US3708602A - An electronic organ with automatic chord and bass systems - Google Patents

An electronic organ with automatic chord and bass systems Download PDF

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US3708602A
US3708602A US00084979A US3708602DA US3708602A US 3708602 A US3708602 A US 3708602A US 00084979 A US00084979 A US 00084979A US 3708602D A US3708602D A US 3708602DA US 3708602 A US3708602 A US 3708602A
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Prior art keywords
tone
chord
bass
signals
keyboard
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US00084979A
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English (en)
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R Hiyama
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Nippon Gakki Co Ltd
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Nippon Gakki Co Ltd
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Priority claimed from JP44086715A external-priority patent/JPS495054B1/ja
Priority claimed from JP44086716A external-priority patent/JPS495055B1/ja
Priority claimed from JP44086714A external-priority patent/JPS495053B1/ja
Priority claimed from JP44086713A external-priority patent/JPS495052B1/ja
Application filed by Nippon Gakki Co Ltd filed Critical Nippon Gakki Co Ltd
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    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G10H1/38—Chord
    • G10H1/383—Chord detection and/or recognition, e.g. for correction, or automatic bass generation
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/571—Chords; Chord sequences
    • G10H2210/616—Chord seventh, major or minor
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/571—Chords; Chord sequences
    • G10H2210/626—Chord sixth

Definitions

  • keyboard for melody performance a lower keyboard ..Gl0f for chord performance and a keyboard for bass Fleld Search ..84/1.0l, 1.03, 1.17, 1.24, performance there is interposed a first gate circuit in 307/239, 248, the channel of the lower keyboard tone signals and a 253-254 second gate circuit in the channel of the bass tone signals, and there is also provided a generator of References Cited rhythm pattern pulses which open the gate circuits in accordance with the rhythm pattern.
  • chord and bass performance is carried out in 3,461,217 8/1969 Omura et al ..84/1.03 X desired rhythm pattern by merely depressing keys con- 3,535,972 10/1970 Teranishi ..84/1 .26 tinuously instead of int r itt ntl 3,567,838 3/1971
  • the present invention relates to an electronic musical instrument and more particularly to an electronic musical instrument such, for example, as an electronic organ provided with an upper keyboard for melody performance, a lower keyboard for chord performance and a pedal keyboard for bass performance.
  • a melody performance by operation of the upper keyboard with the right hand a chord performance by operation of the lower keyboard with the left hand and a bass performance by operation of the pedal keyboard with the left foot.
  • the left hand chord performance and the left foot bass performance are commonly conducted with a certain rhythm pattern, like that of a march or a waltz.
  • the chord and bass performances by the left hand and left foot require considerable skill, because they have to be played in conjunction with the melody performance by the right hand.
  • a beginner finds it extremely difficult to carry out a rhythm accompaniment of chord and bass exactly conforming with a melody performance.
  • Another object of the invention is to provide an electronic musical instrument which automatically gives desired chord and bass performances simply by continuously depressing the proper keys of the lower and pedal keyboards.
  • Still another object of the invention is to provide an electronic musical instrument which enables chord and bass performances to be automatically played with a predetermined rhythm simply by continuously depressing the keysof the lower keyboard in accordance with a desired chord.
  • An electronic organ comprises tone generators; key switch circuits associated with the upper, lower and pedal keyboards for selectively keying signals from the tone generators; tone coloring filters for converting signals selected by the key switches of the upper, lower and pedal keyboards to musical'tones having predetermined tone colors; circuits for mixing and amplifying musical tones from the filters; and an electro-acoustic transducer for converting amplified musical tone signals to sounds.
  • One of the characteristic features of the present invention is that there is provided gating means in at least one of the two channels extending from the key switch circuits of the lower and pedal keyboards to the amplifying means, which gating means is supplied with desired rhythm pattern timing pulses from a generator thereof. Depression of the keys of a keyboard associated with the channel having the gating means causes the means to be continuously supplied with the selected signals from the tone generator. Timing pulses from the generator open the gating means at a predetermined rhythm interval, thereby producing musical tones having desired rhythm patterns from a loud-speaker.
  • chord detecting means permits the gating means of the pedal keyboard channel to be continuously supplied with bass tone signals corresponding to two main notes, that is, the root and the fifth of the chord played on the lower keyboard.
