CN107527605B - Bass Huqin - Google Patents

Bass Huqin Download PDF

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CN107527605B
CN107527605B CN201710942212.5A CN201710942212A CN107527605B CN 107527605 B CN107527605 B CN 107527605B CN 201710942212 A CN201710942212 A CN 201710942212A CN 107527605 B CN107527605 B CN 107527605B
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tube
piano
qin
tuning
bass
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CN107527605A (en
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张金娣
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Shandong University
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Shandong University
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Priority to CN202310899954.XA priority Critical patent/CN116665620A/en
Priority to CN202310897545.6A priority patent/CN116682394B/en
Priority to CN201710942212.5A priority patent/CN107527605B/en
Priority to CN202310897548.XA priority patent/CN116704975B/en
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    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00—General design of stringed musical instruments
    • G10D1/02—Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/12—Anchoring devices for strings, e.g. tail pieces or hitchpins
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/14—Tuning devices, e.g. pegs, pins, friction discs or worm gears

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Stringed Musical Instruments (AREA)
  • Electrophonic Musical Instruments (AREA)

Abstract

本发明提供一种低音胡琴,其针对现有民族胡琴类乐器家族中,没有适合民族乐队中对于低音和倍低音乐器的要求,无法实现民族音乐的艺术表现需要的技术问题,其设有琴筒,琴筒上部设有琴杆,琴杆上部设有琴头,琴头上设有内琴弦轴和外弦轴,内琴弦轴和外弦轴设有琴弦,琴弦一端与内琴弦轴和外弦轴旋转连接,琴弦设在琴筒外侧,琴弦与琴筒之间设有琴码,琴弦另一端固定在琴筒下部,琴筒包括琴筒侧板,所述琴筒侧板靠近琴弦一侧设有前面板,琴筒侧板背面设有后面板,琴筒内部设有支撑调音板,支撑调音板位于前面板和后面板之间,支撑调音板厚度方向对前面板和后面板形成支撑作用。本发明可广泛应用于低音胡琴。

The invention provides a bass huqin, which is aimed at the technical problem that the existing family of national huqin instruments does not meet the requirements for bass and sub-bass instruments in national bands, and cannot realize the artistic expression of national music. It is equipped with a qin tube , the upper part of the piano tube is provided with a piano bar, the upper part of the piano bar is provided with a headstock, the inner pegs and outer pegs are arranged on the headstock, the inner pegs and outer pegs are provided with strings, and one end of the strings is connected to the inner peg The peg and the outer peg are rotatably connected, the strings are arranged outside the qin tube, a saddle is arranged between the strings and the qin tube, the other end of the string is fixed on the lower part of the qin tube, the qin tube includes the side plate of the qin tube, the qin tube There is a front panel on the side of the barrel side plate close to the strings, a rear panel on the back of the side plate of the piano barrel, and a support tuning board inside the piano tube. The support tuning plate is located between the front panel and the rear panel, and the support tuning plate The thickness direction forms a supporting effect on the front panel and the rear panel. The invention can be widely applied to the bass huqin.

Description

低音胡琴Bass Huqin

技术领域technical field

本发明涉及一种胡琴类乐器,特别是涉及一种民族乐队中的低声部拉弦乐器。The invention relates to a huqin musical instrument, in particular to a low voice stringed instrument in a national band.

背景技术Background technique

众所周知,民族乐队中拉弦乐器一般选用高胡、二胡、中胡等,为了丰富乐队中低音乐器的演奏,还会选用大提琴、低音提琴,但是大提琴、低音提琴属于西洋乐器的一种,这样的组合导致整体民族乐队中既有民族乐器,又有西洋乐器,不能称为纯正的民族乐器的表演。As we all know, the stringed instruments in the national band generally use Gaohu, Erhu, Zhonghu, etc. In order to enrich the performance of the middle and bass instruments in the band, cellos and double basses are also used, but cellos and double basses are a kind of Western musical instruments. Such a combination As a result, there are both national musical instruments and Western musical instruments in the overall national band, which cannot be called a pure national musical performance.

为了实现民族乐队中能够全部采用民族乐器完成表演,不掺杂西洋乐器的表演,乐队的表演者也曾选用革胡,作为乐队的低音乐器,但是演奏效果仍然达不到纯正民族乐器的效果,主要有以下原因:In order to realize that the national band can use all national musical instruments to complete the performance without mixing western musical instruments, the performers of the band also chose Gehu as the bass instrument of the band, but the performance effect is still not up to the effect of pure national musical instruments. Mainly for the following reasons:

革胡是在二胡的基础上改进的,是一种如大提琴般拉奏的新型拉弦乐器,革胡的上部如大提琴,革胡的筒如二胡琴筒,这样的设计在拉奏中既不能使用胡琴类拉弦乐器的压弦、压揉弦等民族色彩的特性技巧,又缺乏大提琴的低音区的音色,其音域介于中胡与大提琴之间;同时,演奏者的演奏技术使用的是大提琴的演奏技术,这样胡琴类乐器演奏者无法演奏,因此,缺乏实际应用意义,乐队最终还是选择大提琴类乐器。Gehu is improved on the basis of Erhu. It is a new type of stringed instrument played like a cello. The upper part of Gehu is like a cello, and the tube of Gehu is like an Erhu tube. This design cannot be used in playing. Huqin-like stringed instruments have national characteristics such as pressing and kneading strings, and lack the timbre of the cello's bass range, and its range is between the middle hu and the cello; In this way, players of huqin instruments cannot play. Therefore, lack of practical application significance, the band finally chooses cello instruments.

在民族乐器的胡琴类家族中,胡琴类乐器由两根弦组成,与西洋乐器如大提琴的区别是,胡琴类乐器无指板,它的民族演奏特征主要体现在演奏者在两弦之间拉奏,演奏者左手按弦悬空演奏,右手运弓持弓如拿筷子、拿笔状,由于弓子是软弓,演奏时用手指调节弓子的松紧度运弓,就能拉奏出不同的音色和特性技巧。作为民族乐队的乐器,首先要保持这些民族乐器的演奏特性和技巧,才能达到表现手法一致,声部统一的要求,才能发挥民族乐队的民族演奏特点。In the huqin family of national musical instruments, huqin instruments are composed of two strings. The difference from Western instruments such as the cello is that huqin instruments have no fingerboard. Playing, the player presses the strings with his left hand and hangs in the air, and holds the bow with his right hand like chopsticks or a pen. Since the bow is a soft bow, he can play different timbres and sounds by adjusting the tightness of the bow with his fingers when playing. Feature skills. As a musical instrument of a national band, it is necessary to maintain the performance characteristics and skills of these national musical instruments first, in order to achieve the requirements of consistent expression techniques and unified voices, and to give full play to the national performance characteristics of the national band.

