WO2019235600A1 - Repose-épaule pour instrument à cordes - Google Patents

Repose-épaule pour instrument à cordes Download PDF

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Publication number
WO2019235600A1
WO2019235600A1 PCT/JP2019/022651 JP2019022651W WO2019235600A1 WO 2019235600 A1 WO2019235600 A1 WO 2019235600A1 JP 2019022651 W JP2019022651 W JP 2019022651W WO 2019235600 A1 WO2019235600 A1 WO 2019235600A1
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WO
WIPO (PCT)
Prior art keywords
stringed instrument
shoulder
rest
stringed
attached
Prior art date
Application number
PCT/JP2019/022651
Other languages
English (en)
Japanese (ja)
Inventor
隆行 二宮
与幸 肥田
Original Assignee
株式会社Ｈｏｍａｒｅ
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by 株式会社Ｈｏｍａｒｅ filed Critical 株式会社Ｈｏｍａｒｅ
Publication of WO2019235600A1 publication Critical patent/WO2019235600A1/fr

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Classifications

    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00—General design of stringed musical instruments
    • G10D1/02—Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/18—Chin-rests, hand-rests, shoulder rests or guards being removable from, or integral with the instrument

Definitions

  • the present invention relates to a shoulder rest for a stringed instrument, and in particular, attaches one end so as to hang on a part of the constricted portion of the stringed instrument main body, and attaches the other end to the vicinity of the chin rest provided at the lower part of the stringed instrument main body.
  • the present invention relates to a shoulder pad for a stringed instrument that supports the support of a stringed instrument by a performer without reducing the sound of the sound.
  • the performer supports the lower part of the stringed instrument between the shoulder and chin, holds the neck with one hand, holds the string, and uses a bow held in the other hand. Perform.
  • the main body of these stringed instruments is made of wood, is hard and slippery, and the sound emitted is regarded as important. Therefore, the shape of the stringed instrument body is not particularly designed to be easily supported by the performer. For this reason, a chin rest is attached to the lower part of the stringed instrument body for the purpose of softening the player's jaw and making the stringed instrument difficult to slide off.
  • a shoulder pad is often used on the back side of the stringed instrument.
  • Conventional shoulder rests are generally rod-shaped or elongated plate-shaped with curved portions, and both ends are provided with attachment portions for attachment to stringed instruments.
  • stringed instrument such as a violin or a viola
  • the stringed instrument is supported so that it is generally directed along one shoulder or diagonally forward.
  • the shoulder rest is attached to the left and right bulges at the lower part of the instrument body so as to cross the shoulder.
  • Patent Document 1 is an invention relating to a shoulder rest for an instrument such as a violin that is improved in portability after being detached from a stringed instrument.
  • a long and strong base and two ends are attached to a support part and a fastening member in a foldable manner.
  • Disclosed shoulder rests are disclosed. However, it can essentially be seen as one of the conventional types of violin shoulder pads that are installed over the left and right bulges at the bottom of the instrument body.
  • the hand on the side that supports the stringed instrument due to the posture makes the elbow, which is the center of movement, open outwards, and the elbow and scapula do not rotate easily, making smooth sliding motion This is because the movement of the shoulder is restricted in the hand on the side where the bow is operated, and the use range of the bow used for performance is difficult to use effectively over the entire length.
  • the inventor has also found that the sound of a stringed instrument and the sound expansion are not fully exhibited when mounted over the left and right bulges at the bottom of the instrument body.
  • the present invention has been made in view of the problems in the conventional shoulder support for stringed instruments, and an object of the present invention is to attach one end to a part of the constricted portion of the stringed instrument body and the other end to the stringed instrument.
  • An object of the present invention is to provide a shoulder rest for a stringed instrument which supports the support of the stringed instrument by the performer without reducing the sound of the sound during the performance of the stringed instrument by being attached to the vicinity of the chin rest provided at the lower part of the main body.
  • the shoulder rest for stringed instruments made to achieve the above object is a shoulder rest for stringed instruments used by being attached to a stringed instrument to be played while supporting a part of the shoulder or chest of the performer.
  • the shoulder rest has a plate-like main body extending from one end to the other end, and a first mounting portion and a second mounting portion provided at both ends of the main body portion, and the first mounting portion has a constricted portion.
  • the stringed instrument body is attached so as to be hooked on at least a part of the constricted part, and the second attaching part is configured to be attached in the vicinity of a chin rest provided at a lower part of the stringed instrument body.
  • the first attachment portion is attached so as to be hooked on a part of a constricted portion near the string on the high-pitched side of the stringed instrument, and the second attachment portion is attached in the vicinity of the side of the chin rest facing the first attachment portion. Is preferred.