  • a chord depression on the lower keyboard continuously impresses the gating means disposed in the channel thereof with signals representing the aforesaid two main notes included in the chord. Since the pulse generator supplies both gating means with rhythm pattern timing pulses conforming with the chord and bass performances, mere continuous depression of the keys on the lower keyboard enables a chord performance and a bass performance with the root and fifth of the chord to be automatically played.
  • Still another characteristic feature of the present invention is that there is provided means which, upon depression of the keys on the lower keyboard for a chord performance, detects notes of the highest and lowest pitches included in the chord performance, and supplies bass tone signals corresponding to those notes to the gate circuit of the pedal keyboard channel.
  • the gate circuits of the lower and pedal keyboard channels are supplied with rhythm pattern timing pulses from the generator, there is automatically conducted a bass performance by the highest and lowest notes of the chord as well as a chord performance.
  • FIG. 1 is a block circuit diagram of an electronic musical instrument according to an embodiment of the present invention
  • FIGS. 2A, 2B and 2C are musical notations for explaining the operation of the electronic musical instrument of FIG. 1;
  • FIG. 3 is a block circuit diagram of an electronic musical instrument according to another embodiment of the invention.
  • FIG. 4 is a block circuit diagram of an electronic musical instrument according to still another embodiment of the invention.
  • FIGS. 5A, 5B and 5C are musical notations for explaining the operation of the electronic musical instrument of FIG. 4;
  • FIG. 6 is a circuit diagram of the chord detector of FIG. 5;
  • FIG. 7 represents a base selector and gate circuit of FIG. 5;
  • FIG. 8 is a modification of the circuit of FIG. 7;
  • FIG. 9 is a chart illustrating the components of chords in the key of C.
  • FIG. 10 is a block circuit diagram of an electronic musical instrument according to a further embodiment of the invention.
  • FIG. 11 indicates the arrangement of the priority switcher of FIG. 10.
  • FIG. 1 A schematic electronic organ system is included in FIG. 1 illustrating one embodiment of this invention.
  • the system includes tone generators l, outputs from which are branched off to an upper keyboard channel 2, lower keyboard channel 3 and pedal keyboard channel 4.
  • the upper keyboard channel 2 comprises an upper keyboard including associated key switch circuits for selectively keying signals from the tone generators l and tone coloring filters 8 for converting signals selected by the key switch circuits 5 to musical tone signals having proper timbres.
  • the lower and pedal keyboard channels 3 and 4 respectively comprise a lower keyboard 6 and a pedal keyboard 7 including associated key switch circuits for selectively keying signals from the tone generators l and tone coloring filters 9 and 10 for converting signals selected by the key switch circuits 6 and 7 to musical tone signals having proper timbres.
  • the key switch circuits of the keyboard channel are supplied with tone signals from the tone generators 1 which have frequencies corresponding to the notes to be played on the keyboard.
  • Music tone signals from the tone coloring filters are mixed and conducted to an amplifier.
  • Musical tone signals thus amplified actuate a loud-speaker 12.
  • the lower and pedal keyboard channels 3 and 4 have gate circuits 13 and 14 positioned between the respective switch circuits 6 and 7 and the tone coloring filters 9 and 10.
  • a rhythm pattern pulse generator 15 which comprises a pulse generator 16 and timing pulse encoders 17 and 18. Timing pulses from the encoders l7 and 18 are supplied to the gate circuits l3 and 14 to open them in accordance with the rhythm patterns represented by the pulses.
  • the pulse generator 16 comprises, for example, an astable multivibrator having a variable oscillation frequency and a ring counter formed of a necessary number of flip-flop circuits which are impressed with output pulses from the astable multivibrator.
  • the timing pulse encoder may consist of a diode matrix circuit.
  • the column lines, for example, of the matrix circuit to be supplied in turn with pulses from the pulse generator 16 have the same number as the flip-flop circuits constituting the ring counter.
  • the row lines of the matrix circuit are provided in the same number as desired rhythm patterns. At the intersections defined by one row line with the column lines are connected diodes disposed in accordance with a predetermined rhythm 'pattem. From the row lines stored with different rhythm patterns, is selected one row line with desired rhythm pattern.
  • rhythm pattern pulses from the row lines are conducted to the gate circuit after being shaped by a differentiating circuit having a proper time constant. Details of such rhythm pattern pulse generator and other processes relative thereto are already clearly set forth in the U.S. Pat. Nos. 3,255,292, 3,358,068 and 3,383,452.
  • the upper keyboard plays a melody performance as usual.
  • the lower keyboard there are continuously depressed a plurality of keys corresponding to notes constituting a desired chord in conjunction with the melody performance.
