KR101518732B1 - Using a fabric ceramic crafts ceramic crafts decorative techniques and using the same. - Google Patents

Abstract

The present invention relates to a decoration technique of a ceramic crafts using fiber and a ceramic craftwork using the same, and more specifically, to a decoration technique of a ceramic crafts which enables to diversify a material for a ceramic craft decoration technique and maximize the beauty of tradition at low costs. To this end, the present invention comprises: an initial painting step of varnishing with lacquer on the surface of a pottery shaped with an unrefined sap of the lacquer tree; a first drying step of drying the initially painted pottery; a fabric gluing step of cutting a ramie fabric, and gluing the cut ramie fabric on the surface of a pottery by using a glue element; a second drying step of drying the pottery glued with the ramie fabric; a middle painting step of painting by covering the ramie fabric by using the unrefined sap of the lacquer tree or a refined sap on the surface of a pottery glued with the ramie fabric; a third drying step of drying the middle-painted pottery; a coloring step of painting a color with a same ratio of a natural pigment or an organic pigment and the refined sap on the surface of the pottery where the middle painting is done; a fourth drying step of drying the colored pottery; and a top painting step of varnishing with lacquer on the entire pottery including the ramie fabric or the surface of the pottery except the ramie fabric from the surface of the colored pottery, and made with several filter papers in order to maximally remove impurities with lacquer, wherein the first, second, and third drying steps are done at the temperature of 25°C to 30°C and at the humidity of 70% to 80%, and the fourth drying step is done at the temperature of 25°C to 30°C and at the humidity of 40% to 50%.

Description

BACKGROUND OF THE INVENTION 1. Field of the Invention The present invention relates to ceramics, ceramics, ceramics, ceramics, ceramics and ceramics.

The present invention relates to ceramics craft techniques using fibers and ceramics crafts using the same, and more particularly, to ceramics crafts using ceramics crafts using ceramics, Technique and a ceramic artifact using the same.

Ceramics is one of the earliest invented artifacts as human beings began their cultural life, and has been developed into various forms through long years.

The porcelain is a material which is formed by baking glaze on an object formed of clay (earth), and is usually formed by molding, spreading, drying, first sintering (firing), ornamentation, glaze processing, or secondary firing Lt; / RTI >

In addition to efforts to improve practical aspects through material, manufacturing process and design development, such ceramics have been developed in form and surface shape to improve the decorative surface.

Particularly, in the development of technology for decoration purpose, there is a method of expressing various patterns on the surface of porcelain, such as engraving technique (engraving, embossing, engraving), inlaid technique, Has been developed and used, and a technique of putting a pattern on the surface of ceramics using a transfer paper coated with a pattern for mass production has been developed and is now widely used

On the other hand, such ceramics are mainly used as a bowl used in everyday life and various household tools, but they are often used for decorating according to their rareness and workability.

In addition to the above examples, various ceramics decorating techniques have been attempted.

However, the above-described decorating techniques are expensive, require a high degree of skill due to delicate work, and have a problem of high selling prices as ceramics used in real life.

Accordingly, the cost for ceramics decoration is reduced, but a variety of materials for ceramics decoration are required to maximize aesthetic sense of ceramics decoration.

Republic of Korea Pub. No. 10-2010-0138230 Korea Registration No. 10-1204686

SUMMARY OF THE INVENTION The present invention has been made in order to solve the above-mentioned problems, and it is an object of the present invention to maximize aesthetic sense of traditional decorative technique by combining traditional lacquer and fiber in pottery craft, And to provide ceramics and ceramics using the same.

In order to accomplish the above object, the present invention provides a method for preparing a ceramic material, comprising the steps of: first coating a lacquer on a surface of a pottery formed using live lacquer obtained from a lacquer; A second step of drying the ceramics to which the timber is adhered, a step of applying the timber to the surface of the ceramics to which the timber is adhered and applying the primer to the surface of the ceramics, A third drying step of drying the crushed pottery, a coloring step of painting a coloring material in which the natural pigment or the organic pigment and the refining paint are mixed in the same ratio on the porcelain surface subjected to the crushing, the fourth drying step of drying the painted pottery ; Among the painted porcelain surfaces, lacquer works on the porcelain surface excluding the entire porcelain including ramie or ramie, Wherein the primary, secondary, and tertiary drying steps are performed at a temperature of 25 ° C to 30 ° C and a humidity of 70% to 80%, and the primary, secondary, and tertiary drying steps comprise: Wherein the fourth drying step is performed at a temperature of 25 ° C to 30 ° C and a humidity of 40% to 50%.

