WO2008044661A1

WO2008044661A1 - Method of makeup

Info

Publication number: WO2008044661A1
Application number: PCT/JP2007/069626
Authority: WO
Inventors: Yumiko Kamata; Natsuko Nakayama; Ruriko Takano; Misae Azuma; Keiko Kittaka; Mamiko Nakamura
Original assignee: Shiseido Company, Ltd.
Priority date: 2006-10-13
Filing date: 2007-10-05
Publication date: 2008-04-17
Also published as: KR20090063241A; CN101522157A; TW200819143A; JP2008094785A

Abstract

A method of makeup for application of a makeup cosmetic composition to the face. In the application of a makeup cosmetic composition to the face, the makeup cosmetic composition is applied in accordance with the run of muscles of facial expression. In particular, the makeup cosmetic composition is applied to eyelid/cheek furrows.

Description

Specification

Makeup method

Technical field

[0001] The present invention relates to a makeup method, and more particularly to a makeup method for applying makeup cosmetics to a face.

Background art

[0002] The desire to “be young and beautiful forever” is for everyone, and various beauty techniques, makeup methods, cosmetics, etc. have been proposed and provided to meet this demand. . In addition, it is known that the cause of so-called old faces is related to skin sagging, and in recent years various makeups to prevent this sagging and various techniques to prevent sagging have been proposed! / RU

[0003] For example, in Patent Document 1, the face is divided into two at a boundary provided between a line connecting the upper end of the ear and the lowermost part of the nose and a line connecting the lowermost end of the ear and the uppermost end of the upper lip. On the other hand, a method of selecting cosmetics that makes youthful makeup without feeling slack by selecting a foundation with higher brightness from the bottom is proposed. Reference 2 discloses that by including 1 to 2% by weight of titanium my strength, it is possible to easily provide a foundation foundation with a finished finish that is lively and inconspicuous.

[0004] On the other hand, in recent years, attention has been focused on the fact that it is caused by the sagging force of the facial skin, which causes an old face, and the decline of facial muscles. Facial muscles are muscles used to express facial expressions such as eyes, nose and mouth, and there are more than 20 types. These muscles express a complex facial expression by acting jointly or antagonistically with each other.

[0005] In Cited Document 3, electrical stimulation of facial expression muscles has the effect of tightening the face (slimming) by increasing the muscle tension and increasing the blood circulation volume of the entire face. It is disclosed that prevention and improvement such as sagging, decrease in elasticity, and increase in wrinkles are to be prevented.

[0006] Further, in Cited Document 4, after applying a massage cream having a melanin metabolism promoting action on the face, the face muscle is stabbed while moving the hand in the direction in which the muscle muscle extends. A cosmetic treatment method for performing massage to give intenseness is disclosed.

Patent Document 1: Japanese Patent Laid-Open No. 09-208428

Patent Document 2: Japanese Patent Laid-Open No. 09-227336

Patent Document 3: Japanese Patent Laid-Open No. 2003-339884

Patent Document 4: JP-A-2005-314329

Disclosure of the invention

Problems to be solved by the invention

[0007] However, the conventional method of making the sag that causes an old face inconspicuous by applying makeup does not take into account the facial muscles that cause the sag of the face. The make-up method has the problem that it cannot effectively make up so that sagging does not stand out.

[0008] In addition, in the conventional method of improving electrical circulation and blood circulation by massage based on facial expression muscles, it is necessary to continue massage for a long time to improve the old face, and immediately eliminate the old face There was a problem that could not be done.

Means for solving the problem

[0009] The present invention generally aims to provide an improved and useful makeup method that solves the above-mentioned problems of the prior art.

[0010] A more detailed object of the present invention is to provide a makeup method capable of realizing a youthful appearance with makeup by applying makeup cosmetics in consideration of facial muscles.

[0011] In order to achieve this object, the present invention provides a makeup method for applying makeup cosmetics to a face! / And applying the makeup cosmetics based on the running of facial facial muscles. It is characterized by.

[0012] In order to achieve the above object, the present invention is characterized by applying a makeup cosmetic to the face, and applying the makeup cosmetic to the eyelid groove. That's right.