  • On the pedal keyboard there is depressed a key corresponding to, for example, the root of the chord.
  • the gate circuits l3 and 14 disposed in the lower and pedal keyboard channels 3 and 4 are normally supplied with signals corresponding to the pitches of notes represented by the depressed keys.
  • the gate circuits l3 and 14 are impressed by the rhythm pattern pulse generator 15 respectively with a sequence of pulses having a rhythm pattern conforming with a melody performance and are opened only upon the impression. From the gate circuits l3 and 14, therefore, there are intermittently drawn out signals corresponding to the rhythm pattern.
  • Signals from the pedal keyboard channel are bass tone signals having a frequency one octave lower than that of the root of the chord.
  • FIG. 2C represents chords and basses to be played on the lower and pedal keyboards respectively.
  • there are played on the lower keyboard four beats of the chord C in the first measure, four beats of the chord F in the second measure, four beats of the chord G in the third measure and again the chord C in the fourth measure, and there are played on the pedal keyboard notes C, F and G constituting the root of each chord at a period twice that of the notes played on the lower keyboard.
  • the gate circuits 13 and 14 are respectively supplied with the tone signals corresponding to the aforementioned notes to be gated and at the same time with sequences x and y of pulses having the rhythm patterns of FIG. 2A.
  • musical tones having the rhythm of FIG. 2C from the lower and pedal keyboard channels through a loud-speaker 12.
  • a gate circuit in both lower and pedal keyboard channels permits the right hand to be used exclusively in operating the upper keyboard for a melody performance, and the left hand and foot to operate the lower and pedal keyboards with great ease.
  • the gate circuit may be formed only in either of the lower and pedal keyboard channels. If in this case, the player engages himself mainly in the operation of, for example, the lower keyboard, he will be able easily to play the other pedal keyboard at the same time, in the channel of which there is disposed a gate circuit.
  • FIG. 1 may be developed into that of FIG. 3, wherein the gate circuits 21 and 22 are normally supplied with output signals from, for example, two percussion tone generators 19 and incorporated in an electronic organ and further controlled by rhythm pattern pulses from timing pulse encoders 23 and 24 specifically included in the rhythm pattern pulse generator 15, for the performance of the rhythm section of the band music.
  • the same parts of FIG. 3 as those of FIG. 1 are denoted by the same numerals and description thereof is omitted.
  • the embodiment of FIG. 4 has been developed to attain the aforementioned object.
  • the same parts of FIG. 4 as those of FIG. 1 are denoted by the same numerals.
  • the embodiment of FIG. 4 further includes a bass selector and a chord detector 26.
  • This bass selector 25 corresponds to the pedal key switch circuits 7 of FIG. 1.
  • the bass selector 25 is supplied with the same bass tone signals as the pedal key switch circuits 7, so that the channel including the selector 25 is also hereinafter referred to as the keyboard channel.
  • the chord detector 26 is provided for detecting the type of the chord being played on the lower keyboard.
  • Detected outputs from the chord detector 26 enable the aforesaid bass selector 25 to select those bass tone signals from the tone generator I which represent notes corresponding to the root and the fifth contained in the chord being played on the lower keyboard.
  • the gate circuit 13 of the lower keyboard channel 3 is supplied for an automatic rhythmic performance of the chords with a rhythm pattern pulse or timing pulse from the timing pulse encoder 17 included in the rhythm pattern pulse generator 15.
  • the gate circuit 14 provided in the pedal keyboard channel 4 is supplied from the timing pulse encoder 18 with two kinds y and z of rhythm pattern pulses or timing pulses for the root and the fifth selected by the bass selector 25 in order to carry out an automatic rhythmic performance of the basss.
  • FIG. 5C illustrates a chord performance on the lower keyboard and a bass performance on the pedal keyboard which are to be played in conjunction with a melody performance on the upper keyboard.
  • a chord C in the first measure there are to be played on the lower keyboard a chord C in the first measure, a chord F in the second measure, a chord G in the third measure and again the chord C in the fourth measure.
  • On the pedal keyboard there are to be successively played in the first measure the root note C and the fifth noteG of the chord C, in the second measure the fifth C and the root F of the chord F, in the third measure the fifth D and the root G of the chord G and in the fourth measure the root C of the chord C.