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The ceramics decoration technique utilizing the fiber according to the present invention and the artwork using the same have the following effects.

First, by using ceramics decoration technique, it is possible to pursue diversity of ceramics decoration by expressing surface texture or colorful color by using fiber and lacquer.

Second, it combines the merits of ceramics and lacquer, and has the effect of expressing more colorful and aesthetic sense through fiber attachment and coloring.

Third, since the fiber material adhering to the surface of ceramics can be diversified into a variety of silk, silkworm, and broad gleam, there is an effect that the aesthetic sense can be appropriately adjusted to the characteristics of ceramics.

Fourth, maximizing the beauty of tradition using the fiber, it is possible to expand the base of the ceramics utilizing the fiber by lowering the production cost by lowering the cost for the decoration, and increasing the satisfaction of the consumer.

1 is a flow chart illustrating a ceramics craft technique utilizing fibers in accordance with a preferred embodiment of the present invention.
FIG. 2A is a photograph showing a fiber adhering step in a ceramics decoration technique utilizing fibers according to a preferred embodiment of the present invention
FIG. 2B is a photograph showing a state in which the fiber bonding is completed in the ceramics decoration technique utilizing the fiber according to the preferred embodiment of the present invention
FIG. 3 is a photograph showing a finished craftwork using a fiber-based ceramic crafting technique according to a preferred embodiment of the present invention
FIG. 4 is a partial cross-sectional view of a finished craftwork using a fiber-based ceramic crafting technique in accordance with a preferred embodiment of the present invention. FIG.

It is to be understood that the words or words used in the present specification and claims are not to be construed in a conventional or dictionary sense and that the inventor can properly define the concept of a term in order to describe its invention in the best possible way And should be construed in light of the meanings and concepts consistent with the technical idea of the present invention.

DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS Hereinafter, referring to FIGS. 1 to 4 of the accompanying drawings, a description will be given of a technique for decorating ceramics using fibers and a craft using the same according to a preferred embodiment of the present invention.

First, a ceramics craft technique using fibers (hereinafter referred to as "ceramics craft technique") will be described.

The ceramics craft technique has a technical feature which combines the ceramics with the textiles.

As a result, it is possible to bring out the material diversity for the decoration of ceramic handicrafts and to maximize the beauty of tradition.

Meanwhile, as a first step for decorating the ceramic arts, the step of trimming the molded ceramic arts is performed (S10)

The whiteness of the above-mentioned bones may be variously provided, and white sand, celadon sand, onion sand, sangchung toe, etc. may be provided.

At this time, it is desirable that the ratio of the base is equivalent to the sum of Celadon soil, Onggi soil, and Sancheong soil for the white soil.

That is, it is preferable that the ratio of the white porcelain to the (celadon sole + Onggi to Sanchuan) is 2: 1.

On the other hand, after the operator scratches the scratches or foreign matter on the surface of the blanks of the molded ceramic as described above, the surface of the porcelain is cleanly cleaned with a dry brush.

Next, the surface of the ceramics is subjected to a priming treatment using lacquer (S20).

As the first basic work for decorating ceramics on the surface, it is desirable to use fresh green.

In this case, the fresh green is the paint in which the impurities of the liquid obtained from the lacquer tree are removed, and the paint is painted on the surface of the pottery with a chalk, so that the adhesive strength can be increased at the time of the subsequent fiber bonding.

In the above-mentioned work, it is very important that a proper blending ratio of freshness and diluting agent is very important according to the present invention, and the ratio of freshness to diluting agent is preferably 1: 1.

