EP4332956A2 - Tendeur de cordes, vis de réglage fin, et support de cordes - Google Patents

Tendeur de cordes, vis de réglage fin, et support de cordes Download PDF

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Publication number
EP4332956A2
EP4332956A2 EP23215509.3A EP23215509A EP4332956A2 EP 4332956 A2 EP4332956 A2 EP 4332956A2 EP 23215509 A EP23215509 A EP 23215509A EP 4332956 A2 EP4332956 A2 EP 4332956A2
Authority
EP
European Patent Office
Prior art keywords
string
tensioner
string tensioner
tailpiece
longitudinal arm
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Pending
Application number
EP23215509.3A
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German (de)
English (en)
Inventor
Andreas Heinig
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
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Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to EP23215509.3A priority Critical patent/EP4332956A2/fr
Publication of EP4332956A2 publication Critical patent/EP4332956A2/fr
Pending legal-status Critical Current

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/14Tuning devices, e.g. pegs, pins, friction discs or worm gears
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/22Material for manufacturing stringed musical instruments; Treatment of the material
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00General design of stringed musical instruments
    • G10D1/02Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/12Anchoring devices for strings, e.g. tail pieces or hitchpins
    • G10D3/13Tail pieces

Definitions

  • the present invention relates to a string tensioner for a fine tuning device of a string instrument.
  • the invention further relates to a fine tuner screw for a fine tuner of a string instrument and a tailpiece for a string instrument.
  • Fine tuning devices are used to more easily and cleanly tune a string of a string instrument, such as a violin, a viola, a cello, or a double bass.
  • a fine tuning device is known to include a string tensioner and a fine tuner screw and is arranged on a tailpiece.
  • Such a fine-tuning device can be provided for each string of the string instrument, or such fine-tuning devices are only provided on the tailpiece for certain strings.
  • a string of the instrument is held by the fine tuning device and the string tensioner is moved by operating the fine tuner screw. This movement puts more or less tension on the instrument's string, which affects the tuned pitch.
  • the sound is produced by causing a string to vibrate with a bow or a finger, and this vibration is transmitted to the instrument (particularly the body).
  • the properties of a string instrument are determined in particular by its playability, i.e. how well a sound can be produced, and determines the sound of the instrument. Consequently, it is a constant effort to continually improve the playability and sound production of string instruments.
  • An object of the invention is to provide a string tensioner, a fine tuner screw for one or more selected strings, and a tailpiece, each of which improves the playability and sound production of a string instrument.
  • a string tensioner for a fine tuning device of a string instrument having a substantially L-shaped construction with a longitudinal arm and a transverse arm, the longitudinal arm being longer than the transverse arm.
  • the cross arm includes a receiving device for a string of the string instrument.
  • a height of the longitudinal arm outside a corner region of the string tensioner corresponds to at least 15% of a length of the longitudinal arm at a highest point.
  • the string tensioner is made of at least 75% brass material.
  • One advantage here is that such a string tensioner improves both the playability and the tone produced by a string instrument. This is the case because brass has both beneficial properties for sound production (a higher density than commonly used materials) has, as well as the relatively large height of the longitudinal arm creates a large-volume shape of the string tensioner. Brass is heavier compared to the materials commonly used in this context (plastic, aluminum, titanium) and, unlike the usual materials, vibrates in a musically advantageous manner. The high proportion of brass material used here of at least 75% leads to a particularly advantageous vibration behavior of the string tensioner.
  • the string tensioner is advantageously made of solid brass. This also reduces or avoids disruptive vibration bridges.
  • the area of the instrument string below a bridge over which the strings are guided is calmed by the heavy weight of the string tensioner.
  • the bridge is therefore caused to vibrate primarily by deflecting the string using the bow or finger. Passive, disruptive vibrations of a tailpiece decrease. This leads to an improved feel of the instrument and an improvement in the sound.
  • the response of the strings becomes easier and faster. At the same time, the strings can withstand more pressure from the bow when playing. This gives the musician more options to model the sound of the instrument.