  • the gate circuit 13 of the lower keyboard channel 3 is supplied from the timing pulse encoder 17 with a sequence x of rhythm pattern pulse for a chord performance as illustrated in FIG. 5A, causing a chord performance shown in FIG. SC to be automatically played as in the embodiment of FIG. I.
  • the gate circuit 14 of the pedal keyboard channel 4 is also supplied with signals representing the root and the fifth of the respective chords and a sequence y of rhythm pattern pulse for the rootand a sequence z of rhythm pattern pulse for the fifth from the timing pulse encoder 18, thereby enabling an automatic bass performance shown in FIG. 5C which would otherwise have to be effected by the actual complicated operation of the pedal keyboard by the player himself.
  • the pedal keyboard was described as playing only the root of the chord which was to be played by the lower keyboard.
  • the embodiment of FIG. 4 permits a bass performance to be automatically conducted by the root and the fifth of the chord, providing a more prominent musical effect.
  • the chord detector 26 consists of a matrix circuit comprising a plurality of column lines, row lines and diodes positioned at the prescribed intersections of both lines.
  • the matrix circuit has twelve column lines L, to L,, corresponding to the notes of one octave, the ends on one side of the column lines being grounded by normally open key switches S, to 8, operated by the respective keys of the lower keyboard.
  • the switches actuated by the keys corresponding to the same notes in the different octaves are respectively connected to the same common column lines included in the matrix circuit.
  • the ends on the other side of the column lines are connected through a resistor 27 to one end of a common power source 28, the other end of which is grounded.
  • the matrix has the same number of row lines 0,, 0 0 as the, kinds of chords to be played by the lower keyboard.
  • FIG. 6 indicates seven row lines representing chords C, F, (3,, Am, 1), D and Bb
  • At the prescribed intersections between the row lines denoting these chords and column lines are connected diodes in the forward direction with respect to the polarity of the power source 28 to which the column lines are connected to detect, for example, chord C, there are connected diodes D of the indicated polarity to three intersections defined by row line 0, with column line L,, connected to switch S, operated by the key of the lower keyboard corresponding to note C included in chord C, column line L connected to switch S corresponding to note E and column line L, connected to switch S corresponding to note G.
  • the diodes are connected to the intersections of the row lines and column lines in the forward direction with respect to the positive source voltage, so that the potential of the detection terminal of the row line is normally kept positive.
  • Depression of the keys of the lower keyboard corresponding to, for example, notes C, E and G causes switches 8,, S and S, to be closed and in consequence column lines L,, L, and L to be grounded.
  • the power source 28 is shortcircuited with column lines L,, L, and L, by the resistor 27, preventing row line 0, connected to column lines L,, L, and L, by the diodes from being impressed with voltage, so that the potential of the detection terminal of row line 0,, that is, the voltage across the resistor 30 is reduced to zero. At this time, the potentials of the detection terminals of the other row lines are still kept positive. From the fact that the potential of the detection terminal of row line 0, associated with the chord C was changed from positive to zero, it is determined that the chord performed by operation of the lower keyboard was C.
  • the detected output controls the bass selector 25.
  • This selector 25 may be constructed as illustrated in FIG. 7.
  • the bass tone signals for example, of notes C and G corresponding to the root and the fifth of chord C are directly supplied from the tone generator to the transistors T, and T without passing through the key switches operated by the pedal keyboard, and the emitter of both transistors T, and T is grounded by the chord C detecting circuit 260.
  • the chord C detecting circuit is included in the above-mentioned chord detector. For simplification, three switches S1, S, and S and three diodes are indicated by one switch S and one diode D, respectively.
  • chord C When chord C is not detected, namely, when the switch S of'the chord C detector is opened, the voltage of the emitters of transistors T, and T, supplied by the power source 28 is set at a higher level than the base bias voltage, thereby bringing the transistors T, and T, into an inoperative stage.
  • the switch S, of the chord C detector Upon detection of chord C, namely, when the switch S, of the chord C detector is closed, the emitters of transistors T, and T are disconnected from the power source 28 and grounded through the resistor 30, bringing the transistors T, and T into an operative state. Accordingly, signals representing the root and the fifth of the chord C supplied to the base of transistors T, and T are drawn out from the collectors and conducted to gate circuits 14A and 14B intended for the root and the fifth respectively.
  • the emitters of transistors T and T constituting the gate circuits 14A and 14B are supplied with rhythm pattern pulses y and z for the root and the fifth as shown in FIG. 5A.
