WO2008013003A1 - Violon automatique - Google Patents
Violon automatique Download PDFInfo
- Publication number
- WO2008013003A1 WO2008013003A1 PCT/JP2007/062090 JP2007062090W WO2008013003A1 WO 2008013003 A1 WO2008013003 A1 WO 2008013003A1 JP 2007062090 W JP2007062090 W JP 2007062090W WO 2008013003 A1 WO2008013003 A1 WO 2008013003A1
- Authority
- WO
- WIPO (PCT)
- Prior art keywords
- violin
- stereo
- piece
- sound source
- stereo sound
- Prior art date
Links
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D1/00—General design of stringed musical instruments
- G10D1/02—Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/185—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar in which the tones are picked up through the bridge structure
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/465—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
- G10H2220/501—Two or more bridge transducers, at least one transducer common to several strings
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/525—Piezoelectric transducers for vibration sensing or vibration excitation in the audio range; Piezoelectric strain sensing, e.g. as key velocity sensor; Piezoelectric actuators, e.g. key actuation in response to a control voltage
Definitions
- the present invention belongs to a technical field in which a single violin is automatically played by a stereo audio electric signal.
- Speakers that convert audio-electrical signals into sound waves are generally used by being housed in a spin box such as wood or synthetic resin.
- a spin box such as wood or synthetic resin.
- the loudspeaker's cone vibration induces the natural vibration of the box, and the induced vibration distorts the original sound by producing side-effect sound.
- the power of various technological innovations has been achieved so far.
- Patent Documents 1 and 2 Techniques using a musical instrument for a speaker box are disclosed.
- Patent Document 1 is a player apparatus technique in which a vibrating portion of a drive coil that converts audio current into mechanical vibration and a piece of a violin instrument are connected by a rod-like member. This technology had the following problems:
- the piece of the instrument is made in a shape that transmits the vibrations of the hook attached to the upper edge to the front plate.
- the rod-shaped member since the rod-shaped member is connected to the side edge of the piece, the piece does not function normally, and there is a problem in reproducing a faithful sound.
- Patent Document 2 is a spinning instrument technique that applies an external force from the electronic amplifying device to the instrument. This technique had the following problems:
- a transmission unit is provided at the base of the soul column, or the soul column is vibrated from the lateral direction. If a transmission part is provided at the base of the soul pillar, the transmission of vibration to the back plate is significantly hindered. Moreover, even if vibration is applied to the soul column from the side, normal longitudinal vibration cannot be transmitted to the front and back plates.
- Patent Document 3 a number of techniques using a piezoelectric vibrating body for a vibrating portion of a speaker have been disclosed (for example, Patent Document 3).
- the center portion of a bimorph type piezoelectric ceramic piezoelectric diaphragm is attached to an acoustic diaphragm via a support member, and a through hole is provided in the center of the piezoelectric diaphragm to pass through the support member.
- the acoustic diaphragm mechanically vibrates to generate air vibrations and functions as a sounding body.
- a piezoelectric diaphragm and an acoustic diaphragm are combined to form a speaker.
- a product that does not include the above-described acoustic diaphragm has a suction plate or the like as a support member, and uses an arbitrary object such as a desk or a guitar as an acoustic diaphragm has appeared on the market.
- this piezoelectric diaphragm with a suction plate is attached to a violin body, and the violin is used as a sounding body, it produces a significantly distorted sound.
- two piezoelectric diaphragms each corresponding to a force S stereo RL audio signal, are affixed to the violin torso, it becomes more difficult to hear and a harsh distortion sound is emitted.
- the cause is due to the structural characteristics of the violin instrument.
- a piece is excited by the vibration of a spear that is rubbed with a bow, and the piece transmits vibration to the front plate to vibrate the front plate, and also transmits vibration to the back plate through the soul column.
- Patent Document 1 Japanese Patent Laid-Open No. 9-134168
- Patent Document 2 Japanese Patent Laid-Open No. 11-122687
- Patent Document 3 Japanese Patent Laid-Open No. 2000-253492
- Non-Patent Document 1 C. M. Hutchins, “Violin Acoustics”, Science, December 1981 Disclosure of Invention
- the problem to be solved is that it is difficult to perform installation adjustment with portability and cannot be played with a violin stereo sound source that is faithful to the original sound.
