US2630755A - Method of cutting stencils - Google Patents

Method of cutting stencils Download PDF

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US2630755A
US2630755A US110264A US11026449A US2630755A US 2630755 A US2630755 A US 2630755A US 110264 A US110264 A US 110264A US 11026449 A US11026449 A US 11026449A US 2630755 A US2630755 A US 2630755A
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stencil
stencils
areas
pattern
sheet
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Inez L Herrin
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    • BPERFORMING OPERATIONS; TRANSPORTING
    • B05SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05CAPPARATUS FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05C17/00Hand tools or apparatus using hand held tools, for applying liquids or other fluent materials to, for spreading applied liquids or other fluent materials on, or for partially removing applied liquids or other fluent materials from, surfaces
    • B05C17/06Stencils

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  • the present invention relates to stencile in general and more particularly to a new and improved method for cutting stencils usable in the hand painting of designs bn fabrics and the like. More specifically the invention comprises an -im proved method of stencil cutting in which a plurality of stencils, each usable 'for a particular color or colors, are cut in a predetermined manner with respect to each of the other stencils to eliminate spacing between adjacent areas of the finished painted design.
  • t is an object of the present invention to provide a new and improved method by which stencils can be cut and used sequentially to produce a finished properly related to all other painted areas.
  • a further object of the invention is to provide a new and improved method ofs tencil cutting in which individual stencils are provided for individual colors to be painted and in which each stencil is cut in a series of steps each of which certain of the other stencils are out simultaneously.
  • a still further object of the invention is to provide a new and improved method of stencil cutting in which tracing lines on a plurality of stencils defining abutting design areas of -the complete design have their tangent portione c t simultaneously.
  • the eteor is is g9- de me at t m r t n w ic dua st nci s ar ami e; :ie e elerie 9i predetermined colored areas which areas abut painted design in which all painted areas are] certain other areas defined by other stencils, characterized in that the lines between the abutting areas of the stencils are cut simultaneously.
  • Figure 1 comprises a stencil pattern the design areas oi which bear numbers indicating the'steh oil to be cut in accordance therewith;
  • Figure 2 illustrates the method of superimp sing of stencil No. 1 upon stencil No. 2 andthe simultaneous cutting of the lines between ad'jacent areas defined by each stencil;
  • Figure 3 is a view of stencil No. 1;'
  • Figure 4 is a view of stencil No. 2;
  • Figure 5 is a view of stencil No.
  • a stencil pattern comprising a simple flower in which the various areas of different color are numbered from 1 to 3. Each "area bearing a particular number will have the same coloring in the final design and, according to'the present method, will be found upon a si' igle sten oil. It is seen'then that three stencils will'be cut in the painting of the design illustrated by the pattern'of Figure 1 carrying out the method it is desirable that a smooth work board, such as a fiberorworid board, be provided which can be penetrated easily by thumb taclgs yet which provides a smooth sur-- face suitable for tracing".
  • a smooth work board such as a fiberorworid board
  • a soft lead "pencil should be provided, a sharp stencil kni fe', aunt tacks or push ins, transparent stencil paper "or papers, and a paper punch.
  • y l M 'Ll he iirst step in the process comprises the cutting of three or more s'hee tjsof Eur; ficiently large as to overlie thepattern of ure 1 t a a gin 49 a 'fsnesf TKS having been done the e e sheets [or'st ncu a ar r i r esed iipob h rti and, fixedly holding the' pattern an d thetni Stencil No.
  • a process for cutting stencils for use in hand paintingdesigns on surfaces comprising numbering with the same number all areas of a pattern on a pattern sheet which are to be cut out of a single stencil sheet, numbering a plurality of stencil sheets each with one of the numbers of said areas, superimposing said transparent stencil sheets on said pattern sheet and simultaneously placing aligned positioning markers upon said stencil sheets and pattern sheet, serially superimposing said stencil sheets upon said pattern sheet and tracing on each stencil sheet the boundaries of the areas of said pattern bearing a number corresponding to the stencil sheet number, juxtapositioning each stencil sheet with every other stencil sheet with their markers in alignment and while so positioned in each instancecutting with a cutting stroke penetrating simultaneously the juxtapositioned sheets all common boundary lines lying one above the other on the two sheets, separating said sheets, and, after each stencil sheet has been so paired with every other stencil sheet, cutting individually the uncutportions of the boundaries of the portion of the pattern on each stencil sheet.
  • a process for cutting and using stencils in hand painting designs on surfaces comprising numbering with the same number all areas of a pattern on a pattern sheet having a color dif- 1-,ferent from an adjacent area of said pattern,

