WO2008044661A1 - Procédé de maquillage - Google Patents

Procédé de maquillage Download PDF

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Publication number
WO2008044661A1
WO2008044661A1 PCT/JP2007/069626 JP2007069626W WO2008044661A1 WO 2008044661 A1 WO2008044661 A1 WO 2008044661A1 JP 2007069626 W JP2007069626 W JP 2007069626W WO 2008044661 A1 WO2008044661 A1 WO 2008044661A1
Authority
WO
WIPO (PCT)
Prior art keywords
makeup
face
applying
cosmetic
eyelid
Prior art date
Application number
PCT/JP2007/069626
Other languages
English (en)
Japanese (ja)
Inventor
Yumiko Kamata
Natsuko Nakayama
Ruriko Takano
Misae Azuma
Keiko Kittaka
Mamiko Nakamura
Original Assignee
Shiseido Company, Ltd.
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Shiseido Company, Ltd. filed Critical Shiseido Company, Ltd.
Publication of WO2008044661A1 publication Critical patent/WO2008044661A1/fr

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Classifications

    • A—HUMAN NECESSITIES
    • A61—MEDICAL OR VETERINARY SCIENCE; HYGIENE
    • A61Q—SPECIFIC USE OF COSMETICS OR SIMILAR TOILETRY PREPARATIONS
    • A61Q1/00—Make-up preparations; Body powders; Preparations for removing make-up
    • A—HUMAN NECESSITIES
    • A61—MEDICAL OR VETERINARY SCIENCE; HYGIENE
    • A61K—PREPARATIONS FOR MEDICAL, DENTAL OR TOILETRY PURPOSES
    • A61K8/00—Cosmetics or similar toiletry preparations
    • A—HUMAN NECESSITIES
    • A61—MEDICAL OR VETERINARY SCIENCE; HYGIENE
    • A61Q—SPECIFIC USE OF COSMETICS OR SIMILAR TOILETRY PREPARATIONS
    • A61Q19/00—Preparations for care of the skin
    • A61Q19/08—Anti-ageing preparations

