CN113578722A - Cinnabar building material manual rhinoceros gilding process and application thereof to building materials - Google Patents
Cinnabar building material manual rhinoceros gilding process and application thereof to building materials Download PDFInfo
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- CN113578722A CN113578722A CN202110815058.1A CN202110815058A CN113578722A CN 113578722 A CN113578722 A CN 113578722A CN 202110815058 A CN202110815058 A CN 202110815058A CN 113578722 A CN113578722 A CN 113578722A
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- cinnabar
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- 229910052956 cinnabar Inorganic materials 0.000 title claims abstract description 54
- 238000000034 method Methods 0.000 title claims abstract description 44
- 239000004566 building material Substances 0.000 title claims abstract description 37
- 230000008569 process Effects 0.000 title claims abstract description 37
- 241000282806 Rhinoceros Species 0.000 title claims abstract description 17
- 238000005498 polishing Methods 0.000 claims abstract description 76
- 238000001035 drying Methods 0.000 claims abstract description 68
- 239000004922 lacquer Substances 0.000 claims abstract description 65
- 238000010422 painting Methods 0.000 claims abstract description 43
- 239000004744 fabric Substances 0.000 claims abstract description 38
- 238000007790 scraping Methods 0.000 claims abstract description 25
- 239000002929 natural lacquer Substances 0.000 claims abstract description 9
- 239000002023 wood Substances 0.000 claims abstract description 6
- 239000003973 paint Substances 0.000 claims description 80
- 238000002156 mixing Methods 0.000 claims description 45
- 244000137852 Petrea volubilis Species 0.000 claims description 42
- PCHJSUWPFVWCPO-UHFFFAOYSA-N gold Chemical compound [Au] PCHJSUWPFVWCPO-UHFFFAOYSA-N 0.000 claims description 40
- 239000011248 coating agent Substances 0.000 claims description 37
- 238000000576 coating method Methods 0.000 claims description 37
- 239000000843 powder Substances 0.000 claims description 28
- 229910052737 gold Inorganic materials 0.000 claims description 26
- 239000010931 gold Substances 0.000 claims description 26
- 240000008564 Boehmeria nivea Species 0.000 claims description 21
- 239000000203 mixture Substances 0.000 claims description 17
- 230000001680 brushing effect Effects 0.000 claims description 16
- 239000000853 adhesive Substances 0.000 claims description 15
- 230000001070 adhesive effect Effects 0.000 claims description 15
- XLYOFNOQVPJJNP-UHFFFAOYSA-N water Substances O XLYOFNOQVPJJNP-UHFFFAOYSA-N 0.000 claims description 15
- 238000004140 cleaning Methods 0.000 claims description 14
- 239000004519 grease Substances 0.000 claims description 14
- 238000000227 grinding Methods 0.000 claims description 14
- 230000037452 priming Effects 0.000 claims description 10
- QCVGEOXPDFCNHA-UHFFFAOYSA-N 5,5-dimethyl-2,4-dioxo-1,3-oxazolidine-3-carboxamide Chemical compound CC1(C)OC(=O)N(C(N)=O)C1=O QCVGEOXPDFCNHA-UHFFFAOYSA-N 0.000 claims description 7
- 235000017166 Bambusa arundinacea Nutrition 0.000 claims description 7
- 235000017491 Bambusa tulda Nutrition 0.000 claims description 7
- 102000002322 Egg Proteins Human genes 0.000 claims description 7
- 108010000912 Egg Proteins Proteins 0.000 claims description 7
- 235000009161 Espostoa lanata Nutrition 0.000 claims description 7
- 240000001624 Espostoa lanata Species 0.000 claims description 7
- LFQSCWFLJHTTHZ-UHFFFAOYSA-N Ethanol Chemical compound CCO LFQSCWFLJHTTHZ-UHFFFAOYSA-N 0.000 claims description 7
- 235000015334 Phyllostachys viridis Nutrition 0.000 claims description 7
- 239000011425 bamboo Substances 0.000 claims description 7
- 235000014103 egg white Nutrition 0.000 claims description 7
- 210000000969 egg white Anatomy 0.000 claims description 7
- 238000004898 kneading Methods 0.000 claims description 7
- 230000007480 spreading Effects 0.000 claims description 7