Description

' March 10, 1953 1. L. HERRIN 2,530,755
METHOD OF CUTTING STENCILS Filed Aug. 15, 1949 IN VEN TOR.
/ 52 A. Heeew i r 7049/4/59 Patented Mar. 10, 1953 ggsoass 1 1MB?! 9F QU T Q TNQ L$ m Harrie, Glendale. can, emilltaiiqe been? 15, 4?; Se al 91%;
2 claims. .(Cl. 101--128.4)
The present invention relates to stencile in general and more particularly to a new and improved method for cutting stencils usable in the hand painting of designs bn fabrics and the like. More specifically the invention comprises an -im proved method of stencil cutting in which a plurality of stencils, each usable 'for a particular color or colors, are cut in a predetermined manner with respect to each of the other stencils to eliminate spacing between adjacent areas of the finished painted design.
The painting of designs by the use of stencils has become exceedingly popular with amateure and it is possible for them, working accurately and carefully, to paint fabrics and other materials and to obtain a I inished result apprga ching that obtainable by professionals. l-l'eretofore the primary objection to such painting has been that areas of different colors have frequently been spaced by unpainted lines or areasl essentially detracts from the appearanceof the finished worl; and gives visual'eyidence of the lack of skill in the operator. By the use of present method painted areas of difierent colors in the finished product accurately abut one another and the telltale spacing lines are absent. By the use of simple, easily cut stencil the f nished product approaches a professional painting in its appearance. With an appreciation of the problems inherent in the field of cutting stencils, and particularly stencils usable for the hand painting" of designe upon fabrics and similar materials, t is an object of the present invention to provide a new and improved method by which stencils can be cut and used sequentially to produce a finished properly related to all other painted areas.
A further object of the invention is to provide a new and improved method ofs tencil cutting in which individual stencils are provided for individual colors to be painted and in which each stencil is cut in a series of steps each of which certain of the other stencils are out simultaneously.
A still further object of the invention is to provide a new and improved method of stencil cutting in which tracing lines on a plurality of stencils defining abutting design areas of -the complete design have their tangent portione c t simultaneously. w
A s ill r e 9. 939. the eteor is is g9- de me at t m r t n w ic dua st nci s ar ami e; :ie e elerie 9i predetermined colored areas which areas abut painted design in which all painted areas are] certain other areas defined by other stencils, characterized in that the lines between the abutting areas of the stencils are cut simultaneously.
l hese and other more specific objects will ap pear upon reading the following specification and claims and upon considering in connection therewith the attached drawing'towhich they relate.
Referring now to the drawing in which is illustrated a pattern and an exemplary series of Stemcils made and usable in accordance with the present method:
Figure 1 comprises a stencil pattern the design areas oi which bear numbers indicating the'steh oil to be cut in accordance therewith;
Figure 2 illustrates the method of superimp sing of stencil No. 1 upon stencil No. 2 andthe simultaneous cutting of the lines between ad'jacent areas defined by each stencil;
Figure 3 is a view of stencil No. 1;'
Figure 4 is a view of stencil No. 2; and
Figure 5 is a view of stencil No.
Itis to be understood thatthe present disclosure is illustrative of the method comprising the present invention and that whereas three stencils are out according to the present disclosure the method is applicable to the cutting of any number of stencils which coop erate to 5m duce the finished design.
Referring first to Figure 1 of the drawing, a stencil pattern is illustrated comprising a simple flower in which the various areas of different color are numbered from 1 to 3. Each "area bearing a particular number will have the same coloring in the final design and, according to'the present method, will be found upon a si' igle sten oil. It is seen'then that three stencils will'be cut in the painting of the design illustrated by the pattern'of Figure 1 carrying out the method it is desirable that a smooth work board, such as a fiberorworid board, be provided which can be penetrated easily by thumb taclgs yet which provides a smooth sur-- face suitable for tracing". A soft lead "pencil should be provided, a sharp stencil kni fe', aunt tacks or push ins, transparent stencil paper "or papers, and a paper punch. With "I l the process can be carried out as herei described. y l M 'Ll he iirst step in the process comprises the cutting of three or more s'hee tjsof Eur; ficiently large as to overlie thepattern of ure 1 t a a gin 49 a 'fsnesf TKS having been done the e e sheets [or'st ncu a ar r i r esed iipob h rti and, fixedly holding the' pattern an d thetni Stencil No. 1 is then superimposed alone upon' the pattern with its three guide holes II in exact alignment with the guide holes ll of the pattern. The various pattern areas numbered- 1 are then traced with the soft lead pencil to provide the outlines illustrated in Figure 3; This having been completed the same operation is performed for the areas numbered 2 and stencil papers 2 and 3, respectively.