  • the string tensioner described here gives the overall sound of the instrument more volume, transparency and more bass on the low strings.
  • the essentially L-shaped design is characterized in that the string tensioner has a longitudinal arm and has a cross arm, which are connected to one another in a corner area or merge into one another.
  • the string tensioner is, for example, designed in one piece.
  • the height of the longitudinal arm outside the corner area here describes the extent of the longitudinal arm in a main direction of extension of the transverse arm, i.e. in a direction perpendicular to a main direction of extension of the longitudinal arm itself.
  • This height is at least 15% of a total length of the longitudinal arm.
  • the height can also be at least 20% or 25% of the total length of the longitudinal arm. This leads to even larger volume string tensioners, which further increases the weight of the string tensioner, further contributing to the improved playability and sound.
  • a width of the longitudinal arm outside the corner region of the string tensioner at a widest point corresponds to at least 10% of a length of the longitudinal arm.
  • the width is at least 15%.
  • the string tensioner is made entirely of a brass material.
  • One advantage here is that an uncomplicated manufacturing process is possible with a string tensioner made from just one material.
  • a String tensioner in particular have good playability and good sound properties, since - as described above - brass has a beneficial effect on these properties.
  • the string tensioner has at least one recess or four homogeneous surfaces on the longitudinal arm.
  • Such a recess can be one or more through-holes in the longitudinal arm, or one or more millings in the longitudinal arm.
  • An advantage of homogeneous surfaces i.e. with a string tensioner without recesses, is that a high weight and a homogeneous material flow of the brass material is achieved by the string tensioner, which has an additional positive influence on playability and sound production.
  • a surface of the longitudinal arm facing away from the transverse arm has a convex surface structure and/or a surface of the longitudinal arm facing the transverse arm has an at least partially concave or convex surface structure.
  • the convex surface provides additional mass on the string tensioner, which further improves playability and sound production.
  • such a string tensioner can be advantageously inserted into a tailpiece.
  • the string tensioner has a bulge on the longitudinal arm, on an end region of the longitudinal arm facing away from the corner region, and on a surface of the longitudinal arm facing away from the transverse arm.
  • One advantage here is that additional mass is introduced into the string tensioner in the end region of the longitudinal arm.
  • a fine tuner screw hits the string tensioner.
  • the mass is increased, which additionally causes vibrations in the Fine tuning device calms down.
  • the string tensioner has a hole in the corner region in which the longitudinal arm is connected to the transverse arm, which is suitable for receiving a fastening axis of a tailpiece.
  • a fine tuner screw for a fine tuner of a string instrument comprises an external thread which is designed to be screwed into an internal thread of a tailpiece.
  • the fine tuner screw is made of at least 75% brass material.
  • the fine tuner screw further comprises a knurled head, each of which has a height and a width of at least three times a diameter of the external thread of the fine tuner screw.
  • the advantages of the fine tuner screw specified here essentially correspond to those of the string tensioner described in detail above.
  • the choice of material and the large-volume design of the fine tuner screw calm vibrations in a tailpiece in which the fine tuner screw is inserted, as well as in the interaction between a string tensioner and fine tuner screw, and improve the playability and sound production of an instrument in which such a fine tuner screw is installed .
  • this is Fine tuner screw made entirely of brass material.
  • the fine tuner screw is advantageously made of solid brass. This also reduces or avoids disruptive vibration bridges.
  • a tailpiece for a string instrument wherein the tailpiece is made of at least 75% of a brass material.
  • tailpiece specified here essentially correspond to those of the tailpiece described in detail above.
  • choice of material calms vibrations below a bridge, i.e. in the passive area of a string, and improves the playability and sound production of an instrument for which such a tailpiece is used.
  • the tailpiece described here can be designed analogously to a known tailpiece.
  • the tailpiece is made entirely of a brass material.
  • One advantage here is that an uncomplicated manufacturing process is possible.
  • nut threads for fine tuner screws for example for the fine tuner screws described above, can be milled directly into the tailpiece.
  • such a tailpiece offers good playability and good sound properties, since - as described above - brass has a beneficial effect on these properties.
  • the tailpiece is made of solid brass. This also reduces or avoids disruptive vibration bridges.