现有的民族胡琴类乐器家族中,没有适合民族乐队中对于低音和倍低音乐器的要求,无法实现民族音乐的艺术表现需要。In the existing national huqin family of musical instruments, there is no requirement for bass and sub-bass instruments suitable for national bands, and the artistic expression needs of national music cannot be realized.

发明内容Contents of the invention

本发明针对现有民族胡琴类乐器家族中,没有适合民族乐队中对于低音和倍低音乐器的要求,无法实现民族音乐的艺术表现需要的技术问题,提供一种既可以保持二胡等胡琴的两根弦组合及两弦之间拉奏的形制结构特点,又使民族乐器的特点没有改变,符合民族音乐的艺术表现需要,符合民族乐队乐器需要的一种低音胡琴。The present invention aims at the technical problem that the existing national huqin musical instrument family does not meet the requirements for bass and sub-bass instruments in national bands, and cannot realize the artistic expression of national music, and provides a two-string huqin that can maintain the erhu and other huqin The combination of strings and the shape and structure characteristics of playing between two strings keep the characteristics of national musical instruments unchanged. It meets the artistic expression needs of national music and a bass huqin that meets the needs of national band instruments.

本发明的技术方案是,一种低音胡琴,设有琴筒,琴筒上部设有琴杆,琴杆上部设有琴头,琴头上设有内琴弦轴和外弦轴,内琴弦轴和外弦轴设有琴弦,琴弦一端与内琴弦轴和外弦轴旋转连接,琴弦设在琴筒外侧,琴弦与琴筒之间设有琴码,琴弦另一端固定在琴筒下部,琴筒包括琴筒侧板,琴筒侧板靠近琴弦一侧设有前面板,琴筒侧板背面设有后面板,琴筒内部设有支撑调音板,支撑调音板位于前面板和后面板之间;The technical solution of the present invention is a bass huqin, which is provided with a qin tube, a qin bar is provided on the upper part of the qin tube, a piano head is provided on the upper part of the qin bar, an inner peg and an outer peg are arranged on the head, and the inner strings The shaft and the outer peg are provided with strings, one end of the string is rotatably connected with the inner peg and the outer peg, the string is set outside the qin tube, there is a bridge between the string and the qin tube, and the other end of the string is fixed In the lower part of the piano tube, the piano tube includes a piano tube side plate, a front panel is provided on the side of the piano tube side plate close to the strings, a rear panel is provided on the back of the piano tube side plate, and a supporting tuning board is provided inside the piano tube to support tuning. plate located between the front and rear panels;

琴筒内部设有的支撑调音板位于琴筒的垂直轴线上,支撑调音板上下侧面与琴筒内侧面之间设有调音通道。The supporting tuning board provided inside the piano tube is located on the vertical axis of the piano tube, and a tuning channel is provided between the upper and lower sides of the supporting tuning board and the inner side of the piano tube.

优选地,琴筒内部设有的支撑调音板位于琴筒的垂直轴线两侧,支撑调音板上设有调音通道,支撑调音板相对于琴筒的垂直轴线对称。Preferably, the supporting tuning board provided inside the piano tube is located on both sides of the vertical axis of the piano tube, the supporting tuning board is provided with a tuning channel, and the supporting tuning board is symmetrical to the vertical axis of the piano tube.

优选地,琴筒形状为圆形,支撑调音板设置在琴筒的垂直轴线上,支撑调音板上下设置两个,支撑调音板之间设有调音通道,支撑调音板的圆弧长度与调音通道的圆弧长度相同,两个支撑调音板和两个调音通道将支撑调音板的圆弧所在圆等分成四等份,支撑调音板和琴筒侧板内侧形成回响通道,回响通道的宽度与调音通道的圆弧长度相同。Preferably, the shape of the piano tube is circular, the supporting tuning board is arranged on the vertical axis of the piano tube, two supporting tuning boards are arranged up and down, a tuning channel is provided between the supporting tuning boards, and the circle of the supporting tuning board The arc length is the same as the arc length of the tuning channel. The two supporting tuning boards and the two tuning channels divide the circle where the arc of the supporting tuning board is located into four equal parts, and the supporting tuning board and the inner side of the side panel of the piano tube A reverberation channel is formed, and the width of the reverberation channel is the same as the arc length of the tuning channel.

优选地,琴筒形状为圆形,支撑调音板设置在琴筒的垂直轴线上,支撑调音板上下设置两个,支撑调音板位于琴筒的垂直轴线方向左右又对称设置两个,支撑调音板之间设有调音通道,四个支撑调音板和四个调音通道将支撑调音板的圆弧所在圆等分成八等份,支撑调音板和琴筒侧板内侧形成回响通道,回响通道的宽度与调音通道的圆弧长度相同。Preferably, the shape of the qin tube is circular, the supporting tuning board is arranged on the vertical axis of the qin tube, two supporting tuning boards are arranged up and down, and two supporting tuning boards are arranged symmetrically on the left and right in the direction of the vertical axis of the qin tube, There are tuning channels between the supporting tuning boards, the four supporting tuning boards and the four tuning channels divide the circle where the arc of the supporting tuning board is located into eight equal parts, and the supporting tuning board and the inside of the side panel of the piano tube A reverberation channel is formed, and the width of the reverberation channel is the same as the arc length of the tuning channel.

优选地,琴筒形状为“8”字形,支撑调音板设置在琴筒的垂直轴线上,支撑调音板上下设置两个,支撑调音板位于琴筒的垂直轴线方向左右又对称设置两组,支撑调音板之间设有调音通道,支撑调音板和琴筒侧板内侧形成回响通道。Preferably, the shape of the qin tube is "8", the supporting tuning board is arranged on the vertical axis of the qin tube, two supporting tuning boards are arranged up and down, and two supporting tuning boards are arranged symmetrically on the left and right in the direction of the vertical axis of the qin tube. A group, a tuning channel is arranged between the supporting tuning boards, and an echo channel is formed between the supporting tuning board and the inner side of the side plate of the piano tube.

优选地,支撑调音板为圆环形,支撑调音板内圆圈为调音通道。Preferably, the supporting tuning plate is circular, and the inner circle of the supporting tuning plate is a tuning channel.

优选地,支撑调音板为椭圆形结构,支撑调音板侧面设有音色扰动唇板。Preferably, the supporting tuning board has an elliptical structure, and the side of the supporting tuning board is provided with a timbre disturbing lip.

优选地,多个椭圆形结构的支撑调音板组合在一起,音色扰动唇板相互连接,相互连接的音色扰动唇板之间又形成调音通道。Preferably, a plurality of supporting tuning plates with elliptical structures are combined together, the timbre disturbing lip plates are connected to each other, and a tuning channel is formed between the interconnected timbre disturbing lip plates.