  • the rhythm pattern signals consist of a sequence of negative pulses which normally have a positive potential and assume a low or zero voltage when they are pulsed. Normally, therefore, the positive potential supplied to the emitter of the transistors T and T is maintained at a higher level than the base bias voltage, thereby bringing the gate circuits 14A and 148 into an inoperative state.
  • negative rhythm patterns are introduced, the emitter potential decreases from the base potential, actuating or opening the gate circuits 14A and 148.
  • the bass selector 25 further includes transistors T, and T and so on which are supplied with tone signals corresponding to the roots and the fifths of other chords.
  • the emitters of transistors T and T are grounded by a circuit for detecting the chord C# Outputs from the transistors T, and T and so on supplied with tone signals corresponding to the roots of the chords are conducted to the common gate circuit 14A for the root, while outputs from the transistors T and T and so on supplied with tone signals corresponding to the fifths of the chords are impressed on the common gate circuit 148 for the fifth.
  • the function of the bass selector 25 consists in previously supplying a pair of transistors with bass tone signals corresponding to the root and the fifth of the one chord to be detected at a time by the chord detecting circuit 26 and simultaneously controlling the paired transistors by the detected output from the chord detector.
  • the bass selector and the gate circuits are separately arranged.
  • the transistors of the bass selector 25 supplied with tone signals corresponding to the root and the fifth of the chord may be made concurrently to act as a gate circuit.
  • FIG. 8 There is provided a diode D between the emitters of the paired transistors T, and T of FIG. 7 controlled in common by the chord C detector 260 and the chord detector 260 in the opposite direction to the base-emitter diode included in the transistors, and there is also disposed a resistor R between the emitters of transistors T, andT, and the earth.
  • Timing pulses y and z are supplied respectively to the emitters of transistors T, and T through a diode D disposed in the opposite direction to the baseemitter diode.
  • chord C detector 260 When chord C detector 260 becomes inoperative, theemitters of transistors T, and T,.are kept at a positive potential by the power source 28 so as to prevent the transistors from being jointly operated, Upon actuation of the chord C detector 260, the emitters of the transistors are disconnected from the power source 28.
  • the emitters of the transistors are still kept at a positive potential and do not become operative during the period of positive potential included in a sequence of timing pulses supplied to the emitter through the diode D During the period of negative pulses in which the potential is reduced, the emitter potential of transistor T, for example decreases from its base potential, so that the transistor T, is
  • transistor T brought into an operative state and there are drawn output signals from the collector of transistor T,. It will be apparent that the transistors T, and T, are independently brought to an operative state by the respective timing pulses.
  • chord detecting circuit of FIG. 6 there were connected three diodes to the row lines so as to have each chord distinguished by the three notes included therein. It will be apparent, however, that where the chord is constitutied by four notes, the row line may be provided with four diodes.
  • the detection of the chord may be effected only by two notes, that is, the root and the fifth of the chord. In this case, there are provided diodes only at the intersections defined, for example, by the raw line with column line L corresponding to the note C constituting the root of the chord C and column line L, corresponding to the note G constituting the fifth of the chord C.
  • the chord detector is designed to detect chord C by the notes C, E and G. As apparent from FIG.
  • chord detector produces common detected output. Since, however, there is no need for the beginner to distinguish between the aforementioned chords, detection of the chords by only two notes will not present any practical difficulties.
  • FIG. 4 enables the chord detector to distinguish the kind of chord played by the lower keyboard and also a bass performance to be conducted by bass tone signals corresponding to the root and the fifth of the chord. Consequently the arrangement becomes exceedingly complicated as shown in FIGS. 6 and 7.
  • bass tones played by the pedal keyboard often represent the outer part tones of the chord played with the left hand on the lower keyboard, namely, the highest and the lowerst notes of the chord. Therefore, it is not always necessary to rely on the root and the fifth for a bass performance.
  • FIG. 10 denotes an embodiment wherein, during the chord performance by the lower keyboard, there are detected the highest and the lowest pitch notes of the chord and the performance is conducted by bass tone signals corresponding to the highest and lowest notes.
  • a priority switcher 31 which is normally supplied with bass tone signals from the tone generator 1 and operated interlockingly with the lower keyboard 6, namely, contains a plurality of switches operated by the lower keyboard, thereby preferentially selecting the highest and the lowest notes of the chord played on the lower keyboard.
  • the other parts of FIG. 10 are of the same arrangement as in FIG. 4.
  • the priority switcher 31 comprises, as shown in FIG. 11, first and second groups 32 and 33 constructed by first and second switches respectively which are operated by the same key of the lower keyboard.