  • the tailpiece comprises at least one string tensioner according to at least one embodiment of the string tensioner described above.
  • the tailpiece comprises at least one fine tuner screw according to at least one embodiment of the fine tuner screw described above.
  • the mounting axle is also made of at least 75% brass material, the playability and sound production are further improved.
  • the vibrations are spread more evenly across all components and all existing string tensioners distributed. Vibration bridges, i.e. different speeds and intensities of sound transmission and reflections due to differences in materials, are avoided or at least reduced.
  • the tailpiece and/or the fastening axle is made entirely of a brass material.
  • a brass with the EN material number CW 614N also known as CuZn39Pb3 or MS58
  • the DIN material number for this brass alloy is 2.0401.
  • Advantages of this alloy are, for example, that it has high strength but at the same time good machinability, which facilitates the production of the brass components described here.
  • the parts described here can also be black galvanized, regardless of the alloy actually used.
  • Figures 1 to 4 show different views of a string tensioner 1 according to a first exemplary embodiment of the invention.
  • Figure 1 shows a perspective view of the string tensioner 1
  • Figures 2 and 3 show side views of the same
  • Figure 4 shows a front view of the string tensioner 1 in a plan view from a direction of the transverse arm of the string tensioner 1 described below.
  • the string tensioner 1 has a substantially L-shaped design with a longitudinal arm 2 and a transverse arm 3, the longitudinal arm 2 being longer than the transverse arm 3.
  • the longitudinal arm 2 is at least twice as long as the transverse arm 3, for example approximately three times as long.
  • the transverse arm 3 has a receiving device 4 for a string of the string instrument, not shown here.
  • This receiving device 4 comprises, at an end of the transverse arm 3 facing away from the longitudinal arm 2, a central recess 5, which extends at this end of the transverse arm 3 over the entire width of the transverse arm 3 along a main extension direction of the longitudinal arm 2.
  • the recess 5 is intended so that the string, not shown here, is guided through the recess 5 and the string is placed in a bend 6 on an underside of the string by means of a fastening ring, a fastening ball, or another device intended for fastening to one end of the string Cross arm 3 is held.
  • a height HL of the longitudinal arm 2 outside a corner region E of the string tensioner 1 at a highest point corresponds to at least 15% of a length LL of the longitudinal arm 2.
  • the corner region E extends approximately over a quarter of the total length LL of the longitudinal arm 2 from a transverse arm-side end face of the string tensioner 1 in the direction of a main extension direction of the longitudinal arm 2.
  • the length of the longitudinal arm 2 is 41.3 mm in the exemplary embodiment shown here.
  • the height HL at the highest point of the longitudinal arm 2 is at least approximately 6.195 mm.
  • the height HL of the longitudinal arm 2 is specifically 8.52 mm. In the exemplary embodiment shown here, the height HL of the longitudinal arm 2 is approximately 20% of the length LL of the longitudinal arm 2.
  • the string tensioner 1 is completely, i.e. 100% made of brass material.
  • the string tensioner 1 is made of solid brass material, i.e. no other materials are used. Alternatively, however, small amounts of other materials of up to a maximum of 25% of the total volume of the string tensioner 1 could also be used.
  • This string tensioner 1 thereby brings about both improved playability and improved tone production of an instrument compared to conventional string tensioners. This is the case because both brass has advantageous properties for sound production (a higher density than commonly used materials) and the relatively large height of the longitudinal arm creates a large-volume shape of the tailpiece.
  • Brass is heavier compared to the materials commonly used in this context (plastic, aluminum, titanium) and, unlike the usual materials, vibrates in a musically advantageous manner. This here The high proportion of brass material used leads to a particularly advantageous vibration behavior of the string tensioner.
  • a width B of the entire string tensioner 1 is 6 mm in this exemplary embodiment.
  • the width B is homogeneous over the entire string tensioner 1.
  • the width B therefore corresponds to approximately 15% of the length HL of the longitudinal arm 2.
  • a width of at most 10% could also be selected in order to represent the large-volume shape of the string tensioner 1 .
  • the string tensioner 1 has four homogeneous surfaces on the longitudinal arm 2 outside the corner area E. This ensures easy production, high stability and particularly good sound and playability properties.
  • a surface 7 of the longitudinal arm 2 facing away from the transverse arm 3 has a convex surface structure here.