[0013] In addition, in the above invention, a perpendicular line extending from the outer position of the pupil and the eyelid from an intersection position of the perpendicular line extending from the inner position of the white eye and the eyelid groove along the eyelid groove. The makeup cosmetic may be applied up to the intersection with the ridge groove.

[0014] Further, in order to achieve the above object, the present invention provides a makeup method for applying makeup cosmetics to a face, wherein the makeup cosmetics are directed from the Mt. It is characterized by applying.

[0015] In the above invention, the makeup cosmetic may be applied to the outer position of the pupil from the brow mountain and placed on a straight line, and the makeup cosmetic is applied from the brow mountain to the forehead.

[0016] In the above invention, the length of the makeup cosmetic applied from the Mt. Bizan toward the forehead is set to the length of the makeup cosmetic applied to the eyebrows from the Mt. It ’s almost equal, but it ’s good!

[0017] Further, in order to achieve the above-mentioned object, the present invention provides a makeup method for applying makeup cosmetics to a face, from the approximately one third of the eyelid near the corner of the eyelid. The makeup cosmetic is applied along the lower line.

[0018] Further, in the above invention, the end point of the position where the makeup cosmetic is applied may be the frontal rib suture position.

[0019] Further, in order to achieve the above-mentioned object, the present invention provides a makeup method for applying makeup cosmetics to a face, from below the horizontal line drawn on the tip of the nose, toward the corner of the mouth along the nasal lip groove. It is characterized by applying makeup cosmetics.

[0020] Further, in order to achieve the above object, the present invention is a makeup method for applying makeup cosmetics to the face, and is approximately one-third of the mouth corner from the center position of the lips to the mouth corner. The makeup cosmetic is applied to the position extending from the outer position of the pupil to the perpendicular line so as to wrap the mouth corner along the contour of the lower lip.

[0021] In order to achieve the above object, the present invention provides a makeup method for applying makeup cosmetics to a face, wherein the makeup cosmetics are directed from the Mt. The makeup cosmetic is applied along the lower line of the above-mentioned eye fissure from approximately one third of the eyelid near the corner of the eyelid, and from below the horizontal line drawn on the tip of the nose, the nostril groove Apply the makeup cosmetic toward the corner of the mouth along the center of the lips The makeup cosmetics from approximately one-third of the mouth-to-mouth corner, from the position to the mouth corner, to a position extending from the outer position of the pupil to the vertical line so as to wrap the mouth corner along the contour of the lower lip It is characterized by giving.

The invention's effect

[0022] According to the present invention, by applying makeup cosmetics based on the running of facial muscles, a face with a young and abundant impression can be obtained, whereby a face with a youthful and abundant impression can be obtained. It becomes possible.

Brief Description of Drawings

[0023] FIG. 1 is a diagram showing the relationship between face orientation and impression age.

FIG. 2A is a diagram for explaining an experimental method for investigating the relationship between face orientation and impression age (front face)

FIG. 2B is a diagram for explaining an experimental method for investigating the relationship between face orientation and impression age (diagonal profile).

FIG. 2C is a diagram for explaining an experimental method for examining the relationship between face orientation and impression age (side profile).

[FIG. 3A] A diagram for explaining the factors of an old face (wrinkles around the eyes).

[FIG. 3B] It is a figure for demonstrating the factor of an old face (wrinkles around a mouth).

[FIG. 3C] This is a diagram for explaining the factors of the old face (sagging on the cheeks).

[FIG. 3D] It is a figure for demonstrating the factor of an old face (skin tension).

FIG. 3E is a diagram for explaining the factors of the old face (upper eyelid).

FIG. 4 is a diagram for explaining facial muscles.

FIG. 5 is a diagram for explaining a basic concept of a makeup method according to an embodiment of the present invention (part 1).

FIG. 6 is a diagram for explaining a basic concept of a makeup method according to an embodiment of the present invention (part 2).

FIG. 7 is a diagram for explaining a specific makeup method of the present embodiment (eyelid groove).

FIG. 8 is a diagram for explaining a specific makeup method of the present embodiment (upper eyelid to forehead). FIG. 9 is a diagram for explaining the position of Mt.