优选地,支撑调音板为三角形结构,三角形结构的支撑调音板包括左右两个支架,左右两个支架与前面板形成三角形形状。Preferably, the supporting tuning board has a triangular structure, and the supporting tuning board of the triangular structure includes two left and right brackets, and the left and right brackets form a triangle shape with the front panel.

本发明的有益效果是,由于低音胡琴,设有琴筒,琴筒上部设有琴杆,琴杆上部设有琴头,琴头上设有内琴弦轴和外弦轴,内琴弦轴和外弦轴设有琴弦,琴弦一端与内琴弦轴和外弦轴旋转连接,琴弦设在琴筒外侧,琴弦与琴筒之间设有琴码,琴弦另一端固定在琴筒下部,琴筒包括琴筒侧板,琴筒侧板靠近琴弦一侧设有前面板,琴筒侧板背面设有后面板,琴筒内部设有支撑调音板,支撑调音板位于前面板和后面板之间,支撑调音板厚度方向对前面板和后面板形成支撑作用,这种支撑力,可以保证琴筒的尺寸做的较大,琴筒的厚度做的较薄,这样既可以保证琴筒的强度能够承受琴弦的张力,尤其在长时间的拉奏表演时,也能保持足够的强度支撑,保证琴筒不会发生形变,保持胡琴音色长时间的稳定,同时支撑调音板的不同设计形状和各种不同位置的设置,可以调节琴筒内部共鸣腔的混响效果,既可以达到音色变低的效果,又可以使胡琴能够调制成各种不同的音色, 发挥民族乐器的特点。The beneficial effect of the present invention is, because bass huqin, be provided with qin tube, qin tube top is provided with qin bar, qin bar top is provided with qin head, qin head is provided with inner qin peg and outer peg, inner qin peg There are strings on the outer pegs, one end of the strings is connected to the inner pegs and the outer pegs in rotation, the strings are set on the outside of the qin tube, there is a bridge between the strings and the qin tube, and the other end of the strings is fixed on the The lower part of the qin tube, the qin tube includes the side plate of the qin tube, the side of the side plate of the qin tube close to the strings is provided with a front panel, the back of the side plate of the qin tube is provided with a rear panel, and the inside of the qin tube is provided with a supporting tuning board, which supports the tuning board Located between the front panel and the rear panel, the thickness direction of the supporting tuning board forms a supporting effect on the front panel and the rear panel. This supporting force can ensure that the size of the piano tube is made larger and the thickness of the piano tube is made thinner. In this way, the strength of the qin tube can be guaranteed to withstand the tension of the strings, especially during long-term playing performances, and it can also maintain sufficient strength support to ensure that the qin tube will not be deformed and keep the sound of the huqin stable for a long time. The different design shapes and various positions of the supporting tuning board can adjust the reverberation effect of the resonance cavity inside the piano tube, which can not only achieve the effect of lowering the tone color, but also enable the Huqin to be tuned into various tone colors. Give full play to the characteristics of national musical instruments.

又由于琴筒的厚度可以做的较薄,琴筒直径可以做的很大,可以放在两腿之间拉奏,民族演奏技术不受其筒大的影响,可以无障碍拉奏弓子,民族演奏技术方面可以发挥淋漓尽致,解决了以往由于琴筒厚度加厚,放在腿上或放在腿前方或放在两腿之间都不方便于演奏,弓子无法拉奏,民族演奏技术受阻碍的问题。And because the thickness of the qin tube can be made thinner, the diameter of the qin tube can be made larger, and it can be played between the legs. Playing technique can be brought into full play, which solves the problem that in the past, due to the thickened piano tube, it is not convenient to play on the legs or in front of the legs or between the legs, the bow cannot be played, and the national performance technology is hindered. question.

因此,该低音胡琴能够保持和发挥演奏胡琴类乐器的演奏技术,像在二胡类悬空无指板的拉弦乐器中使用的左手大滑揉弦、压揉、搂揉等民族特色技术手法,就可以在该低音胡琴,而革胡、大提琴类有指板类拉弦乐器则无法演奏。Therefore, this bass huqin can maintain and bring into play the performance techniques of playing huqin instruments, such as the left-handed large sliding vibrato, pressing rubbing, cuddling rubbing and other national characteristic technical techniques used in the erhu type suspended stringed instruments without fingerboards, etc., can be used in The bass huqin, but the leather hu, cello and other stringed instruments with fingerboards cannot be played.

同时,右手运弓的配合上,由于二胡的软弓以及拿筷子状的持弓与提琴类乐器的硬弓以及拿东西状的持弓不同,在运弓技巧上也有很大区别,提琴类乐器的运弓很难表现出民族音乐的特殊色彩。At the same time, due to the difference between the soft bow of the erhu and the chopstick-like holding bow of the erhu and the hard bow of the violin and the thing-like holding bow, there is also a big difference in the bowing skills of the violin. It is difficult to show the special color of national music in bowing.

该低音胡琴拉奏时的运弓技巧提琴类乐器是无法演奏的,比如,模仿埋伏的声音、风声或河南等地方特色技术手法,弓杆与弓毛需要同时拉奏,弓杆拉奏外弦,弓毛拉奏内琴弦,发出沙哑与乐音音色,才能表现出来。而提琴类乐器弓子在弦外拉奏,无法同时做到弓杆拉奏一根弦,弓毛拉奏另一根弦;再比如模仿马蹄声,需要松松的弓毛轧住弦顺弦上下摩擦,提琴类弓毛很紧,虽然能够摩擦,但演奏不出马蹄声的声音效果。The bow-moving skills of the bass huqin cannot be played by violin instruments. For example, to imitate the sound of ambushes, the sound of the wind, or local characteristic techniques such as Henan. Only when the bow hair pulls the inner strings and produces a hoarse and musical tone can it be expressed. However, the bow of violin instruments is played outside the strings, and it is impossible to play one string with the bow stick and the other string with the bow hair at the same time; another example is to imitate the sound of horseshoes, you need loose bow hairs to hold the strings and rub them up and down. , The violin bow hair is very tight, although it can be rubbed, it can't play the sound effect of horseshoes.

诸如此类的很多民族音乐,需要的是符合民族音乐表现的民族乐器演奏,该低音胡琴就可以解决提琴类乐器很难完成的演奏要求和技巧,而且保持低音和倍低音的音色。该低音胡琴保持了二胡等胡琴的两根弦组合及两弦之间拉奏的形制结构特点,民族乐器的特点没有改变。A lot of national music like this needs the performance of national musical instruments that meet the performance of national music, and this bass huqin can solve the performance requirements and skills that are difficult for violin instruments to complete, and keep the timbre of bass and double bass. The bass huqin maintains the shape and structure characteristics of the combination of two strings and the playing between the two strings of erhu and other huqins, and the characteristics of national musical instruments have not changed.