In the tracing of each stencil the pattern of Figure l is visible through the transparent paper and the operator simply draws the outline of those areas bearing the reference character corresponding to the number of the stencil paper then being worked upon. 1 I
The operator is then in possession of three stencil papers, each uncut and each provided with disjointed sketches which, when superimposed upon all of the other stencils, produces a figure corresponding to the original pattern.
The operator now superimposes stencil 1 upon stencil 2 and with his stencil knife cuts those portions of the tracing lines which separate abutting numbered areas of the two stencils. Referring specifically to Figure 2, those lengths of lines which will be cut at this time are indicated by solid heavy lines, the remaining uncut line portions of stencil 1 are illustrated by light solid lines, and the uncut line portions of stencil 2 by light dotted lines.
Upon completing the cutting of the heavy solid line portions of Figure 2 the operator will then superimpose stencil 3 upon stencil 1, the openings ll again being aligned, and again cuts the line portions which define adjacent abutting areas. Upon completing this operation he will superimpose stencil 3 upon stencil 2 and perform the same operation. Obviously the order of the superimposing of the various stencils can be varied at will so long as care is exercised to see that each of the stencils is brought into juxtaposition to every other stencil, care being taken. in each case to insure that the paired sheets are exactly aligned by the exact alignment of the punch holes H which, of course, are merely exemplary of aligning indicia which might be used. l
Upon the above steps having been completed the operator has three partially cut stencils, the line portions out being those parts of the enclosing peripheral lines which are tangent to peripheral lines of other stencils.
He then separately cuts with hisstencil knife,
the remaining peripheral lengths of each of the individual designs and, upon removing the cutout areas from the sheets, is provided with three stencils numbered 1, 2 and 3, as illustrated in material to be painted.
He first fixedly secures the fabric or other surface to be painted to the work board as by suitable pins and fixedly secures stencil No. 1 there 3'on I 4 over as by other pins. He then proceeds to re-' produce the punched-out openings ll upon the fabric by moving the pencil point around the interior of each opening. Then using a suitable brush dipped in paint of a suitable quality he covers each of the areas 1 lying below the cutout areas 1 of stencil 1.
Having completed the coloring of the areas underlying the open portions of stencil 1, he sequentially superimposes stencils 2 and 3 upon the fabric, making certain in each instance that the openings II are in accurate alignment with the openings which have been drawn on the material as described. A suitable set of directions can be provided to instruct the user as to colors to be used with each of the stencils or, if desired,
- notations can appear upon the pattern itself.
Upon the painting of the areas underlying the open'parts of each of stencils 1, 2 and 3 the finished product will appear and will correspond to the design illustrated in Figure 1, the various numbered areas being colored in accordance with the color related to-the particular stencil corresponding to the numbered area; Shading can be provided as desired by the use of different colors or shades of colors in a particular cut-out area, but in any event the final result will be characterized by the immediate and exact tangency of each colored area in the painted design with each adjacent colored area, and this despite the fact that the adjacent colored areas of different colors were provided by difierent stencils. As previously indicated, this result follows from the fact that the common line of definition between adjacent areas was cut with a single cut by the operator.
While in the illustrated example of the invention only three stencils have been cut it is to be understood that the process is susceptible of application with a greater or lesser number of cooperating stencils, that the described form is merely illustrative, and that no limitation is intended other than as defined in the appended claims.
