WO2016115649A1 - 一种墨、石、油彩画的加工方法 - Google Patents

一种墨、石、油彩画的加工方法 Download PDF

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WO2016115649A1
WO2016115649A1 PCT/CN2015/000434 CN2015000434W WO2016115649A1 WO 2016115649 A1 WO2016115649 A1 WO 2016115649A1 CN 2015000434 W CN2015000434 W CN 2015000434W WO 2016115649 A1 WO2016115649 A1 WO 2016115649A1
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painting
sculpture
chinese
picture
module
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PCT/CN2015/000434
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English (en)
French (fr)
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马德松
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马德松
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Priority to EP15878327.4A priority Critical patent/EP3248807B1/en
Priority to US15/315,854 priority patent/US10576778B2/en
Publication of WO2016115649A1 publication Critical patent/WO2016115649A1/zh

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    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C3/00—Processes, not specifically provided for elsewhere, for producing ornamental structures
    • B44C3/06—Sculpturing
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C5/00—Processes for producing special ornamental bodies
    • B44C5/06—Natural ornaments; Imitations thereof
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44D—PAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
    • B44D2/00—Special techniques in artistic painting or drawing, e.g. oil painting, water painting, pastel painting, relief painting
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B29—WORKING OF PLASTICS; WORKING OF SUBSTANCES IN A PLASTIC STATE IN GENERAL
    • B29C—SHAPING OR JOINING OF PLASTICS; SHAPING OF MATERIAL IN A PLASTIC STATE, NOT OTHERWISE PROVIDED FOR; AFTER-TREATMENT OF THE SHAPED PRODUCTS, e.g. REPAIRING
    • B29C65/00—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor
    • B29C65/48—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor using adhesives, i.e. using supplementary joining material; solvent bonding
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B29—WORKING OF PLASTICS; WORKING OF SUBSTANCES IN A PLASTIC STATE IN GENERAL
    • B29C—SHAPING OR JOINING OF PLASTICS; SHAPING OF MATERIAL IN A PLASTIC STATE, NOT OTHERWISE PROVIDED FOR; AFTER-TREATMENT OF THE SHAPED PRODUCTS, e.g. REPAIRING
    • B29C65/00—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor
    • B29C65/56—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor using mechanical means or mechanical connections, e.g. form-fits
    • B29C65/562—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor using mechanical means or mechanical connections, e.g. form-fits using extra joining elements, i.e. which are not integral with the parts to be joined
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B29—WORKING OF PLASTICS; WORKING OF SUBSTANCES IN A PLASTIC STATE IN GENERAL
    • B29C—SHAPING OR JOINING OF PLASTICS; SHAPING OF MATERIAL IN A PLASTIC STATE, NOT OTHERWISE PROVIDED FOR; AFTER-TREATMENT OF THE SHAPED PRODUCTS, e.g. REPAIRING
    • B29C65/00—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor
    • B29C65/72—Joining or sealing of preformed parts, e.g. welding of plastics materials; Apparatus therefor by combined operations or combined techniques, e.g. welding and stitching
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B32—LAYERED PRODUCTS
    • B32B—LAYERED PRODUCTS, i.e. PRODUCTS BUILT-UP OF STRATA OF FLAT OR NON-FLAT, e.g. CELLULAR OR HONEYCOMB, FORM
    • B32B7/00—Layered products characterised by the relation between layers; Layered products characterised by the relative orientation of features between layers, or by the relative values of a measurable parameter between layers, i.e. products comprising layers having different physical, chemical or physicochemical properties; Layered products characterised by the interconnection of layers
    • B32B7/04—Interconnection of layers
    • B32B7/08—Interconnection of layers by mechanical means
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C3/00—Processes, not specifically provided for elsewhere, for producing ornamental structures
    • B44C3/02—Superimposing layers
    • B44C3/025—Superimposing layers to produce ornamental relief structures
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44F—SPECIAL DESIGNS OR PICTURES
    • B44F9/00—Designs imitating natural patterns