又因为琴筒的材料为木质材料,不会出现以往琴筒加大加厚,琴筒外表面依然选用蛇皮蒙制,蛇皮会因阴雨天气、潮湿变化等原因变松弛,导致琴码易崩掉,琴的音色也会暗哑或发不出声音的技术问题,琴筒表面稳定性好,音色保持度好,琴筒的材质由蛇皮蟒皮改为木质或其他材质,更为环保。And because the material of the piano tube is made of wood, there will be no enlargement and thickening of the piano tube in the past. The outer surface of the piano tube is still made of snake skin. The snake skin will become loose due to rainy weather, humidity changes, etc. If it collapses, the timbre of the piano will be dull or there will be no technical problems. The surface of the qin tube is stable and the timbre is well maintained. The material of the qin tube is changed from snake skin python skin to wood or other materials, which is more environmentally friendly .

又由于琴筒形状为“8”字形的设计,琴筒的形状可以做的更大,“8”字形中间的凹陷部,可以便于操作者放到两腿之间,轻松演奏,“8”字形的设计内部的支撑调音板的布局,可以达到各种倍低音的混响效果,同时使得该胡琴达到倍低音胡琴的效果。And because the shape of the piano tube is designed in the shape of "8", the shape of the piano tube can be made larger. The concave part in the middle of the "8" shape can be easily placed between the operator's legs and play easily. The "8" shape The layout of the supporting tuning board inside the design can achieve various sub-bass reverberation effects, and at the same time make the huqin achieve the effect of a sub-bass huqin.

综上所述,低音胡琴及倍低音胡琴演奏上保持了胡琴,比如二胡的演奏特点,二胡演奏者都能够演奏低音胡琴及倍低音胡琴,更方便乐队人员操作;低音胡琴及倍低音胡琴在音高、音色上,解决了乐队弦乐声部的低声部问题,使民族乐队乐器民族化得到解决,乐队乐器音色统一了;低音胡琴及倍低音胡琴,解决了筒大无法演奏的问题,更主要的是保留了胡琴类乐器区别于提琴类乐器的最主要的特点,让民族乐队的乐器更加完善。 因此,该低音胡琴乐器的设计符合民族音乐的艺术表现需要,符合民族乐队乐器的需要。To sum up, the performance of the bass huqin and double bass huqin maintains the performance characteristics of the huqin, such as the erhu. Erhu players can play the bass huqin and double bass huqin, which is more convenient for band personnel to operate; In terms of high and timbre, it solves the problem of the low part of the string part of the orchestra, solves the nationalization of the musical instruments of the national orchestra, and unifies the timbre of the musical instruments of the band; The main thing is to retain the most important features of huqin instruments that are different from violin instruments, so as to make the instruments of national bands more perfect. Therefore, the design of the bass huqin musical instrument meets the needs of the artistic expression of national music and meets the needs of national band instruments.

附图说明Description of drawings

图1是本发明一种实施例的轴测图;Fig. 1 is an axonometric view of an embodiment of the present invention;

图2是图1的后视图;Fig. 2 is the back view of Fig. 1;

图3是图2的A-A剖视图;Fig. 3 is A-A sectional view of Fig. 2;

图4是图1的主视图;Fig. 4 is the front view of Fig. 1;

图5是图1侧视图;Fig. 5 is a side view of Fig. 1;

图6是琴筒的一种内部结构实施例1;Fig. 6 is a kind of internal structure embodiment 1 of piano tube;

图7是琴筒的一种内部结构实施2;Fig. 7 is a kind of internal structure implementation 2 of piano tube;

图8是琴筒的一种内部结构实施3;Fig. 8 is a kind of internal structure implementation 3 of piano tube;

图9是琴筒的一种内部结构实施4;Fig. 9 is a kind of internal structure implementation 4 of piano tube;

图10是本发明另一种实施例的轴测图;Figure 10 is an axonometric view of another embodiment of the present invention;

图11是图10的后视图;Figure 11 is a rear view of Figure 10;

图12是图11的B-B剖视图;Fig. 12 is the B-B sectional view of Fig. 11;

图13是图10的主视图;Fig. 13 is the front view of Fig. 10;

图14是琴筒的一种内部结构实施例5;Fig. 14 is a kind of internal structure embodiment 5 of piano tube;

图15是琴筒的一种内部结构实施例6;Fig. 15 is a kind of internal structure embodiment 6 of piano tube;

图16是图10的后视图;Figure 16 is a rear view of Figure 10;

图17是一种支撑调音板示意图;Fig. 17 is a schematic diagram of a supporting tuning board;

图18是另一种支撑调音板示意图;Fig. 18 is another kind of schematic diagram of supporting the tuning board;

图19是又一种支撑调音板示意图;Fig. 19 is another schematic diagram of a supporting tuning board;

图20是一种三角形支撑调音板示意图;Fig. 20 is a schematic diagram of a triangular support tuning board;

图21是一种弧形三角形支撑调音板示意图;Fig. 21 is a schematic diagram of a curved triangular support tuning board;

图22是又一种弧形三角形支撑调音板示意图。Fig. 22 is a schematic diagram of yet another arc-shaped triangular support sounding board.

图中符号说明:Explanation of symbols in the figure:

1.琴筒;2.内琴弦轴;3.外弦轴;4.琴头;5.千金;6.琴杆;7.琴弦;8.弓毛;9.弓杆;10.支杆;101.前面板;102.回音孔;103.琴筒侧板;104.琴码;105.后面板;106.支撑调音板;107.调音通道;108.回响通道;109.音色扰动唇板;701.内琴弦;702.外琴弦。1. Piano tube; 2. Inner pegs; 3. Outer pegs; 4. Piano head; 5. Qianjin; 6. Piano bar; 7. Strings; Rod; 101. Front panel; 102. Echo hole; 103. Piano tube side panel; 104. Piano bridge; 105. Rear panel; 106. Support tuning board; 107. Tuning channel; 108. Echo channel; 109. Timbre Disturb lip plate; 701. Inner strings; 702. Outer strings.