Definitions

  • the present invention relates to a makeup method, and more particularly to a makeup method for applying makeup cosmetics to a face.
  • Patent Document 1 the face is divided into two at a boundary provided between a line connecting the upper end of the ear and the lowermost part of the nose and a line connecting the lowermost end of the ear and the uppermost end of the upper lip.
  • Reference 2 discloses that by including 1 to 2% by weight of titanium my strength, it is possible to easily provide a foundation foundation with a finished finish that is lively and inconspicuous.
  • Facial muscles are muscles used to express facial expressions such as eyes, nose and mouth, and there are more than 20 types. These muscles express a complex facial expression by acting jointly or antagonistically with each other.
  • Cited Document 3 electrical stimulation of facial expression muscles has the effect of tightening the face (slimming) by increasing the muscle tension and increasing the blood circulation volume of the entire face. It is disclosed that prevention and improvement such as sagging, decrease in elasticity, and increase in wrinkles are to be prevented.
  • Cited Document 4 after applying a massage cream having a melanin metabolism promoting action on the face, the face muscle is stabbed while moving the hand in the direction in which the muscle muscle extends.
  • a cosmetic treatment method for performing massage to give intenseness is disclosed.
  • Patent Document 1 Japanese Patent Laid-Open No. 09-208428
  • Patent Document 2 Japanese Patent Laid-Open No. 09-227336
  • Patent Document 3 Japanese Patent Laid-Open No. 2003-339884
  • Patent Document 4 JP-A-2005-314329
  • the present invention generally aims to provide an improved and useful makeup method that solves the above-mentioned problems of the prior art.
  • a more detailed object of the present invention is to provide a makeup method capable of realizing a youthful appearance with makeup by applying makeup cosmetics in consideration of facial muscles.
  • the present invention provides a makeup method for applying makeup cosmetics to a face! / And applying the makeup cosmetics based on the running of facial facial muscles. It is characterized by.
  • the present invention is characterized by applying a makeup cosmetic to the face, and applying the makeup cosmetic to the eyelid groove. That's right.
  • a perpendicular line extending from the outer position of the pupil and the eyelid from an intersection position of the perpendicular line extending from the inner position of the white eye and the eyelid groove along the eyelid groove may be applied up to the intersection with the ridge groove.
  • the present invention provides a makeup method for applying makeup cosmetics to a face, wherein the makeup cosmetics are directed from the Mt. It is characterized by applying.
  • the makeup cosmetic may be applied to the outer position of the pupil from the brow mountain and placed on a straight line, and the makeup cosmetic is applied from the brow mountain to the forehead.
  • the length of the makeup cosmetic applied from the Mt. Bizan toward the forehead is set to the length of the makeup cosmetic applied to the eyebrows from the Mt. It ’s almost equal, but it ’s good!
  • the present invention provides a makeup method for applying makeup cosmetics to a face, from the approximately one third of the eyelid near the corner of the eyelid.
  • the makeup cosmetic is applied along the lower line.
  • the end point of the position where the makeup cosmetic is applied may be the frontal rib suture position.
  • the present invention provides a makeup method for applying makeup cosmetics to a face, from below the horizontal line drawn on the tip of the nose, toward the corner of the mouth along the nasal lip groove. It is characterized by applying makeup cosmetics.
  • the present invention is a makeup method for applying makeup cosmetics to the face, and is approximately one-third of the mouth corner from the center position of the lips to the mouth corner.
  • the makeup cosmetic is applied to the position extending from the outer position of the pupil to the perpendicular line so as to wrap the mouth corner along the contour of the lower lip.
  • the present invention provides a makeup method for applying makeup cosmetics to a face, wherein the makeup cosmetics are directed from the Mt.
  • the makeup cosmetic is applied along the lower line of the above-mentioned eye fissure from approximately one third of the eyelid near the corner of the eyelid, and from below the horizontal line drawn on the tip of the nose, the nostril groove Apply the makeup cosmetic toward the corner of the mouth along the center of the lips
  • the makeup cosmetics from approximately one-third of the mouth-to-mouth corner, from the position to the mouth corner, to a position extending from the outer position of the pupil to the vertical line so as to wrap the mouth corner along the contour of the lower lip It is characterized by giving.
  • FIG. 1 is a diagram showing the relationship between face orientation and impression age.
  • FIG. 2A is a diagram for explaining an experimental method for investigating the relationship between face orientation and impression age (front face)
  • FIG. 2B is a diagram for explaining an experimental method for investigating the relationship between face orientation and impression age (diagonal profile).
  • FIG. 2C is a diagram for explaining an experimental method for examining the relationship between face orientation and impression age (side profile).
  • FIG. 3A A diagram for explaining the factors of an old face (wrinkles around the eyes).
  • FIG. 3B It is a figure for demonstrating the factor of an old face (wrinkles around a mouth).
  • FIG. 3C This is a diagram for explaining the factors of the old face (sagging on the cheeks).
  • FIG. 3D It is a figure for demonstrating the factor of an old face (skin tension).
  • FIG. 3E is a diagram for explaining the factors of the old face (upper eyelid).