  • the main body part of the shoulder rest for stringed instruments is curved so as to fit the shape of the performer's shoulder or chest, abuts against the shoulder or chest, and extends from the shoulder rest part to support the second mounting part. And a support portion that supports the first attachment portion.
  • the shoulder rest for a stringed instrument is attached so that it is hung on a part of the neck part of the stringed instrument body, in particular, a part of the neck part on the high-pitched sound side, and the other end is attached so as to span the lower part of the stringed instrument body.
  • the shoulder rest of the main body is curved so as to match the shape of the performer's shoulder or chest and comes into contact with the shoulder or chest, so that the performer is in a comfortable posture.
  • the stringed instrument can be stably supported, and a support method that is easy to use can be provided for a player who is small and has a long hand.
  • FIG. 1 is a diagram schematically showing a state in which a shoulder pad for stringed instruments is attached to a stringed instrument according to an embodiment of the present invention
  • FIG. 1A is a view seen from the back side of the stringed instrument to which the shoulder rest for stringed instruments is attached.
  • FIG. 1B is a side view of FIG. 1A viewed from the right side.
  • a stringed instrument shoulder rest 1 is a stringed instrument shoulder rest used by being attached to the back side of a stringed instrument 100 to be played while supporting a part of the shoulder or chest of the performer.
  • the plate-like main body portion 10 is extended from one end to the other end, and the first attachment portion 20 and the second attachment portion 30 are provided at both ends of the main body portion 10. Since the stringed instrument 100 such as a violin or a viola is basically held in the stringed instrument main body 110 by holding the lower part 130 of the stringed instrument between the shoulder and the chin, the second mounting portion 30 of the shoulder rest 1 for the stringed instrument is a stringed instrument. Attached to the lower part 130 of the main body.
  • both attachment portions at both ends are attached to the lower part 130 of the stringed instrument body, and are attached so as to cross the lower part 130 of the stringed instrument body almost horizontally.
  • the first mounting portion 20 of the stringed instrument shoulder rest 1 hangs on the constricted portion 120 in the middle of the stringed musical instrument main body 110, more specifically, the constricted portion 120 and the stringed musical instrument main body lower portion 130, It is attached so as to straddle the corner portion 140 that forms the boundary. In this way, the one end is attached so as to be part of the constricted portion 120.
  • the sound of the stringed instrument 100 is transmitted to the back plate through vibration of the string given by the bow through the piece supporting the string, and further through the soul pillar inserted between the front plate and the back plate.
  • the air in the stringed instrument main body 110 is vibrated by the front and back plates, and is emitted as a loud sound from the f-shaped mouth. That is, in order to generate the original sound of the stringed instrument 100 without deteriorating the sound quality, it is important not to inhibit the vibrations of the front and back plates.
  • the corner portion 140 to which the shoulder rest 1 for stringed instruments is attached is a singular point where three plate members of the back plate, the side plate of the constricted portion 120, and the side plate of the lower part of the stringed instrument main body 130 are gathered.
  • the vicinity of the corner portion 140 is the portion that hardly contributes to vibration because it is restrained from two directions at the edge portion around the back plate. For this reason, even if an attachment part contacts this part, it will not inhibit the vibration of a back plate, Therefore It is thought that it contributes to drawing out the original sound of the stringed instrument 100.
  • the main body portion 10 of the shoulder rest 1 for stringed instruments has a corner rest 140 from the shoulder rest 11 to support the shoulder rest 11 and the first mounting portion 20 that effectively contribute to the support of the stringed instrument 100 by the performer. And a support portion 15 extended in an oblique direction toward the.
  • the shoulder rest 11 further includes a shoulder rest area 12 that mainly contacts the performer's shoulder, and a breast rest area 13 that mainly contacts the performer's chest.
  • the shoulder pad region 12 is at the end of the main body 10 opposite to the support portion 15 and supports the second attachment portion 30.
  • the chin rest 150 is placed on the left side of the stringed instrument 100 as viewed from the front side, that is, on the lower part 130 of the stringed instrument body on the side where the low-pitched string is stretched so that the performance part comes in front of the face. It is attached. As shown in FIG. 1A, the chin rest 150 is attached to the lower part 130 of the stringed instrument body when viewed from the back side. The second attachment portion 30 is attached in the vicinity of the chin rest 150 attached to the lower part 130 of the stringed instrument body.
  • the first attachment portion 20 of the stringed instrument shoulder rest 1 in the embodiment is attached so as to be hooked on a part of the constricted portion 120 near the high-pitched string of the stringed instrument 100, and the second attachment portion 30. Is attached in the vicinity of the side of the chin rest 150 facing the first attachment portion 20.
