WO2009067830A2 - Agencement de scène, bâtiment pourvu d'un tel agencement et utilisation de cet agencement - Google Patents

Agencement de scène, bâtiment pourvu d'un tel agencement et utilisation de cet agencement Download PDF

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Publication number
WO2009067830A2
WO2009067830A2 PCT/CH2008/000472 CH2008000472W WO2009067830A2 WO 2009067830 A2 WO2009067830 A2 WO 2009067830A2 CH 2008000472 W CH2008000472 W CH 2008000472W WO 2009067830 A2 WO2009067830 A2 WO 2009067830A2
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WO
WIPO (PCT)
Prior art keywords
stage
space
rooms
arrangement according
event
Prior art date
Application number
PCT/CH2008/000472
Other languages
German (de)
English (en)
Other versions
WO2009067830A3 (fr
Inventor
Peter Klemm
Original Assignee
Peter Klemm
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Peter Klemm filed Critical Peter Klemm
Priority to EP08854810A priority Critical patent/EP2215319A2/fr
Publication of WO2009067830A2 publication Critical patent/WO2009067830A2/fr
Publication of WO2009067830A3 publication Critical patent/WO2009067830A3/fr

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Classifications

    • E—FIXED CONSTRUCTIONS
    • E04—BUILDING
    • E04H—BUILDINGS OR LIKE STRUCTURES FOR PARTICULAR PURPOSES; SWIMMING OR SPLASH BATHS OR POOLS; MASTS; FENCING; TENTS OR CANOPIES, IN GENERAL
    • E04H3/00—Buildings or groups of buildings for public or similar purposes; Institutions, e.g. infirmaries or prisons
    • E04H3/10—Buildings or groups of buildings for public or similar purposes; Institutions, e.g. infirmaries or prisons for meetings, entertainments, or sports
    • E04H3/22—Theatres; Concert halls; Studios for broadcasting, cinematography, television or similar purposes