  • FIG. 4 is a diagram for explaining facial muscles.
  • FIG. 5 is a diagram for explaining a basic concept of a makeup method according to an embodiment of the present invention (part 1).
  • FIG. 6 is a diagram for explaining a basic concept of a makeup method according to an embodiment of the present invention (part 2).
  • FIG. 7 is a diagram for explaining a specific makeup method of the present embodiment (eyelid groove).
  • FIG. 8 is a diagram for explaining a specific makeup method of the present embodiment (upper eyelid to forehead).
  • FIG. 9 is a diagram for explaining the position of Mt.
  • FIG. 10 is a diagram for explaining a specific makeup method of the present embodiment (lower eyelid)
  • FIG. 11 is a diagram for explaining a specific makeup method of the present example (nasal lip groove-mouth corner).
  • FIG. 12A is a diagram showing a stick type marker as an example of an item for realizing the makeup method of the present embodiment.
  • FIG. 12B is a diagram showing a pencil type marker as an example of an item for realizing the makeup method of the present embodiment.
  • the present inventor paid attention to the fact that there are people who look younger than their actual ages and people who look old when realizing a youthful and abundant face by makeup. As described above, it is well known that the skin age such as wrinkles and itching is mainly responsible for determining the age of appearance, and various methods of cosmetic treatment for this have been proposed. That's right.
  • the subject of the evaluation was the face photograph used in the above observation, and the age was taken into consideration the stage of aging change. (1) Early 20s, (2) Late 30s to early 40s, (3) 40s From the latter half to the early 50s, (4) the 4s in the 60s. Furthermore, appearance age information was taken into consideration when selecting the facial photographs used in the experiment. Appearance age was actually evaluated, and face photos were selected by controlling appearance age conditions based on actual age ⁇ 3 years. At this time, taking into account that the face types were not biased, we selected four photographs for each age group.
  • FIG. 1 shows the relationship between the face orientation and the impression age obtained by the above experiment.
  • the vertical axis indicates age
  • the horizontal axis indicates the face orientation
  • the difference between the impression age of the beveled face and the side face relative to the impression age of the front face is graphed.
  • the diagonal face was rated 2.5 years old and the side profile was 3 years older than the front face, which had the largest difference in face orientation.
  • the oblique face was 2 years older than the front face and there was no significant difference between the side profile and the front face.
  • FIGS. 3 (A) to (E) the five extracted items are “wrinkles around the eyes”, “wrinkles around the mouth”, “sagging of the cheeks”, “skin of the skin” “Hari”, “The upper eyelid dent”.
  • Figures 3 (A) to 3 (E) show the evaluation of each of the above items, comparing the subjects in their early 20s with those in their late 30s and early 40s!
  • the factors that cause the oblique and profiled faces extracted as a result of the above examinations to look old are negative factors from the desire to be always young and beautiful. However, if this negative factor can be reduced or eliminated by applying makeup, a youthful face can be produced. Therefore, the first make-up verification was conducted in consideration of reducing the negative factors and making the face look more attractive.
  • markers 1 and 2 shown in Fig. 12 were used as items for realizing this makeup method.
  • Each of the markers 1 and 2 has a function of creating an upward light band and line on the face to realize a lifting effect and a tight feeling.
  • Marker 1 shown in Fig. 12 (A) is a thick stick-type marker that has the effect of creating a wide band of light and raising the surface.
  • the other marker 2 is a pencil-type thin marker that draws a thin line and makes the eyes and mouth form stand out with light lines.
  • the usage method of each marker 1 is based on drawing from the bottom to the top as described in detail later, and giving the direction from the bottom to the top when extending to the skin.
  • make-up was performed with the image of rising so that the eye and wrinkles and sagging power of the mouth and the mouth that are conspicuous in the oblique and side faces of the subject can be seen.
  • Draw! / Marker 1 is drawn from the corner of the eye to the upper eyelid so as to wrap around the corner of the eye I drew a makeup from the corner of the mouth to the nasal lip, and made up a makeup to blur each in the upward direction.
  • the face is based on a skeleton, and is composed of muscles (facial muscles), and skin and parts on top.
  • the structural balance of skeleton, muscles, and facial expression is disrupted by 1S aging, which is balanced when young.
  • the loss of balance is thought to be greatly affected by muscle weakness. Therefore, in order to regain the lost balance, it was important to “make the youthful muscles imagine by makeup”, and based on this, a specific makeup method was devised.
  • the present inventor applied the devised makeup method to seven subjects with different facial features, and in the process of performing the experiment to verify the makeup effect several times, “realize lifting and lifting” In “Make up for”, we found that there is a common rule that the direction in which a suitable marker is drawn does not depend on facial features. That is, the common rule that the direction in which a suitable marker is drawn is “generally coincides with the flow direction (running direction) of facial muscles”. In other words, we found that it is important to put markers in the direction against aging changes in consideration of running facial muscles in order to imagine youthful muscles.