  • the second attachment portion 30 is attached to the stringed instrument main body 110 so as to have an edge portion formed at the boundary surface between the back plate and the side plate of the stringed instrument main body 110, and the main body of the stringed instrument shoulder rest 1.
  • the portion 10 is attached separately from the stringed instrument main body 110 by the first attachment portion 20 and the second attachment portion 30.
  • FIG. 2 is a view showing a shape of a main body portion of a string instrument shoulder rest according to an embodiment of the present invention.
  • FIG. 2A is a plan view of the main body of the string instrument shoulder rest as seen from the surface abutting the performer
  • FIG. 2B is a front view as seen from the thickness direction.
  • the main body portion 10 has a structure in which a flat plate is bent at two places, and the shoulder rest portion 11 and the support portion 15 are partitioned by a fold line B.
  • the shoulder pad region 12 and the chest pad region 13 are partitioned by a fold line A.
  • the overall length of the main body 10 is formed according to the size of the stringed instrument main body 110, but a basic bent structure is formed. There is no change in having. Note that the folding line of the main body 10 in FIG. 2 does not have to be so strict that it can be clearly seen in the appearance.
  • the shoulder pad 11 and the support 15 are rounded and smoothly connected. Alternatively, the shoulder pad area 12 and the breast pad area 13 may be rounded and smoothly connected. In FIG. 2, the shoulder pad region 12, the chest pad region 13, and the support portion 15 are each shown as a straight plate, but these may also be configured by a curved plate or a rounded plate.
  • the fold line A is a valley fold line
  • the breast pad area 13 is at a predetermined angle from the boundary with the shoulder pad area 12. Stand up at.
  • the breast pad region 13 rises in a direction away from the back plate of the stringed instrument main body 110.
  • the fold line B is a mountain fold line, and the support portion 15 falls from the boundary with the breast pad region 13 at a predetermined angle.
  • the upper edge of the end of the lowermost support portion 15 is configured to be the same height as the upper surface of the shoulder pad region 12.
  • the most important shape of the main body 10 is the shoulder of the performer and the shoulder pad area 12 and the breast pad area 13 that abut from the shoulder to the chest. If the breast pad area 13 rises from the shoulder pad area 12, the support 15
  • the height of the upper edge of the end need not be limited as described above, and can be deformed to various heights.
  • the shoulder pad 11 is a part that directly contributes to supporting the stringed instrument 100
  • the support part 15 has only a meaning for supporting the first mounting part 20, so that the shape is not limited to a plate shape. Although it may be rod-shaped and does not have to be straight, it does not get in the way of the performer even when the stringed instrument 100 is supported in various directions by falling from the boundary with the breast pad region 13 at a predetermined angle.
  • the height difference between the highest folding line B and the height of the upper surface of the shoulder pad region 12 is about 10 mm. However, this height difference is not exact, and the type of stringed instrument and the player's body shape. May be 10 mm or less or 10 mm or more.
  • the main body 10 can be formed of various materials such as resin, wood, and metal. Further, in order to soften the player's shoulder, a composite material in which a cushioning material such as a soft resin, cloth or leather is bonded to a hard base material such as resin, wood or metal may be used.
  • a curved portion 14 is formed in the shoulder rest portion 11.
  • the curved portion 14 is formed so as to fit the shape of the performer's shoulder or chest.
  • the performer's collarbone is easily pressed. Important blood vessels pass under the clavicle, and the clavicle itself breaks and absorbs shocks easily so that damage is not directly transmitted to these important tissues. For this reason, the state where external force is applied to the collarbone does not give the player a very good feeling and may give a vague sense of anxiety.
  • the bending portion 14 is formed so as to avoid a portion where the performer's clavicle protrudes forward of the chest.
  • FIG. 3 is a view showing the overall structure of a string instrument shoulder rest according to an embodiment of the present invention.
  • FIG. 3A is a plan view of the main body of the string instrument shoulder rest as seen from the string instrument side
  • FIG. 3B is a front view as seen from the thickness direction.
  • the stringer shoulder pad 1 includes a first mounting part 20 on the support part 15 side and a second mounting part 30 on the shoulder pad region 12 side of the shoulder pad part 11.
  • the first mounting portion 20 includes a mounting hook 21, a slider 22, a fixing screw 24 that fixes the slider 22, and a first base 23 that is fitted to the slider 22.
  • the mounting hook 21 includes a support bar for mounting to the first pedestal 23, and a hook part that branches in two directions from the support bar and is directly hooked on the stringed instrument 100 at each tip.
  • a male screw is cut into the support bar so as to be screwed with a female screw provided on the first pedestal 23, and the height and direction of the hook portion can be adjusted depending on how much the support bar is screwed.
  • the hook portion has a substantially U-shape and is configured to be hung on a protruding edge portion provided along the boundary between the back plate and the side plate of the stringed instrument 100.