I claim:
, 1. A process for cutting stencils for use in hand paintingdesigns on surfaces, comprising numbering with the same number all areas of a pattern on a pattern sheet which are to be cut out of a single stencil sheet, numbering a plurality of stencil sheets each with one of the numbers of said areas, superimposing said transparent stencil sheets on said pattern sheet and simultaneously placing aligned positioning markers upon said stencil sheets and pattern sheet, serially superimposing said stencil sheets upon said pattern sheet and tracing on each stencil sheet the boundaries of the areas of said pattern bearing a number corresponding to the stencil sheet number, juxtapositioning each stencil sheet with every other stencil sheet with their markers in alignment and while so positioned in each instancecutting with a cutting stroke penetrating simultaneously the juxtapositioned sheets all common boundary lines lying one above the other on the two sheets, separating said sheets, and, after each stencil sheet has been so paired with every other stencil sheet, cutting individually the uncutportions of the boundaries of the portion of the pattern on each stencil sheet.
2. A process for cutting and using stencils in hand painting designs on surfaces, comprising numbering with the same number all areas of a pattern on a pattern sheet having a color dif- 1-,ferent from an adjacent area of said pattern,
numbering a plurality of stencil sheets each with one of the numbers of said areas, superimposing said transparent stencil sheets on said pattern sheet and simultaneously placing aligned positioning markers upon said stencil sheets and pattern sheet, serially superimposing said stencil sheets upon said pattern sheet and tracing on each stencil sheet the boundaries of the areas of said pattern bearing a number corresponding to the stencil sheet number, juxtapositioning each stencil sheet with every other stencil sheet with their markers in alignment and while so positioned in each instance cutting with a cutting stroke penetrating simultaneously to juxtapositioned sheets all common boundary lines lying one above the other on the two sheets, separating said sheets, and, after each stencil sheet has been so paired with every other stencil sheet, cutting individually the uncut portions of the boundaries of the portion of the pattern on each stencil, superimposing one of said stencil sheets upon 'a fabric to receive the design and outlining thereon positioning markers coinciding with the positioning marker on said one sheet and also painting that portion of the fabric exposed by the partial pattern of said one sheet, removing said one sheet and thereafter sequentially superimposing 6 said stencil sheets on said fabric with the positioning markers thereon coinciding in each case with the positioning markers on said fabric, and with each sheet so positioned on said fabric painting that portion of the fabric exposed by the cutout portion of the pattern on that sheet.
INEZ L. HEREIN.
REFERENCES CITED The following references are of record in the file of this patent:
UNITED STATES PATENTS OTHER REFERENCES Modern Photoengraving, by Flader and Mertle, Modern Photoengraving Publishers, Chicago, Ill. See pp. 140-141 on Inserting.
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Cited By (12)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2876575A (en) * 1957-10-11 1959-03-10 Leika Walter Method of making greeting cards and pictures
US3091020A (en) * 1957-07-30 1963-05-28 Charles W Strzalkowski Eyeglass hearing aid and method of manufacture
US3987725A (en) * 1972-02-03 1976-10-26 Transaction Technology, Inc. Process of screen manufacture and use for coding credit cards
US4520730A (en) * 1981-12-08 1985-06-04 Cebal Presetting process for printing cylindrical or conical articles
US5654056A (en) * 1994-10-07 1997-08-05 Intasco Corporation Paint mask and method for making same
US6349640B1 (en) * 1999-07-30 2002-02-26 Annex Japan Co., Ltd. Seal type composite stencil and plychrome picture forming method
US20050100869A1 (en) * 2003-07-08 2005-05-12 Michael Kelly Substrate and kit for creating hobby craft item, including craft item produced therefrom
US7156017B1 (en) * 2006-04-25 2007-01-02 Robert Louis Ingraselino Method creating a picture by different layered stencils
US20070095223A1 (en) * 2005-11-02 2007-05-03 Grass Graffiti, Llc Method for creating artistic works on residential lawns
US20090095177A1 (en) * 2005-11-02 2009-04-16 Grass Graffiti, Llc Kit for creating artistic work on lawn
US20110226143A1 (en) * 2010-03-22 2011-09-22 Michael Cudworth Single stencil patchwork system
US20150251407A1 (en) * 2014-03-05 2015-09-10 Heath Moore Painting mask with specialized indicia