实施方式Implementation

实施例1Example 1

图1-9是本发明低音胡琴的一种实施例,设有琴筒1,琴筒1上部设有琴杆6,琴杆6上部设有千金5和琴头4,琴头4上设有内琴弦轴2和外弦轴3,内琴弦轴2和外弦轴3设有琴弦7,琴弦7一端与内琴弦轴2和外弦轴3旋转连接,琴弦7设在琴筒1外侧,琴弦7与琴筒1之间设有琴码104,琴弦7另一端固定在琴筒1下部,琴筒1包括琴筒侧板103,琴筒侧板103靠近琴弦7一侧设有前面板101,琴筒侧板103背面设有后面板105,琴筒1内部设有支撑调音板106,支撑调音板106位于前面板101和后面板105之间,支撑调音板106厚度方向对前面板101和后面板105形成支撑作用,这种支撑力,可以保证琴筒1的尺寸做的较大,琴筒1的厚度做的较薄,这样既可以保证琴筒1的强度能够承受琴弦7的张力,尤其在长时间的拉奏表演时,也能保持足够的强度支撑,保证琴筒1不会发生形变,保持胡琴音色长时间的稳定,同时支撑调音板106的不同设计形状和各种不同位置的设置,可以调节琴筒1内部共鸣腔的混响效果,既可以达到音色变低的效果,又可以使胡琴能够调制成各种不同的音色, 发挥民族乐器的特点。Fig. 1-9 is a kind of embodiment of bass huqin of the present invention, is provided with qin tube 1, and qin tube 1 top is provided with qin bar 6, and qin bar 6 top is provided with daughter 5 and qin head 4, and qin head 4 is provided with The inner pegs 2 and the outer pegs 3, the inner pegs 2 and the outer pegs 3 are provided with strings 7, one end of the strings 7 is rotationally connected with the inner pegs 2 and the outer pegs 3, and the strings 7 are arranged on On the outside of the piano tube 1, there is a bridge 104 between the strings 7 and the piano tube 1, the other end of the strings 7 is fixed on the lower part of the piano tube 1, the piano tube 1 includes a piano tube side plate 103, and the piano tube side plate 103 is close to the strings 7. A front panel 101 is provided on one side, a rear panel 105 is provided on the back of the piano tube side panel 103, and a support tuning board 106 is provided inside the piano tube 1. The support tuning board 106 is located between the front panel 101 and the rear panel 105, and the support The thickness direction of the tuning board 106 forms a supporting effect on the front panel 101 and the rear panel 105. This supporting force can ensure that the size of the piano tube 1 is made larger, and the thickness of the piano tube 1 is made thinner, so that the The strength of the barrel 1 can withstand the tension of the strings 7, especially in the long-term playing performance, it can also maintain sufficient strength support to ensure that the qin barrel 1 will not be deformed, keep the huqin sound stable for a long time, and at the same time support the tuning. The different design shapes and various positions of the soundboard 106 can adjust the reverberation effect of the internal resonance chamber of the qin tube 1, which can not only achieve the effect of lowering the timbre, but also enable the huqin to be modulated into various timbres. Give full play to the characteristics of national musical instruments.

琴筒1的外圆直径可以根据低音效果做的很大,琴筒1的厚度可以保持很薄,该实施例的琴筒1的外圆直径设计在200-600mm之间,厚度设计在50-100mm之间,由于琴筒1的厚度可以做的较薄,琴筒1直径可以做的很大,可以放在两腿之间拉奏,民族演奏技术不受其筒大的影响,可以无障碍拉奏弓子,弓子包括弓毛8和弓杆9,民族演奏技术方面可以发挥淋漓尽致,解决了以往由于琴筒1厚度加厚,放在腿上或放在腿前方或放在两腿之间都不方便于演奏,弓子无法拉奏,民族演奏技术受阻碍的问题。The outer diameter of the piano tube 1 can be made very large according to the bass effect, and the thickness of the piano tube 1 can be kept very thin. The outer diameter of the piano tube 1 of this embodiment is designed between 200-600mm, and the thickness is designed at 50-600 mm. Between 100mm, because the thickness of the qin tube 1 can be made thinner, the diameter of the qin tube 1 can be made larger, and it can be placed between the legs to play. Playing the bow, the bow includes the bow hair 8 and the bow stick 9, the national performance technology can be brought into full play, and it solves the problem of placing it on the legs or in front of the legs or between the legs due to the thickening of the piano tube 1 in the past. It is inconvenient to play, the bow cannot be played, and the problems of ethnic performance skills are hindered.

因此,该低音胡琴能够保持和发挥演奏胡琴类乐器的演奏技术,像在二胡类悬空无指板的拉弦乐器中使用的左手大滑揉弦、压揉、搂揉等民族特色技术手法,就可以在该低音胡琴,而革胡、大提琴类有指板类拉弦乐器则无法演奏。Therefore, this bass huqin can maintain and bring into play the performance techniques of playing huqin instruments, such as the left-handed large sliding vibrato, pressing rubbing, cuddling rubbing and other national characteristic technical techniques used in the erhu type suspended stringed instruments without fingerboards, etc., can be used in The bass huqin, but the leather hu, cello and other stringed instruments with fingerboards cannot be played.

同时,右手运弓的配合上,由于二胡的软弓以及拿筷子状的持弓与提琴类乐器的硬弓以及拿东西状的持弓不同,在运弓技巧上也有很大区别,提琴类乐器的运弓很难表现出民族音乐的特殊色彩。At the same time, due to the difference between the soft bow of the erhu and the chopstick-like holding bow of the erhu and the hard bow of the violin and the thing-like holding bow, there is also a big difference in the bowing skills of the violin. It is difficult to show the special color of national music in bowing.

图4中可看出,前面板101上设有回音孔102,回音孔102可以调节低音胡琴的音色,前面板101上也可以不设置回音孔102,也可以根据需要设置不同数量的回音孔102,主要目的是为了调节低音的音色和回响效果。It can be seen from Fig. 4 that an echo hole 102 is provided on the front panel 101, and the echo hole 102 can adjust the timbre of the bass huqin, and the echo hole 102 may not be provided on the front panel 101, or different numbers of echo holes 102 may be set as required , the main purpose is to adjust the timbre and reverberation effect of the bass.

图6是琴筒的一种内部结构实施例1,琴筒1内部设有的支撑调音板106位于琴筒1的垂直轴线上,支撑调音板106上下侧面与琴筒1内侧面设有调音通道107,支撑调音板106设置在琴码104底部的设计,支撑于琴码104与琴筒1交接处,使得受力更为合理,胡琴的稳定性更好。Fig. 6 is a kind of internal structure embodiment 1 of piano tube, the support tuning plate 106 that is provided with inside the piano tube 1 is located on the vertical axis of piano tube 1, and the upper and lower sides of support tuning plate 106 and the inner surface of piano tube 1 are provided with The tuning channel 107 and the design that the supporting tuning board 106 is arranged at the bottom of the piano saddle 104 are supported at the junction of the piano saddle 104 and the piano tube 1, so that the force is more reasonable and the stability of the huqin is better.

图7是琴筒的一种内部结构实施例2,琴筒1内部设有的支撑调音板106位于琴筒1的垂直轴线两侧,支撑调音板106上设有调音通道107,支撑调音板106相对于琴筒1的垂直轴线对称。Fig. 7 is a kind of internal structure embodiment 2 of piano tube, and the support tuning board 106 that is provided with inside the piano tube 1 is positioned at both sides of the vertical axis of piano tube 1, is provided with tuning channel 107 on the support tuning board 106, supports The tuning board 106 is symmetrical with respect to the vertical axis of the piano barrel 1 .

