1247595 九 、發明說明： 【發明所屬之技術領域】 、：發日:是有關於一種美濃藍靛染布傘製造方法 以：：疋！ 一種利用藍草植物以將纖維布料藍染成傘布 並兼呈，#地藍染藝術文化、重振當地藍草農作發展 :兼肩自然健康訴求，而製成—種染風自'然，且叙: 色澤鮮麗穩重的美濃藍靛染布傘 法及其成品。 布傘製造方 【先前技術】 、=縣的美濃鎮，風景優美且民風純樸，於單純的農 二二…構下，仍财濃厚的民俗風情。其中最盛名的民 合n業文化，便屬美濃客家藍衫染製與油紙傘工藝。 早期，美濃地區大量栽植有性喜曰照高溫之木藍 植物’萃取出所富含脸色素以沉殿出藍彀，$而發” 成m夜，#以纖維布料進行浸潰藍染，_製出充滿木 =樸風情的美濃客家藍衫。當時，木藍所萃取生產的： :質優而廣受歡迎，以外銷販售為產收大宗，顯見早期美 濃地區對於木藍染料植物之仰賴’木藍確屬為重要農業經 濟作物。 …二 而幾經時代變遷與藍染工藝產業化目的，近期美濃客 家藍衫已不採用傳統藍草植物之藍靛染料進行植物藍染， 田中所栽植藍草植物量因而驟減，傳統藍靛染製技術與特 有文化風情亦逐漸流失。 然利用化學藍染方法染製藍衫，存有下列缺點： 1247595 1 ·化染色相較不具獨特色彩個性： 化染色澤較為固定、生硬’不若植物染會因不同染 材取用部位、不同取材時間與季節，能於色相上有所轉 變而呈現出獨特自然色彩風格特性。 2.化學染料具毒性，有致癌危慮且造成環境污染： 利用具有毒性的化學染料進行藍衫染製，經人體穿 著而使皮膚與化學染料作直接接觸，極易導致致癌危慮 ，嚴重影響人體健康。 再者，於染製過程中’洗蘇所產生的化學染料廢液 若未經處理而逕自對外排放，會造成嚴重環境污染影 響週遭環境生態，更極可能經由誤觸或誤食途徑而對人 體健康造成危害。 與木籃農業經濟文化皆嚴 3·美濃傳統藍衫藍染民俗文化， 重流失： 相較於植物染技術，化染技術佔有色牢度佳，染製 流程縮時簡易，且成本低等特點，以致於近期部分區域 轉而以化學藍染技術逐漸取代植物藍染技術，以讓化學 藍染技藝得以迅速推廣延蜻，、去u + i 、 推飧延項，達到產業化發展的目的。 化木皿木製口口所呈現合成染風並不如植物藍染製 =有著自然天成的樸實染風而令人愛不釋手，化染藍染 二_難以展現出傳統藍”製技藝文化之濃厚的樸 貝各豕民俗風情。 “，隨著近期美濃當地產業結構轉變，田中所栽 植木監植物產量逐漸減少，美濃當地嚴然逐漸喪失了早 1247595 』所具有财絲的木藍人1培與㈣染液製作技術 ，以木藍為主要經濟農作物的特有農業經濟文化與傳統 :二染織技術更已不復存在。另—方面，美濃當地近期 繼：草栽植農業後所賴以維生的菸草產業文化，亦已喪 ，競等力而逐漸蕭條，空留楝楝荒廢的終樓遺跡與片月 荒蕪的於葉田。顯見美濃t地早期所特有、珍貴的木藍 與近期菸葉栽植農業文化已相繼沒落流失，確實令人惋 惜。 、 另於油紙傘製作工藝部分，參閱圖！之製作流程示意 可知’先挑選適當竹材以削製出長傘骨、短傘骨、大伞頭 、'小傘頭與傘柄等。再於長、短傘骨上鑽孔，藉以供棉線 ，仃後續穿線連接；大傘頭是用以連接長傘骨；小伞頭則 是用以連接短傘骨。利用棉線穿㈣將長、短傘骨與大、 小傘頭纏繞固定，即完成一基本的傘骨架。 ^ —將宣紙剪裁成適當大小，並於浸泡柿子油後完整貼覆 黏者於長傘骨上，便完成褙紙作業。隨後於宣紙表面塗覆 桐油並待其自然乾煉，用以防止水份渗入。接著，將傘柄 衣上，讓大傘頭頂固於其頂端，小傘頭則可滑移地套設於 其周面上，藉以控制長、短傘骨與宣紙傘面相配合產生展 收作動。再來’用上過桐油的小塊布料包覆於裸露出宣紙 傘面的大傘頭上，以竹藤紮緊，再下釘子將小塊布料、竹 藤與傘柄釘牢。最後，再以一棉繩穿繞於短傘骨的鑽孔内 加強固疋牟骨架結構’便完成一油紙伞的製作。 然於油紙傘製作過程與使用上，會產生下列問題· 1247595 1 ·以化本塗料於豆紙傘面上緣製圖樣，有環境污染與危害 人體健康之虞： 一般來說，除了素面傘面設計外，主要是以化學塗 料先於宣紙傘面上繪製圖樣，待化學塗料乾燥後，再進 行桐油塗覆動作。然化學塗料於圖像呈現上較難展現純 樸自然風袼，且其於使用過程中易揮發產生化學氣體， 吸入過里將危吾人體健康，同時若予以不當排放棄置則 勢必對環境造成污染。 2·所塗覆桐油層易使傘面產生收摺裂痕與沾黏，整體維護 保存不易： 於進行傘面桐油塗覆時，一般是反覆塗刷二道桐油 於增強防滲水功效外，也能讓宣紙傘面更加堅固、厚 貫。然而，桐油層於經陽光曝曬後，相當容易裂開；且 於油紙傘多次展收使用後，硬質桐油層極易產生摺收裂 痕，而影響油紙傘之觀賞價值。再者，隨著使用時曰增 長，油紙傘會吸收水份，若未經晾乾隨即收起，皆容易 讓傘面產生沾黏現象而無法再撐開，整體於維護保存上 需較費心。 3·製傘流程較為繁複： 另外，於進行褙紙、繪製圖樣，與塗覆桐油過程中 利用化學塗料進行傘面圖樣繪製後，需待化學塗料乾 燥後始能進行第一道桐油塗覆，待第一道桐油自然乾燥 後、、灵而進行第一道桐油塗覆。於專待化學塗料與桐油之 乾燥上顯得相當耗時，致使整體油紙傘流程較為繁複且 1247595 漫長，製傘效率不佳。 故本案申請人主要有鑑於美濃當地傳統藍靛染技藝逐 漸流失，以及傳統油紙傘於製作技術與實用觀賞價值上有 待突破，本案申請人結合油紙傘工藝與藍散染技藝，利用 經由藍草植物染製成傘布作為傘面，開拓出美濃特有的另 類藍靛染布傘工藝領域，以圖讓美濃藍草藍靛染技藝與藍 草農作產業此等區域特色獨具的濃厚民俗風情再現，並讓 美濃濃厚的純樸客家文化得以振興擴展並永續傳承。 【發明内容】 因此，本發明之目的，即在提供一種以藍靛染製成傘 布，成品染風自然且維護保存簡易，同時能推廣美濃藍靛 染技藝、重振藍草植物農作經濟，且環保自然健康訴求兼 具之美濃藍靛染布傘製造方法及其成品。 