- 235000015112 vegetable and seed oil Nutrition 0.000 claims description 7
- 239000008158 vegetable oil Substances 0.000 claims description 7
- -1 polishing Substances 0.000 claims description 2
- 244000082204 Phyllostachys viridis Species 0.000 claims 1
- 239000000047 product Substances 0.000 abstract description 65
- 239000000919 ceramic Substances 0.000 abstract description 7
- 239000000049 pigment Substances 0.000 abstract description 4
- 238000012545 processing Methods 0.000 abstract description 3
- 239000012466 permeate Substances 0.000 abstract description 2
- 241001330002 Bambuseae Species 0.000 description 6
- 229920000297 Rayon Polymers 0.000 description 6
- QSHDDOUJBYECFT-UHFFFAOYSA-N mercury Chemical compound [Hg] QSHDDOUJBYECFT-UHFFFAOYSA-N 0.000 description 5
- 238000007747 plating Methods 0.000 description 4
- RYGMFSIKBFXOCR-UHFFFAOYSA-N Copper Chemical compound [Cu] RYGMFSIKBFXOCR-UHFFFAOYSA-N 0.000 description 3
- 229910052802 copper Inorganic materials 0.000 description 3
- 239000010949 copper Substances 0.000 description 3
- 230000007797 corrosion Effects 0.000 description 3
- 238000005260 corrosion Methods 0.000 description 3
- 229910052753 mercury Inorganic materials 0.000 description 3
- 238000005034 decoration Methods 0.000 description 2
- MHAOVLQYUNAHGO-UHFFFAOYSA-N gold mercury Chemical compound [Au].[Hg] MHAOVLQYUNAHGO-UHFFFAOYSA-N 0.000 description 2
- 230000036541 health Effects 0.000 description 2
- 238000010438 heat treatment Methods 0.000 description 2
- 239000000463 material Substances 0.000 description 2
- 238000007591 painting process Methods 0.000 description 2
- 238000002360 preparation method Methods 0.000 description 2
- 239000000126 substance Substances 0.000 description 2
- QXKXDIKCIPXUPL-UHFFFAOYSA-N sulfanylidenemercury Chemical compound [Hg]=S QXKXDIKCIPXUPL-UHFFFAOYSA-N 0.000 description 2
- RMTXUPIIESNLPW-UHFFFAOYSA-N 1,2-dihydroxy-3-(pentadeca-8,11-dienyl)benzene Natural products CCCC=CCC=CCCCCCCCC1=CC=CC(O)=C1O RMTXUPIIESNLPW-UHFFFAOYSA-N 0.000 description 1
- QARRXYBJLBIVAK-UEMSJJPVSA-N 3-[(8e,11e)-pentadeca-8,11-dienyl]benzene-1,2-diol;3-[(8e,11e)-pentadeca-8,11,14-trienyl]benzene-1,2-diol;3-[(8e,11e,13e)-pentadeca-8,11,13-trienyl]benzene-1,2-diol;3-[(e)-pentadec-8-enyl]benzene-1,2-diol;3-pentadecylbenzene-1,2-diol Chemical compound CCCCCCCCCCCCCCCC1=CC=CC(O)=C1O.CCCCCC\C=C\CCCCCCCC1=CC=CC(O)=C1O.CCC\C=C\C\C=C\CCCCCCCC1=CC=CC(O)=C1O.C\C=C\C=C\C\C=C\CCCCCCCC1=CC=CC(O)=C1O.OC1=CC=CC(CCCCCCC\C=C\C\C=C\CC=C)=C1O QARRXYBJLBIVAK-UEMSJJPVSA-N 0.000 description 1
- IYROWZYPEIMDDN-UHFFFAOYSA-N 3-n-pentadec-8,11,13-trienyl catechol Natural products CC=CC=CCC=CCCCCCCCC1=CC=CC(O)=C1O IYROWZYPEIMDDN-UHFFFAOYSA-N 0.000 description 1
- 108010029541 Laccase Proteins 0.000 description 1
- 244000044283 Toxicodendron succedaneum Species 0.000 description 1
- 230000002411 adverse Effects 0.000 description 1
- 230000009286 beneficial effect Effects 0.000 description 1
- 239000003795 chemical substances by application Substances 0.000 description 1
- 230000000694 effects Effects 0.000 description 1
- 238000005516 engineering process Methods 0.000 description 1
- 238000005562 fading Methods 0.000 description 1
- 235000011389 fruit/vegetable juice Nutrition 0.000 description 1
- 239000002932 luster Substances 0.000 description 1
- 239000002184 metal Substances 0.000 description 1
- 229910052751 metal Inorganic materials 0.000 description 1
- 238000012986 modification Methods 0.000 description 1
- 230000004048 modification Effects 0.000 description 1
- 238000011056 performance test Methods 0.000 description 1
- 239000002994 raw material Substances 0.000 description 1
- 229910052572 stoneware Inorganic materials 0.000 description 1
- 238000006467 substitution reaction Methods 0.000 description 1
- 229910052969 tetrahedrite Inorganic materials 0.000 description 1
- 230000001988 toxicity Effects 0.000 description 1
- 231100000419 toxicity Toxicity 0.000 description 1