FIG. 10 is a diagram for explaining a specific makeup method of the present embodiment (lower eyelid)

FIG. 11 is a diagram for explaining a specific makeup method of the present example (nasal lip groove-mouth corner).

FIG. 12A is a diagram showing a stick type marker as an example of an item for realizing the makeup method of the present embodiment.

FIG. 12B is a diagram showing a pencil type marker as an example of an item for realizing the makeup method of the present embodiment.

Explanation of symbols

[0024] 1 Stick type marker

2 Pencil type marker

BEST MODE FOR CARRYING OUT THE INVENTION

Hereinafter, embodiments of the present invention will be described with reference to the drawings.

[0026] The present inventor paid attention to the fact that there are people who look younger than their actual ages and people who look old when realizing a youthful and abundant face by makeup. As described above, it is well known that the skin age such as wrinkles and itching is mainly responsible for determining the age of appearance, and various methods of cosmetic treatment for this have been proposed. That's right.

[0027] However, most of the geometrical aging changes such as wrinkles and sagging have conventionally been considered for the front face. Therefore, the present inventor first introduced a large number of female subjects (over 100 people in their 20s to 60s) from the front face (see Fig. 2 (A)), diagonal profile (see Fig. 2 (B)), and profile. I took the photo (see Fig. 2 (C)). In this case, each subject was asked to wear a gray turban so that the hairstyle would not affect the age determination. We observed whether or not they were old faces. At this time, an oblique side profile and a true side profile (hereinafter simply referred to as a side profile) were observed as well as the front side.

[0028] As a result, (1) there is a person who looks like a different person from the front face, (2) the person who looks different from the front face and the side face, and looks older than the front in the horizontal angle. (3) Impression difference between front and side faces especially in the age when signs of age-related changes in the face, especially in the 30s, begin to appear It was found that a lot of things occurred.

[0029] Therefore, we focused on the observed aging change of the lateral face of the face, the visual age impression is influenced by the orientation of the face, and the profile is how old it is from the front. An experiment was conducted to see if it looks old. In conducting this experiment, the present inventor made two hypotheses in advance. The first is the hypothesis that `` the oblique and side faces appear to be older than the front face because the shape elements of wrinkles and sagging are more noticeable '', and the second is `` the initial stage It is a hypothesis that the power of wrinkles and sagging is not strongly influenced by the orientation of the face. Hereinafter, specific experimental methods and results will be described.

[0030] The subject of the evaluation was the face photograph used in the above observation, and the age was taken into consideration the stage of aging change. (1) Early 20s, (2) Late 30s to early 40s, (3) 40s From the latter half to the early 50s, (4) the 4s in the 60s. Furthermore, appearance age information was taken into consideration when selecting the facial photographs used in the experiment. Appearance age was actually evaluated, and face photos were selected by controlling appearance age conditions based on actual age ± 3 years. At this time, taking into account that the face types were not biased, we selected four photographs for each age group.

[0031] For the experiment, we randomly selected a number of female employees of the applicant's company and asked each person to look at the above face photo and asked how old they looked. In addition, the evaluation was carried out by setting a set according to the orientation of the face, such as a side profile set after the front face set. The set and the order of evaluation within the set were counterbalanced. The number of respondent female employees was 34, and the ages were 20-58 years (average age 37.3 years).

FIG. 1 shows the relationship between the face orientation and the impression age obtained by the above experiment. In the figure, the vertical axis indicates age, the horizontal axis indicates the face orientation, and the difference between the impression age of the beveled face and the side face relative to the impression age of the front face is graphed. As a result of statistical testing of the obtained data (analysis of variance for one factor between subjects (age) and two factors within the subject (face orientation, photo age)), the following items were found.

(1) In the 20s, the evaluation of the front face and the oblique face did not change, but the side face was evaluated to be slightly old and found to be about one year older.

(2) In the late 30s and early 40s, the diagonal face was rated 2.5 years old and the side profile was 3 years older than the front face, which had the largest difference in face orientation. (3) In the late 40s and early 50s, the oblique face was 2 years older than the front face and there was no significant difference between the side profile and the front face.

(4) There was no difference in impression age depending on face orientation in the 60s.