於是，本發明美濃藍靛染布傘製造方法，依序包含一 傘骨架製作步驟、一傘布藍染步驟、一貼布步驟、一傘柄 加裝步驟，以及一釘布頭步驟。於該傘骨架製作步驟中， 利用繩線將多數長傘骨、多數短傘骨、一連接長傘骨的大 傘頭與一連接短傘骨的小傘頭予以纏繞固定，長傘骨配合 出一傘面，便完成一傘骨架。於該傘布藍染步驟中，先從 藍草植物中萃取出所含藍靛色素以成藍靛，用以製作成藍 靛染液，先於一乾淨纖維布料製作圖案設計，並浸入藍靛 染液中進行染色，隨後於取出進行氧化、晾乾，與漂洗後 ，再進行多次重複染色，最後予以整燙，即完成一藍靛染 傘布。於該貼布步驟中，將上述藍靛染傘布黏貼覆蓋於傘 1247595 骨架之長傘骨的傘面上， 央外。於該伞柄加裝㈣：讓：：頭裸露出藍敕染伞心 ，大傘頭是固定於傘柄頂嫂τ ^ 頭ΐ 柄周面上。最後，於該二二：頭是可滑動地套設㈣ 包覆固定於大傘頭上，便完成二:以另一小塊傘頭料 本發明之美濃藍敕染布傘，包含 上 架，以及-舖設於該傘骨架之傘面上的：彀4:的傘f 旋染伞布是利用藍草植物所萃取出之藍鼓予^染而得w “本發明之功效在於利用從藍草M ”製技術製作藍競 :讓:斤衣成吴浪監靛染布傘成品呈現出有別於傳統 ^氏半之鮮麗穩重的彀藍色澤感，以及純樸自然的個性化 *風’整體極具觀賞價值且維護保存容易。藉以推廣美濃 ，統錄染製技藝、重振藍草植物農作經濟發展，並兼顧 環保與自然健康訴求。 、 【實施方式】 、有關本發明之前述及其他技術内容、特點與功效，在 以下配合參考圖式之一個較佳實施例的詳細說明中，將可 清楚的呈現。 參閱圖2與圖3，本發明美濃藍靛染布傘製造方法之★亥 車父佳實施例，是依序包含一傘骨架21製作步一八 監染步驟12、一貼布步驟13、一傘柄加裝步驟14，以及— 釘布頭步驟15。 先選用適當竹材（例如 多數短傘骨212、一大 於該傘骨架21製作步驟11中 •孟宗竹）以削製出多數長傘骨211、 10 1247595 傘頭213、-小傘頭214，以及一傘柄215。當然，長、短 傘骨2H、212與傘柄215需再經S孔加工，用以供後續利 用棉繩串接連結。其中，該多數長傘骨211是呈輻射狀地與 大傘頭213 ϋ結；該多數短傘骨212 一端是分別與該多數 長傘骨211鄰近大傘頭213之-端連結，另—端則是呈輕射 狀地與小傘頭2i4連結。利用棉繩（圖中未示出）穿繞於 長、短傘骨211、212所鑿孔洞中，以將長傘骨2ιι、：傘 骨212、大傘頭213與小傘頭214予以纏繞固定，長傘骨 211上表面配合出一傘面，便完成一傘骨架。 接著’於該傘布藍染步驟12 _，是先從藍草植物中萃 取出所含藍靛色素以成藍靛’用以製作成藍靛染液。首要 說明的是，早期台灣藍染產業所栽植生產的藍草植物是 以^科植物木藍（又稱為印度藍），與爵床科植物馬藍（又稱 大青、山青或山藍）為主。馬藍性喜陰濕多雨，北部產量 較…木藍性喜曰照高溫，以中南部為主要產地。A中 ，木藍是公認富含藍競色素量最多，且染質最佳的染料植 物。 首先二利用傳統沉殿法製藍加工：於採集藍草植物（ • 木孤）日才，必須趁著清晨藍草植物葉面還沾滿露水 ，際，:字㈣采收並挑選。將藍草植物的生葉充分浸泡於 欠 、、 天）待生葉所含藍款色素溶出後，將生葉 :，再加人適1石灰乳並對水液快速攪拌後，予以靜置 待孤’隨後以胚布袋過濾、取得藍款。 #矛]用毛酵法建藍加工··儲備一大桶鹼性水液（例 1247595 :=)’將藍鼓、輔助發酵的營養劑(例如麥芽 原 的藍鼓染液 現出藍色泡珠，便完成能用以染布 於進行布料藍染時，必須取用一塊經去毅或漂白的天 j維布料用綁紮手法以進行圖案設計製作後，予 、/又心二撼狀染液中浸染數分鐘（約三〜五分鐘），再取 出也、氧化雙色n然風日京乾後經漂洗再重複染色，直 至達到所預期的染色深度，最後拆開綁紮圖案製作部分， 亚將布面整烫平’即完成一藍靛染傘布22。1247595 IX. Invention description: [Technical field to which the invention belongs]:: Date: There is a method for manufacturing a Mino blue dyed cloth umbrella. A kind of bluegrass plant is used to dye fiber fabric blue into umbrella cloth and present, #地蓝染染艺术文化, revitalize the development of local bluegrass farming: side-by-side natural health appeal, and made - a kind of dyed wind from '然, and : Magenta blue silk dyed fabric umbrella method and its finished products. Fabric umbrella manufacturer [Prior technology], the county of Meinong, the beautiful scenery and simple folk customs, in the simple farming 22... constructed, still rich in folk customs. One of the most famous folk cultures is the Mino Hakka blue dyeing and oil paper umbrella craft. In the early days, a large number of plants in the Mino region were planted with