  • Each switch constituting the first switch group 32 has a movable contact 35 connected with a normally closed fixed contact of a switch positioned in the adjacent lower tone section, anormally closed contact 36 and a normally open fixed contact 37 connected with the tone generator, and each switch constituting the second switch group 33 has a normally closed fixed contact 38, a movable contact 39 connected with a normally closed fixed contact of a switch positioned in an adjacent higher note section and a normally open fixed switch 40 connected with the tone generator along with the normally open contact 37 of the switch actuated by the same key of the lower keyboard.
  • the movable contact 35 of the switch that is, the switch actuated by the key corresponding to the note C in the drawing, positioned in the lowest tone section of first switch group 32 for selecting the lowest bass tone signal and the movable contact 39 of the switch, that is, the switch actuated by the key corresponding to the note B, positioned in the highest section of the second switch group 33 for selecting the highest bass tone signal are connected to the gate circuit 14 shown in FIG. 10, as the bass tone input signals.
  • chord C actuates six corresponding switches. Namely, the movable contact of each switch connected to a normally closed fixed contact is switched to a corresponding normally open fixed contact connected to the tone generator. While the movable contact 35 of each of those of the first group. switches 32 which are associated with the notes C, E and G is switched from a corresponding normally closed contact 36 to a corresponding normally open contact 37, the movable contact 35 of the switch associated with the note C is switched to a corresponding normally open fixed contact 37 connected to the tone generator, so that the gate circuit 14 is supplied with a tone signal representing the pitch of the note C.
  • the movable contact 39 of each of those associated with the notes C, E and G is switched from a corresponding normally closed fixed contact 38 to a corresponding normally open fixed contact 40.
  • the movable contact 39 of that of these three switches which is associated with the highest note, namely, the note G is switched from the corresponding normally closed fixed contact 38 of a switch representing a note next higher than G to a corresponding normally open .fixed contact 40 connected to the tone generator.
  • a tone signal having the pitch of the note G passes through the intermediate switches and is finally drawn out from the movable contact 39 of a switch representing the highest note B and supplied to the gate circuit 14.
  • tone signals having the pitches of the lowest note C and the highest note G included in the chord C are drawn out and supplied to the gate circuit 14.
  • This gate circuit 14 supplied with tone signals representing the highest and lowest notes may be constructed in the same manner as the gate circuits 14A and 148 for the root and the fifth illustrated in FIG. 7.
  • each group of switches constituting the switcher consists of l2 switches so as to match twelve notes included in one octave. Since, however, the lower keyboard includes more than 12 keys, the group practically has the same number of switches as the keys.
  • the switches associated with the same note are arranged parallel. Namely, the movable contacts, normally closed fixed contacts and normally open fixed contacts of these switches are respectively connected to each other.
  • the gate circuit 14 supplied with signals of the lowest and the highest notes selected by the priority switcher 31 of FIG. 8 is impressed, as in the embodiment of FIG. 4, with rhythm pattern pulses x and y from the timing pulse encoder 18 of the rhythm pattern pulse generator 15, thus enabling a rhythm performance by bass tones to be automatically conducted without operating the pedal keyboard.
  • An electronic musical instrument comprising:
  • a tone generator for producing a plurality of signals of different audio frequencies
  • a first tone coloring filter for converting audio signals to musical tone signals
  • an upper keyboard channel including a plurality of key controlled switches for selectivity connecting signals from said tone generator to said tone coloring filter;
  • a lower keyboard channel including a plurality of switches for selectively connecting signals from said tone generator to said first gate circuit
  • a pedal keyboard channel including chord detecting means connected to said lower keyboard channel for detecting the kind of chord being played by said lower keyboard;
  • bass tone selector means connected to said tone generator and said chord detecting means for selecting a pair of bass tone signals corresponding to the root and fifth of the chord being played by said lower keyboard;
  • loud speaker means connected to the output of said amplifier means
  • said bass tone selector means and second gate circuit including a pair of transistors and means for supplying said transistors with bass tone signals corresponding to the root and fifth of a chord to be played by said lower keyboard, the emitters of said transistors being jointly connected to the output of said chord detector; a pair of diodes one connected between the emitter of each .transistor and said chord detector in a direction opposed to the base-emitter diode; a pair of resistors, one connected between the emitter of each transistor and ground; and a further pair of diodes, one connected between the emitter of each transistor and said rhythm pattern pulse generator in a direction opposite to the base-emitter diode.