- DQTMTQZSOJMZSF-UHFFFAOYSA-N urushiol Natural products CCCCCCCCCCCCCCCC1=CC=CC(O)=C1O DQTMTQZSOJMZSF-UHFFFAOYSA-N 0.000 description 1
Classifications
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D—PROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D7/00—Processes, other than flocking, specially adapted for applying liquids or other fluent materials to particular surfaces or for applying particular liquids or other fluent materials
- B05D7/24—Processes, other than flocking, specially adapted for applying liquids or other fluent materials to particular surfaces or for applying particular liquids or other fluent materials for applying particular liquids or other fluent materials
- B05D7/26—Processes, other than flocking, specially adapted for applying liquids or other fluent materials to particular surfaces or for applying particular liquids or other fluent materials for applying particular liquids or other fluent materials synthetic lacquers or varnishes
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D—PROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D1/00—Processes for applying liquids or other fluent materials
- B05D1/36—Successively applying liquids or other fluent materials, e.g. without intermediate treatment
- B05D1/38—Successively applying liquids or other fluent materials, e.g. without intermediate treatment with intermediate treatment
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D—PROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D3/00—Pretreatment of surfaces to which liquids or other fluent materials are to be applied; After-treatment of applied coatings, e.g. intermediate treating of an applied coating preparatory to subsequent applications of liquids or other fluent materials
- B05D3/002—Pretreatement
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D—PROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D3/00—Pretreatment of surfaces to which liquids or other fluent materials are to be applied; After-treatment of applied coatings, e.g. intermediate treating of an applied coating preparatory to subsequent applications of liquids or other fluent materials
- B05D3/007—After-treatment
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D—PROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D7/00—Processes, other than flocking, specially adapted for applying liquids or other fluent materials to particular surfaces or for applying particular liquids or other fluent materials
- B05D7/24—Processes, other than flocking, specially adapted for applying liquids or other fluent materials to particular surfaces or for applying particular liquids or other fluent materials for applying particular liquids or other fluent materials
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D—PROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05D7/00—Processes, other than flocking, specially adapted for applying liquids or other fluent materials to particular surfaces or for applying particular liquids or other fluent materials
- B05D7/50—Multilayers
- B05D7/56—Three layers or more
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B24—GRINDING; POLISHING
- B24B—MACHINES, DEVICES, OR PROCESSES FOR GRINDING OR POLISHING; DRESSING OR CONDITIONING OF ABRADING SURFACES; FEEDING OF GRINDING, POLISHING, OR LAPPING AGENTS
- B24B1/00—Processes of grinding or polishing; Use of auxiliary equipment in connection with such processes
Landscapes
- Engineering & Computer Science (AREA)
- Life Sciences & Earth Sciences (AREA)
- Wood Science & Technology (AREA)
- Mechanical Engineering (AREA)
- Paints Or Removers (AREA)
- Application Of Or Painting With Fluid Materials (AREA)
Abstract