[0033] From the above examination results, it was found that there was a difference in impression age depending on the face orientation, and a tendency depending on the age. Next, I examined the power of what factors affected my face. In this study, we focused on subjects in their late 30s to early 40s who were most affected by the orientation of their faces, and attempted further analysis by comparison with subjects in their early 20s.

[0034] Specifically, the phenomenon of aging that appears in the late 30s and early 40s is considered to be the reason that the effect of face orientation was the largest in this age, and it is different from the subjects in the early 20s. We extracted a phenomenon with

[0035] For applicants in their late 30's to early 40's, the affiliation of the applicant who has been trained on 64 items such as wrinkles, sagging, dullness, skin color, texture, etc. Three employees of the company performed visual evaluation. By analyzing this evaluation value, five items were extracted by excluding items that depend on color factors and individual characteristics (for example, facial features) from the items for which significant differences were detected.

[0036] As shown in FIGS. 3 (A) to (E), the five extracted items are “wrinkles around the eyes”, “wrinkles around the mouth”, “sagging of the cheeks”, “skin of the skin” "Hari", "The upper eyelid dent". Figures 3 (A) to 3 (E) show the evaluation of each of the above items, comparing the subjects in their early 20s with those in their late 30s and early 40s!

[0037] In addition, the results of Fig. 3 do not appear due to actual evaluation. However, when a face photograph is observed, each of the extracted elements is often more noticeable in an oblique face or a side face than in a front face. Was also confirmed. For example, in the case of the subject shown in Fig. 2, the front face (Fig. 2 (A)) is younger than the actual age of 43 years, the force S is 39 years old, and the side profile (Fig. 2 (C)) is 46 years old. It has been evaluated.

[0038] Therefore, when attention was paid to the profile of the subject in the figure, the sagging of the cheeks was conspicuous, and the lines like the letters “Shi” in Hiragana were seen just from the bottom of the eyes. It was found that It was also found that there was a large gap between the state seen from the front and the state seen obliquely or sideways. Based on the results of this review, it is important that the diagonal and profile be evaluated older than the front face. The first hypothesis was that the sagging shape element was more prominent in the diagonal and profile.

[0039] As a result of examination, the 60s had no effect on the face orientation. The reason is that in the 60's, wrinkles and sagging observed on the front face could easily be imagined in other directions. The effect of face orientation was not seen in the 60s, but was greater in the late 30s and early 40s.According to the second hypothesis, wrinkles and sagging in the early stages of aging were more sensitive to facial orientation. It can be said that it is strongly influenced.

[0040] On the other hand, some subjects were evaluated young in any direction. The subject did not stand out from the front face even if the wrinkles and sagging portions were slanted or profiled. In addition, the cheeks were felt with a force of S, and the shape of the eyes, eyebrows, lips, and face lines were clear from every point of view. Because of these factors, it seems that the target was evaluated as youthful from any point of view.

The factors that cause the oblique and profiled faces extracted as a result of the above examinations to look old are negative factors from the desire to be always young and beautiful. However, if this negative factor can be reduced or eliminated by applying makeup, a youthful face can be produced. Therefore, the first make-up verification was conducted in consideration of reducing the negative factors and making the face look more attractive.

[0041] First, markers 1 and 2 shown in Fig. 12 were used as items for realizing this makeup method. Each of the markers 1 and 2 has a function of creating an upward light band and line on the face to realize a lifting effect and a tight feeling. Marker 1 shown in Fig. 12 (A) is a thick stick-type marker that has the effect of creating a wide band of light and raising the surface. The other marker 2 is a pencil-type thin marker that draws a thin line and makes the eyes and mouth form stand out with light lines. In addition, the usage method of each marker 1 is based on drawing from the bottom to the top as described in detail later, and giving the direction from the bottom to the top when extending to the skin.

[0042] In the first verification, make-up was performed with the image of rising so that the eye and wrinkles and sagging power of the mouth and the mouth that are conspicuous in the oblique and side faces of the subject can be seen. Specifically, Draw! /, Marker 1 is drawn from the corner of the eye to the upper eyelid so as to wrap around the corner of the eye I drew a makeup from the corner of the mouth to the nasal lip, and made up a makeup to blur each in the upward direction.