If the ratio of the freshness is higher than that of the diluting agent, the adhesion of the coating to the surface of the ceramic is lowered because the coating is not sufficiently absorbed. If the ratio of the diluting agent is higher than the freshness, The ratio of freshness to diluent at the beginning is preferably 1: 1.

Next, when the initialization is completed on the surface of the ceramics, the primary drying step is performed (S30)

At this time, the ceramics are dried in a drying zone, and the temperature of the drying zone is preferably 25 ° C to 30 ° C, and the humidity is preferably 70% to 80%.

The porcelain is then sufficiently dried for at least 12 hours in such a drying zone.

Next, when the first layer of the ceramic is dried, it is checked whether there is a scratch on the surface of the dried pottery.

That is, as a work for smoothing and evenly smoothening the ceramic surface before the fiber bonding, it is preferable that the soil whitening is blended with the soil and fresh grass in a ratio of 6: 4.

Next, as shown in FIG. 2A, the fibers are bonded to the surface of the dried ceramics (S40)

Fiber bonding is intended to maximize the aesthetics of ceramic artifacts and is to adhere the fibers to the surface of ceramics using an adhesive means.

At this time, the artist cuts the fibers appropriately to adhere to the surface of the ceramics in consideration of the use and form of the craft product.

At this time, the kind of the fiber is not limited, but it is preferable that it is a natural fiber which can show the beauty of traditional such as ramie, hemp, and broad gleam.

Among these, water resistance and corrosion resistance are available, and it is characterized by high durability due to high quality.

In particular, it is preferable to use ramie because there is no color change, it is safe against microorganisms, and the stiff texture of ramie is characterized by its morphology better than other fibers.

On the other hand, the fibers are adhered to the surface of the ceramics using the adhesive means as described above. In this case, the adhesive means is preferably a hoof mixed with glue and glue.

At this time, it is preferable that the ratio of the fresh water and the glutinous rice paste constituting the hosiery is 1: 1.

Next, when the fiber adhesion to the surface of the ceramic is finished as described above, the secondary drying step is performed so that the fiber is adhered well (S50)

In this case, similarly to the primary drying step, the secondary drying step preferably has a temperature of 25 ° C to 30 ° C and a humidity of 70% to 80%.

Next, as shown in FIG. 2B, when drying in the fiber-bonded state is completed, a coagulating step is performed (S60)

The crushing step is to increase the esthetics by making the surface of the finished ceramic smoother and shine more smoothly, to maximize the waterproof effect of the fiber and the adhesion of the fiber to the surface of the ceramic.

The above-mentioned work of coating is covered with a chisel to cover the surface of the ceramic and the entire fiber.

At this time, it is desirable to remove dust and foreign matter generated in the preheating step and to remove the glutinous rice paste that overflows from the surface of the ceramics on the surface of the ceramics.

This is to increase the efficiency of the next coating operation by polishing the adhesive means protruding from the surface of the ceramics and flattening it with the surface of the ceramics and then brushing out dust or foreign matter with a brush.

On the other hand, the lacquer used for the lacquer is provided with a lubricious or refined lacquer.

Double refining is more refined and more effective in strength and many aspects than fresh.

In this case, refining is performed by removing impurities and foreign substances several times by using filter paper.

According to the present invention, it is preferable that the ratio of the filler to the diluent is 6: 4.

Next, when the crushing operation is completed, the third drying process is performed in the above-described drying chamber (S70)

At this time, the temperature of the drying zone is preferably 25 ° C to 30 ° C, and the humidity is preferably 70% to 80%.

After the drying is completed, the lacquer of the surface of the ceramics may be repeatedly dried after the lacquer is developed.

Next, when the drying operation for the ceramics is completed, a coloring operation is carried out to enhance the sense of beauty (S80).

The coloring work is to color the ceramics. The coloring work can be performed only on the fiber adhered to the surface of the ceramics, and the whole ceramics surface can be painted.

At this time, the pigment used for the coloring work is made by mixing the natural pigment and the refining paint in the same ratio, which is also referred to as a paint or a paint.

At this time, the pigment used in the painting operation is not limited to natural pigments, and organic pigments may be used.

At this time, the mixing operation of the pigment and the refinishing paint is mixed with a spraying applicator. When a large amount of pigment is added at one time and the stirring is carried out, the pigment is accumulated and the granules are increased.