The invention belongs to the technical field of building material processing, and particularly relates to a manual rhinoceros skin gilding process for a cinnabar building material and application of the manual rhinoceros skin gilding process to building materials; the base painting method is characterized in that base painting of cinnabar pigment and natural lacquer is carried out on building material blanks such as wood, ceramic tiles, ceramics, cinnabar and the like, and the pigment fully permeates into the blanks and is well attached to the surfaces of the blanks through dozens of procedures such as cloth mounting, shade drying, ash scraping, polishing, twisting, painting, gilding, painting and the like, so that the combination of modern products and traditional lacquer culture is shown.
Description
Technical Field
The invention belongs to the technical field of building material processing, and particularly relates to a manual rhinoceros skin gilding process for a cinnabar building material and application of the manual rhinoceros skin gilding process to building materials.
Background
The daily utensils, artworks and artworks made by painting on the surface of various utensils are generally called as "painters". The lacquer is natural juice cut from lacquer tree, and is mainly composed of urushiol, laccase, gum and water. It has the special functions of resisting moisture, high temperature and corrosion, and may be used in preparing different color paint. In china, the properties of paints have been recognized and used to make ware since the time of the new stoneware.
Gilding is a traditional metal decoration process generated in the Xianqin era, is a traditional method, is still popular in folk to date, and is also called fire gold plating or mercury gold plating. The gold-mercury agent is prepared by coating gold and mercury on the surface of copper container, heating to evaporate mercury, and make gold firmly attached to the surface of copper container.
Gold plating process mostly adopts gold mud made of gold mercurial to be smeared on the surface of a copper device, and then mercury is evaporated by heating, but the evaporated mercury vapor in the process can cause adverse effects on human health, the processes of gold smearing and gold opening are required to be carried out for many times in order to increase the thickness of a gold layer, the process is complicated, and the amount of the generated mercury vapor is larger.
However, most lacquerwares are made of wooden products as blanks, gold plating is often performed on metallic devices such as cupronics, and the method of processing by using building materials as blanks and lacquer technology is rare,
patent document with application number CN201910986997.5 discloses a painting process of woodcarving, which adopts mercury sulfide to replace cinnabar, tetrahedrite is added during paint mixing, modern chemical raw materials are used as a main material of gold primer, the cost is reduced, and the prepared vermilion lacquer woodcarving artware does not fade. However, the mercuric sulfide has certain toxicity, and from the viewpoint of the preparation method, the preparation is finished after painting, gold pasting and paint covering, and the subsequent steps such as polishing and the like are not carried out, so that from the viewpoint of common knowledge in the field, the unground lacquerware cannot develop color.
Disclosure of Invention
The invention aims to solve the problems and provides a cinnabar building material manual rhinoceros skin gilding process and application thereof to building materials.
The method is realized by the following technical scheme:
1. an application of gilding cinnabar process in building material.
2. The gilding process is characterized in that cinnabar is coated on the surface of a building material by adopting a gilding process, and specifically, the gilding process is prepared by steps of priming, cloth mounting, ash scraping, twisting, colored paint coating, gilding, colored paint coating, polishing, paint brushing, wiping and polishing after a building material blank is polished.
Further, the blank includes but is not limited to wood, ceramic tile, floor and cinnabar. When the blank is wood, the painting process is required to be carried out firstly.
