release layers or coatings; Means to obtain a contrasting image, e.g. with a carbon sheet or coating

Definitions

• This invention concerns resists, and relates in particular to the paper-backed "plastics" resists used in the engraving of glass by a sand-blasting technique.
• the resists commonly employed in the engraving of glass by sand blasting (the "sand” employed is particulate aluminium oxide of whatever size is deemed appropriate; it is commonly referred to as “grit”) comprises a stencil-like pattern of grit-resistant material on a paper backing.
• the grit-resistant material is usually a very thin "plastics” layer derived from certain varieties of printing ink, whilst the paper backing is commonly a very light weight paper (tissue paper, say, of around 17g/m2 weight).
• the resist The whole is, rather confusingly, known as “the resist”, and in this Specification the whole - the resist layer/paper backing combination - will be referred to as “the resist”, whilst the resist layer itself, which is also often called “the resist”, will be referred to as “the resist layer”.
• the resist In use the resist is first coated on its reverse side (that side of the paper backing not carrying the resist layer) with a suitable adhesive usually by brushing or spraying, and is then positioned on, and placed in contact with, the glass surface to be engraved, glue to glass, and firmly pressed into attachment with the surface. This forms a resist layer stencil mounted via the paper backing on the glass.
• the next stage is the sand (or grit) blasting stage, when fine grit (of, say, around 200 mesh in size ... that is, of such a size that it passes through a mesh having 200 mesh threads per inch) is air-blasted (at a pressure around 20 lbs/in2; about 3 kPa) at the glass through the resist.
• the resist's tissue paper backing is eroded away almost immediately, leaving the relevant areas of glass unprotected, and accordingly those areas are themselves eroded by the air-borne grit, the depth of erosion, or "cut", depending upon the air pressure (the higher the deeper), the grit size (the coarser the deeper) and the time taken (the longer the deeper). Conversely, where the glass is protected by the resist layer no erosion occurs, and the glass stays in its original pristine condition.
• the resist layer is only partially resistant to the eroding effect of the grit, and in time it too will be eroded away, together with its paper backing, leaving the glass unprotected. Indeed, the higher the pressure and the coarser the grit, the shorter time the resist layer can hold out. Accordingly, in actual use it is necessary to apply skill and judgment to the blasting process, in order to achieve the desired cut where required but no cut at all where the glass should be protected.
• the present invention relates to ways of improving the quality of the resist so as to make this easier, and so make the engraving process more reliable.
• the paper commonly used in the Art as the backing sheet is invariably white - or, rather uncoloured in any way - and this has a serious disadvantage during the actual blasting/engraving stage, for the result of engraving water-white (i.e, colourless) glass by this, or any other, technique is to leave a "white” area which is practically indistinguishable from the untouched paper.
• it is all too easy to mistake paper for engraved surface and to end up either completely failing to blast one part of the design or only partially blasting one part, leaving it "under cut” (that is, not eroded uniformly or deeply enough).
• the paper backing sheets employed in the Art are generally of a very light paper - tissue paper - and this makes the resist difficult to use because the backing sheet is so flimsy that it is easily torn, especially when wet (as it will be when coated with adhesive prior to application to the glass).
• the paper's flimsiness also makes it very difficult to position and then re-position, without tearing, the resist on the glass surface (re-positioning will very often be necessary so as correctly to align the resist - and this particular problem of re-positioning is made worse by the use of an adhesive which, applied by a brushing or spraying technique, extends over the whole of the sheet's reverse surface.
• the resist's backing sheet be made of a strongly coloured paper that will contrast well with the colour (usually white) of the engraved glass surface (and, indeed, preferably with the colour of the resist layer as explained further hereinafter).
• the invention provides a sand-blasting engraving resist comprising a backing sheet and a resist layer supported thereon, characterised in that the backing sheet is of a strong (non-white) colour that contrasts well with the colour of the surface to be engraved when thus engraved.
• the invention provides a resist with a backing sheet that is strongly coloured in contrast to the colour of the expected sand blasted engraved surface.
• the colour of that surface when engraved will be white - a fairly bright, opaque white when the engraving is accomplished using a coarse grit, a less bright, more transparent white when a finer grit is employed.
• Suitable colours are the darker primary colours - blue, green, and (especially) red - as well as shades thereof (a preferred paper is that shade of red referred to by the Manufacturers Samuel Jones as FLATSAM RED).
