EP3161818B1 - Âme, ensemble d'outils pour âme et procédé de montage de l'âme dans un instrument à cordes frottées - Google Patents

Âme, ensemble d'outils pour âme et procédé de montage de l'âme dans un instrument à cordes frottées Download PDF

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Publication number
EP3161818B1
EP3161818B1 EP15739337.2A EP15739337A EP3161818B1 EP 3161818 B1 EP3161818 B1 EP 3161818B1 EP 15739337 A EP15739337 A EP 15739337A EP 3161818 B1 EP3161818 B1 EP 3161818B1
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European Patent Office
Prior art keywords
sound post
post
sound
tool
string instrument
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EP15739337.2A
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German (de)
English (en)
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EP3161818A1 (fr
Inventor
Pal Molnar
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Individual
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Individual
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    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/02—Resonating means, horns or diaphragms
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00—General design of stringed musical instruments
    • G10D1/02—Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/22—Material for manufacturing stringed musical instruments; Treatment of the material

Definitions

  • the invention relates to a voice post and a tuning pole tool set and a method for mounting the voice stick in particular in a stringed instrument.
  • the DE 44 37 676 A1 discloses a bridge and reed system for improving the sound of stringed instruments, wherein the bridge and the reed are mounted on tapered bearings so that the ends of the reed can conform to an inside of the ceiling or floor. This system requires a lengthy adjustment of the length of the vocal chord for an exact installation of the voice block.
  • the US 5,208,408 A describes a height adjustable tuning post, which is composed of several parts. There is provided a first and a second component, wherein the first component has a bore. The second component has a post that matches the dimensions in width and length of the bore of the first component. In this case, the items may be plugged together that a height of the voice stick can be set in a range of a few millimeters by means of between discs of different sizes.
  • the US 4,955,274 A discloses a voice post made of a fiber reinforced plastic.
  • the US 2 145 237 A discloses a non-threaded taper post with an elastically adjustable length and a tool for installing it.
  • the present invention has the object to facilitate the installation of such a Stimmstocks. This object is achieved by a prong tool set for installation of a reed between the ceiling and the bottom of the stringed instrument with the features of claim 6.
  • a voice post in particular for stringed instruments, which is composed of two or more voice post components and has pivotable end pieces on its end faces.
  • the second voice post component further comprises a threaded portion and the first part of the voice memorandum an internal thread corresponding to the threaded portion, so that the voice post components can be screwed together and thus adjusted in height to each other.
  • the threaded portion has a fine thread.
  • a scale with an equidistant graduation is arranged on one of the two or more post components, the division of the scale corresponding to the pitch of the fine thread.
  • the Stimmstock can also be used in any kind of stringed instruments, also in historical instruments or in plucked instruments or in other musical instruments with a reed, and can advantageously be used retrospectively.
  • This post can, in that it is precisely adjustable in height, especially be retrofitted.
  • the precise adjustment of the height of the peg makes it possible to harmonize the vibrations of the instrument's top and bottom, significantly improving its sound characteristics and internal stability.
  • the dimensions of the voice block can be adapted to suit violin, viola, violoncello, double bass.
  • a pitch in a range of 0.5 mm to 1 mm, preferably 0.8 mm and for a cello a pitch in a range of 1 mm to 1.5 mm, preferably 1.25 mm be provided.
  • the scale can be printed in high contrast on film and also be sized so that it covers an open portion of the threaded portion.
  • the threaded section can be reliably protected from dirt.
  • the invention provides in a development that the voice post components made of fiber-reinforced plastic, preferably made of carbon (carbon fiber reinforced plastic) can exist.
  • This material has the advantage that a fine thread can be cut with a small pitch.
  • the prior art could not provide such a fine scale classification, as in the previously used materials such. B. wood, no exact fine thread could be cut.
  • the surface of the machined carbon has a certain roughness, which prevents the playing of the instrument can adjust a set voice pole, since the thread has a high frictional force under the pressure of the strings.
  • Materials with a plastic matrix of thermosetting resin such as epoxy resin or thermoplastic materials with variable fiber content can be used.
  • the voice post is substantially cylindrical. It may have two or more attachment portions which have a polygonal cross-section, preferably octagonal.
  • a cross-section can be well with a tool include, even through the narrow F-holes of a violin can be adjusted so the post also still in its length.