3. The manual rhinoceros skin gilding process for the cinnabar building materials comprises the following specific steps of:
(1) polishing: polishing the surface of the blank by using 120-mesh abrasive paper;
(2) paint mixing: taking 280-plus-320-mesh cinnabar powder, mixing with natural raw lacquer in a proportion of 4-6: 1 to obtain the cinnabar primer;
(3) priming paint: repairing and coating the cinnabar primer or primer lacquer prepared in the step (2) on the surface of the polished blank, and putting the blank into a shady room for drying for 12-14 h;
(4) preparing a viscose: natural raw lacquer and tile ash are mixed in a proportion of 1: 1, and repeatedly kneading to obtain the viscosity adhesive;
(5) mounting cloth: polishing the whole body by using 400-mesh sand paper, wiping the whole body by using a dust-free paper towel dipped with alcohol, uniformly brushing the adhesive on ramie cloth, mounting the ramie cloth on a blank body, and drying the ramie cloth in the shade;
(6) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(7) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(8) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing at a mass ratio of 0.2-0.4, twisting different textures on the surface of the blank, and drying in shade in a shady room;
(9) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(10) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(11) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (10), and drying in the shade;
(12) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(13) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(14) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(15) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(16) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(17) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1-1.5, applying the mixture on the surface of a product, pushing and wiping the product with force, and then applying the polishing paste on a cloth wheel for polishing until the surface of the product is smooth.
Further, when the wiping is repeated to the 5 th time, the wiping powder is coated on the palm, the surface of the product is forcibly rubbed, and the wiping step is repeated.
In conclusion, the beneficial effects of the invention are as follows: the invention adopts dozens of procedures of priming cinnabar pigment and natural lacquer on building material blanks such as wood, ceramic tiles, ceramics, cinnabar and the like, laying cloth, drying in the shade, scraping ash, polishing, twisting, painting, gilding, painting and the like to ensure that the pigment fully permeates into the blanks and well adheres to the surfaces of the blanks, thereby showing that modern products are combined with traditional lacquer culture.
The base paint is prepared by blending cinnabar and natural raw lacquer and is applied to building materials, so that the building materials are richer in style and are not easy to decolor, and the prepared materials such as ceramic tiles and the like are stronger in decoration.
Detailed Description
The following is a detailed description of the embodiments of the present invention, but the present invention is not limited to these embodiments, and any modifications or substitutions in the basic spirit of the embodiments are included in the scope of the present invention as claimed in the claims.
Example 1
A manual rhinoceros skin gilding process for cinnabar building materials comprises the following specific steps:
(1) polishing: taking the finished product ceramic tile as a blank, and polishing the surface of the blank by using 120-mesh abrasive paper;
(2) paint mixing: mixing 300-mesh cinnabar powder with natural raw lacquer in a proportion of 5: 1 to obtain the cinnabar primer;
(3) priming paint: the cinnabar primer prepared in the step (2) is coated on the surface of the polished blank body, and the blank body is placed into a shady room to be dried for 13 hours;
(4) preparing a viscose: natural raw lacquer and tile ash are mixed in a proportion of 1: 1, and repeatedly kneading to obtain the viscosity adhesive;
(5) mounting cloth: polishing the whole body by using 400-mesh sand paper, wiping the whole body by using a dust-free paper towel dipped with alcohol, uniformly brushing the adhesive on ramie cloth, mounting the ramie cloth on a blank body, and drying the ramie cloth in the shade;
(6) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(7) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(8) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing according to the mass ratio of 0.3, twisting different textures on the surface of the blank, and drying in shade in a shade room;
(9) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(10) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(11) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (10), and drying in the shade;
(12) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(13) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(14) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(15) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(16) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(17) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1, coating the mixture on the surface of a product after the mixture is blended, pushing and wiping the product with force, and then coating polishing paste on a cloth wheel for polishing until the surface of the product is smooth.