图8是琴筒的一种内部结构实施例3,琴筒1形状为圆形,支撑调音板106设置在琴筒1的垂直轴线上,支撑调音板106为圆弧形状,支撑调音板106与琴筒侧板103的圆弧同心,支撑调音板106上下设置两个,支撑调音板106之间设有调音通道107,支撑调音板106的圆弧长度与调音通道107的圆弧长度相同,两个支撑调音板106和两个调音通道107将支撑调音板106的圆弧所在圆等分成四等份,支撑调音板106和琴筒侧板103内侧形成回响通道108,回响通道108的宽度与调音通道107的圆弧长度相同。Fig. 8 is a kind of internal structure embodiment 3 of the piano tube, the shape of the piano tube 1 is circular, and the supporting tuning plate 106 is arranged on the vertical axis of the piano tube 1, and the supporting tuning plate 106 is in the shape of an arc, supporting the tuning The circular arc of plate 106 and piano tube side plate 103 is concentric, two supporting tuning plates 106 are set up and down, and tuning channel 107 is arranged between supporting tuning plates 106, and the arc length of supporting tuning plate 106 is consistent with the tuning channel. 107 have the same arc length, two support tuning boards 106 and two tuning passages 107 will support the tuning board 106 arc where the circle is divided into four equal parts, support tuning board 106 and the inner side of the piano tube side plate 103 A reverberation channel 108 is formed, and the width of the reverberation channel 108 is the same as the arc length of the tuning channel 107 .

图9是琴筒的一种内部结构实施4,琴筒1形状为圆形,支撑调音板106设置在琴筒1的垂直轴线上,支撑调音板106为圆弧形状,支撑调音板106与琴筒1侧支板的圆弧同心,支撑调音板106上下设置两个,支撑调音板106位于琴筒1的垂直轴线方向左右又对称设置两个,支撑调音板106之间设有调音通道107,四个支撑调音板106和四个调音通道107将支撑调音板106的圆弧所在圆等分成八等份,支撑调音板106和琴筒侧板103内侧形成回响通道108,回响通道108的宽度与调音通道107的圆弧长度相同。Fig. 9 is a kind of internal structure implementation 4 of the piano tube, the shape of the piano tube 1 is circular, the supporting tuning board 106 is arranged on the vertical axis of the piano tube 1, the supporting tuning board 106 is in the shape of an arc, and the supporting tuning board 106 is concentric with the circular arc of the side support plate of the piano tube 1, and two support tuning plates 106 are arranged up and down, and two support tuning plates 106 are located in the direction of the vertical axis of the piano tube 1, and two are arranged symmetrically, between the support tuning plates 106 There are tuning channels 107, four supporting tuning boards 106 and four tuning channels 107 divide the circle where the arc of the supporting tuning board 106 is into eight equal parts, and support the tuning board 106 and the inner side of the piano tube side plate 103 A reverberation channel 108 is formed, and the width of the reverberation channel 108 is the same as the arc length of the tuning channel 107 .

以上几种琴筒内部结构的实施例,使得该低音胡琴拉奏时的运弓技巧提琴类乐器是无法演奏的,比如,模仿埋伏的声音、风声或河南等地方特色技术手法,弓杆9与弓毛8需要同时拉奏,弓杆9拉奏外琴弦702,弓毛8拉奏内琴弦701,发出沙哑与乐音音色,才能表现出来。而提琴类乐器弓子在弦外拉奏,无法同时做到弓杆9拉奏一根弦,弓毛8拉奏另一根弦;再比如模仿马蹄声,需要松松的弓毛8轧住弦顺弦上下摩擦,提琴类弓毛很紧,虽然能够摩擦,但演奏不出马蹄声的声音效果。The embodiments of the internal structure of the above several qin tubes make it impossible to play the bow-moving skill violin class instruments when the bass huqin is played. The bow hair 8 needs to be played simultaneously, and the outer string 702 is played by the bow rod 9, and the inner string 701 is played by the bow hair 8, so that the hoarse and musical tone can be shown. However, the bow of a violin instrument is played outside the strings, and it is impossible to simultaneously play one string with the bow rod 9 and the other string with the bow hair 8; another example is to imitate the sound of horseshoes, which requires loose bow hairs 8 to hold the strings Rubbing up and down along the strings, the bow hairs of violins are very tight. Although they can be rubbed, they can't play the sound effect of horseshoes.

诸如此类的很多民族音乐,需要的是符合民族音乐表现的民族乐器演奏,该低音胡琴就可以解决提琴类乐器很难完成的演奏要求和技巧,而且保持低音和倍低音的音色。该低音胡琴保持了二胡等胡琴的两根弦组合及两弦之间拉奏的形制结构特点,民族乐器的特点没有改变。A lot of national music like this needs the performance of national musical instruments that meet the performance of national music, and this bass huqin can solve the performance requirements and skills that are difficult for violin instruments to complete, and keep the timbre of bass and double bass. The bass huqin maintains the shape and structure characteristics of the combination of two strings and the playing between the two strings of erhu and other huqins, and the characteristics of national musical instruments have not changed.

琴杆6穿过琴筒侧板103上部进入到琴筒1内部,琴杆6尾部与琴筒1侧支板下部连接,在琴筒侧板103下部设有支杆10,支杆10为琴杆6尾部穿过琴筒侧板103下部外漏在琴筒1外部形成的或者直接在琴筒侧板103下部单独设置。该实施例主要采用琴杆6穿过琴筒1后,再穿过琴筒侧板103下部,外漏在琴筒1外部形成支杆10的实施方式,这样可以保证整体的琴杆6与琴筒1连接的完整性,胡琴的刚度更好。The piano bar 6 passes through the upper part of the piano tube side plate 103 and enters the interior of the piano tube 1, the tail of the piano bar 6 is connected with the lower part of the side support plate of the piano tube 1, and a support rod 10 is arranged at the bottom of the piano tube side plate 103, and the support rod 10 is the The afterbody of the rod 6 passes through the bottom of the piano tube side plate 103 and is formed outside the piano tube 1 or is directly arranged separately at the bottom of the piano tube side plate 103 . This embodiment mainly adopts the embodiment that the piano bar 6 passes through the piano tube 1, then passes through the bottom of the piano tube side plate 103, and leaks outside the piano tube 1 to form a strut 10, so that the overall piano bar 6 and the piano tube can be guaranteed. The integrity of the connection of cylinder 1 and the stiffness of the huqin are better.