  • other cross-sections for example, hexagonal or ten-cornered.
  • each end piece has a part-spherical section and a flat end surface.
  • a part-spherical recess may be provided on the end sides of the voice stick, in which the part-spherical section is received.
  • the tail can be tiltably mounted in the recess.
  • the flat end surface can fit flat against the tilted wall of the ceiling or floor, which in particular on the inside of the soft spruce wood ceiling produces no impression or the ceiling can be damaged.
  • the invention may further provide that the part-spherical recess for attachment of the end piece on the edge has a flanging.
  • the recess and the respective end piece may have magnetic fastening means which are poled to one another such that the end piece can be held magnetically within the recess. These fasteners are used to hold the movable end pieces captive during assembly and a first positioning.
  • the voice pole according to the invention can be well adjusted in length and height and can produce a good vibration coupling between the ceiling and the bottom of the string instrument, advantageously results in a previous vocal chords improved sound of the instrument.
  • an inventive prong tool set for mounting the above-described voice block between the ceiling and the bottom of a stringed instrument.
  • This set comprises in addition to the voice post one or more adjustment tool (s), each having a fork portion, a shaft and a holding portion, in particular in the form of a loop.
  • the shaft is arcuate to reach the respective attachment portions of the voice block and has a length corresponding to at least a length of a distance corresponding to a predetermined first string instrument F hole to a predetermined position on a string instrument bottom.
  • the voice pole can be easily reached and adjusted at the predetermined position below a right foot of a bridge.
  • a predetermined position within the meaning of the invention is an area in the interior of the instrument, below the right foot of the web, d. H. usually the highest pitched string of the instrument, eg. For violins of the E-string, is located about 5 mm lower than the position of the bridge.
  • a gripping area of the Stimmstocksetzers corresponds to the gripping area of the setting tools.
  • the kit may include an insertable insertion tool for insertion into the stringed instrument, the insertion tool having an angled shaft and a pincer section.
  • the insertion tool may have an actuating device in the form of a spring-loaded punch.
  • the forceps section may be a simple forceps with two forceps jaws. If larger voice sticks, eg. For cello or double bass are used, the forceps portion of the insertion tool can be a double forceps, and thus have a total of four jaws. This allows the vocal pole to be held securely and carefully inserted into the instrument through the first F-hole.
  • the shank of the adjusting tools and the angled shaft of the insertion tool can be wrapped with a plastic.
  • this may be a plastic, which is also used for heat shrink tubing.
  • the delicate side edges of the F holes and the wooden, painted ceiling of the string instrument can be spared.
  • a color distinction of the plastic sheath can be provided depending on the type of instrument.
  • the insertion tool can be generally black, and setting tools for violins red and for violas yellow. The colors are free to choose.
  • the first adjustment tool may have a longer shaft than the second adjustment tool.
  • the voice pole can thus be optimally positioned, since this is usually placed below the pitch of the highest string of the stringed instrument and thus closer to an F-hole than to the other F-hole.
  • the shanks of the tools can also be the same length, wherein they can have a different bending radius. The voice post can thus be easily and precisely installed.
  • a method according to the invention for mounting the above-described voice block can be carried out by means of the above-described vocal-tool set in a stringed instrument.
  • the voice pole is provided and preset at a predetermined height, which is predetermined by the distance between the ceiling and the bottom of the stringed instrument.
  • the height between the ceiling and the floor can be measured by means of a sound-pencil internal button. If an old, wooden sound post is replaced, the strings can first be removed and the wooden tuning stick removed.
  • the length of the voice block according to the invention could be adjusted according to the length of the wooden voice block.
  • the insertion tool is used to insert the vocal-rod through the first F-hole of the string instrument and to position the vocal-rod at a predetermined position within the string instrument. Due to its pre-set length, the voice pole is easily wedged between the ceiling and the floor.
  • the first adjustment tool or alternatively a Stimmstocksetzer can be taken to help.
  • the scale is visible through the first or the second F-hole, with the voice post should be used so that the scale line through the first F-hole can be seen well. Then the tools can be removed from the instrument, the strings are stretched or tuned to pitch and acoustically tested.
  • the fork portion of the first adjusting tool is inserted into the second F-hole and held with the first adjusting tool on the first mounting portion of the first mounting portion and thus the first voice stamp component. Further, the fork portion of the second adjustment tool is inserted into the first F-hole and the second adjustment tool includes the second attachment portion.