Definitions

  • Traditional brush painting also known as Chinese painting
  • Chinese painting is the national treasure and pride of our Chinese nation.
  • the present invention relates to the three-dimensional nature of the use of stone and solid materials, and the texture of objects.
  • Ink Oil Painting or "Qi Mo Stone Painting”.
  • This painting gives traditional calligraphy and painting works a new and diverse artistic expression. It adds elements of the picture (ie shale, fossils, ores, pebbles, etc., and branches) while retaining and inheriting our traditional art. , wood, metal, 3D printed objects, sculpture clay and other solid materials), expanding the painting space.
  • Chinese painting mainly uses ink and ink, and the characteristics of rice paper.
  • the oil painting mainly uses oil paint, and whether it is ink or oil paint, it is relatively simple, and the painting elements are too few, so the picture is not rich enough.
  • the painting is completed on the screen, and there is a completed Chinese painting or material prepared for the following process.
  • the hard object can be wood, which can be fiberboard, moisture-proof board, bamboo product, plastic, composite material, metal and stone... ... (ie, the substrate is not deformed after the stone and the solid object are attached, and the object that the object does not fall off is used as the substrate). Flatten the surface of the substrate to make the surface flat and not have irregularities. If the subsequent steps require drilling, reserve it first, then mount the Chinese painting on it.
  • the sculptural technique is used again at the joint of the two, and the material can be shaped and dried after being made of sculpture clay or epoxy resin.
  • the sculpture may crack after it has been dried, and it needs to be replenished several times to make it seamless). For example, if you want to express the water in the picture, it will flow over the real stone placed on the picture. In some cases, it is necessary to fill the contact part between the stone and the water with materials such as sculpture mud, so that the two are closely connected to make the three-dimensional effect, while retaining the sense of reality, while taking care of each other to form a unified picture.
  • oil painting techniques and Chinese painting techniques to paint on stone and solid materials to make it more realistic. For example, using a stone to express the peaks of the dragonfly, the oil painting perspective is used to draw the texture of the mountain on the stone to make it
  • the scenes in Chinese painting are combined with each other, and they are intertwined and patched.
  • oil painting should also be used.
  • the technique uses oil painting to make the flow of water and stone a smooth connection, and eventually becomes a unified painting.
  • the new paintings processed by the present invention based on Chinese paintings, combine the characteristics of stones and solid materials themselves, and draw patterns on the surface by oil painting techniques, so that they serve as mountains, cliffs, roads, bridges, trees, and the like. With the artistic conception of Chinese painting, it also has the beauty of oil painting.
  • the stone and various solid materials arranged on the painting make the layering, three-dimensional and realism of the paintings vivid, and because each stone has different sizes, shapes and textures, the solid materials also have their own characteristics. Each painting that combines these different stones and solid materials has unique characteristics that are different from other similar paintings.
  • the new paintings processed by the present invention break through the shortcomings of the traditional paintings, and the painter and the painter have an infinite choice in expressing the elements of the picture in the field of developing Chinese painting.
  • the paintings can be used to draw a lot of objects. Therefore, the paintings can be supplemented with precious jade, precious wood, and even rare fossils, so that the paintings not only have their own artistic value. It also has great collection value. Because the paintings are based on Chinese paintings, they can be matched with the unique poems, words and famous words of Chinese paintings, giving the paintings literary significance and educational significance. They can even attach a short story to increase their narrative, story and ideological. At the same time, some parts of the painting are made of real precious stone, wood and other materials. It also increases the appreciation of the painting.
  • the invention relates to a method for processing ink oil paintings.
  • the method for processing the paintings is to add natural stones and solid objects on the screen in accordance with the traditional Chinese painting.
  • the objects can be jade, agate, shale, sand, pebbles, fossils of trees, granite, marble, various ores, metals, plastics, 3D printed three-dimensional objects, ebony, bamboo, Trees and other objects.
  • the plastic material is filled and sculpted between the pasted object and the picture, and the plastic material becomes solid after drying, making the painting more harmonious and perfect.
  • this painting uses painting techniques such as perspective and color of oil painting to paint the pasted objects, so that one painting has both The characteristics of the above two paintings: that is, in one painting, there are both the artistic conception of Chinese painting, the perspective and color of oil painting, and the three-dimensional layering of sculpture and the texture of natural objects. It is a combination of various painting features. New paintings.
  • This painting has a wide range of objects to be added (stones and solids), thus giving painters and painters an infinite choice in the selection of painting elements in the field of painting.
  • the painting can choose precious stone, millennium fossil, metal ore, precious wood and other paintings, it increases the collection and appreciation of the painting.
  • a picture can be made by Chinese ink painting.
  • Chinese ink painting in the far mountain part, in order to more perfectly reflect the beauty of the distant mountains under the setting sun, we can use the shale rock as the distant mountain, the natural texture of the shale and its The layering makes the picture more vivid and three-dimensional, and the path leading to the ancient temple in the picture is replaced by pebbles.
  • the distant mountains and trails are more textured and full of realism, like the real mountain and stone trails.
  • This painting gives a new visual beauty.
  • the substrate used in the new painting of the present invention is, in principle, selected as a hard object which is not deformed for a long time, and may be selected from bamboo fiberboard, wood fiberboard, plastic board, metal plate, wood board, honeycomb aluminum board, etc., for the purpose of being sufficient. Support solids while also considering the smoothness of the surface.
  • solid materials In the choice of solid materials, it can be branches, bamboo branches, plastics, metal objects, ceramics, glass, and even valuable gold nanmu, ebony, red bean, etc., as long as it can match the paintings, the paintings must be achieved.
  • the required solid materials can be drawn into the painting.
  • the sculpture material is processed into a sculpture module, one side of the sculpture module is a fixed surface fixedly connected with the substrate, the edge of the fixed surface is consistent with the contour of the replacement part, the other surface is the ornamental surface, and the sculpture content and the replacement part of the ornamental surface are The picture content is similar.
  • the stones are generally selected from epoxy resins, which may be marble glue, latex, cowhide glue, etc.
  • epoxy resins which may be marble glue, latex, cowhide glue, etc.
  • the drill should be double-sidedly punched on the corresponding substrate of the stone and solid material close to the picture part.
  • metal screws, dowels and stone nails are selected.
  • the connection between the sculpture module and the Chinese picture the sculptural technique is used at the junction of the sculpture module and the Chinese picture, and the picture is connected with the sculpture material by the material that can be shaped and dried after being shaped.