琴筒1的材料为木质材料,因为琴筒的材料为木质材料,不会出现以往琴筒加大加厚,琴筒外表面依然选用蛇皮蒙制,蛇皮会因阴雨天气、潮湿变化等原因变松弛,导致琴码易崩掉,琴的音色也会暗哑或发不出声音的技术问题,琴筒1的材质除薄木板外的其他材质,比如仿皮材质也可以,对称另一面也用薄木板或其他仿皮材质蒙制,琴弦7在琴筒1的底部设置缚弦用来扣住琴弦,琴筒1表面稳定性好,音色保持度好,琴筒1的材质由蛇皮蟒皮改为木质或其他材质,更为环保。The material of the qin tube 1 is wooden material, because the material of the qin tube is made of wood, there will be no enlargement and thickening of the qin tube in the past, and the outer surface of the qin tube is still made of snake skin, and the snake skin will change due to rainy weather, humidity, etc. The reason becomes loose, causing the bridge to break easily, and the tone of the piano will also be dull or unable to produce a technical problem. The material of the piano tube 1 is other than thin wood, such as imitation leather, and the other side is symmetrical. It is also made of thin wood or other imitation leather materials. The strings 7 are set at the bottom of the piano tube 1 to hold the strings. The surface of the piano tube 1 has good stability and good tone retention. The material of the piano tube 1 is made of Snake skin and python skin are changed to wood or other materials, which is more environmentally friendly.

实施例2Example 2

图10-16是本发明的另一种实施例,与实施例1不同之处是,琴筒1形状为“8”字形,支撑调音板106设置在琴筒1的垂直轴线上,支撑调音板106为圆弧形状,支撑调音板106与琴筒侧板103的圆弧同心,支撑调音板106上下设置两个,支撑调音板106位于琴筒1的垂直轴线方向左右又对称设置两组,支撑调音板106之间设有调音通道107,支撑调音板106和琴筒侧板103内侧形成回响通道108,由于琴筒1形状为“8”字形的设计,琴筒1的形状可以做的更大,“8”字形中间的凹陷部,可以便于操作者放到两腿之间,轻松演奏,“8”字形的设计内部的支撑调音板106的布局,可以达到各种倍低音的混响效果,同时使得该胡琴达到倍低音胡琴的效果。Fig. 10-16 is another kind of embodiment of the present invention, and the difference with Embodiment 1 is that the piano tube 1 is in the shape of "8", and the supporting tuning board 106 is arranged on the vertical axis of the piano tube 1, and the supporting tuning plate The soundboard 106 is in the shape of an arc, and the supporting tuning board 106 is concentric with the circular arc of the side plate 103 of the piano tube. There are two supporting tuning boards 106 up and down. There are two groups, and a tuning channel 107 is arranged between the supporting tuning board 106, and the reverberation channel 108 is formed inside the supporting tuning board 106 and the side plate 103 of the piano tube. The shape of 1 can be made larger. The concave part in the middle of the "8" shape can be conveniently placed between the operator's legs to play easily. The layout of the support tuning board 106 inside the "8" shape design can achieve The reverberation effect of various sub-bass makes the huqin achieve the effect of sub-bass huqin at the same time.

琴筒1的外形可以是圆形、六角形、八角形、扁圆形等,都可以按照该实施方式进行优化,满足琴筒的扁平结构特点。The shape of the piano tube 1 can be circular, hexagonal, octagonal, oblate, etc., all of which can be optimized according to this embodiment to meet the flat structural characteristics of the piano tube.

如图17所示,是一种支撑调音板106的结构示意图,图中可看出,支撑调音板106为圆环形,支撑调音板106内圆圈为调音通道107,该调音通道107设置在支撑调音板106内圆圈,制作简单,可以方便调整低音胡琴的音色,中间的调音通道107还可以方便琴杆6穿过;该支撑调音板106可以设置在琴筒中的任何位置,也可以设置多个,形成对称或者不对称布置,来满足不同演奏者或者不同乐队对于低音胡琴音色的需求。支撑调音板106的外圆圈可以与低音胡琴的前面板101和后面板105的内侧相连接,形成支撑作用,便于低音胡琴的长期演奏的稳定性,也可以根据支撑需要设置多个支撑调音板106。同时,圆环形的支撑调音板106与低音胡琴的前面板101和后面板105的内侧相连接时,由于圆形的外圆圈和前面板101和后面板105内侧的平面交接处又形成调音通道107,又可以起到调整低音胡琴音色的作用。As shown in Figure 17, it is a structural schematic diagram of a support tuning board 106, as can be seen in the figure, the support tuning board 106 is a circular ring, and the inner circle of the support tuning board 106 is a tuning channel 107, the tuning The channel 107 is arranged on the inner circle of the supporting tuning board 106, which is simple to make and can conveniently adjust the timbre of the violin. The tuning channel 107 in the middle can also facilitate the passage of the piano bar 6; the supporting tuning board 106 can be arranged on the You can set more than one position at any position to form a symmetrical or asymmetrical arrangement to meet the needs of different players or different bands for the timbre of the bass violin. The outer circle of the support tuning board 106 can be connected with the inner side of the front panel 101 and the rear panel 105 of the bass huqin to form a support effect, which is convenient for the stability of the long-term performance of the bass huqin, and multiple support tunings can also be set according to the support needs plate 106. Simultaneously, when the ring-shaped supporting tuning plate 106 was connected with the inboard of the front panel 101 and the back panel 105 of the bass violin, because the plane junction of the circular outer circle and the front panel 101 and the inside of the back panel 105 forms a tone again. The tone channel 107 can play the effect of adjusting the timbre of the bass violin again.

如图18所示,是另一种支撑调音板106,该支撑调音板106为异形结构,支撑调音板106侧面设有音色扰动唇板109,该音色扰动唇板109的设置,相对支撑调音板106的主体形成悬臂状态,悬臂状态的音色扰动唇板109可以调整低音胡琴的低音部分的音色,同时可以拓宽更丰富的低音频率,形成更有特色的民族低音乐器。As shown in Figure 18, it is another kind of support tuning board 106, and this support tuning board 106 is a special-shaped structure, and the side of the support tuning board 106 is provided with a timbre disturbing lip 109, and the setting of the timbre disturbing lip 109 is relatively The main body supporting the tuning board 106 is in a cantilever state, and the timbre disturbance lip 109 in the cantilever state can adjust the timbre of the bass part of the violin, and can broaden the richer bass frequencies at the same time, forming a more distinctive national bass instrument.

如图19所示,是又一种支撑调音板106,该实施例中,支撑调音板106为多个异形结构的支撑调音板106组合在一起,音色扰动唇板109相互连接,相互连接的音色扰动唇板109之间又形成调音通道107,这种设置更适合于琴筒1体积较大时的应用。As shown in Figure 19, it is another kind of support tuning board 106. In this embodiment, the support tuning board 106 is a combination of support tuning boards 106 of a plurality of special-shaped structures, and the timbre disturbance lip plates 109 are connected to each other. A tuning channel 107 is formed between the connected timbre perturbation lip plates 109 , and this arrangement is more suitable for the application when the volume of the piano tube 1 is relatively large.