high-quality woody plants. The extracts were rich in facial pigments to make the temples blue, and the hair was made into a m night. ############## Mino Hakka blue shirt filled with wood=Pak style. At that time, the production of Mulan was: high quality and popular, and it was sold out as a large-scale production. It is obvious that the early Mino area relies on 'wood Blue is indeed an important agricultural economic crop. ... Second and several times the changes of the times and the industrialization of blue dyeing process, the recent Mino Hakka blue shirt has not used the blueberry dye of the traditional bluegrass plant for plant blue dyeing, the amount of bluegrass planted in the field Less, the traditional blue enamel dyeing technology and the unique cultural style are gradually lost. However, using the chemical blue dyeing method to dye the blue shirt, there are the following shortcomings: 1247595 1 · The dyeing phase has no unique color personality: the dyeing is more fixed and stiffer' It is not the case that the plant dyeing will change the hue and exhibit a unique natural color style due to the different parts of the dyed material, the time and season of the material. 2. Chemical dyes are toxic, have cancer-causing concerns and cause environmental pollution: The use of toxic chemical dyes for blue shirt dyeing, the skin is directly in contact with chemical dyes when worn by the human body, which can easily lead to carcinogenic concerns and serious effects. Human health. Furthermore, in the process of dyeing, the chemical dye waste liquid produced by the washing of the suicide will be discharged from the outside without treatment, which will cause serious environmental pollution to affect the surrounding environment and ecology, and more likely to be through accidental or ingestion. It is harmful to human health. The agricultural economy and culture of the wooden basket are strict. 3. Mino traditional blue shirt blue dyed folk culture, heavy loss: Compared with plant dyeing technology, chemical dyeing technology occupies good color fastness, and the dyeing process is simple. And the low cost and so on, so that some areas have recently replaced the plant blue dyeing technology with chemical blue dyeing technology, so that the chemical blue dyeing technology can be quickly promoted and delayed, go to u + i, push the extension, and achieve industrial development. The purpose of the synthetic wooden dish