Definitions

  • the invention relates to a stage arrangement, a building with such and a use of the stage arrangement.
  • JP-A-2006257785 shows a stage arrangement with a stage space, an immovably arranged auditorium and an adjoining auditorium on the other side of the stage space, which can be moved onto the stage space and moved away from it.
  • the invention is based on the object to provide a stage arrangement, which allows more design options with a simpler design.
  • stage arrangement which has a floor plan quadrangular stage space and at least three immovable on three sides of the stage space, in each case forming a connecting passage. and subsequent moveable partitions between the stage area and the function rooms, through which the connection between the rooms can be reversed acoustically and optically and restored.
  • stage space Four event rooms and four partition walls are preferably provided, in particular on a square stage space, which results in an increased number of design possibilities and a uniform arrangement of the event rooms on the stage space.
  • a lifting platform for forming or canceling an orchestra pit is provided between the stage space and at least one of the function rooms. This allows a classical placement of an orchestra in front of the stage. Further, it is preferable that the stage space is formed as a raised stage theater theater, thus providing all the possibilities of a classical stage space with the corresponding technical equipment, e.g. a tie bottom, can provide.
  • a mobile for example aufstell- and degradable, especially driven extendable and retractable, spectator stands arranged, but this is preferably provided in several and especially in all event rooms. This results in the maximum utilization of the possible uses of the stage arrangement.
  • a space divider which can be driven in and out is arranged, which further improves the various types of use of the function rooms.
  • a theatrical stage Ater turntable arranged, resulting in new performance options.
  • projection screens for rear projections which can be moved in and out on at least two sides of the stage space, and rear projectors for projection onto the screens are preferably provided in at least two function rooms adjoining these sides.
  • the invention is further based on the object to provide an improved, versatile performance building, especially for theater, concert and multimedia performances.
  • Figure 1 is a perspective schematic view of an embodiment of a stage assembly according to the invention
  • Figure 2 is a plan view of the embodiment of Figure 1;
  • Figure 3 is a plan view in which two partitions are closed
  • Figure 4 is a plan view in which all partitions are closed
  • Figure 5 is a plan view in which all partitions are open and no spectator stand is extended;
  • FIG. 6 shows a plan view with four access ramps and room dividers in the function rooms
  • Figure 7 is a plan view in which two opposite partitions are closed and elongated bleachers are formed
  • Figure 8 is a plan view in which the stage space is provided on three sides with rear projection surfaces;
  • Figure 9 is a plan view of an embodiment in which a carousel stand is located in the stage area;
  • Figure 10 is a plan view of a reduced embodiment with only three function rooms;
  • Figure 11 is another plan view with three function rooms; and FIG. 12 is still a plan view with three
  • FIG. 1 shows schematically a perspective view of a first embodiment of a stage arrangement 1 according to the invention.
  • a square in plan, central stage space 2 is provided, which includes the stage area or the stage floor 3 and the side walls 4, 5, 6 and 7.
  • a blanket is provided, which is not considered here and also from the Ceiling of the building may be formed, in which the stage arrangement is located.
  • Around this central stage space 2 around these are then adjoining this and in conjunction with this event rooms 10, 11, 12 and 13. These are thus arranged in the example shown on each side of the central stage space.
  • Each end face of the respective event space is connected to the central stage space 2 and is usually arranged directly adjacent to the stage space so that a corresponding passage 14, 15, 16 and 17 results.
  • the respective passage preferably extends essentially over the entire width and the entire height of the function room. All or some of the passages may also be smaller. Each of these passages may optionally be open by a movable partition or may be closed by the partition.
  • the respective dividing wall can be designed as a dividing wall which can be displaced laterally or can be moved out of the floor from below or moved out from above.
  • Corresponding, driven movable partitions are known to the expert in various constructions and need not be further explained here.
  • the partitions according to the invention are designed such that they give a visual separation and an acoustic separation; They are therefore usually opaque and acoustically strongly insulating.
  • stage arrangement can thus be used to form different rooms for theater, concert and multimedia events.
  • the stage arrangement is part of a corresponding building or building complex, not shown in the figures, for such performances.
  • This building 'or the building complex includes other areas, such as technology rooms, dressing rooms, catering rooms, etc.
  • the central stage space 3 may have a rectangular or preferably a square floor plan. He is preferably provided for theater performances with the necessary room height and the corresponding technical expansion (eg Schnürteil). Such equipment for stage areas are known and will not be discussed further here.
  • the room height of the central stage space 2 may be, for example, 20 m and the side length of the square plan may be 14-20 m, for example.
  • For the event rooms can be an example of a room height of 12 m and a longitudinal side of the rectangular plan of 30 m and a narrow side of 20 in. Of course, these measures are to be understood only as an example.
  • the function rooms 10, 11, 12 and 13 have in particular tribunes for spectators, wherein in the illustration of Figure 1, a grandstand 20 in the event room 11 is shown and a smaller stand 21 in the event room 12.
  • Such bleachers are preferably mobile and can be built and degradable, but they can also be configured as in the floor of the event space retractable and extendable bleachers. Such is known and will not be shown here. If we speak of grandstands in the following, all corresponding possibilities are included.
  • FIG. 2 shows an embodiment similar to that of FIG. 1, wherein a large auditorium 20 is provided only in the function room 11.
  • the partitions between the stage room 2 and all event rooms 10-13 are open. This results in a convennan- order, which can be referred to as a "big box set”.
  • the stage space 2 forms with its bottom 3, the main stage area and has the mentioned stage technology facilities and possibilities. It is preferably, as has been shown on the basis of the exemplary measures indicated excessive to scenes, brochures, etc. to drive up out of sight. Hubpodien below the stage floor can supplement the stage technical possibilities in a known manner.
  • the dividing walls between the event rooms and the central stage room are open, so that 10 and 12 side stages result from the function rooms and from the function room 13 a backstage. It is preferred, for example in Event space 11, provided in the bottom of a lifting platform, which can be moved down to form an orchestra pit 26 and is moved when not needed for a Or ⁇ chestergraben upwards and then flush with the bottom surface of the event space. In Ver ⁇ Collegial processing space 11 mentioned the spectator stand 20 is arranged.