  • the slider 22 has an L-shape and is composed of a plate-like metal material, a resin material, or the like.
  • the other part is a pedestal support part having a notch for supporting the first pedestal 23.
  • a plurality of holes for inserting the fixing screw 24 are provided in the slide portion, and the screw hole provided in the support portion 15 and one of the plurality of holes are aligned and fixed by the fixing screw 24, The position of the mounting hook 21 in the direction along the support portion 15 can be adjusted.
  • the first pedestal 23 has a shape in which three cylinders having different diameters are stacked on the same axis, and the pedestal portion having the largest diameter is provided with a screw hole for attaching the mounting hook 21.
  • the fitting portion with the smallest diameter located at the center is fitted and fixed so as to be press-fitted into a notch provided in the slider 22.
  • the strength of the fitting may be adjusted so that the first pedestal 23 can rotate around the axis of the fitting portion while having resistance. Fix so that it does not rotate so that it does not come out.
  • the third cylinder serves as a stopper so that the first pedestal 23 does not come off in the axial direction.
  • the first pedestal 23 has a shape in which three cylinders having different diameters are stacked on the same axis.
  • the shape is not limited to this as long as the mounting hook 21 is attached so that the position can be adjusted.
  • the slider and the first pedestal 23 are shown as separate constituent elements, for example, the support portion of the slider is formed into a thick block shape, and a screw hole for attaching the attachment hook 21 to the block portion having an increased thickness is provided.
  • the first pedestal 23 and the slider 22 may be one component.
  • the second attachment portion 30 includes an attachment hook 31 and a second pedestal 32. Similar to the attachment hook 21, the attachment hook 31 includes a support rod and two hook portions, and is attached to the second pedestal 32 so that the height and orientation can be adjusted by screws provided on the support rod.
  • the attachment hook 31 may be the same as the attachment hook 21 or may be configured such that the direction of the hook portion and the interval between the two hook portions are different from those of the attachment hook 21 based on the difference in attachment position.
  • the second pedestal 32 has a cylindrical shape and is provided with a screw hole for attaching the support rod of the mounting hook 31 to the axial center portion of the cylinder.
  • the second mounting portion 30 may be adjustable in position in the direction along the shoulder pad region 12 using the slider 22. In the embodiment, since the fine position adjustment is performed on the first attachment portion 20 side, the second pedestal 32 of the second attachment portion 30 is fixed to the main body portion 10 with a screw or an adhesive.
  • FIG. 4 is a view schematically showing a support state by a player when using the string instrument shoulder rest according to the embodiment of the present invention.
  • the shoulder rest area 12 of the shoulder rest 11 is positioned on the shoulder, and after the performer's collarbone 200 projects to the front of the chest, the body.
  • the curved portion 14 of the string instrument shoulder rest 1 crosses the clavicle 200 at a portion that goes into the back. Since the curved portion 14 is curved so as to avoid the portion of the collarbone 200 that protrudes forward of the chest, the performer's collarbone 200 is not compressed, and the player can feel at ease in the stringed instrument 100. Can be supported. Moreover, even if the direction in which the stringed instrument 100 is supported is changed as indicated by the broken arrow in FIG. 4, the clavicle 200 is not compressed by the effect of the bending portion 14 and can be stably supported.
  • the curvature radius of the bending portion 14 is a portion where the collarbone 200 enters the back of the body from the chin rest 150 so that the portion where the collarbone 200 protrudes forward is not compressed even if the direction in which the stringed instrument 100 is supported is changed. It is desirable that it is equal to or more than the distance up to. Moreover, even if the direction of supporting the stringed instrument 100 is changed, it can be supported stably, so that the performer can perform in an easy posture without stretching the cervical spine and forcibly holding down the stringed instrument 100. The burden can be reduced.
  • the first attachment portion 20 is attached to a position farther from the performer than the shoulder pad of the prior art, and the support portion 15 falls toward the stringed instrument 100, so that the direction in which the stringed instrument 100 is supported is changed.
  • the first mounting portion 20 and the support portion 15 do not get in the way and are easy to handle.
  • the shoulder rest 1 for stringed instruments does not reduce the sound of the sound or the elongation of the sound, and even presses the stringed instrument 100 in various directions to press the performer's collarbone. Therefore, the performer can stably support in a comfortable posture, and can provide a support method that is easy to handle and easy to use even for a performer who is small and does not have a long hand.
  • the stringed instrument 100 can be supported stably even at a slightly lower position, so that the elbow on the side supporting the stringed instrument 100 can be moved easily, and the position where the string is held down is changed. The sliding operation can be performed smoothly.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Stringed Musical Instruments (AREA)
  • Auxiliary Devices For Music (AREA)