  • a surface 8 of the longitudinal arm 2 facing the transverse arm 3 has a flat surface structure here.
  • edges 10 of the string tensioner 1 are flattened in the exemplary embodiment shown here, which enables improved handling of the string tensioner 1.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, for example, at least 20 grams, for example 20.65 grams, in the design for a 4/4 cello.
  • FIGS 5 to 11 show different views of a string tensioner 1 according to a second exemplary embodiment of the invention.
  • Figure 5 shows a perspective view
  • Figure 6 a first side view
  • Figure 7 a second side view
  • Figure 8 a top view of the representation Figure 6
  • Figure 9 a cross-arm front view
  • Figures 10 and 11 Sectional views according to section lines AA and BB Figures 6 and 8th the string tensioner 1.
  • the string tensioner 1 shown here is largely similar to the string tensioner 1 as it appears with reference to the Figures 1 to 4 is described. In the following, only the differences will be discussed; the features described above will not be repeated here and apply accordingly to this exemplary embodiment.
  • the string tensioner 1 has recesses 11 on lateral surfaces of the longitudinal arm 2. These recesses 11 are milled 2 mm deep into the side of the longitudinal arm 2, which is shown in the sectional drawing Figure 11 can be recognized. The recesses 11 are therefore only milled so deeply into the longitudinal arm 2 that a web 12 of 2 mm remains in the middle in an area between the recesses 11 in the longitudinal arm 2.
  • This bridge is 12 especially in the sectional views in the Figures 10 and 11 easy to see, with the longitudinal section according to Figure 10 , since cut along the bridge 12, has no difference to a corresponding longitudinal section of the tailpiece according to the first exemplary embodiment. In this way, weight and material are reduced, but at the same time a continuous shape of the longitudinal arm 2 is provided, which still ensures good properties for reducing or avoiding vibration bridges.
  • the recesses 11 extend along the longitudinal arm 2 into the corner area E of the string tensioner 1. In the direction of the height HL of the longitudinal arm 2, the recess 11 extends approximately over 60% to 70% of the height HL of the longitudinal arm 2 at the outside of the corner area E highest point of the longitudinal arm 2. In the corner area E, as in the first exemplary embodiment, there is a hole 9 with the same purpose as already explained above.
  • a through hole could also be made instead of the recesses 11.
  • a similar recess could also be arranged on the surface 8 of the longitudinal arm facing the transverse arm 3.
  • a similar recess could be arranged on the surface 7 of the longitudinal arm facing away from the transverse arm 3.
  • an elongated through-hole could also be arranged in the main direction of extension of the longitudinal arm from the surface 8 to the surface 7.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, for example, at least 16 grams, for example 16.493 grams, in the design for a 4/4 cello.
  • Figures 12 to 14 show different views of a string tensioner 1 according to a third exemplary embodiment of the invention.
  • Figure 12 shows a perspective view
  • Figure 13 a first side view
  • Figure 14 a second side view of the string tensioner 1.
  • the string tensioner 1 shown here is largely similar to the string tensioner 1 as it appears with reference to the Figures 1 to 4 is described. In the following, only the differences will be discussed; the features described above will not be repeated here and apply accordingly to this exemplary embodiment.
  • the string tensioner 1 has a bulge 13 on the longitudinal arm 2, on an end region R of the longitudinal arm 2 facing away from the corner region E, and on the surface 7 of the longitudinal arm 2 facing away from the transverse arm 3.
  • the bulge 13 extends here over the entire width B of the string tensioner 1 and has a radius of approximately 6 mm with a center approximately 2.5 mm away from it the surface 8 of the longitudinal arm 2 facing the transverse arm 3.
  • the bulge 13 does not extend on the surface 8 of the longitudinal arm 2 facing the transverse arm 3, so that this surface 8 is essentially flat outside the corner region E. Since a fine tuner screw, not shown here, hits the string tensioner 1 at this point, this essentially flat surface 8 causes a uniform movement of the string tensioner 1 when the fine tuner screw is actuated, which is particularly advantageous for tuning the instrument.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, in the design for a 4/4 violoncello, for example at least 21 grams, for example 21.684 grams.
  • Figures 15 to 18 show different views of a string tensioner 1 according to a fourth exemplary embodiment of the invention.
  • Figure 15 shows a perspective view
  • Figures 16 and 17 show side views
  • Figure 18 shows a front view of the string tensioner 1 on the cross arm side.
  • the string tensioner 1 shown here is largely similar to the string tensioner 1 as it appears with reference to the Figures 1 to 4 is described. In the following, only the differences will be discussed; the features described above will not be repeated here and apply accordingly to this exemplary embodiment.