- the automatic violin according to claim 1 of the present invention is an automatic violin in which one violin performs with a stereo sound source, and vibrates in accordance with a stereo R audio signal.
- Disc-shaped R piezoelectric diaphragm and stereo L Vibrates according to audio signal A rod-shaped structure that penetrates and fixes the center of the disk-shaped L piezoelectric diaphragm in a skewer is attached and detached by a clip provided at the tip.
- the automatic violin according to claim 2 of the present invention is an automatic violin that performs with a single violin-powered stereo sound source, one end having two branched ends, and each end having a stereo R
- a stereo sound source that excites the piece simultaneously with the mechanical vibration of the R piezoelectric diaphragm and the L piezoelectric diaphragm, with a structure that is fixed to the upper edge of the valine piece by a clip part provided at the tip. It is characterized by performing by.
- FIG. 1 is an explanatory view showing a configuration of an automatic violin and a configuration of a vibrating part and a structure. (Example 1)
- FIG. 2 is an explanatory view showing a configuration of a vibrating part and a structure attached to an automatic violin. (Example 2)
- two piezoelectric diaphragms for stereo are connected via the structure. This is realized by a structure that is detachably fixed to the upper edge of the frame.
- FIG. 1 is a diagram for explaining a first embodiment of an automatic violin according to the present invention, in which A is an overall cross-sectional view, and B is a side view of a vibrating part and a structure.
- 1 is a vibration part
- 2 is a piezoelectric diaphragm
- 2-1 is a stereo R diaphragm
- 2-2 is a stereo L diaphragm
- 2-3 is a stereo R audio signal line
- 2-4 is a stereo L sound.
- Signal line 3
- 3 is a structure that transmits mechanical vibration and also fixes the vibration part 1 to the piece
- 3-1 is a fixed shaft that penetrates and fixes the piezoelectric diaphragms 2-1 and 2-2
- 3-2 is vibration.
- the transmission shaft that transmits the vibrations of the plates 2-1 and 2-2, 3-3 is the clip that sandwiches the top edge of the piece, 3-4 is the screw that tightens the clip, and 3-5 is the side of the piece It is a slit.
- 4 is four spears 4-1, 4-2, 4-3, 4-4 stretched on the piece.
- 5 is a piece, and 5-1 and 5-2 are legs that contact the front plate.
- 6 is the body, 6-1 is the front plate, 6-2 is the side plate, 6-3 is the back plate, 6-4 is the f hole, 6-5 is the soul pillar, and 6-6 is the power wood.
- the structure 3 fixes the vibrating part 1 to the upper edge of the violin piece.
- the piezoelectric diaphragms 2-1 and 2-2 of the vibration part 1 will vibrate due to the stereo audio signals from the audio signal lines 2-3 and 2-4.
- the piezoelectric diaphragms 2-1 and 2-2 themselves vibrate. This vibration causes the structure 3 to vibrate, and the structure 3 excites the piece and excites the piece in exactly the same way as the occasional vibration, so that the violin is played correctly by the vibration of the vibration part 1.
- the vibration part 1 and the structure 3 are integrated, the upper edge part of the piece is sandwiched between the clip parts 3-3 and the fixing screws 3-4 are tightened to make it extremely easy to form the piece. It can be installed and easily removed, so it can be set up immediately and completed anywhere.
- stereo sound sources are played back by generating directional air vibrations from left and right speakers or wearing headphone speakers in both ears. These are methods that generate a three-dimensional effect in the brain by listening to sounds with left and right forces that are slightly different in phase and volume. Even a solo sound source such as a violin or a piano, the stereo system is very common for sound collection or recording, and these sound sources are also reproduced by a stereo device and exhibit a sense of body effect that cannot be obtained by monaural reproduction.
- a stereo sound source performance with one instrument is realized by exciting the piece with a stereo RL audio signal. is doing.
- the principle is that the violin produces RL sound in response to both RL audio signals at the same time, so that a three-dimensional effect is generated in the brain when listening to one stereo sound source performance.
- FIGS. 2A is a perspective view
- B is a side view
- 1 is a vibrating part
- 2 is a piezoelectric diaphragm
- 2 —1 is stereo R diaphragm
- 2-2 is stereo L diaphragm
- 2-3 is stereo R audio signal line
- 2-4 is a stereo L audio signal line, and the piezoelectric diaphragms 2-1 and 2-2 are fixed to a common structure 3, respectively.