Landscapes

  • Printing Methods (AREA)
  • Application Of Or Painting With Fluid Materials (AREA)
  • Mirrors, Picture Frames, Photograph Stands, And Related Fastening Devices (AREA)
  • Inks, Pencil-Leads, Or Crayons (AREA)

Abstract

一种墨石油彩画的加工方法，包括将人工手绘于宣纸（2）上的中国画装裱到基板（1）上；在画面上确定替换部位，根据替换部位的画面内容确定雕塑材料并加工雕塑模块；将雕塑模块安放在替换部位并固定到基板（1）上；对雕塑模块进一步加工并与画面衔接；运用油画技法和雕塑/中国画技法绘画，使画面内容与雕塑模块观赏面内容相互协调。

Description

一种墨、石、油彩画的加工方法 一、所属技术领域
传统的毛笔画亦称中国画，是我们中华民族的国宝和骄傲，本发明是涉及一种主要通过利用石头及固体材料的立体性质，和物体的质感。把中国画技法、油画技法及雕塑技法相结合，从而产生的集国画、油画、雕塑于一体的新的画种的制作方法。该画种我们暂取名叫《墨石油彩画》或《奇墨石画》。该画种赋予了传统书画作品以新的、多种的艺术表现形式，在保留并传承我们传统的艺术基础上增加画面的表现元素(即页岩、化石、矿石、鹅卵石等等石头，以及树枝、木材、金属、3D打印的物体、雕塑泥等等固体材料)，拓展了绘画空间。
二、背景技术
目前传统的中国画通常是画在宣纸或绢上，其表面是平面的，由于表现画面的元素不够丰富，在视觉上就造成画作的立体感、质感和层次感不足，而油画虽然能够较好的展现出画中景物的立体效果，但却需要采取用油彩堆积成立体物方法，费时费力，且浪费颜料。而且由于材质问题，国画与油画、雕塑无法集于同一幅画中，例如，由于宣纸和绢太薄，强度不足，承受不了油彩的厚重，而通常进行油画创作的画布因为体现不了水墨的渗透渲染所要达到的艺术效果，也无法进行中国画的创作，这种情况就导致很难在一幅画里体现出二个甚至两个以上画种的特点。并且，中国画主要用的是水墨，和宣纸的特性，油画主要使用的是油彩，而无论是水墨还是油彩，都较为单一，绘画元素太少，显得画面不够丰富。
三、发明内容
要解决的技术问题
在用传统的毛笔墨色等方式完成的中国画的画面上，通过雕塑技法把精心选择好的石头及固体材料固定在画面上适当的位置上，并用浮雕艺术技巧将物体与画面进行吻合处理，使之成为一幅有立体感的画，再使用油画技法在石头及固体材料上进行绘画，使后者更具有立 体效果，增加其真实感和质感，并融于画中。经过这些处理，可使整幅画作既具备中国画的意境，还能表现出油画的真实感等特色，同时还兼具了雕塑的立体效果。
技术方案
1.画的制作
在画面上将绘画制作完成，有一幅完成了的为下面工序准备的中国画或材料。
2.选择装裱的基板并加工
选择硬质物体作为基板，硬质物体要求不变形，此处硬质物体可以是木材，可以是纤维板、防潮板，可以是竹制品，可以是塑料，可以是复合材料，可以是金属及石材……(即要求贴上石头及固体物后基板不变形，物体不脱落的物体作基板)。对基板表面进行平整加工，使表面平整，不要有凹凸，若后面的步骤需要钻孔，则先进行预留，然后将中国画装裱于其上。
3.选择石头及固体材料并进行粗加工
选择石头(可以是页岩、玉石、孔雀石、宣石、菊花石、水晶、花岗石、大理石、玛瑙、化石及矿石、青石、鹅卵石等等)及固体材料(可以是木材、动植物标本、金属、3D打印的物体等等)：针对画作的构思要求，对石头和固体材料的纹理、形状、大小、颜色等特点进行甄选，然后对选择的石头和固定材料进行粗加工，采用去污、钻孔、切割、镂空、打磨、抛光等等方法，使之能够配合画作，满足入画的基本要求。因为基板是平面的，而石头及固体材料形状各异，所有后者需要固定在基板上的那一面，要切割成平面，或近似平面，以便于下一步的粘贴和固定。
