WO2014147729A1 - Épaulière pour un instrument de musique - Google Patents
Épaulière pour un instrument de musique Download PDFInfo
- Publication number
- WO2014147729A1 WO2014147729A1 PCT/JP2013/057732 JP2013057732W WO2014147729A1 WO 2014147729 A1 WO2014147729 A1 WO 2014147729A1 JP 2013057732 W JP2013057732 W JP 2013057732W WO 2014147729 A1 WO2014147729 A1 WO 2014147729A1
- Authority
- WO
- WIPO (PCT)
- Prior art keywords
- cushion member
- musical instrument
- belt
- cushion
- shoulder
- Prior art date
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
- G10D3/18—Chin-rests, hand-rests, shoulder rests or guards being removable from, or integral with the instrument
Definitions
- the present invention relates to a musical instrument shoulder rest attached to a bowed instrument held between a player's chin and shoulder, such as a violin or a viola.
- a bridge-type musical instrument shoulder rest includes clamps at both ends of a bridge girder-like member, and is used by being fixed to the body of the musical instrument with the clamp (for example, Patent Document 1).
- the bridge-type shoulder rest for musical instruments can hold the musical instrument stably, but its outer shape is large, which restricts the player's movement (for example, shoulder and arm movements associated with shift changes and shifts).
- a cushion-type shoulder rest for a musical instrument has a belt attached to a cushion member, and is used by hooking the end of the belt to the body of the musical instrument (for example, Non-Patent Document 1).
- Cushion-type shoulder rests are less likely to limit the movement of the shoulders and arms compared to the bridge type, so you can play with a feeling that is relatively close to the state where you are not using the shoulder rest, but the entire cushion part is the back plate
- the problem of suppressing the sound of musical instruments has been pointed out.
- the size of the cushion portion is reduced, the influence on the sound of the musical instrument is improved, but the stability of the musical instrument is impaired. That is, in this case, there arises a problem that the shoulder rest is easily detached from the performer's shoulder.
- the present invention has been made in view of such circumstances, and can be used for a musical instrument that can stably hold a musical instrument, rarely restricts the movement of shoulders and arms, and has little influence on the sound of the musical instrument. It provides a shoulder pad.
- a shoulder rest for a musical instrument includes a belt attached to a body of a musical instrument, a first cushion member attached to the belt so as to be movable in a length direction of the belt, and the first cushion member on one surface.
- a second cushion member that abuts against the cushion member and abuts against the shoulder of the musical instrument player on the other surface is provided, and magnets are respectively provided inside the first cushion member and the second cushion member.
- the first cushion member and the second cushion member are connected to each other by the magnetic force of the magnet.
- a plate-like magnetic member that is substantially parallel to the surface of the second cushion member that contacts the first cushion member may be incorporated in the second cushion member.
- the plate-like magnetic member may be provided with plasticity so as to freely deform in the out-of-plane direction and maintain the shape.
- a groove may be formed on a surface of the second cushion member that contacts the first cushion member, and at least a part of the first cushion member may be fitted into the groove.
- the second cushion member has a sufficient size, and the second cushion member is built in a state in which the magnet is movable, and the second cushion member is the first cushion member. It can move with respect to the first cushion member while being connected to the member. Further, the angle of the second cushion member with respect to the first cushion member can be changed.
- the first cushion member is attached so as to be movable in the length direction of the belt. Therefore, the second cushion member can be fitted to the player's shoulder according to the player's body shape (for example, shoulder width, neck length, etc.), and the instrument can be stably held.
- FIG. 1A is a plan view
- FIG. 2B is a side sectional view taken along line A-A ′ in FIG.
- FIG. 1A is a plan view
- FIG. 2B is a side sectional view taken along line A-A ′ in FIG.
- FIG. 1A is a plan view
- FIG. 2B is a side sectional view taken along line A-A ′ in FIG.
- FIG. 1A is a plan view
- FIG. 2B is a side sectional view taken along line A-A ′ in FIG.
- FIG. 4 is a diagram illustrating a configuration of a second cushion member, where (a) is a plan view, (b) is a side view, and (c) is a side cross-sectional view taken along line BB ′ of (a).