Further, when the wiping is repeated to the 5 th time, the wiping powder is coated on the palm, the surface of the product is forcibly rubbed, and the wiping step is repeated.
Example 2
A manual rhinoceros skin gilding process for cinnabar building materials comprises the following specific steps:
(1) polishing: taking a finished wood floor as a blank, polishing the surface of the blank by using 120-mesh abrasive paper, and performing a paint-feeding process after polishing;
(2) paint mixing: taking 320-mesh cinnabar powder, mixing with natural raw lacquer in a proportion of 6: 1 to obtain the cinnabar primer;
(3) priming paint: the cinnabar primer prepared in the step (2) is coated on the surface of the polished blank body, and the blank body is placed into a shady room to be dried for 12 hours;
(4) preparing a viscose: natural raw lacquer and tile ash are mixed in a proportion of 1: 1, and repeatedly kneading to obtain the viscosity adhesive;
(5) mounting cloth: polishing the whole body by using 400-mesh sand paper, wiping the whole body by using a dust-free paper towel dipped with alcohol, uniformly brushing the adhesive on ramie cloth, mounting the ramie cloth on a blank body, and drying the ramie cloth in the shade;
(6) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(7) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(8) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing according to the mass ratio of 0.4, twisting different textures on the surface of the blank, and drying in shade in a shade room;
(9) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(10) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(11) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (10), and drying in the shade;
(12) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(13) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(14) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(15) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(16) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(17) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1-1.5, applying the mixture on the surface of a product, pushing and wiping the product with force, and then applying the polishing paste on a cloth wheel for polishing until the surface of the product is smooth.
Further, when the wiping is repeated to the 5 th time, the wiping powder is coated on the palm, the surface of the product is forcibly rubbed, and the wiping step is repeated.
Example 3
A manual rhinoceros skin gilding process for cinnabar building materials comprises the following specific steps:
(1) polishing: taking the finished woodcarving artwork as a blank, polishing the surface of the blank by using 120-mesh abrasive paper, and performing paint feeding process on the blank;
(2) paint mixing: taking 280-mesh cinnabar powder, mixing with natural raw lacquer in a proportion of 4: 1 to obtain the cinnabar primer;
(3) priming paint: the cinnabar primer prepared in the step (2) is coated on the surface of the polished blank body, and the blank body is placed into a shady room to be dried for 12 hours;
(4) preparing a viscose: natural raw lacquer and tile ash are mixed in a proportion of 1: 1, and repeatedly kneading to obtain the viscosity adhesive;
(5) mounting cloth: polishing the whole body by using 400-mesh sand paper, wiping the whole body by using a dust-free paper towel dipped with alcohol, uniformly brushing the adhesive on ramie cloth, mounting the ramie cloth on a blank body, and drying the ramie cloth in the shade;
(6) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(7) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(8) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing according to the mass ratio of 0.2, twisting different textures on the surface of the blank, and drying in shade in a shade room;
(9) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(10) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(11) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (10), and drying in the shade;
(12) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(13) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(14) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(15) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(16) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(17) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1.5, coating the mixture on the surface of a product, pushing and wiping the product with force, and then coating the product on a cloth wheel with polishing paste for polishing until the surface of the product is smooth.
Further, when the wiping is repeated to the 5 th time, the wiping powder is coated on the palm, the surface of the product is forcibly rubbed, and the wiping step is repeated.