4.固定石头及固体材料于基板上
将石头及固体材料用胶(这种胶要视物体的性质来选定，不同的物体采用不同胶，例如石头可用云石胶等环氧树脂类的胶，而轻质木材则可以用乳胶……)固定在画面上适当的位 置；部分无法仅仅用胶来固定的石头及固体材料，还需采用钻孔方式，配合铁钉、木钉等进行辅助加固。
5.对石头及固体材料进行精细加工
使用雕塑的技法，将固定于中国画上的石头及固体材料精雕细琢，使之更有立体感、层次感，根据画面要求，应该显露出石头及固体材料天然纹理的地方要显露出来。以契合于整个画面的布局。
6.石头及固体材料与中国画的衔接
把已加工处理好的石头及固体材料固定于画面适当的位置后，在两者的衔接处再次采用雕塑手法，用雕塑泥、环氧树脂等制作时可塑形、晾干后可固定形状的材料，把画面和石头及固体材料衔接起来(雕塑泥干后可能裂开，需多次补泥，使之无缝)，例如，想要表现画面中的水流漫过放置于画面上真石头的某部分时，就需在石头与水的接触部分采用雕塑泥等材料填充，使两者紧密衔接，使之展现出立体效果的同时，又保留了真实感，同时互相照应，以组成统一的画面。
7.运用油画技法及中国画技法绘画
运用油画技法及中国画技法在石头及固体材料上进行绘画，使之更具真实感，例如用某块石头表现巍峨的山峰，就采用油画透视画法在石头上画出山体的质感，使之与中国画中的景物相互结合、相互照应、错落有致；再比如第6点中所说的为展现中国画中水流漫过真实放置于画上的石头而添加的雕塑泥等填充物上，也要运用油画手法用油彩绘画，使水流与石头做到流畅的衔接，最终成为一幅统一的画作。
8.画作的最后处理
中国画由于已经经过装裱，具有一定保护作用，而用油画技法进行绘画的部分，等画面颜料干透后，在表面均匀刷一层油画专用的“上光油”，上光油可起到保护画面颜料的作用， 并且使画面看上去更光亮，质感更好。最后进行装框加挂钉就完成了，同时随着科技的发展，如果有更好的材料保护画面，也可以采用。
有益效果
在世界各种文化里，中国画是代表中华民族文化的一个特别的文化符号，是中国人的骄傲，是世界文化里的瑰宝，它讲究“气韵生动”，不拘泥于物体外表的肖似，而多强调抒发作者的主观情趣，是“表现”的艺术，表现“气韵”、“境界”。西方绘画史中，则以油画为主体，是“再现”的艺术，能较充分地表现描绘对象，色彩丰富，立体质感强。但是，在传统绘画领域，还没有一种画能把这两种画种融于一体。
通过本发明加工出的新画种，在中国画的基础上，结合石头及固体材料自身的特点，在其表面以油画技法绘制图案，使其充当山、崖、路、桥、树等景物，既有了国画的意境，又兼具油画的美感。画上布置的石头及各种固体材料，使得该类画作的层次感、立体感及真实感很鲜明，且由于每一块石头的大小、形状、纹理各有不同，固体材料也各具特色，故每一幅结合了这些不同石头及固体材料的画都具有区别于其他同类画作的特点，具有唯一性。而本发明加工出的新画种，突破了传统画种绘画元素不够丰富的缺点，在开拓中国画的领域里给画家及绘画工作者在表现画面的元素方面有了无穷的选择空间。
该画种由于石头及固体材料的选择范围很广，能够入画的对象非常多，所以可以在画作中辅以名贵玉石、珍贵木材、甚至稀有化石等等材料，使得画作不仅具备自身的艺术价值，还具有很大的收藏价值。因为画作是以中国画为基础，其上可以配以中国画特有的诗、词、名言名句，赋予画作文学意义、教育意义，甚至还可以附上一小段故事，增加其叙事性、故事性和思想性。同时画作某些部分采用真实名贵石材，木材等材料的天然纹理入画。更增加了画作的观赏性。
本发明是一种墨石油彩画的加工方法，该方法加工出的画种是在完全体现传统的中国画基础上，在画面粘接添加天然石头及固体物。其中物体可以是玉石、玛瑙、页岩石、沙石、鹅卵石、树木的化石、花岗石、大理石、各种矿石、金属、塑料、3D打印立体物、乌木、竹、 树木等等物体。在粘贴物体与画面之间用可塑性材料填充和雕塑，可塑性材料在干后成为固体，使得绘画更加协调完美。此画种在完全继承中国画所特有的墨、色、侵染技法等特点外，再用油画的透视、色彩等所有油画方面的技法对粘贴的物体进行绘画加工，这样就使得一幅画同时具有以上两个画种的特点：即在一幅画作里既有中国画的意境，又有油画的透视、色彩，还有雕塑的立体层次感及天然物体的质感，是溶多种绘画特点为一体的新画种。