- FIG. It is a sectional side view explaining the shoulder rest effect
- FIG. 1 It is a conceptual diagram explaining the effect of the shoulder rest for musical instruments, (a) and (b) are the states which attached the shoulder rest for musical instruments which concerns on this invention to the violin, (c) is the shoulder rest for musical instruments which concerns on a prior art. Shows the state of attaching to the violin. It is a figure which shows the modification of a 2nd cushion member, Comprising: (a) is a top view, (b) is a side view. It is a figure which shows the effect
- the musical instrument shoulder rest 1 shown in FIG. 1 is an example of the present invention, and is used by being attached to the violin 3 when the performer 2 plays the violin 3. As described above, the player 2 holds the violin 3 between his / her jaw and shoulder, and at this time the instrument shoulder rest 1 is located between the shoulder of the player 2 and the violin 3 and comes into contact with the shoulder of the player 2. .
- the musical instrument shoulder rest 1 includes a belt 4, and the belt 4 is fixed to the violin 3.
- a first cushion member 5 is attached to the belt 4, and a second cushion member 6 is connected to the first cushion member 5, and the second cushion member 6 contacts the shoulder of the player 2.
- the first cushion member 5 is sandwiched between the belt 4 and the violin 3, and one surface of the first cushion member 5 contacts the back plate of the violin 3, and the other surface contacts the belt 4.
- the loop 5 c has a width that covers almost the entire width of the first cushion member 5, so that the first cushion member 5 does not rotate with respect to the belt 4.
- FIG. 2 shows a state in which the second cushion member 6 is removed from the musical instrument shoulder rest 1.
- the first cushion member 5 is attached to be movable in the longitudinal direction (arrow X) of the belt 4.
- the belt 4 has a small hole 8 at one end, and an annular rubber string 9 is tied to the small hole 8. Then, as shown in FIG. 2 (b), the rubber string 9 is hooked on the edge 10 of the body of the violin 3. Further, as shown in FIG. 2C, an engagement hole 11 is provided at the other end of the belt 4, and the engagement hole 11 is engaged with the end pin 7.
- the material of the belt 4 is not particularly limited, but a material that is flexible and obtains a desired strength is desirable.
- the first cushion member 5 has a flat cushion-like outer shape as a whole. Further, as shown in FIG. 3B, the first cushion member 5 is configured by wrapping a cushion material 5a with an outer skin 5b. The aforementioned loop 5c is sewn on the outer skin 5b, and the belt 4 (not shown in FIG. 3) is inserted into the loop 5c.
- the material of the cushion material 5a is not particularly limited, but here, an artificial sponge obtained by foaming synthetic resin is used. Further, flexible synthetic leather is used for the outer skin 5b and the loop 5c.
- a first magnet 12 is built in the first cushion member 5, and a cushion material 5 a is filled around the first magnet 12. Therefore, the first magnet 12 cannot move in the first cushion member 5.
- the first magnet 12 is a permanent magnet, and the strength of the magnetic force will be described later.
- the second cushion member 6 is a member having a flat shape curved in a broad bean shape or a slanted ball shape, and wraps the cushion material 6a with an outer skin 6b. Composed. Further, a second magnet 13 and a plate-like member 14 are built in the second cushion member 6. Further, a space 6c is formed around the second magnet 13, and the second magnet 13 can freely move in the space 6c. The second magnet 13 is also a permanent magnet, and the strength of the magnetic force will be described later.
- the plate-like member 14 is a magnetic member and may be a member that is held by the magnetic force of the second magnet 13. The plate member 14 itself does not need to have a magnetic force.
- the material of the cushion material 6a is not particularly limited, but here, an artificial sponge formed by foaming synthetic resin is used.
- the outer skin 6b is made of flexible synthetic leather.
- the second magnet 13 follows the first cushion member 5 and moves in the second cushion member 6 (the space 6c). Therefore, even if the first cushion member 5 moves relative to the second cushion member 6, the first cushion member 5 maintains a state where it is coupled to the second cushion member 6. At this time, the second magnet 13 moves in the second cushion member 6 (space 6c) while maintaining the state of being attracted to the plate-like member 14, that is, the second magnet 13 is moved. Moves along the plate-like member 14 (following) in the second cushion member 6 (the space 6c). Therefore, the attractive force generated between the second magnet 13 and the plate-like member 14 is designed to be smaller than the magnetic force generated between the first magnet 12 and the second magnet 13.
- the second cushion member 6 is used in contact with the shoulder of the player 2, but the physique and body shape of the player 2 are different from each other. Used to bend according to the physique and body shape of person 2. Therefore, as shown in FIG. 5B, when the second cushion member 6 is bent, the plate-like member 14 is bent, and the plate-like member 14 has a desired plasticity so that the bent state can be maintained. Material and dimensions are selected. In other words, the material and dimensions are selected such that the player 2 can bend in the out-of-plane direction (without using a machine or a tool) with his / her hand and the bent shape is maintained.