  • a stepwise rotation of the second voice post component according to the scale whereby the flat end surface of the end pieces is pressed or relaxed on the floor and ceiling of the string instrument. Pressing or relaxing here means that by extending or correspondingly shortening of the vocal cord, the tension that the voice pole applies to the ceiling and the floor is increased or decreased. The rotation takes place until an optimal sound result is achieved, after which the instrument can be played after each rotation.
  • the device according to the invention relates to a vocal head 1 for stringed instruments.
  • a first voice post component 2 with a first attachment portion 9a.
  • the voice pole 1 has a second voice block component 3 with a second mounting portion 9b.
  • the attachment portions 9a, 9b are octagonal in cross-section to be well grasped by a tool and also by a few degrees against each other to be moved or rotated.
  • the second voice post component 3 has a threaded portion 7, which engages in a corresponding internal thread 8 of the first voice post component 2.
  • the two threads (external thread of the threaded rod 7 and internal thread 8) are formed as a fine thread.
  • the fine thread present on the threaded section 7 is cut so that a division of the scale 10 corresponds to the pitch of the fine thread.
  • a scale line 10a is arranged on the first part of the vocal horn 2.
  • the scale 10 is coupled to the second voice post component 3 such that upon rotation of the second voice post component 3 relative to the first voice post component 2, the scale 10 moves along and the scale line 10a remains in place.
  • the scale is intended to allow steps of 0.022 mm so that rotation about one scale stroke causes an increase or decrease of the voice block 1 by that amount.
  • both end faces 4 of the Stimmstockbaumaschinemaschine 2.3 and thus of the Stimmstocks 1 each have a part-spherical recess 6 is provided, each of which can accommodate a tail 5.
  • the end piece 5 has a part-spherical portion 5a, wherein its dimensions correspond to the dimensions of the recess 6, so that the end piece 5, when it is inserted with the part-spherical portion 5a in the recess 6, is tiltably mounted therein. Projecting upwards or downwards in the figure, the respective end piece 5 terminates with a flat end face 5b which, when installed in a stringed instrument, is intended to rest against an inner surface of a ceiling or a floor. Due to the tiltable mounting, the end piece 5 of the curvature of said inner surface can also adapt to the curvature of the ceiling and floor due to the effects of weather.
  • the recess 6 may be provided at the bottom thereof a first magnetic element which may be formed with a second magnetic element, which is polarized opposite to the first magnetic element, on a corresponding surface of the tail a magnetic fastening device (not shown figuratively). Also, a border can the recess 6 be beaded to hold the tail 5 in the recess 6 and to guide the tilting storage.
  • All components of the tongs 1 can be made of carbon or a similar material with high strength and rigidity.
  • Fig. 3 shows a cross section through a violin, in which the vocal pot 1 is inserted, the prong 1 is clamped between the ceiling 21 and floor 22.
  • the voice post 1 is positioned between the ceiling 21 and the bottom 22 below a right foot 23 a of a web 23. Openings are respectively formed on the left and right of the web 23, a first, right-hand F-hole 24 and a second, left-hand F-hole 25.
  • Fig. 4 and 5 show the different parts of a vocal-tool set, with which the vocal head 1 can be installed in a stringed instrument.
  • the Fig. 4 shows an insertion tool 16 belonging to the tool set, which has an angled shaft 17 and a gripping area with a forceps section 18.
  • An actuating device in the form of a spring-loaded punch 19 and a handle 20 are arranged on an end of the insertion tool 16 facing away from the forceps section 18.
  • Fig. 5 are further parts of the tool set according to the invention shown, which includes, inter alia, two adjusting tools 11,12. Both adjusting tools 11,12 are constructed substantially the same: each adjusting tool 11,12 has at a kneading end a tool fork 14, the size of which is adapted to the particular use of the vocal stock. Further, the size of the tool fork 14 is sized to correspond to the dimensions of the mounting portions 9a, 9b.
  • the adjusting tools 11,12 continue to have at the opposite end of the fork 14 a retaining loop 15, with which a violin maker can take the adjusting tools 11,12.
  • the retaining loop 15 is connected to the tool fork 14 via a bent shaft 13.
  • the bent shaft 13 of the first tool 11 is formed longer than the shaft 13th of the second tool 12.
  • the violin maker for inserting or in position holding the Stimmstocks 1 within the instrument, the first setting tool 11 and for rotating and adjusting the height of the second adjustment tool 12.
  • the voice post 1 at a predetermined location within the instrument such as Fig. 3 shows, must be arranged, which is closer to the first F-hole 24 than to the second F-hole 25, can be compensated for by the different length of the tools this difference and the voice post 1 with both adjusting tools 11,12 well reached and set become. Subsequent settings can also be made.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Stringed Musical Instruments (AREA)