该画种在选择添加物体(石头及固体物)的范围非常广泛，因而在绘画领域里给画家及绘画工作者在绘画元素的选择上，带来了无穷的选择空间。
由于该画种可以选择名贵的石材、千年的化石、金属矿石、名贵木材等入画，增加了该画的收藏性和观赏性。
由于该画种集中国画、油画、雕塑，及添加物体的天然质感和纹理等特点，使得该画具有突出的新颖，创新性。
例如用中国水墨画法制作一幅图，其中，可以在远山的部分，为更加完美体现现远山在夕阳的照射下的美景，我们可采用页岩石充当远山，页岩的天然纹理和其层次感使画面更加生动、立体，而画面中通向古寺的小径则用鹅卵石代替，通过油画技法绘制，远山、小径便更加具有质感，真实感十足，如同真实山体和石子小径再现。
该画种给人一种新的视觉美感。
四、具体实施方式
1.首先在宣纸上完成中国画，然后将画装裱到基板上。
本发明的新画种采用的基板，原则上是选以长期不变形的硬物，可以选择竹纤维板、木纤维板、塑料板、金属板、木工板、蜂窝铝板等等材料，其目的是能足够支持固体物，同时还要考虑表面的平整。
2.根据中国画的内容在画面上确定替换部位，根据替换部位的画面内容确定雕塑材料，即选择合适的石头和/或固体材料。
在石头的选择方面，可以选择奇山异石，比如页岩石，青石，钟乳石，也可以选择各种 化石、大理石、花岗石、各种金、银、铜、铁等金属。也可以选择金属的矿石、水晶、玛瑙、玉石、贝类等等。根据画作要求，选择不同大小、形状、颜色、文理的石头，在想要体现画作所要表现的意境，而用笔墨却表达不足的地方，布置上合适的石头，可使画作的表现手段增添许许多多的新元素。
在固体材料的选择方面，可以是树枝、竹枝、塑料、金属物体、陶瓷、玻璃、甚至是名贵的金丝楠木、乌木、红豆木等等，只要是能够与画作相配合，表现出画作所要达到的要求的固体材料，皆可入画。
3.将雕塑材料加工成雕塑模块，雕塑模块的一面是为与基板固定连接的固定面，固定面的边缘与替换部位的轮廓一致，其他面为观赏面，观赏面的雕塑内容与替换部位中的画面内容相似。
4.将雕塑模块安放在替换部位并采取打孔、加销钉、粘合等方法固定到基板上，固定面的边缘与替换部位的轮廓重合。
将石头和/或固体材料粘接在画面上时，主要依据石头和固体材料的性质来选择不同的胶类，石头一般选择用环氧树脂类，可以是云石胶、乳胶、牛皮胶等等，对轻质的材料就可以用乳胶或者浆糊。对较大的石头等固体材料，为保证稳固，首先要在石头及固体材料紧贴画面部分的相应基板上用钻头进行双面打孔，视具体情况，选择用金属螺钉、木钉、石钉等等材料进行连接，物体的贴画面要求加工成与画面近似的平面，然后再粘合。
5.对雕塑模块进一步加工：使用雕塑的技法，将固定后的雕塑模块雕琢，使之更有立体感、层次感；
6.雕塑模块与中国画面的衔接：在雕塑模块与中国画面的衔接处采用雕塑手法，用制作时可塑形、晾干后形状固定的材料，把画面与雕塑材料衔接起来。
7.运用油画技法和雕塑/及中国画技法绘画，使画面内容与雕塑模块观赏面的内容相互协调。当前面的步骤都完成后，在整体上进一步完善，用油画颜料运用油画所有的技法，包括色彩堆积法等对画面进行精确绘画，同时进一步用中国画及雕塑技法进行加工，尤其是画面与雕塑模块的衔接处，使整个画面达到完美的统一。
8.对整个画作进行保护工作。作为整个画作基础的中国画，在制作完成后就已经经过装裱，因此本身便具有一定保护作用，而用油画技法进行绘画的部分，若不加保护，则会造成画作寿命受损，所以，等油画部分画面颜料干透后，在表面均匀刷一层油画专用的“上光油”，上光油可起到保护画面颜料的作用，并且使画面看上去更光亮，质感更好最后装框完成了，随着科技的进步，若是有更好的保护材料，比如利用纳米材料制作的保护层等等，也可以拿来使用。