In this case, the stirring time varies depending on the pigment, but preferably about 2 to 3 hours. When the mixture is thoroughly mixed without the granules, it is used to filter the filter paper.

Meanwhile, it is preferable that the coloring operation is performed approximately three times, and the ceramics artwork as shown in Fig. 3 is completed through a fourth drying operation (S90)

At this time, the drying environment temperature during the fourth drying operation is preferably 25 to 30 DEG C, and the humidity is preferably 40 to 50%.

This is because, after the coloring, the humidity must be low to prevent the color from becoming dark.

At this time, the dust and foreign matter generated during the coloring work are polished using sandpaper.

On the other hand, the potting work may be performed on the completed pottery craft (S100)

The filleting work corresponds to the third lacquering work after the work of finishing. In order to maximize the durability and smoothness of the ceramic artwork, it can be performed on the entire surface of the ceramics including the fibers, or only on the surface of the ceramics except the fibers.

This work of firework is carried out in consideration of the characteristics of pottery crafts as an option of the artist.

At this time, it is preferable that the filter paper is used in multiple layers so that the impurities can be removed as much as possible, and the ratio of the filter paper to the diluent is 7: 3 or 8: 2.

After the filling operation is completed, the fifth drying operation is performed for 2 to 3 days to complete the ceramic artifact using the fiber (S110)

As shown in FIG. 4, the ceramic artifact has a plurality of layers formed on the surface of the ceramic artifact.

That is, as shown in FIG. 4, a ceramic layer 100 constituting a molded ceramic, a fresh layer 200 as a first lacquer layer formed on the ceramic layer 100, A coloring layer 500 painted on the fibrous layer 300 and a coloring layer 500 painted on the coloring layer 500. The coloring layer 500 is formed on the coloring layer 500, 3 is an upper layer (600) which is a lacquer layer.

Of course, the upper layer 600 may be omitted.

As described above, the ceramics craft technique using the fiber according to the present invention and the ceramics craft using the ceramics according to the present invention have a variety of techniques for decorating ceramics by adhering the fibers to the ceramics surface and maximizing the beauty of the tradition at a low cost There are technical features.

As a result, it is possible to produce pottery crafts that can be positioned as a link between tradition and modernity, beyond the monotony of material.

While the present invention has been particularly shown and described with reference to exemplary embodiments thereof, it is evident that many alternatives, modifications and variations will be apparent to those skilled in the art.

100: porcelain layer 200: fresh layer
300: fiber layer 400: middle layer
500: coloring layer 600: upper layer

Claims (6)

The first step of applying lacquer on the surface of porcelain formed by using lacquer obtained from lacquer tree;
A primary drying step of drying the dried porcelain;
A fiber adhering step of cutting the ramie and adhering the trimmed ramie to the surface of the ceramics using an adhesive means;
A second drying step of drying the ceramics to which the silk is adhered;
A step of applying a coating to the surface of the porcelain to which the porcelain is adhered by applying a lacquer or refined paint to the porcelain;
A tertiary drying step of drying the crushed pottery;
A coloring step of painting painted with natural pigment or organic pigment and purified paint mixed in the same ratio on the surface of the ceramic body subjected to the crushing;
A fourth drying step of drying the painted pottery;
A lacquer is applied to the surface of a porcelain except for the entire porcelain including the linen or the surface of the porcelain including the linen, wherein the lacquer comprises a plurality of layers of the filter paper so as to remove the impurities as much as possible,
The primary, secondary, and tertiary drying steps are performed at a temperature of 25 ° C to 30 ° C and a humidity of 70% to 80%, and the fourth drying step has a temperature of 25 ° C to 30 ° C and a humidity of 40% to 50% Ceramic craft techniques using fibers to make. The method according to claim 1,
Wherein the fresh green is used in the same proportion as the diluting agent, and the refining powder in the baking step is blended with the diluting agent in a ratio of 6: 4. delete 3. The method according to claim 1 or 2,
Wherein the adhesive means is a blend of fresh and glutinous rice in an equal ratio.

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