[0043] Next, in order to make the eyes and mouth form stand out, the make-up was finished by drawing the frame line under the eyes with the thin marker 2 and the peak line of the upper lip and the center line of the lower lip. When this type of makeup method was applied to four subjects, it was possible to create a face that looked like wrinkles and sagging in the eyes and mouth.

[0044] However, they thought that there should be a more effective method, and intensively studied. In creating a concrete makeup method that produces a more youthful face, we focused on the balance of the face structure.

[0045] The face is based on a skeleton, and is composed of muscles (facial muscles), and skin and parts on top. The structural balance of skeleton, muscles, and facial expression is disrupted by 1S aging, which is balanced when young. The loss of balance is thought to be greatly affected by muscle weakness. Therefore, in order to regain the lost balance, it was important to “make the youthful muscles imagine by makeup”, and based on this, a specific makeup method was devised.

[0046] The present inventor applied the devised makeup method to seven subjects with different facial features, and in the process of performing the experiment to verify the makeup effect several times, “realize lifting and lifting” In "Make up for", we found that there is a common rule that the direction in which a suitable marker is drawn does not depend on facial features. That is, the common rule that the direction in which a suitable marker is drawn is “generally coincides with the flow direction (running direction) of facial muscles”. In other words, we found that it is important to put markers in the direction against aging changes in consideration of running facial muscles in order to imagine youthful muscles.

[0047] It should be noted that the expression muscle means more than 20 kinds of muscles used to express facial expressions such as eyes, nose and mouth as described above, and represents complex facial expressions. It plays an important role in getting out. Figure 4 shows typical facial muscles.

[0048] The present inventor further found out a makeup method that increases the effect of "lifting and lifting". Some people have a “eyelid groove” just below the bear under their eyes, and others have conspicuous dents and others. The eyelid groove is a groove that runs from the front of the eye toward the outside of the face. It appears with aging (see Figure 4). In addition to making this aging phenomenon inconspicuous, we considered taking the negative factor of aging in reverse. The “eyelid groove” is located under the eyes and is in a position where light from the head is easily reflected in a normal state, that is, in an upright state.

[0049] Therefore, by applying a make-up that brightens the “eyelid groove”, in addition to reducing the aging phenomenon, this part reflects light like a reflector, and is effective for raising the eyes. I hypothesized that it might be. In addition, we thought that the reflected light can also be expected to have an effect of giving a brighter impression to the pupils. Therefore, in the verification for the above seven people, the following make-up was also included. I went.

[0050] That is, a make-up was performed by placing a marker in the portion where the dent of the “blem groove” was felt so that the “bleed groove” could be felt brightly. As a result, we were able to increase the feeling of lifting in the entire eye area. In addition, when the same brute force was performed on a person who did not notice a concavity in the eyelid sulcus, it was possible to increase the feeling of pulling force S as in the case of a person with a concavity. It was also found that the eyes increased in brightness and gave a lively impression.

[0051] Next, specific items of a makeup method capable of realizing a youthful and vivid face based on the above-described items will be described. 5 and 6 are diagrams for explaining a specific mecap method according to the present embodiment.

[0052] The makeup method according to the present embodiment is characterized in that the marker 1 which is a makeup cosmetic is treated based on the running of facial facial muscles. In addition, the direction in which marker 1 is drawn is basically drawn from the bottom to the top, and when it is applied to the skin, the direction is directed from the bottom to the top (see the arrow in Fig. 5). Furthermore, it is important that the makeup cosmetics (markers 1 and 2) to be used have a color that is lighter than the skin color in consideration of the skin color of the person performing the makeup. This is because the effect is not obtained if it is too familiar with the skin color, and it becomes unnatural if the contrast with the skin color is too strong.

[0053] In the present embodiment, a face with a youthfulness is realized by drawing markers 1 and 2 (makeup cosmetics) at locations A to F shown in FIG. First, at the position near the eyelid groove (makeup position A) indicated by symbol A in FIGS. 6 and 7, marker 1 (makeup cosmetic) is applied along the eyelid groove. At this time, using the position below the orbit and the bear as a guide (approx. The lower part of the eye that you feel when you look on the side) is about 1.5-2 cm. It is easy to put it in a sharp position (In some cases, drawing is sometimes expressed as being placed).