如图17-19中所示的任何一种支撑调音板106的厚度可以随意调节,可以组合成多种形式布置,也可以根据琴筒的形状,改变支撑调音板106的形状,例如可以将支撑调音板106由平面改成曲面形状,曲面形状的支撑调音板106与琴筒内部会形成丰富的调音通道107,可以满足各种不同需求的民族乐队对于低音胡琴的需求,在此不一一赘述。The thickness of any supporting tuning board 106 as shown in Figures 17-19 can be adjusted arbitrarily, can be combined into various forms of arrangement, also can change the shape of supporting tuning board 106 according to the shape of the piano tube, for example can Changing the supporting tuning board 106 from a flat surface to a curved shape, the curved supporting tuning board 106 and the interior of the piano tube will form a rich tuning channel 107, which can meet the needs of various ethnic bands with different needs for the bass huqin. This will not repeat them one by one.

如图17-22中所示的任何一种支撑调音板106,与传统的支撑调音板不同,传统的支撑调音板一般采用音梁和音柱组合使用,音梁置于琴筒的内部,在音梁之间支撑音柱,通过调节音柱的不同位置,来调节音色,这种音梁和音柱的组合使用繁琐,调节音色的效果差,图17-19中所示的任何一种支撑调音板106使用简单,制造简单,调整音色的范围宽。Any support tuning board 106 as shown in Figures 17-22 is different from the traditional support tuning board. The traditional support tuning board generally uses a combination of sound braces and sound columns, and the sound braces are placed inside the piano barrel. , support the sound column between the sound beams, and adjust the timbre by adjusting the different positions of the sound column. The supporting tuning board 106 is simple to use, simple to manufacture, and has a wide range of adjusting timbre.

图20中可以看出,支撑调音板106为三角形结构,三角形结构的支撑调音板106包括左右两个支架,左右两个支架与前面板形成三角形形状,此种结构的支撑调音板106由于与前面板和后面板的支撑位置也形成三角形支撑,其支撑的强度更好,尤其是这种支撑的结构将琴筒1分割成不规则的几个小的共鸣腔体,声音的复合振动更强一些,音色会出现其他的变化,共振的频带更宽一些。As can be seen in Fig. 20, the supporting tuning board 106 is a triangular structure, and the supporting tuning board 106 of the triangular structure includes two brackets on the left and right, and the left and right brackets form a triangle shape with the front panel. The supporting tuning board 106 of this structure Since the support position of the front panel and the rear panel also forms a triangular support, the strength of the support is better, especially the structure of this support divides the piano barrel 1 into several irregular small resonant cavities, and the compound vibration of the sound If it is stronger, there will be other changes in the timbre, and the resonance frequency band will be wider.

图20-21所示,支撑调音板106也为三角形结构,三角形结构的支撑调音板106包括左右两个支架,左右两个支架为圆弧形结构,左右两个支架与前面板支撑点之间设有圆弧形支架,这样的结构支撑效果也非常好,音色的变化更强。As shown in Fig. 20-21, the support tuning board 106 is also a triangular structure, and the support tuning board 106 of the triangular structure includes two brackets on the left and right, the two brackets on the left and right are arc-shaped structures, and the two brackets on the left and right are connected to the front panel support point There are arc-shaped brackets in between, and the structural support effect is also very good, and the change of tone is stronger.

综上所述,低音胡琴及倍低音胡琴演奏上保持了胡琴,比如二胡的演奏特点,二胡演奏者都能够演奏低音胡琴及倍低音胡琴,更方便乐队人员操作;低音胡琴及倍低音胡琴在音高、音色上,解决了乐队弦乐声部的低声部问题,使民族乐队乐器民族化得到解决,乐队乐器音色统一了;低音胡琴及倍低音胡琴,解决了筒大无法演奏的问题,更主要的是保留了胡琴类乐器区别于提琴类乐器的最主要的特点,让民族乐队的乐器更加完善。 因此,该低音胡琴乐器的设计符合民族音乐的艺术表现需要,符合民族乐队乐器的需要。To sum up, the performance of the bass huqin and double bass huqin maintains the performance characteristics of the huqin, such as the erhu. Erhu players can play the bass huqin and double bass huqin, which is more convenient for band personnel to operate; In terms of high and timbre, it solves the problem of the low part of the string part of the orchestra, solves the nationalization of the musical instruments of the national orchestra, and unifies the timbre of the musical instruments of the band; The main thing is to retain the most important features of huqin instruments that are different from violin instruments, so as to make the instruments of national bands more perfect. Therefore, the design of the bass huqin musical instrument meets the needs of the artistic expression of national music and meets the needs of national band instruments.

惟以上所述者,仅为本发明的具体实施例而已,当不能以此限定本发明实施的范围,故其等同组件的置换,或依本发明专利保护范围所作的等同变化与修改,皆应仍属本发明权利要求书涵盖之范畴。But what is described above is only a specific embodiment of the present invention, and should not limit the scope of the present invention, so the replacement of its equivalent components, or the equivalent changes and modifications made according to the patent protection scope of the present invention, should be Still belong to the category covered by the claims of the present invention.

Claims (1)

1.一种低音胡琴,设有琴筒,所述琴筒上部设有琴杆,所述琴杆上部设有琴头,所述琴头上设有内琴弦轴和外弦轴,所述内琴弦轴和外弦轴设有琴弦,所述琴弦一端与内琴弦轴和外弦轴旋转连接,所述琴弦设在琴筒外侧,所述琴弦与琴筒之间设有琴码,所述琴弦另一端固定在琴筒下部,其特征是:所述琴筒包括琴筒侧板,所述琴筒侧板靠近琴弦一侧设有前面板,所述琴筒侧板背面设有后面板,所述琴筒内部设有支撑调音板,所述支撑调音板位于前面板和后面板之间,支撑调音板厚度方向对前面板和后面板形成支撑作用;所述琴筒内部设有的支撑调音板位于琴筒的垂直轴线上,所述支撑调音板上下侧面与琴筒内侧面之间设有调音通道。1. a bass huqin is provided with a qin tube, the upper part of the qin tube is provided with a qin bar, the upper part of the qin bar is provided with a headstock, and the inner pegs and outer pegs are provided on the said qin head, the The inner peg and the outer peg are provided with strings, one end of the string is rotatably connected to the inner peg and the outer peg, the string is arranged outside the qin barrel, and a There is a bridge, and the other end of the string is fixed on the lower part of the qin tube. It is characterized in that: the qin tube includes a qin tube side plate, and a front panel is provided on the side of the qin tube side plate close to the strings. There is a rear panel on the back of the side panel, and a supporting tuning board is arranged inside the piano tube, and the supporting tuning board is located between the front panel and the rear panel, and the thickness direction of the supporting tuning board forms a supporting effect on the front panel and the rear panel The supporting tuning board provided inside the piano tube is located on the vertical axis of the piano tube, and a tuning channel is provided between the upper and lower sides of the supporting tuning board and the inner side of the piano tube.
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