  • Figure 3 shows an embodiment in which the partitions 36 and 37 are closed, so that the connection between the function room 12 and the stage room 2 is closed and the connection between the function room 13 and the stage space 2 is also closed.
  • the function rooms 12 and 13 are characterized optically and acoustically separated from the stage room 2 and the event rooms 10 and 11. The result is a "middle peep stage" for the audience on the large auditorium 20 in the event room 11, which can see the stage of the stage 2 and partly, depending on the seating position formed by the event space 10 side stage, which through the open connection between this Room 10 and the stage 2 is visible.
  • an orchestra pit 26 may be formed by a lifting platform.
  • the separate function rooms 12 and 13 can be used for rehearsals, concerts or for technical preparation and conversion work, as they are visually completely and acoustically largely separated from the stage by the partitions.
  • a ' small peep stage' would be formed if the partition wall between the function room 10 and the stage 2 were also closed. Then the event room 10 is available for other uses.
  • Figure 4 shows an embodiment in which all partitions 36, 37, 38 and 39 are closed.
  • the function rooms 10-13 can be used individually for rehearsals, performances or set-up work.
  • the preferably arranged in the function rooms mobile grandstand ⁇ elements can create in these spectator areas for taking place in the function rooms uses.
  • Figure 5 shows an embodiment in wel ⁇ cher all partitions are open and built in the event rooms no stands or extended.
  • the stage arrangement can be used completely. Is extremely diverse Horsdorfkei ⁇ th. Means which together with a technical stage equipment in all rooms provided Buchanlagen For example, walls and projection screens are positioned freely. Depending on the placement and movement of the audience, exciting spatial perspectives are created. For example, in this configuration, the stage arrangement can also be used as a showroom.
  • FIG. 6 shows a further preferred embodiment, in which movable room divider elements 46, 47, 48 and 49 are provided in the function rooms, so that they can be subdivided. With open dividing walls between the central stage area and the function rooms with the corresponding spectator stands, this creates a stage for scenic or concerted performances. It could also serve as one of the function rooms as another stage space. As a variant, another side can be used as an extended scene space, as a backstage or as a free space for rear projections, if space is not used in this function room.
  • FIG 7 Another embodiment is shown in Figure 7, in which the partitions 36 and 38 are closed, so that the event rooms 10 and 12 are separated from the stage space 2. These can be used for conversion work or for concert or theater rehearsals, while for the actual stage use of the stage arrangement the central stage space 2 and the two opposite meeting rooms 11 and 13 are available.
  • spectator stands may preferably run along the longitudinal sides of the resulting stage, which is indicated by the spectator stands 22 and 23. The entire room length of two function rooms and the central platforms ⁇ space is so available, giving special performance opportunities.
  • FIG. 8 shows an embodiment in which projection walls 50, 52 and 54 are provided for rear projections, which are arranged in the central stage space 2 and which can be operated by projectors 51, 53 and 55 in the function rooms 12, 13 and 10.
  • the back projections allow virtually unlimited virtual art spaces to be created.
  • FIG. 9 shows a further preferred embodiment in which all partitions are open and in the central stage space a rotatable auditorium 24 is arranged. Contrary to the traditional theatrical turntable, where the stage sets are in front of the stationary theater
  • Audiences are rotatable, so the audience is moved to the venues in each venue.
  • the function rooms are then the event venues where musical performances, projections, etc. are listed.
  • Figure 10 shows an embodiment similar to that of Figure 8, in which, however, only three function rooms are arranged on three sides of the central stage room 2. This also applies to the embodiments of FIGS. 11 and 12, where the same reference numbers again designate the same elements there as well. With this embodiment, similar possibilities arise as with the described embodiment with four function rooms, the space required in the building and investment requirements is lower.
  • the preferred embodiment with four event rooms can be described by the term "quadral stage". be written and forms a stage arrangement or a space concept, which is composed of the four arranged around the central space event rooms that can serve as event spaces. This results in a cross-shaped floor plan of which each wing is a function room whose inner narrow side adjacent to the square central space. The walls of these narrow sides are movable, they can be opened or closed. This allows the rooms to be combined with or separated from the central room. This room concept can be used to create different rooms for theater, concert and multimedia events.
  • the middle room as a center and connection between the other rooms, also functions as a stage area with the necessary room height and the corresponding technical equipment in traditional theater performances.
  • the four event rooms are preferably equipped with modern event technology.
  • a flexible system of acoustic elements can adapt the room acoustics to the respective requirements.
  • An auditorium is not defined.
  • Mobile grandstand elements allow flexible audience areas.
  • the "Quadralbühne” also creates possibilities for new scenic and musical spatial solutions and spatial experiences.
  • very good work, rehearsal, workshop or “laboratory rooms” are available with the same spatial concept.
  • one and the same room can be defined as a rehearsal room, as a side stage, as an independent function room or "only” as an auditorium.
  • the stage arrangement according to the invention thus provides a spatial concept which allows all previous, scenic and musical presentation forms. At the same time, the potential for new, not yet It should also be able to cover the needs for well-equipped rehearsal, work and study rooms without taking up additional space.
  • the stage arrangement thus not only allows a purely concert operation, but rather offers a solution for a broad scenic, scenic ⁇ musical and above all multimedia use. In other words, with the "Quadralbühne” the artist has a "spatial instrument” that he does not simply play with, but that he can creatively integrate into his artistic process.
  • the middle room for theater productions is used as a stage tower, the corresponding stage equipment is provided there.
  • the stage arrangement is a purely functional room arrangement designed for the realization of theatrical, concert and multimedia events.
  • the scenic view helps to create a neutral interior design.
  • Architectural and design accents should not be determined by the basic space but should be designed and installed using scenes, decorations and / or projections for the respective performances.
  • Architectural solutions to the building's comprehensive layout are required for the arrangement and aesthetics of the other rooms required for event operation.
  • the production, studio and staff rooms, the offices for management and administration, the rooms for event and building technology etc. must be optimally and sensibly linked to the stage layout.