  • the exemplary embodiment shown has a concave surface structure on the surface 8 of the string tensioner 1 facing the cross arm 3.
  • the string tensioner 1 shown here has an end edge 14, instead of the one in the Figures 1 to 4 shown rounded end region R.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, for example, at least 22 grams, for example 22.787 grams, in the design for a 4/4 cello.
  • Figures 19 to 21 show various views of a string tensioner 1 according to a fifth exemplary embodiment of the invention, which largely corresponds to the fourth exemplary embodiment.
  • Figure 19 shows a perspective view
  • Figures 20 and 21 show side views of the string tensioner 1. Features described above will not be described again.
  • the surface 8 facing the transverse arm 3 has a flat surface structure extending from the corner area E to the end area R, which has the concave surface structure of the in the Figures 15 to 18 shown embodiment compensates. This represents a further increase in the mass of the string tensioner 1, which further improves sound production and playing ability.
  • the fifth exemplary embodiment otherwise corresponds to that with regard to Figures 1 to 4 described features, particularly with regard to the other shape of the string tensioner 1 and the material (brass) of the string tensioner 1. For the sake of clarity, these explanations will not be repeated here. With regard to the exemplary dimensions for such a string tensioner 1 for a 4/4 cello, reference is made to the dimensions given in the figures.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, for example, at least 24 grams, for example 24.122 grams, in the design for a 4/4 cello.
  • Figures 22 to 24 show various views of a string tensioner 1 according to a sixth exemplary embodiment of the invention, which largely corresponds to the fourth exemplary embodiment according to the Figures 15 to 18 matches.
  • Figure 22 shows a cross-arm front view and Figures 23 and 24 show side views of the string tensioner 1. Features described above will not be described again.
  • the string tensioner 1 shown here differs from the string tensioner according to the fourth exemplary embodiment in that the greatest height of the longitudinal arm 2 outside the corner region E is designed to be slightly lower than in the fourth exemplary embodiment.
  • the height HL is approximately 17% of the total length LL of the longitudinal arm 2, i.e. this height is approximately 7.02 mm.
  • the sixth exemplary embodiment otherwise corresponds to that in relation to Figures 1 to 4 or 13 to 16 described features, especially with regard to other form of the string tensioner 1 and the material (brass) of the string tensioner 1. For the sake of clarity, these explanations are not repeated here.
  • the exemplary dimensions for such a string tensioner 1 for a 4/4 cello reference is made to the dimensions given in the figures.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, for example, at least 19 grams, for example 19.541 grams, in the design for a 4/4 cello.
  • Figures 25 to 29 show different views of a string tensioner 1 according to a seventh embodiment of the invention.
  • Figure 25 shows a perspective view
  • Figure 26 shows a front view on the cross arm side
  • Figure 27 a top view
  • Figures 28 and 29 show side views of the string tensioner 1.
  • the string tensioner 1 shown here has a partially narrower longitudinal arm 2 and transverse arm 3 than the exemplary embodiments shown above.
  • the side tensioner 1 shown here also has the width B of 6 mm described above, so that additional weight is added here too.
  • the exemplary embodiment shown here has both a hole 9, by means of which the string tensioner 1, as described above, can be fastened to a fastening axis in a tailpiece.
  • the front side of the string tensioner 1 is designed to be largely flattened, so that the string tensioner 1 can also be held without a fastening axis, that is to say by means of tension in a tailpiece.
  • the seventh exemplary embodiment essentially corresponds to the features described above, in particular with regard to the material (brass) of the string tensioner 1. For the sake of clarity, these explanations are not repeated here. With regard to the exemplary dimensions for such a string tensioner 1 for a 4/4 cello, reference is made to the dimensions given in the figures. While all string tensioners 1 of the first to sixth exemplary embodiments have a length LL of 41.8 mm, the seventh exemplary embodiment has a length of 41.65 mm.
  • the exemplary embodiment of the string tensioner 1 shown here weighs, for example, at least 10 grams, for example 10.616 grams, in the design for a 4/4 cello.
  • All string tensioners shown here Figures 1 to 29 can be used for fine tuning devices for string instruments, ie for cellos or, in an adjusted size, for violins, violas and double basses.
  • FIGS 30 and 31 show two exemplary embodiments of fine tuner screws 15 according to the invention.
  • Both fine tuner screws 15 have M3 external threads 16 at a lower end, which are each 15.5 mm long in the exemplary embodiments shown here.