Claims (10)

  1. Âme (1) en particulier pour instruments à cordes, qui est assemblée au moins de deux composants d'âme (2, 3) et présente des pièces d'extrémité (5) pivotantes au niveau de ses faces frontales (4),
    dans laquelle le second composant d'âme (3) présente une section filetée (7) et le premier composant d'âme (2) un tauradage (8) correspondant à la section filetée (7) de telle sorte que les composants d'âme (2, 3) peuvent être vissés l'un à l'autre et peuvent donc être réglés en hauteur l'un par rapport à l'autre,
    caractérisée en ce que
    - la section filetée (7) présente un filet fin et
    - sur l'un des au moins deux composants d'âme (2, 3) est disposé un cadran (10) avec une graduation équidistante, dans lequel la graduation du cadran (10) correspond à l'inclinaison du filet fin.
  2. Âme (1) selon la revendication 1,
    caractérisée en ce que les composants de l'âme sont composés d'une matière plastique renforcée de fibres, de préférence d'une matière plastique renforcée de fibres de carbone.
  3. Âme (1) selon la revendication 1 ou 2,
    caractérisée en ce que l'âme (1) est sensiblement cylindrique et présente au moins deux sections de fixation (9a, 9b) qui présentent une section en coupe polygonale, et sont de préférence octogonales en coupe transversale.
  4. Âme (1) selon au moins une des revendications 1 à 3, caractérisée en ce que chaque pièce d'extrémité (5) présente une section partiellement sphérique (5a) et une surface de terminaison plane (5b) et en ce que,
    au niveau des faces frontales (4) de l'âme (1), à chaque fois est prévu un évidement partiellement sphérique (6) dans lequel la section partiellement sphérique (5a) est reçue.
  5. Âme (1) selon la revendication 4,
    caractérisée en ce que l'évidement respectif (6) présente en bordure pour la fixation de la pièce d'extrémité (5) un bordage ou un moyen de fixation magnétique.
  6. Ensemble d'outils pour âme pour le montage d'une âme (1) selon au moins une des revendications 1 à 5 entre le fond et la table d'un instrument à cordes, comprenant :
    l'âme (1) et
    au moins un outil de réglage (11, 12), qui présente une section de fourche (14), un manche (13) et une section de retenue, le manche (13) étant en forme d'arc et présentant une longueur qui correspond au moins à une longueur d'un trajet correspondant depuis un trou en F (24, 25) prédéfini de l'instrument à cordes jusqu'à une position prédéfinie pour l'âme (1) au niveau d'un fond de l'instrument à cordes.
  7. Ensemble selon la revendication 6,
    caractérisé en ce que l'ensemble d'outils comprend un outil d'introduction (16) pour introduire l'âme (1) dans l'instrument à cordes, l'outil d'introduction (16) présentant un manche coudé (17) et une section de pince (18).
  8. Ensemble selon la revendication 6 ou 7,
    caractérisé en ce que le manche (13) de l'outil de réglage (11, 12) et le manche coudé (17) de l'outil d'introduction (16) sont recouverts de matière plastique.
  9. Ensemble selon au moins une des revendications 6 à 8,
    caractérisé en ce que le premier outil de réglage (11) présente un manche (13) plus long que le second outil de réglage (12).
  10. Procédé de montage d'une âme selon au moins une des revendications 1 à 5 à l'aide d'un ensemble d'outils pour âme selon au moins une des revendications 6 à 9 dans un instrument à cordes ou hors de celui-ci, comprenant les étapes consistant à :
    - fournir et prérégler l'âme (1) à une hauteur prédéfinie, qui est prédéfinie par la distance entre le fond et la table de l'instrument à cordes,
    - à l'aide de l'outil d'introduction (16), introduire l'âme (1) à travers un premier trou en F (24) de l'instrument à cordes et positionner l'âme (1) dans une position prédéfinie à l'intérieur de l'instrument à cordes,
    - introduire la section de fourche (14) du premier outil de réglage (11) dans un second trou en F (25) et fixer la première section de fixation (9a) à l'aide du premier outil de réglage (11) au niveau de la première section de fixation (9a) de l'âme (1) ;
    - introduire la section de fourche (14) du second outil de réglage (12) dans le premier trou en F (24) et englober la seconde section de fixation (9b) de l'âme (1) à l'aide du second outil de réglage (12), puis tourner petit à petit le second composant d'âme (3) et ainsi appuyer ou relâcher la surface de terminaison plane (5b) des pièces d'extrémité (5) au niveau du fond et de la table de l'instrument à cordes.
EP15739337.2A 2014-06-27 2015-06-24 Âme, ensemble d'outils pour âme et procédé de montage de l'âme dans un instrument à cordes frottées Active EP3161818B1 (fr)