Example 4
A manual rhinoceros skin gilding process for cinnabar building materials comprises the following specific steps:
(1) polishing: taking the finished product of the skirting line as a blank body, and polishing the surface of the blank body by using 120-mesh abrasive paper;
(2) paint mixing: mixing 300-mesh cinnabar powder with natural raw lacquer in a proportion of 6: 1 to obtain the cinnabar primer;
(3) priming paint: the cinnabar primer prepared in the step (2) is coated on the surface of the polished blank body, and the blank body is placed into a shady room to be dried for 12 hours;
(4) preparing a viscose: natural raw lacquer and tile ash are mixed in a proportion of 1: 1, and repeatedly kneading to obtain the viscosity adhesive;
(5) mounting cloth: polishing the whole body by using 400-mesh sand paper, wiping the whole body by using a dust-free paper towel dipped with alcohol, uniformly brushing the adhesive on ramie cloth, mounting the ramie cloth on a blank body, and drying the ramie cloth in the shade;
(6) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(7) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(8) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing according to the mass ratio of 0.2, twisting different textures on the surface of the blank, and drying in shade in a shade room;
(9) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(10) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(11) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (10), and drying in the shade;
(12) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(13) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(14) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(15) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(16) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(17) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1.5, coating the mixture on the surface of a product, pushing and wiping the product with force, and then coating the product on a cloth wheel with polishing paste for polishing until the surface of the product is smooth.
Further, when the wiping is repeated to the 5 th time, the wiping powder is coated on the palm, the surface of the product is forcibly rubbed, and the wiping step is repeated.
Example 5
A manual rhinoceros skin gilding process for cinnabar building materials comprises the following specific steps:
(1) polishing: taking the finished cinnabar artware as a blank, and polishing the surface of the blank by using 120-mesh abrasive paper;
(2) priming paint: coating a ground blank surface with a bottom layer lacquer, and drying in the shade for 14 h;
(3) preparing a viscose: natural raw lacquer and tile ash are mixed in a proportion of 1: 1, and repeatedly kneading to obtain the viscosity adhesive;
(4) mounting cloth: polishing the whole body by using 400-mesh sand paper, wiping the whole body by using a dust-free paper towel dipped with alcohol, uniformly brushing the adhesive on ramie cloth, mounting the ramie cloth on a blank body, and drying the ramie cloth in the shade;
(5) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(6) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(7) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing according to the mass ratio of 0.3, twisting different textures on the surface of the blank, and drying in shade in a shade room;
(8) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(9) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(10) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (9), and drying in the shade;
(11) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(12) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(13) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(14) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(15) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(16) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1, coating the mixture on the surface of a product after the mixture is blended, pushing and wiping the product with force, and then coating polishing paste on a cloth wheel for polishing until the surface of the product is smooth.
Further, when the wiping is repeated to the 5 th time, the wiping powder is coated on the palm, the surface of the product is forcibly rubbed, and the wiping step is repeated.
It should be noted that the cinnabars used in the above embodiments are all food-grade cinnabars, which do not affect human health.
First, the product performance test
The physical and chemical properties of the paint films of the building material finished products prepared in the examples 1-5 are detected according to the method of GB/T30417 and 2013, and the results are shown in Table 1.
TABLE 1
| Item | Impact resistance/cm | Adhesion/grade | Hardness of | Corrosion resistance/1 h |
| Example 1 | 28 | 1 | 0.4 | The paint film does not fall off |
| Example 2 | 26 | 1 | 0.3 | The paint film does not fall off |
| Example 3 | 25 | 2 | 0.3 | The paint film does not fall off |
| Example 4 | 26 | 1 | 0.4 | The paint film does not fall off |
| Example 5 | 27 | 1 | 0.3 | The paint film does not fall off |
The building material product obtained by the process has the advantages of corrosion resistance, no fading, beautiful color and luster, and richer styles of the building material product.
Claims (9)
1. A gilding process for manual rhinoceros skin of cinnabar building materials is characterized in that gilding process is adopted to coat cinnabar on the surface of the building materials, and concretely, the gilding process is prepared by steps of priming, cloth mounting, ash scraping, twisting, colored paint coating, gilding, colored paint coating, polishing, paint brushing, wiping and polishing after a building material blank is polished.
2. The process of claim 1, wherein said blanks include but are not limited to wood, tile, floor, and cinnabar blanks.
3. The process of claim 1, wherein the primer is prepared by mixing cinnabar powder and natural raw lacquer in a ratio of 4-6: 1, and blending the components according to the mass ratio.