• the colour of the paper backing sheet is chosen to be a contrast to the expected colour of the surface when blasted/engraved. ln addition, however, the colour is very preferably chosen to be a good contrast to the resist layer.
• a preferred resist layer is made by screen printing a chosen printer's ink (or mixture thereof) that is itself blue in colour; a paper colour that is a good contrast to this blue is red (specifically the red shade mentioned above).
• the backing sheet may incorporate any of those features, and be of any material, commonly used in the Art.
• a relatively lightweight paper which will more easily be “mouldable” (by carefully folding in situ ) to the shape of a curved surface to be engraved than to employ a heavyweight paper.
• the paper may conveniently be quite a lot heavier (and thus thicker and stronger). Papers of 70 and 80 g/m2, for example, are robust enough to stand up to the harsh treatment they will receive yet flexible enough for most purposes.
• the gum used may be one of the contact adhesives (usually a vinyl glue), such as is used on peel-off sticky labels, or it may be a more conventional water-­based glue that needs wetting before the paper is applied to the surface to be etched.
• the glue is provided on the reverse side of the sheet as a myriad of individual, spaced, particles (so that comparatively large areas - those between the adhesive particles - have no gum at all), as this enables the sheet to adhere to the surface to be engraved sufficiently yet not so much that it cannot easily be slid around thereon into the desired position.
• a particulate-gummed paper does not suffer nearly so seriously from differential expansion/contraction effects when dried in an oven (as is required for curing the subsequently-applied resist layer; see below).
• Pre-gummed paper having its adhesive layer in the required particulate form is fairly readily available (the technology is used extensively for "ready-pasted” wallpaper), and the exact nature of the adhesive, and the precise size and description of the particles thereof, is not especially critical.
• One such paper, available at 70 and 80 g/m2 is made and sold by Samuel Jones under the name FLATSAM and supplied by Wiggins Teape.
• an excellent resist of the invention is obtained using paper that is of a strong surface-contrasting colour and has a particulate adhesive coating on its reverse side.
• Such a sheet is a considerable improvement on those sheets presently in use.
• the resist can be improved even further by prudent choice of the characteristics of the resist layer itself.
• the materials presently employed to make engraving resists are a special type of printer's ink formulated so as to be, in theory, particularly good for this purpose. They may be applied onto the backing sheet in a number of ways, depending upon whether they are applied in the desired pattern or whether they are applied all over to form a blank into which the desired pattern is cut thereafter. In the former case they may conveniently be applied by a screen printing technique, whilst in the latter they may be applied by any printing technique (the pattern may later be cut therein by some form of cutting and removing operation; the cutting stage is often computer-controlled).
• the inks used do not always provide a resist layer that is really tough enough for use in a sand blasting engraving process. It is all too common for the blasting stage to be so inexpertly carried out that the resist layer itself (and the backing sheet thereunder) is in parts completely eroded as the blasting proceeds, so that the underlying surface is engraved where it should not be as well as where it should be. Where this danger exists then it may be overcome, or at least mitigated, by selecting a rather different, and potentially tougher, material for the resist layer.
• One such is a mixture of heat-fixable printer's inks of the type more commonly employed to print slogans and pictures onto textile fabric (especially, onto T-shirts).
• inks are generally of the kind wherein a pigment is dispersed within a suitable liquid carrier together with a plastic-like curable material such as a vinyl or "rubber" polymer or pre-polymer of some sort, and often including a silicone.
• a plastic-like curable material such as a vinyl or "rubber” polymer or pre-polymer of some sort, and often including a silicone.
• Such inks are available from Sericol and from Marler, and two particular examples of such an ink are Marler Special Blue SP 3182 and Texical T.X.
• One of these is a vinyl ink, the other is a rubberised one; one is blue, the other black.
• inks can give better properties (such as strength and/or colour).
• two inks will be mixed - 70 to 80 wt parts of one (SP 3182, say) with 30 to 20 wt parts of the second (T.X., say).
• the thickness of the resist's resist layer is also an important factor determining the durability of the resist, and by and large the thicker the layer the better, though in practice really thick layers - layers more than, say, 0.05 in (1 mm) thick - are too thick to be used easily especially on curved surfaces).
• a preferred resist layer thickness is around 0.005 in (0.1 mm), which is the sort of thickness that can readily be achieved by a screen printing method using a screen with a mesh size of from 70 to 90 mesh (that is, from 70 to 90 apertures per inch: the smaller the number the larger the apertures, and the more ink is squeezed through to make a thicker layer).