- the direction in which the second cushion member 6 is bent is not limited to the direction of “convex downward” as shown in FIG. As shown in FIG. 5C, it can be bent so as to be “convex upward”. Since it is comprised in this way, the 2nd cushion member 6 can maintain the state bent according to the player's 2 physique and body shape.
- the operation of the musical instrument shoulder rest 1 will be described.
- the first cushion member 5 does not move away from the second cushion member 6 because the first cushion member 5 moves along the belt 4.
- the first cushion member 5 moves in the direction of the arrow Y along the second cushion member 6 while maintaining the state of being coupled to the second cushion member 6. . Therefore, the first cushion member 5 does not come off the second cushion member 6 no matter what direction the violin 3 moves. In other words, the musical instrument shoulder rest 1 does not come off between the violin 3 and the performer 2 shoulder.
- the first cushion member 5 (FIGS. 6A and 6B) is a conventional cushion-type shoulder rest regardless of which direction the second cushion member 6 is bent.
- the size is small, so the area of contact with the back plate of the violin 3 is small. Therefore, the influence added to the sound of the violin 3 is small.
- the musical instrument shoulder rest 1 may be configured as shown in FIG. That is, the guide groove 6 d may be formed in the second cushion member 6 so that the first cushion member 5 is fitted into the guide groove 6 d of the second cushion member 6. In this way, the first cushion member 5 moves while being guided by the guide groove 6 d, so that the first cushion member 5 is further unlikely to be detached from the second cushion member 6. In addition, it is good to select the raw material which comprises the friction with the 1st cushion member 5 as the raw material which comprises the bottom of the guide groove 6d. This is because after the second cushion member 6 is moved to a desired position in the guide groove 6d, the second cushion member 6 remains in that position. That is, the second cushion member 6 is held in a desired position.
- the second cushion member 6 is connected to the first cushion member 5 by the magnetic force acting between the first and second magnets 12 and 13, but the rotation is not constrained.
- the member 6 rotates freely with respect to the violin 3 as shown in FIG.
- the second magnet 13 can move inside the second cushion member 6, the second cushion member 6 remains connected to the first cushion member 5, and the first cushion member 5 is maintained. It can move relative to. Therefore, the second cushion member 6 freely moves in the width direction (Y) of the belt 4 as shown in FIG. Since the first cushion member 5 is attached to the loop 5c by inserting the belt 4, the first cushion member 5 freely moves in the length direction (X) of the belt 4 as shown in FIG.
- the performer 2 when the performance of the part of the performer 2 is absent, the performer 2 removes the violin 3 and repositions it before the performance of the part is resumed, but it is necessary to reset the handkerchief etc. In this respect, the psychological stress of the player 2 is reduced.
- ⁇ ⁇ ⁇ Violin and viola are illustrated as attachment targets for musical instrument shoulder pads, but musical instruments to which musical instrument shoulder pads are attached are not limited to violins and violas.
- musical instruments to which musical instrument shoulder pads are attached are not limited to violins and violas.
- the present invention can be applied to any musical instrument.
- the shape and dimensions of the belt are matters that can be freely selected or determined according to the shape and dimensions of the musical instrument to be attached, and are not limited to the shapes and dimensions shown in the drawings attached to the present application.
- the means for fixing the belt to the musical instrument is not limited to the rubber cord 9 or the engagement hole 11. Needless to say, the material of the belt is not limited.
- the shape and dimensions of the first cushion member are examples, and are not limited thereto. For example, it is freely selected according to the shape and size of the musical instrument to be attached. Needless to say, the material of the cushion material and the outer skin is not limited.
- the shape and dimensions of the second cushion member are also examples, and are not limited thereto. For example, it is freely selected according to the player's body shape and physique. Needless to say, the material of the cushion material and the outer skin is not limited.
- the material thereof is not particularly limited. However, if a strong permanent magnet, such as a neodymium magnet, is used, it contributes to weight reduction of the shoulder rest for musical instruments.
- the present invention can be used as a shoulder pad for musical instruments to be attached to a bowed instrument held between a player's jaw and shoulder.