Abstract

L'invention concerne un repose-épaule pour un instrument à cordes qui a une extrémité fixée de façon à recouvrir une section d'une partie resserrée du corps d'instrument à cordes, et a une autre extrémité fixée au voisinage d'un repose-menton disposée au niveau d'une partie inférieure du corps d'instrument à cordes, de telle sorte que le repose-épaule peut naturellement aider un joueur à maintenir l'instrument à cordes sans diminuer l'acoustique lorsque l'instrument à cordes est joué. Le repose-épaule pour un instrument à cordes selon la présente invention, en utilisation, est fixé à un instrument à cordes qui est joué tout en étant partiellement maintenu sur l'épaule ou la poitrine d'un joueur. Le repose-épaule pour un instrument à cordes comprend une partie de corps de type plaque s'étendant d'une extrémité à l'autre extrémité, et une première partie de fixation et une seconde partie de fixation qui sont disposées au niveau des deux extrémités de la partie de corps, et est caractérisé en ce que la première partie de fixation est configurée pour être fixée de façon à recouvrir une section d'au moins une partie resserrée du corps d'instrument à cordes, et en ce que la seconde partie de fixation est configurée pour être fixée au voisinage d'un repose-menton disposé au niveau d'une partie inférieure du corps d'instrument à cordes.
PCT/JP2019/022651 2018-06-06 2019-06-06 Repose-épaule pour instrument à cordes WO2019235600A1 (fr)

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
JP2018-108787 2018-06-06
JP2018108787A JP6651170B2 (ja) 2018-06-06 2018-06-06 弦楽器用肩当て

Publications (1)

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WO2019235600A1 true WO2019235600A1 (fr) 2019-12-12

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PCT/JP2019/022651 WO2019235600A1 (fr) 2018-06-06 2019-06-06 Repose-épaule pour instrument à cordes

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JP (1) JP6651170B2 (fr)
WO (1) WO2019235600A1 (fr)

Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2008064796A (ja) * 2006-09-04 2008-03-21 Atsuhiro Oshiro バイオリン類の肩当て
JP2010536071A (ja) * 2007-08-10 2010-11-25 グスタフ ピラッツィ ウント シーオーエムピー ケージー アダプタおよび弦楽器
WO2014147729A1 (fr) * 2013-03-18 2014-09-25 Ota Keisuke Épaulière pour un instrument de musique

Patent Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2008064796A (ja) * 2006-09-04 2008-03-21 Atsuhiro Oshiro バイオリン類の肩当て
JP2010536071A (ja) * 2007-08-10 2010-11-25 グスタフ ピラッツィ ウント シーオーエムピー ケージー アダプタおよび弦楽器
WO2014147729A1 (fr) * 2013-03-18 2014-09-25 Ota Keisuke Épaulière pour un instrument de musique

Non-Patent Citations (1)

* Cited by examiner, † Cited by third party
Title
ANONYMOUS: "Special issue of Violin shoulder rest!", 28 December 2017 (2017-12-28), XP055662526, Retrieved from the Internet <URL:https://web.archive.org/web/20171228130535/https://www.shimamura.co.jp/shop/kuzuha/winds-strings/20160708/136> [retrieved on 20190723] *

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JP6651170B2 (ja) 2020-02-19
JP2019211675A (ja) 2019-12-12

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