• Such a layer is about four times the thickness of those layers presently used in the Art, which, when screen printed, are applied using screens with mesh sizes of from 110 (relatively coarse) to 320 (very fine).
• the screen used to print it on may be rather finer - just, indeed, as presently conventionally used - for the ink material itself provides a tough resist layer despite its relative thinness.
• ink commonly employed in the Art for making resist layers are usually heat-fixable, or heat "curable” - that is, they are passed at a carefully controlled rate through a hot oven in which their volatile components are evaporated off and their plastics components are combined - perhaps by polymerisation and/or evaporation - to render them permanently affixed onto the substrate.
• heat-fixable or heat "curable” - that is, they are passed at a carefully controlled rate through a hot oven in which their volatile components are evaporated off and their plastics components are combined - perhaps by polymerisation and/or evaporation - to render them permanently affixed onto the substrate.
• a particularly tough and durable resist layer is formed if this heat curing stage is effected at a lower temperature, and for a longer time, than normally recommended for the particular inks.
• a resist having a resist layer with excellent properties is achievable by using one (or more) ink as described above to create a layer around 0.005 in (0.1 mm) thick and then curing it more slowly and at a lower temperature than normally recommended.
• the sand blasting engraving resists of the invention are of considerable value in improving the ease and reliability of the engraving process.
• a preferred resist may, because of its increased durability, be employed with blasting grits of a much coarser nature; instead of fine particles of perhaps 180 to 220 mesh, that erode away the surface at a slow rate, leaving a relatively smooth finish, there may be employed coarse particles of 90 to 110 mesh, that erode the surface very much faster, leaving a relatively rough finish.
• the blasting process may be effected at a higher pressure - say, 100 to 110 lbs/in2 (around 15 kPa) rather than the previously-used 20 to 25 lbs/in2 (around 3 kPa).
• a higher pressure say, 100 to 110 lbs/in2 (around 15 kPa) rather than the previously-used 20 to 25 lbs/in2 (around 3 kPa).
• the resist of the invention and the sand-blasting engraving method using the resist, may be employed in the engraving of almost any sort of material - stone (granite, for example), metal, plastic, wood, or, and especially, glass.
• the material may take almost any shape and form, from a wine glass or beer mug to a plate glass window, from a tombstone or a commemorative plaque to a pub mirror.
• the invention extends to an object whenever engraved by the inventive method.
• a screen bearing the desion to be printed Using a normal commercial source there is prepared for use in a screen printing process a screen bearing the desion to be printed.
• This screen is a 90 mesh polyester screen, and carries the image in the form of ink-impenetrable areas where the window is to be engraved.
• a printing ink mixture is prepared by blending together 75 wt parts of Marler Special Blue SPO 3182 and 25 wt parts of Texical T.X. There is also readied the paper to become the backing sheet for the resist. This paper is Flatsam Red, from Samuel Jones. lt is a bright red in colour, is of 70 g/m2 weight, and has a particulate adhesive coating on the reverse.
• the prepared ink mixture is screen printed onto the backing sheet using the prepared screen.
• the resultant printed sheet is then "cured” by heating for 80 seconds in an oven at 160°C, to give a resist wherein the resist layer (the "cured” ink) is about 0.025 in (0.5 mm) thick.
• the blue resist and the red paper make an excellent contrast.
• the formed resist is moistened on the reverse side, and then stuck to the water-white (clear) window glass. Before the glue dries the resist may be moved - slid - about to obtain the desired registration.
• the glass After being placed in a suitable closed cabinet, the glass is engraved, through the resist, using the sand-blasting technique.
• a source of fine grit - in this case, aluminium oxide particles of a 50:50 180/220 mesh mixture - is entrained in air and blasted at the resist at a pressure of 100 lbs/in2 (15 kPa).
• the blasting proceeds the sand erodes through the paper backing sheet until the glass surface therebelow is revealed, and then erodes through that as well.
• the smooth glass surface is eroded so it turns milky white (the normal "colour" of roughened clear glass), and this is in strong contrast to those areas of the resist where the red paper backing sheet has not yet been eroded away. Meanwhile the sand-­blasting continues, the resist layer protecting those areas where erosion is not required.

Landscapes

• Printing Methods (AREA)
• Laminated Bodies (AREA)

Applications Claiming Priority (2)

Publications (2)

Family

ID=10644601

Family Applications (1)

Country Status (2)

Cited By (3)

Citations (5)

Family Cites Families (1)

• 1988
  • 1988-10-01 GB GB888823106A patent/GB8823106D0/en active Pending
• 1989
  • 1989-09-27 GB GB8921830A patent/GB2223433A/en not_active Withdrawn
  • 1989-09-29 EP EP19890310018 patent/EP0363111A3/de not_active Withdrawn

Patent Citations (5)

Also Published As

Similar Documents

Legal Events