  • An electronic musical instrument comprising:
  • a tone generator for producing a plurality of signals of different audio frequencies
  • a first tone coloring filter for converting audio signals to musical tone signals
  • control switches for selectively connecting signals from said tone generator to said tone coloring filter
  • a lower keyboard channel including a plurality of switches for selectively connecting signals from said tone generator to said first gate circuit
  • a third tone coloring filter for converting bass tone signals to bass tone musical signals
  • a pedal keyboard channel including means connected to said lower keyboard channel for selectively connecting bass tone signals corresponding to the lowest and highest notes included in a chord played by said lower keyboard channel to the input of said second gate;
  • loud speaker means connected to the output of said amplifier means
  • said means to selectively connect base tone signals corresponding to the lowest and highest notes included in the chords played by the lower keyboard to the input of said second gate comprising: first and second groups of switches controlled by the keys of said lower keyboard and each switch having a movable contact, a normally closed fixed contact and a normally open fixed contact, said movable contact of each.

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US00084979A 1969-10-29 1970-10-29 An electronic organ with automatic chord and bass systems Expired - Lifetime US3708602A (en)

Applications Claiming Priority (4)

Application Number Priority Date Filing Date Title
JP44086715A JPS495054B1 (xx) 1969-10-29 1969-10-29
JP44086716A JPS495055B1 (xx) 1969-10-29 1969-10-29
JP44086714A JPS495053B1 (xx) 1969-10-29 1969-10-29
JP44086713A JPS495052B1 (xx) 1969-10-29 1969-10-29

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DE (1) DE2053245B2 (xx)
NL (1) NL7015768A (xx)

Cited By (21)

* Cited by examiner, † Cited by third party
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US3803970A (en) * 1972-04-19 1974-04-16 Nippon Musical Instruments Mfg Automatic rhythm device with start and stop controller for clock oscillator and a gate
US3825668A (en) * 1972-05-30 1974-07-23 Nippon Musical Instruments Mfg Electronic musical instrument capable of providing a third type of musical tones by operation of two keyboards in addition to the ordinary melody and chord tones
US3832479A (en) * 1972-03-01 1974-08-27 L Aliprandi Electronic apparatus for programmed automatic playing of musical accompaniment systems
US3837254A (en) * 1973-04-30 1974-09-24 Conn C Ltd Organ pedal tone generator
US3839592A (en) * 1973-04-30 1974-10-01 A Freeman Plural mode automatic bass system with pedal sustain
US3842184A (en) * 1973-05-07 1974-10-15 Chicago Musical Instr Co Musical instrument having automatic arpeggio system
DE2421633A1 (de) * 1973-05-04 1974-11-28 Warwick Electronics Inc Halbautomatisches steuersystem fuer akkorde bei elektronischen orgeln
US3872765A (en) * 1972-12-28 1975-03-25 Pioneer Electronic Corp Chord selection apparatus for an electronic musical instrument
US3889568A (en) * 1974-01-31 1975-06-17 Pioneer Electric Corp Automatic chord performance apparatus for a chord organ
US3908502A (en) * 1974-06-12 1975-09-30 Wurlitzer Co Electronic organ with chord control
US3929051A (en) * 1973-10-23 1975-12-30 Chicago Musical Instr Co Multiplex harmony generator
US3958483A (en) * 1973-04-20 1976-05-25 Hammond Corporation Musical instrument rhythm programmer having provision for automatic pattern variation
US3962945A (en) * 1973-06-22 1976-06-15 Wade E. Creager Foot actuated electronic organ
US4065993A (en) * 1974-12-26 1978-01-03 Nippon Gakki Seizo Kabushiki Kaisha Electronic organ with a three-finger chord and one-finger automatic chord playing mode selector
US4084474A (en) * 1976-02-04 1978-04-18 Donald James Leslie Selective high frequency compression device for speaker system
US4114497A (en) * 1975-09-29 1978-09-19 Nippon Gakki Seizo Kabushiki Kaisha Electronic musical instrument having a coupler effect
US4128036A (en) * 1976-09-17 1978-12-05 Hammond Corporation Electro-mechanical keyboard memory for an electronic musical instrument