Abstract

L'invention concerne un agencement de scène (1) qui présente un espace scénique (2) central de forme carrée et de préférence quatre espaces pour l'auditoire (10 à 13) qui sont disposés sur les côtés de l'espace scénique et peuvent être séparés de celui-ci d'un point de vue optique et acoustique par des parois de séparation mobiles. L'agencement de scène ainsi obtenu présente un degré élevé de convertibilité pour différentes applications.
PCT/CH2008/000472 2007-11-28 2008-11-07 Agencement de scène, bâtiment pourvu d'un tel agencement et utilisation de cet agencement WO2009067830A2 (fr)

Priority Applications (1)

Application Number Priority Date Filing Date Title
EP08854810A EP2215319A2 (fr) 2007-11-28 2008-11-07 Agencement de scène, bâtiment pourvu d'un tel agencement et utilisation de cet agencement

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
CH1845/07 2007-11-28
CH18452007 2007-11-28

Publications (2)

Publication Number Publication Date
WO2009067830A2 true WO2009067830A2 (fr) 2009-06-04
WO2009067830A3 WO2009067830A3 (fr) 2009-12-10

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PCT/CH2008/000472 WO2009067830A2 (fr) 2007-11-28 2008-11-07 Agencement de scène, bâtiment pourvu d'un tel agencement et utilisation de cet agencement

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EP (1) EP2215319A2 (fr)
WO (1) WO2009067830A2 (fr)

Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
AT506351A3 (de) * 2008-01-21 2013-11-15 Beat Gysin Bühnentechnisches system sowie verfahren zum betrieb eines solchen systems
RU2507357C1 (ru) * 2012-07-04 2014-02-20 Сергей Хасанбиевич Шогенов Крытый стадион
WO2014121649A1 (fr) * 2013-02-06 2014-08-14 山东华夏集团有限公司 Théâtre de grande échelle à décors réels

Citations (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
DE1684888B1 (de) * 1965-08-05 1971-04-15 Rossmann Wendell E Auditorium,dessen Groesse an die jeweilige Besucherzahl anpassbar ist
JPH08144553A (ja) * 1994-11-17 1996-06-04 Ishikawajima Harima Heavy Ind Co Ltd イベントホール用可動観客席設備
DE19723600A1 (de) * 1997-06-05 1998-12-17 Hans Dieter Pausch Ausstellungs- und Lagergebäude für ein Handelsgeschäft
DE10200435A1 (de) * 2002-01-09 2003-07-17 Uwe Belzner Drehbarer Zuschauerraum
JP2006257785A (ja) * 2005-03-18 2006-09-28 Kayaba System Machinery Kk 劇場構造

Family Cites Families (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
SU1755853A1 (ru) * 1989-04-27 1992-08-23 Театр полифонической драмы Киноконцертный зал
FR2751015B1 (fr) * 1996-07-12 1998-09-18 Poyeton Jean Ensemble comprenant des elements modulaires de construction et son procede de composition

Patent Citations (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
DE1684888B1 (de) * 1965-08-05 1971-04-15 Rossmann Wendell E Auditorium,dessen Groesse an die jeweilige Besucherzahl anpassbar ist
JPH08144553A (ja) * 1994-11-17 1996-06-04 Ishikawajima Harima Heavy Ind Co Ltd イベントホール用可動観客席設備
DE19723600A1 (de) * 1997-06-05 1998-12-17 Hans Dieter Pausch Ausstellungs- und Lagergebäude für ein Handelsgeschäft
DE10200435A1 (de) * 2002-01-09 2003-07-17 Uwe Belzner Drehbarer Zuschauerraum
JP2006257785A (ja) * 2005-03-18 2006-09-28 Kayaba System Machinery Kk 劇場構造

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
AT506351A3 (de) * 2008-01-21 2013-11-15 Beat Gysin Bühnentechnisches system sowie verfahren zum betrieb eines solchen systems
AT506351B1 (de) * 2008-01-21 2013-12-15 Beat Gysin Bühnentechnisches system sowie verfahren zum betrieb eines solchen systems
RU2507357C1 (ru) * 2012-07-04 2014-02-20 Сергей Хасанбиевич Шогенов Крытый стадион
WO2014121649A1 (fr) * 2013-02-06 2014-08-14 山东华夏集团有限公司 Théâtre de grande échelle à décors réels

Also Published As

Publication number Publication date
WO2009067830A3 (fr) 2009-12-10
EP2215319A2 (fr) 2010-08-11

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