4. The process for manual rhinoceros gilding of cinnabar building materials as claimed in claim 1, wherein the mounting is carried out by mixing natural raw lacquer and tile ash in a ratio of 1: 1, repeatedly kneading the mixture according to the mass ratio of 1 to obtain the adhesive, uniformly brushing the adhesive on ramie cloth, and mounting the ramie on a blank.
5. The process of any one of claims 1-4, wherein the process comprises the following steps:
(1) paint mixing: taking 280-plus-320-mesh cinnabar powder, mixing with natural raw lacquer in a proportion of 4-6: 1 to obtain the cinnabar primer;
(2) priming paint: the cinnabar primer or primer lacquer prepared in the step (1) is coated on the surface of the polished blank body, and the blank body is placed in a shady room for drying for 12 to 14 hours;
(3) mounting cloth: polishing the whole body with 400-mesh sand paper, wiping the whole body with a dust-free paper towel dipped with alcohol, coating adhesive, mounting ramie cloth on the blank body, and drying in the shade;
(4) scraping middle ash: grinding the whole body by using 400-mesh sand paper, blending the ground tile with natural raw lacquer by using medium-fine tile ash, then blade-coating the mixture on a blank body, and putting the blank body into a shady room for drying in the shade;
(5) scraping fine ash: polishing with 400-mesh sand paper, scraping with fine ash mixed raw lacquer, spreading on the blank, and drying in shade;
(6) twisting: and (3) after the whole body is polished by 400-plus 600-mesh sand paper, mixing cinnabar powder, raw lacquer and egg white in a proportion of 1: 1: mixing at a mass ratio of 0.2-0.4, twisting different textures on the surface of the blank, and drying in shade in a shady room;
(7) painting color paint: painting a colored paint on the twisted blank body, putting the twisted blank body into a shady room, and taking out the twisted blank body when the colored paint is dried to 75%;
(8) gold pasting: sticking gold foil on the blank by using an anti-static bamboo clamp, cleaning and removing redundant gold foil by using a soft brush, and putting the blank into a shading room for complete drying in the shade;
(9) covering with gold: coating a layer of completely transparent natural raw lacquer on the product obtained in the step (8), and drying in the shade;
(10) painting color paint: painting different color paints according to the requirements of the product, and putting the product into a shady room for complete drying in the shade;
(11) grinding and displaying: polishing the texture by using 320-7000 mesh water sand paper and adjusting the texture;
(12) painting: brushing the surface with natural lacquer, drying in shade in a shady room, repeating the above steps for three times;
(13) wiping: polishing with 1200-mesh waterproof abrasive paper, wrapping a cotton ball with dust-free paper, uniformly wiping the surface once, standing for 15 minutes, and wiping off raw paint with the dust-free paper to uniformly adhere a natural paint film to the surface; the step is repeated for 10 times, and the water sand paper with different meshes is replaced for polishing every time until 7000 meshes are reached;
(14) grease cleaning: coating natural grease on the surface of a product, wiping the raw lacquer on the surface by using a dust-free paper towel, only keeping the lacquer film on the surface, and putting the product in a shady room for drying in the shade;
(15) polishing: mixing vegetable oil and pearl powder in a ratio of 1: 1-1.5, applying the mixture on the surface of a product, pushing and wiping the product with force, and then applying the polishing paste on a cloth wheel for polishing until the surface of the product is smooth.
6. The process for gilding of a manual rhinoceros skin as a cinnabar building material according to claim 5, wherein the humidity of the shady room is 60-68% and the temperature is 23-27 ℃.
7. The process for gilding rhinoceros on building materials by hand as claimed in claim 5, wherein the wiping step is repeated from 5 th time to 5 th time, the palm is coated with the wiping powder, the product surface is strongly rubbed, and the wiping step is repeated.
8. A cinnabar building material prepared by the gilding process of claim 5.
9. An application of gilding cinnabar process in building material.
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