Citations (7)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US875106A (en) * 1906-04-13 1907-12-31 Albert George Pirkis Apparatus for stenciling designs on post-cards, &c.
US1520555A (en) * 1922-09-20 1924-12-23 Auld Lillian Toy figure
US1541480A (en) * 1923-11-26 1925-06-09 Marshall S Compton Transparent stencil
US1914126A (en) * 1930-10-16 1933-06-13 William C Huebner Process of preparing printing films
US2189550A (en) * 1938-12-30 1940-02-06 Higgins Roberta Brown Cut-out toy
US2278771A (en) * 1938-11-03 1942-04-07 Csaszar Paul Joseph Stencil for and process of printing
US2357310A (en) * 1940-03-29 1944-09-05 Burchell Holloway Corp Apparatus for making designs

Patent Citations (7)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US875106A (en) * 1906-04-13 1907-12-31 Albert George Pirkis Apparatus for stenciling designs on post-cards, &c.
US1520555A (en) * 1922-09-20 1924-12-23 Auld Lillian Toy figure
US1541480A (en) * 1923-11-26 1925-06-09 Marshall S Compton Transparent stencil
US1914126A (en) * 1930-10-16 1933-06-13 William C Huebner Process of preparing printing films
US2278771A (en) * 1938-11-03 1942-04-07 Csaszar Paul Joseph Stencil for and process of printing
US2189550A (en) * 1938-12-30 1940-02-06 Higgins Roberta Brown Cut-out toy
US2357310A (en) * 1940-03-29 1944-09-05 Burchell Holloway Corp Apparatus for making designs

Cited By (18)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3091020A (en) * 1957-07-30 1963-05-28 Charles W Strzalkowski Eyeglass hearing aid and method of manufacture
US2876575A (en) * 1957-10-11 1959-03-10 Leika Walter Method of making greeting cards and pictures
US3987725A (en) * 1972-02-03 1976-10-26 Transaction Technology, Inc. Process of screen manufacture and use for coding credit cards
US4520730A (en) * 1981-12-08 1985-06-04 Cebal Presetting process for printing cylindrical or conical articles
US5654056A (en) * 1994-10-07 1997-08-05 Intasco Corporation Paint mask and method for making same
US6349640B1 (en) * 1999-07-30 2002-02-26 Annex Japan Co., Ltd. Seal type composite stencil and plychrome picture forming method
US20050100869A1 (en) * 2003-07-08 2005-05-12 Michael Kelly Substrate and kit for creating hobby craft item, including craft item produced therefrom
US20070095223A1 (en) * 2005-11-02 2007-05-03 Grass Graffiti, Llc Method for creating artistic works on residential lawns
US20070095220A1 (en) * 2005-11-02 2007-05-03 Grass Graffiti, Llc Kits for creating artistic works on residential lawns
US20070095222A1 (en) * 2005-11-02 2007-05-03 Grass Graffiti, Llc Making stencils for creating artistic works on residential lawns
US7225733B2 (en) * 2005-11-02 2007-06-05 Grass Graffiti, Llc Making stencils for creating artistic works on residential lawns
US7334518B2 (en) 2005-11-02 2008-02-26 Grass Graffiti, Llc Kits for creating artistic works on residential lawns
US7347142B2 (en) 2005-11-02 2008-03-25 Grass Graffiti, Llc Method for creating artistic works on residential lawns
US20090095177A1 (en) * 2005-11-02 2009-04-16 Grass Graffiti, Llc Kit for creating artistic work on lawn
US7806049B2 (en) * 2005-11-02 2010-10-05 Grass Graffiti, Llc Kit for creating artistic work on lawn
US7156017B1 (en) * 2006-04-25 2007-01-02 Robert Louis Ingraselino Method creating a picture by different layered stencils
US20110226143A1 (en) * 2010-03-22 2011-09-22 Michael Cudworth Single stencil patchwork system
US20150251407A1 (en) * 2014-03-05 2015-09-10 Heath Moore Painting mask with specialized indicia

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