Claims (5)

  1. 一种墨石油彩画的加工方法，包括以下步骤：
    ①将人工手绘于宣纸上的中国画装裱在基板上；
    ②根据中国画的内容在画面上确定替换部位，根据替换部位的画面内容确定雕塑材料；
    ③将雕塑材料加工成雕塑模块，雕塑模块的一面是为与基板固定连接的固定面，固定面的边缘与替换部位的轮廓一致，其他面为观赏面，观赏面的雕塑内容与替换部位中的画面内容相似；
    ④将雕塑模块安放在替换部位并采取打孔、加销钉、粘合等方法固定到基板上，固定面的边缘与替换部位的轮廓重合；
    ⑤对雕塑模块进一步加工：使用雕塑的技法，将固定后的雕塑模块雕琢，使之更有立体感、层次感；
    ⑥雕塑模块与中国画面的衔接：在雕塑模块与中国画面的衔接处采用雕塑手法，用制作时可塑形、晾干后形状固定的材料，把画面与雕塑材料衔接起来；
    ⑦运用油画技法和雕塑/及中国画技法绘画，使画面内容与雕塑模块观赏面的内容相互协调。
  2. 权利要求1所述的一种墨石油彩画的加工方法，特征在于：所述方法制作的成品，是集手绘宣纸中国画、手绘西方油画和雕塑艺术于一体的表现艺术；
  3. 权利要求1所述的一种墨石油彩画的加工方法，特征在于：所述雕塑材料为石头、矿石、木材、动植物化石、3d打印物体等绘画元素；
  4. 权利要求1所述的一种墨石油彩画的加工方法，特征在于：所述观赏面的雕塑形状与替换部位中的画面内容相似是指观赏面的雕塑形状是替换部位中的画面内容的立体再现；
  5. 权利要求1所述的一种墨石油彩画的加工方法，特征在于：待画面颜料干后，再用油画技法进行绘画部分的表面均匀涂刷一层油画专用的上光油。
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