  • the expression muscle means more than 20 kinds of muscles used to express facial expressions such as eyes, nose and mouth as described above, and represents complex facial expressions. It plays an important role in getting out.
  • Figure 4 shows typical facial muscles.
  • the present inventor further found out a makeup method that increases the effect of "lifting and lifting".
  • Some people have a “eyelid groove” just below the bear under their eyes, and others have conspicuous dents and others.
  • the eyelid groove is a groove that runs from the front of the eye toward the outside of the face. It appears with aging (see Figure 4). In addition to making this aging phenomenon inconspicuous, we considered taking the negative factor of aging in reverse.
  • the “eyelid groove” is located under the eyes and is in a position where light from the head is easily reflected in a normal state, that is, in an upright state.
  • 5 and 6 are diagrams for explaining a specific mecap method according to the present embodiment.
  • the makeup method according to the present embodiment is characterized in that the marker 1 which is a makeup cosmetic is treated based on the running of facial facial muscles.
  • the direction in which marker 1 is drawn is basically drawn from the bottom to the top, and when it is applied to the skin, the direction is directed from the bottom to the top (see the arrow in Fig. 5).
  • the makeup cosmetics (markers 1 and 2) to be used have a color that is lighter than the skin color in consideration of the skin color of the person performing the makeup. This is because the effect is not obtained if it is too familiar with the skin color, and it becomes unnatural if the contrast with the skin color is too strong.
  • a face with a youthfulness is realized by drawing markers 1 and 2 (makeup cosmetics) at locations A to F shown in FIG.
  • marker 1 makeup cosmetic
  • marking 1 makesup cosmetic
  • using the position below the orbit and the bear as a guide approximately 1.5-2 cm. It is easy to put it in a sharp position (In some cases, drawing is sometimes expressed as being placed).
  • the position of the outer side of the pupil is determined from the intersection point of the perpendicular line drawn from the inner position of the white eye along the eyelid groove and the eyelid groove.
  • Marker 1 is applied to the intersection of the perpendicular line and the eyelid groove.
  • the position where the marker 1 is applied is the eyelid sulcus, it is necessary to be lower than the position where the bear can be formed. In addition, the upper end of the position where marker 1 is applied must be below the orbit. Also, it is effective to extend this after applying Marker 1. This extension direction is to pull up the ocular muscles, one of the facial muscles, specifically from the dents under the eyes. It is desirable to use the fingertips to gently blur the outward force, and diagonally upward.
  • the marker 1 makesup cosmetic
  • draw out marker 1 about 5mm check the position of Mt. Bizan, and pull up the entire upper eyelid to lift Mt. Bizan with the other hand.
  • place marker 1 directly on the skin so as to draw a short line from the eyebrow bone to the outside of the black eye, using Mt. This means that marker 1 is applied to the running of the upper levator ani muscle, one of the facial muscles.
  • the length of the marker 1 applied from the Mt. Bizan to the forehead is approximately equal to the length applied to the makeup position B as described above! ,.
  • the direction in which marker 1 is drawn at makeup position C is such that it is on the extension of the direction in which marker 1 is drawn at makeup position B described above. In order to extend this, It is desirable to extend from the bottom of the mountain to the hairline from the bottom to the top. Furthermore, when blurring the placed marker 11, it is desirable to blur in the direction of the hairline and from bottom to top. As shown in FIG. 9, it is desirable to determine the position of the eyebrows so that the length from the chin to the eyebrows is also 1 when the width of the face is “1”.
  • the line below the eye fissure is from a third of the eyelid near the corner of the eye.
  • Marker 1 Mecap cosmetic
  • the end point of the position where marker 1 is applied is the frontal radius suture position as shown in FIG.
  • a marker 1 (from the lower side of the horizontal line drawn to the tip of the nose toward the mouth corner along the nasal lip groove) ( Makeup cosmetics. This means that marker 1 is applied to the running of the muzzle muscle, one of the facial muscles.
  • the marker 1 is placed from the side of the small nose to the bottom. In order to extend this, it is desirable to lightly blur the part along the nasal lip groove from the nose to the upper lip and to raise the part near the mouth. The side of the small nose is likely to rub due to the movement of the face and easily slips away from the makeup. Also, it is important not to put too much marker 1 because thick coating looks unnatural.
  • the lower lip starts from approximately one third of the mouth corner from the center position to the mouth corner.
  • Marker 1 makesup cosmetic is applied to the position extending from the outer position of the pupil to the perpendicular line so as to wrap around the mouth corner along the contour of. Specifically, 1-1. It is desirable to put it up 5cm longer. Further, it is desirable that the angle to be pulled up is an angle substantially parallel to the makeup position D described above.
  • the blurring direction be an angle substantially parallel to the makeup position D. Also, the direction of this blur is the running direction of the facial muscles of the muzzle muscles, the large peroneus, and the small peroneus.
  • makeup cosmetics are applied based on the running of the facial muscles to make the facial muscles look younger, thereby creating a more youthful and facial impression. Is possible. This makes it possible to create a facial impression with a youthful look, and the effect becomes more pronounced when full makeup is applied.