  • Other thread types or lengths of the external thread 16 are of course possible.
  • the external threads 16 are designed to be screwed into an internal thread of a tailpiece.
  • the fine tuner screws 15 are made entirely of brass.
  • the fine tuner screws 15 are made of solid brass.
  • other materials can also be used, as long as the fine tuner screws are made of at least 75% brass material.
  • the fine tuner screws 15 each include a knurled head 17, each of which has a height HR and a width BR of at least three times the diameter of the external thread 16 of the fine tuner screw 15.
  • the knurled heads 17 each have a knurled profile, not shown here, on the sides in an area K.
  • the height HR is 9.5mm and the width BR is 10mm.
  • the height HR is 10.5 mm and the width BR is 10 mm.
  • the width BR is evaluated at a widest point of the knurled head 17. This The widest point extends at least over a height of the knurled head 17 which corresponds to the diameter of the external thread 16. The width decreases in the direction of the external thread 16 and in the direction of an end of the knurled head 17 facing away from the external thread 16. In this way, a large-volume knurled head 17 is provided for the fine tuner screw.
  • two additional rings 22, between which a connecting piece 23 is arranged are also attached between the knurled head 17 and the part with the external thread 16.
  • Additional rings 22 and connecting piece 23 are cylindrical in this exemplary embodiment, with a diameter of 7.00 mm or 5.7 mm in the exemplary embodiment Figure 30 , and 7.00 mm or 6.20 mm in the exemplary embodiment according to Figure 31 designed.
  • the additional rings 22 and the connecting piece 23 can also be designed in a different shape or with different radii or the heights shown in the figures.
  • the additional rings 22 and the connector 23 provide additional weight, which further calms unwanted vibrations and further improves tone production and playability.
  • the lower additional ring 22, which is closest to the external thread 16 represents a stop for the upper end of the external thread 16, so that the fine tuner screw 15 cannot be screwed too far into a thread intended for it.
  • the fine tuner screws 15 shown here are as shown Figure 30 weighs, in the design for a 4/4 cello, for example at least 6.4 grams.
  • the fine tuner screws 15 shown here according to Figure 31 weighs, in the design for a 4/4 violoncello, for example at least 6.6 grams.
  • Corresponding configurations for a A 4/4 violin or a 4/4 viola for example, weighs at least 1.7 grams.
  • Corresponding designs for a 4/4 double bass, for example weigh at least 39 grams.
  • Figure 32 shows a tailpiece 18 according to an embodiment of the invention.
  • the tailpiece 18 is made entirely of brass.
  • the tailpiece 18 is made of solid brass.
  • other materials could also be used, as long as the tailpiece 18 is made of at least 75% of a brass material.
  • the tailpiece 18 has four openings 19 for receiving string tensioners.
  • these openings can be provided for string tensioners 1 as they relate to Figures 1 to 29 are described.
  • conventional string tensioners can also be used.
  • the tailpiece 18 also has a hole 24, in which an internal thread 20 is milled directly into the brass tailpiece 18.
  • the internal threads 20 are designed to accommodate fine tuner screws.
  • these internal threads 20 can be intended for fine tuning screws 15 as described in the Figures 30 and 31 are described.
  • conventional fine tuner screws can also be inserted into the side holder 18.
  • a fastening axis is arranged on a rear side of the tailpiece 18, not shown here, which connects the string tensioner to the tailpiece 18.
  • This fastening axis for example, is also made of at least 75% Made of brass material. Possible such fastening axes are in Figure 33 shown.
  • Figure 33 shows three different configurations of fastening axes 21, such as those used for the tailpiece 18.
  • the fastening axis 21 is designed as a curved round rod, in a further embodiment, the fastening axis 21 is designed as a single-bent round rod, in the third embodiment, the fastening axis 21 is designed as a triple-bent round rod.

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  • Engineering & Computer Science (AREA)
  • Physics & Mathematics (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Manufacturing & Machinery (AREA)
  • Stringed Musical Instruments (AREA)
EP23215509.3A 2023-12-11 2023-12-11 Tendeur de cordes, vis de réglage fin, et support de cordes Pending EP4332956A2 (fr)

Priority Applications (1)

Application Number Priority Date Filing Date Title
EP23215509.3A EP4332956A2 (fr) 2023-12-11 2023-12-11 Tendeur de cordes, vis de réglage fin, et support de cordes

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
EP23215509.3A EP4332956A2 (fr) 2023-12-11 2023-12-11 Tendeur de cordes, vis de réglage fin, et support de cordes

Publications (1)

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EP4332956A2 true EP4332956A2 (fr) 2024-03-06

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