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- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Stringed Musical Instruments (AREA)
Abstract
La présente invention se rapporte à une épaulière (1) pour un instrument de musique. L'épaulière selon l'invention comprend : une sangle (4) qui est fixée au corps d'un violon (3); un premier élément absorbeur de chocs (5) qui est fixé de façon mobile à la sangle (4), dans le sens longitudinal de la sangle (4); et un second élément absorbeur de chocs (6), qui est configuré de façon à venir en contact avec le premier élément absorbeur de chocs (5) sur une surface et de façon à venir en contact avec l'épaule d'un joueur (2) du violon (3) sur une autre surface. Des aimants sont incorporés dans des parties internes de chacun du premier élément absorbeur de chocs (5) et du second élément absorbeur de chocs (6). De cette manière, le premier élément absorbeur de chocs (5) et le second élément absorbeur de chocs (6) sont liés l'un à l'autre par la force magnétique des aimants.
Priority Applications (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
PCT/JP2013/057732 WO2014147729A1 (fr) | 2013-03-18 | 2013-03-18 | Épaulière pour un instrument de musique |
JP2015506412A JP6028086B2 (ja) | 2013-03-18 | 2013-03-18 | 楽器用肩当て |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
PCT/JP2013/057732 WO2014147729A1 (fr) | 2013-03-18 | 2013-03-18 | Épaulière pour un instrument de musique |
Publications (1)
Publication Number | Publication Date |
---|---|
WO2014147729A1 true WO2014147729A1 (fr) | 2014-09-25 |
Family
ID=51579464
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
PCT/JP2013/057732 WO2014147729A1 (fr) | 2013-03-18 | 2013-03-18 | Épaulière pour un instrument de musique |
Country Status (2)
Country | Link |
---|---|
JP (1) | JP6028086B2 (fr) |
WO (1) | WO2014147729A1 (fr) |
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
FR3066636A1 (fr) * | 2017-05-21 | 2018-11-23 | Jacky Jerome | Dispositif de maintien de violon sur l'epaule du violoniste |
WO2019235600A1 (fr) * | 2018-06-06 | 2019-12-12 | 株式会社Homare | Repose-épaule pour instrument à cordes |
Citations (7)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3690211A (en) * | 1970-12-07 | 1972-09-12 | Dorothy Dolores Long | Long shoulder pad |
JPS59161189U (ja) * | 1983-04-15 | 1984-10-29 | 牧野 晋 | 肩台 |
US4506582A (en) * | 1984-05-30 | 1985-03-26 | Shar Products Company | Shoulder support for violin or viola |
US5377573A (en) * | 1994-03-02 | 1995-01-03 | Tretick; Stephanie | Shoulder pad for violin and viola |
US5883315A (en) * | 1997-05-16 | 1999-03-16 | Burton Kaplan | Stringed instrument shoulder rest |
US20080156169A1 (en) * | 2007-01-03 | 2008-07-03 | Twu Hwei-Ming | Viola/Violin Shoulder Rest |
JP2009186946A (ja) * | 2008-02-06 | 2009-08-20 | Yutaka Watanabe | 弦楽器用肩当て |
-
2013
- 2013-03-18 WO PCT/JP2013/057732 patent/WO2014147729A1/fr active Application Filing
- 2013-03-18 JP JP2015506412A patent/JP6028086B2/ja not_active Expired - Fee Related
Patent Citations (7)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3690211A (en) * | 1970-12-07 | 1972-09-12 | Dorothy Dolores Long | Long shoulder pad |
JPS59161189U (ja) * | 1983-04-15 | 1984-10-29 | 牧野 晋 | 肩台 |
US4506582A (en) * | 1984-05-30 | 1985-03-26 | Shar Products Company | Shoulder support for violin or viola |
US5377573A (en) * | 1994-03-02 | 1995-01-03 | Tretick; Stephanie | Shoulder pad for violin and viola |
US5883315A (en) * | 1997-05-16 | 1999-03-16 | Burton Kaplan | Stringed instrument shoulder rest |
US20080156169A1 (en) * | 2007-01-03 | 2008-07-03 | Twu Hwei-Ming | Viola/Violin Shoulder Rest |
JP2009186946A (ja) * | 2008-02-06 | 2009-08-20 | Yutaka Watanabe | 弦楽器用肩当て |
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
FR3066636A1 (fr) * | 2017-05-21 | 2018-11-23 | Jacky Jerome | Dispositif de maintien de violon sur l'epaule du violoniste |
WO2019235600A1 (fr) * | 2018-06-06 | 2019-12-12 | 株式会社Homare | Repose-épaule pour instrument à cordes |
Also Published As
Publication number | Publication date |
---|---|
JPWO2014147729A1 (ja) | 2017-02-16 |
JP6028086B2 (ja) | 2016-11-16 |
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