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  • Health & Medical Sciences (AREA)
  • Life Sciences & Earth Sciences (AREA)
  • Animal Behavior & Ethology (AREA)
  • General Health & Medical Sciences (AREA)
  • Public Health (AREA)
  • Veterinary Medicine (AREA)
  • Birds (AREA)
  • Epidemiology (AREA)
  • Gerontology & Geriatric Medicine (AREA)
  • Dermatology (AREA)
  • Cosmetics (AREA)

Abstract

La présente invention concerne un procédé de maquillage pour l'application d'une composition de maquillage cosmétique sur le visage. Dans l'application d'une composition de maquillage cosmétique sur le visage, la composition de maquillage cosmétique est appliquée selon le fil musculaire des expressions faciales. Notamment, la composition de maquillage cosmétique est appliquée aux sillons des paupières/joues.
PCT/JP2007/069626 2006-10-13 2007-10-05 Procédé de maquillage WO2008044661A1 (fr)

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
JP2006-280334 2006-10-13
JP2006280334A JP2008094785A (ja) 2006-10-13 2006-10-13 メーキャップ方法

Publications (1)

Publication Number Publication Date
WO2008044661A1 true WO2008044661A1 (fr) 2008-04-17

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PCT/JP2007/069626 WO2008044661A1 (fr) 2006-10-13 2007-10-05 Procédé de maquillage

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JP (1) JP2008094785A (fr)
KR (1) KR20090063241A (fr)
CN (1) CN101522157A (fr)
TW (1) TW200819143A (fr)
WO (1) WO2008044661A1 (fr)

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2009093617A1 (fr) * 2008-01-22 2009-07-30 Shiseido Company, Ltd. Procédé de maquillage, dispositif de simulation de maquillage, et programme de simulation de maquillage
JP2013059529A (ja) * 2011-09-14 2013-04-04 Shiseido Co Ltd 顎部のたるみの評価方法

Families Citing this family (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP6209417B2 (ja) * 2013-10-21 2017-10-04 日本メナード化粧品株式会社 目元印象評価装置および目元印象評価方法
TWI573100B (zh) * 2016-06-02 2017-03-01 Zong Jing Investment Inc 自動臉部化妝方法

Non-Patent Citations (4)

* Cited by examiner, † Cited by third party
Title
OTAKE M.: "MAKE-UP BEAUTY Utsukushisa wa Hitotsu dewa Nai", JOSEI MODE CO., LTD., 1 February 2004 (2004-02-01), pages 56 - 57, 61, 83, XP003022193 *
STYLE CO., LTD.: "Make no Tsubo Sono Hachi, Yatsure Gao o Dasshutsu no Jutsu, KIMURA Kan'na No Holistic Bigaku", XP003022196, Retrieved from the Internet <URL:http://www.cp-w.com/bigaku/make_no_tubo/make_no-tubo8.html> *
STYLE CO., LTD.: "Make no Tsubo Sono Ichi, Kage o Nakushite Wakageri no Jutsu, KIMURA Kan'na no Holistic Bigaku", XP003022194, Retrieved from the Internet <URL:http://www.cp-w.com/bigaku/make_no_tubo_make-no-tubo1.html> *
STYLE CO., LTD.: "Make no tsubo Sono Roku, Face Shadow de Kogao no Jutsu 'KIMURA Kan'na no Holistic Bigaku, KIMURA Kan'na no Holistic Bigaku", XP003022195, Retrieved from the Internet <URL:http://www.cp-w.com/bigaku/make-no_tubo/make-no-tubo6.html> *

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2009093617A1 (fr) * 2008-01-22 2009-07-30 Shiseido Company, Ltd. Procédé de maquillage, dispositif de simulation de maquillage, et programme de simulation de maquillage
JP2013059529A (ja) * 2011-09-14 2013-04-04 Shiseido Co Ltd 顎部のたるみの評価方法

Also Published As

Publication number Publication date
JP2008094785A (ja) 2008-04-24
CN101522157A (zh) 2009-09-02
KR20090063241A (ko) 2009-06-17
TW200819143A (en) 2008-05-01

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