[0054] In more detail, as shown in FIG. 7, at makeup position A, the position of the outer side of the pupil is determined from the intersection point of the perpendicular line drawn from the inner position of the white eye along the eyelid groove and the eyelid groove. Marker 1 is applied to the intersection of the perpendicular line and the eyelid groove.

[0055] Since the position where the marker 1 is applied is the eyelid sulcus, it is necessary to be lower than the position where the bear can be formed. In addition, the upper end of the position where marker 1 is applied must be below the orbit. Also, it is effective to extend this after applying Marker 1. This extension direction is to pull up the ocular muscles, one of the facial muscles, specifically from the dents under the eyes. It is desirable to use the fingertips to gently blur the outward force, and diagonally upward.

[0056] Next, in the position of the upper eyelid from the forehead (makeup position B) indicated by B in FIGS. 6 and 8, the marker 1 (makeup cosmetic) ). Specifically, after finishing with the foundation, draw out marker 1 about 5mm, check the position of Mt. Bizan, and pull up the entire upper eyelid to lift Mt. Bizan with the other hand. Next, as shown in Fig. 8, place marker 1 directly on the skin so as to draw a short line from the eyebrow bone to the outside of the black eye, using Mt. This means that marker 1 is applied to the running of the upper levator ani muscle, one of the facial muscles.

[0057] In order to extend this, it is desirable to carefully extend from the top to the bottom in the figure with a light touch. When blurring marker 1 on top, it is desirable to blur horizontally

[0058] Next, at the position of the upper eyelid from the forehead (makeup position C) indicated by the symbol C in FIGS. 6 and 8, it is located on the straight line from the Mt. Apply Marker 1 (makeup cosmetic) toward This means that marker 1 is applied to the frontal muscle, which is one of the facial muscles.

At this time, as shown in FIG. 8, the length of the marker 1 applied from the Mt. Bizan to the forehead is approximately equal to the length applied to the makeup position B as described above! ,.

[0059] In addition, the direction in which marker 1 is drawn at makeup position C is such that it is on the extension of the direction in which marker 1 is drawn at makeup position B described above. In order to extend this, It is desirable to extend from the bottom of the mountain to the hairline from the bottom to the top. Furthermore, when blurring the placed marker 11, it is desirable to blur in the direction of the hairline and from bottom to top. As shown in FIG. 9, it is desirable to determine the position of the eyebrows so that the length from the chin to the eyebrows is also 1 when the width of the face is “1”.

[0060] Next, at the position of the lower eyelid (designation position D) indicated by the symbol D in Figs. 6 and 10, the line below the eye fissure is from a third of the eyelid near the corner of the eye. Apply Marker 1 (Mecap cosmetic) along the line. This also applies marker 1 to the running of the ocular muscles, one of the facial muscles. In addition, the end point of the position where marker 1 is applied is the frontal radius suture position as shown in FIG.

[0061] As a specific method of placing Marker 1, image the extension of the frame line with a little outside from the third of the lower eyelid close to the corner of the eye, and place the eyelid up. At this time, if the cheek is pulled down with the other hand, marker 1 can be placed smoothly. Also, to stretch this out, blur it towards the hairline by pulling it up from the corner of your eyes with a light touch.

Next, at the position of the nasal lip groove (makeup position E) indicated by E in FIGS. 6 and 11, a marker 1 (from the lower side of the horizontal line drawn to the tip of the nose toward the mouth corner along the nasal lip groove) ( Makeup cosmetics. This means that marker 1 is applied to the running of the muzzle muscle, one of the facial muscles.

[0063] Specifically, as shown in Fig. 11, the marker 1 is placed from the side of the small nose to the bottom. In order to extend this, it is desirable to lightly blur the part along the nasal lip groove from the nose to the upper lip and to raise the part near the mouth. The side of the small nose is likely to rub due to the movement of the face and easily slips away from the makeup. Also, it is important not to put too much marker 1 because thick coating looks unnatural.