Priority Applications (1)

Application Number Priority Date Filing Date Title
PL15739337T PL3161818T3 (pl) 2014-06-27 2015-06-24 Kołek stroikowy, zestaw narzędzi i sposób montażu kołka stroikowego w instrumencie smyczkowym

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
DE201410009336 DE102014009336B3 (de) 2014-06-27 2014-06-27 Stimmstock und Stimmstock-Werkzeug-Set sowie Verfahren zur Montage des Stimmstocks in ein Streichinstrument
PCT/IB2015/054731 WO2015198237A1 (fr) 2014-06-27 2015-06-24 Âme, ensemble d'outils pour âme et procédé de montage de l'âme dans un instrument à cordes frottées

Publications (2)

Publication Number Publication Date
EP3161818A1 EP3161818A1 (fr) 2017-05-03
EP3161818B1 true EP3161818B1 (fr) 2018-08-22

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ID=52623887

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Application Number Title Priority Date Filing Date
EP15739337.2A Active EP3161818B1 (fr) 2014-06-27 2015-06-24 Âme, ensemble d'outils pour âme et procédé de montage de l'âme dans un instrument à cordes frottées

Country Status (9)

Country Link
US (1) US9940911B2 (fr)
EP (1) EP3161818B1 (fr)
CN (1) CN106463101B (fr)
DE (1) DE102014009336B3 (fr)
DK (1) DK3161818T3 (fr)
ES (1) ES2698498T3 (fr)
HU (1) HUE039995T2 (fr)
PL (1) PL3161818T3 (fr)
WO (1) WO2015198237A1 (fr)

Families Citing this family (7)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
DE202016101066U1 (de) * 2016-02-29 2016-03-08 Wolfgang Hamberger Stimmstock
USD815191S1 (en) * 2016-11-04 2018-04-10 Donald M. Cohen Rehairing tool for stringed instrument bows
DE202018000990U1 (de) 2018-02-23 2018-04-19 Diastrad e.K. In der Länge verstellbarer Stimmstock, sowie das passende Montage- und Einstellwerkzeug
CN108417186A (zh) * 2018-04-15 2018-08-17 向祖树 一种提琴音柱安装调整工具
US11094297B2 (en) * 2019-09-03 2021-08-17 Peter Winzer Electrically enabled sound post for stringed musical instruments
WO2022039757A1 (fr) * 2020-08-18 2022-02-24 Peter Winzer Âme à activation électrique pour instruments de musique à cordes
CN113470594B (zh) * 2021-06-23 2024-03-22 江苏凤灵乐器有限公司 一种安装稳固的提琴音柱结构

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US1466681A (en) 1921-08-17 1923-09-04 Charles H Todd Violin-sound-post setter
US2145237A (en) * 1937-09-07 1939-01-31 Eberhart George Sound post
US2162595A (en) * 1938-08-11 1939-06-13 Virzi Giuseppe Musical string instrument
GB2202072B (en) * 1987-03-07 1991-04-03 Joseph Harold Stephens Improvements in or relating to violins
DE3914591A1 (de) 1989-05-03 1990-11-08 Herbert Kalina Zugposaune mit feinstimmer, insbesondere fuer tenorposaune, sowie feinstimmer dafuer
US5208408A (en) * 1991-10-31 1993-05-04 Cave James G Sound post for musical instruments
DE4437676C2 (de) * 1994-10-21 1997-10-02 Rainer Wilke Steg- und Stimmstocksystem zur Klangverbesserung von Streichinstrumenten
KR101245381B1 (ko) * 2009-12-04 2013-03-19 주식회사 제이원뮤직 어쿠스틱 전자 겸용 바이올린족 현악기
IL214030A0 (en) * 2011-07-12 2011-08-31 O M B Guitars Ltd One man band

Non-Patent Citations (1)

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Title
None *

Also Published As

Publication number Publication date
DE102014009336B3 (de) 2015-03-26
EP3161818A1 (fr) 2017-05-03
ES2698498T3 (es) 2019-02-05
WO2015198237A1 (fr) 2015-12-30
CN106463101B (zh) 2020-10-27
US20180040310A1 (en) 2018-02-08
PL3161818T3 (pl) 2018-12-31
CN106463101A (zh) 2017-02-22
DK3161818T3 (en) 2018-12-10
US9940911B2 (en) 2018-04-10
HUE039995T2 (hu) 2019-02-28

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