- Each part of the structure 3 is a transmission shaft for fixing the stereo R diaphragm of 2-1 to 2-1 and a transmission shaft for fixing the stereo L diaphragm of 2-2. These shafts are fixed to the mounting base 3-3.
- the mounting base 3-3 is provided with a clip part 1 of 3-4 and a clip part 2 of 3-5, and a piece (Fig. 1) 5) Fixed to the upper edge.
- FIG. 2B shows the fastening operation to the piece.
- the upper arm of the clip part 2 (3-5) is pushed down, and the lower arm that hangs at a right angle attaches the upper edge part 4 of the piece to the clip part 1 (
- this embodiment is a form that enables a stereo sound source performance of an audio signal RL from a stereo sound source. Since the principle and effect of a stereo sound source performance with one violin is exactly the same as in Example 1, the explanation is omitted here.
- Example 1 For example, if a plurality of piezoelectric diaphragms of Example 1 are used, it is possible to perform multiple sound recordings of multiple sound sources or multiple recordings using the multiple sounding characteristics of the violin described above.
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Details Of Audible-Bandwidth Transducers (AREA)
- Stringed Musical Instruments (AREA)
- Piezo-Electric Transducers For Audible Bands (AREA)
- Stereophonic Arrangements (AREA)
Abstract
La présente invention concerne une partie vibrante ayant deux plaques vibrantes piézoélectriques pouvant vibrer du fait d'un signal sonore stéréo et fixée dans une position supportée par le pont par le biais d'une structure. Un signal sonore stéréo est entré dans la partie vibrante pour faire vibrer de façon stéréophonique le pont par le biais de la structure. La plaque avant, le billet audio, la barre d'harmonie et la plaque arrière vibrent donc systématiquement de la même façon que la vibration de corde normale, et le violon peut donc par conséquent être actionné automatiquement. Lorsqu'un signal sonore stéréo est entré dans la partie vibrante, il est donc facile de réaliser l'interprétation automatique de la source sonore stéréo.
Applications Claiming Priority (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP2006-203998 | 2006-07-26 | ||
JP2006203998A JP4776465B2 (ja) | 2006-07-26 | 2006-07-26 | 自動ヴァイオリン |
Publications (1)
Publication Number | Publication Date |
---|---|
WO2008013003A1 true WO2008013003A1 (fr) | 2008-01-31 |
Family
ID=38981318
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
PCT/JP2007/062090 WO2008013003A1 (fr) | 2006-07-26 | 2007-06-15 | Violon automatique |
Country Status (2)
Country | Link |
---|---|
JP (1) | JP4776465B2 (fr) |
WO (1) | WO2008013003A1 (fr) |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN109545169A (zh) * | 2018-12-17 | 2019-03-29 | 王曦 | 一种弦乐演奏系统 |
Families Citing this family (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN101604518A (zh) * | 2008-06-13 | 2009-12-16 | 朝元音乐科技有限公司 | 声音重现装置及系统 |
KR101389500B1 (ko) | 2012-11-20 | 2014-04-29 | 주식회사 필룩스 | 악기형 스피커 |
Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS6031342Y2 (ja) * | 1979-12-06 | 1985-09-19 | 松島工業株式会社 | スピ−カ−付弦楽器 |
JP2004129058A (ja) * | 2002-10-04 | 2004-04-22 | Akuubu Lab:Kk | 弦楽器を使用したスピーカによるコンサートシステム |
-
2006
- 2006-07-26 JP JP2006203998A patent/JP4776465B2/ja active Active
-
2007
- 2007-06-15 WO PCT/JP2007/062090 patent/WO2008013003A1/fr active Application Filing
Patent Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS6031342Y2 (ja) * | 1979-12-06 | 1985-09-19 | 松島工業株式会社 | スピ−カ−付弦楽器 |
JP2004129058A (ja) * | 2002-10-04 | 2004-04-22 | Akuubu Lab:Kk | 弦楽器を使用したスピーカによるコンサートシステム |
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN109545169A (zh) * | 2018-12-17 | 2019-03-29 | 王曦 | 一种弦乐演奏系统 |
CN109545169B (zh) * | 2018-12-17 | 2024-03-19 | 王曦 | 一种弦乐演奏系统 |
Also Published As
Publication number | Publication date |
---|---|
JP2008034998A (ja) | 2008-02-14 |
JP4776465B2 (ja) | 2011-09-21 |
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