[0064] Next, at the mouth corner position (makeup position F) indicated by the symbol F in FIGS. 6 and 11, the lower lip starts from approximately one third of the mouth corner from the center position to the mouth corner. Marker 1 (makeup cosmetic) is applied to the position extending from the outer position of the pupil to the perpendicular line so as to wrap around the mouth corner along the contour of. Specifically, 1-1. It is desirable to put it up 5cm longer. Further, it is desirable that the angle to be pulled up is an angle substantially parallel to the makeup position D described above.

[0065] In order to extend this, it is integrated with the blur around the nasal lip groove that has been previously stretched, and the blur is added so as to be pulled up from the bottom to wrap around the corner of the mouth. At this time, it is desirable that the blurring direction be an angle substantially parallel to the makeup position D. Also, the direction of this blur is the running direction of the facial muscles of the muzzle muscles, the large peroneus, and the small peroneus.

[0066] Like the makeup method described above, makeup cosmetics are applied based on the running of the facial muscles to make the facial muscles look younger, thereby creating a more youthful and facial impression. Is possible. This makes it possible to create a facial impression with a youthful look, and the effect becomes more pronounced when full makeup is applied.

[0067] In addition, the force that can make the makeup described above individually for the above-described makeup positions A to F can be achieved. , The ability to create a more youthful and abundant facial impression.

[0068] This international application claims priority based on Japanese Patent Application No. 2006-280334 filed on October 13, 2006. The entire contents of Japanese Patent Application No. 2006-280334 are incorporated herein by reference. This is incorporated into the application.

Claims

The scope of the claims

[1] Make-up method for applying makeup cosmetics to the face! /

A makeup method, wherein the makeup cosmetic is applied based on running of facial facial muscles.

[2] Makeup method for applying makeup cosmetics to the face! /

A makeup method comprising applying the makeup cosmetic to the eyelid groove.

[3] The makeup makeup from the intersection point of the perpendicular line and the eyelid groove down from the inner position of the white eye along the eyelid groove to the intersection point of the perpendicular line and the eyelid groove from the outer position of the pupil 3. A makeup method according to claim 2, wherein a charge is applied.

[4] Makeup method for applying makeup cosmetics to the face! /

A makeup method, wherein the makeup cosmetic is applied from the Mt. Bizan toward the outer position of the pupil so as not to hang on the eyebrows.

[5] The makeup method according to claim 4, wherein the makeup cosmetic is applied on a straight line from the Mt. Bizan toward the outer position of the pupil, and the makeup cosmetic is applied from the Mt.

[6] The length of the makeup cosmetic applied from the Mt. Eyebrow toward the forehead is approximately equal to the length of the makeup cosmetic applied so as not to hang on the eyebrows from the Mt. The makeup method according to claim 5, wherein:

[7] A makeup method for applying makeup cosmetics to the face! /

A makeup method, wherein the makeup cosmetic is applied from approximately one third of the eyelid near the eye corner along the lower line of the eyelid.

8. The makeup method according to claim 7, wherein an end point of the position where the makeup cosmetic is applied is a frontal rib suture position.

[9] A makeup method for applying makeup cosmetics to the face! /

A makeup method comprising applying the makeup cosmetic composition from below the horizontal line drawn on the tip of the nose toward the corner of the mouth along the nasal lip groove.

[10] A makeup method for applying makeup cosmetics to the face! /

From approximately one third of the lip to the corner of the mouth, from the center position of the lips to the position extending from the outside of the pupil to the perpendicular line so as to wrap the mouth corner along the contour of the lower lip A makeup method comprising applying the makeup cosmetic.

In the makeup method of applying makeup cosmetics to the face,

Apply the makeup cosmetics from the Mt. Bizan toward the outside of the pupil so as not to hang on the eyebrows,

Applying the makeup cosmetics described above along the lower line of the eye fissure from about one third of the eyelid near the corner of the eye,

Apply the makeup cosmetic from below the horizontal line drawn to the tip of the nose, along the nasal lip and toward the corner of the mouth,

From the approximately one-third portion of the lip near the mouth corner to the mouth corner, to the position extending from the outer position of the pupil to the perpendicular line so as to wrap the mouth corner along the contour of the lower lip. A makeup method characterized by applying