US4154132A (en) * 1976-10-07 1979-05-15 Kabushiki Kaisha Kawai Gakki Seisakusho Rhythm pattern variation device
US4184401A (en) * 1976-08-23 1980-01-22 Nippon Gakki Seizo Kabushiki Kaisha Electronic musical instrument with automatic bass chord performance device
GB2227873A (en) * 1988-12-31 1990-08-08 Samsung Electronics Co Ltd Duet sound generation in an electronic musical instrument
US20120247309A1 (en) * 2011-03-28 2012-10-04 Toshinori Matsuda Piano with electronic tone generator

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US3706837A (en) * 1971-06-17 1972-12-19 Wurlitzer Co Automatic rhythmic chording unit
JPS5273720A (en) * 1975-12-17 1977-06-21 Kawai Musical Instr Mfg Co Chord signal forming unit
US4183276A (en) * 1977-06-08 1980-01-15 Marmon Company Pedal teaching aid for an electronic musical instrument

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Cited By (24)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3832479A (en) * 1972-03-01 1974-08-27 L Aliprandi Electronic apparatus for programmed automatic playing of musical accompaniment systems
US3803970A (en) * 1972-04-19 1974-04-16 Nippon Musical Instruments Mfg Automatic rhythm device with start and stop controller for clock oscillator and a gate
US3825668A (en) * 1972-05-30 1974-07-23 Nippon Musical Instruments Mfg Electronic musical instrument capable of providing a third type of musical tones by operation of two keyboards in addition to the ordinary melody and chord tones
US3872765A (en) * 1972-12-28 1975-03-25 Pioneer Electronic Corp Chord selection apparatus for an electronic musical instrument
US3958483A (en) * 1973-04-20 1976-05-25 Hammond Corporation Musical instrument rhythm programmer having provision for automatic pattern variation
US3837254A (en) * 1973-04-30 1974-09-24 Conn C Ltd Organ pedal tone generator
US3839592A (en) * 1973-04-30 1974-10-01 A Freeman Plural mode automatic bass system with pedal sustain
DE2421633A1 (de) * 1973-05-04 1974-11-28 Warwick Electronics Inc Halbautomatisches steuersystem fuer akkorde bei elektronischen orgeln
US3842184A (en) * 1973-05-07 1974-10-15 Chicago Musical Instr Co Musical instrument having automatic arpeggio system
US3962945A (en) * 1973-06-22 1976-06-15 Wade E. Creager Foot actuated electronic organ
US3929051A (en) * 1973-10-23 1975-12-30 Chicago Musical Instr Co Multiplex harmony generator
US3889568A (en) * 1974-01-31 1975-06-17 Pioneer Electric Corp Automatic chord performance apparatus for a chord organ
US3908502A (en) * 1974-06-12 1975-09-30 Wurlitzer Co Electronic organ with chord control
US4065993A (en) * 1974-12-26 1978-01-03 Nippon Gakki Seizo Kabushiki Kaisha Electronic organ with a three-finger chord and one-finger automatic chord playing mode selector
US4114497A (en) * 1975-09-29 1978-09-19 Nippon Gakki Seizo Kabushiki Kaisha Electronic musical instrument having a coupler effect
US4084474A (en) * 1976-02-04 1978-04-18 Donald James Leslie Selective high frequency compression device for speaker system
US4184401A (en) * 1976-08-23 1980-01-22 Nippon Gakki Seizo Kabushiki Kaisha Electronic musical instrument with automatic bass chord performance device
US4128036A (en) * 1976-09-17 1978-12-05 Hammond Corporation Electro-mechanical keyboard memory for an electronic musical instrument
US4154132A (en) * 1976-10-07 1979-05-15 Kabushiki Kaisha Kawai Gakki Seisakusho Rhythm pattern variation device
GB2227873A (en) * 1988-12-31 1990-08-08 Samsung Electronics Co Ltd Duet sound generation in an electronic musical instrument
US5166465A (en) * 1988-12-31 1992-11-24 Samsung Electronics Co., Ltd. Duet-sound generating method for an electronic musical instrument
GB2227873B (en) * 1988-12-31 1993-08-25 Samsung Electronics Co Ltd Duet-sound generation in an electronic musical instrument
US20120247309A1 (en) * 2011-03-28 2012-10-04 Toshinori Matsuda Piano with electronic tone generator
US8389847B2 (en) * 2011-03-28 2013-03-05 Kabushiki Kaisha Kawai Gakki Seisakusho Piano with electronic tone generator

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Publication number Publication date
DE2053245A1 (de) 1971-05-06
NL7015768A (xx) 1971-05-04
DE2053245B2 (de) 1977-05-12

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