of the wooden dish is not as dyed as the plant blue = the natural simplicity of the natural wind and the love , Dyed blue dye of two _ it is difficult to show the traditional blue "made a strong arts culture Pak shell each hog folk customs. "With the recent changes in the local industrial structure of Meinung, the production of wood-monitored plants planted in Tanaka has gradually decreased, and the locals of Meinung have gradually lost their early 12,275,595 sages of the wood-blue 1 liter and (4) dyeing liquid production technology, with wood Blue is the unique agricultural economy, culture and tradition of the main economic crops: the second dyeing and weaving technology has ceased to exist. On the other hand, the local industry of Meinen has recently followed: the tobacco industry culture that relies on grass to grow agriculture has also been mourned. Waiting for the force and gradually becoming sluggish, leaving the ruins of the final building and the ruined Ye Tian in the moon. It is obvious that the unique and precious wood blue in the early days of Mino, and the recent cultivation of agricultural culture of tobacco leaves have been lost. In addition, in the production process of oil-paper umbrella, refer to the diagram! The production process shows that 'first select appropriate bamboo to cut long ribs, short ribs, large umbrella heads, 'small umbrella heads and umbrella handles, etc. Drill holes on long and short ribs for cotton threading and subsequent threading; large umbrella heads are used to connect long ribs; small umbrella heads are used to connect short ribs. Use cotton thread to wear (four) long The short ribs are fastened with the large and small umbrella heads to complete a basic umbrella skeleton. ^ — Cut the rice paper into an appropriate size, and after completely affixing the persimmon oil to the long ribs, complete the crepe paper. Work. Then coat the surface of the rice paper with tung oil and let it dry naturally to prevent the water from infiltrating. Then, put the handle on the top, let the big umbrella head be fixed on the top, and the small umbrella head can be slidably set. On its peripheral surface, the long and short ribs are controlled to match the rice paper umbrella surface to produce the exhibition. Then, the small piece of cloth with tung oil is used to cover the large umbrella head exposed to the rice paper umbrella surface. Tightly, then nail the small pieces of cloth, bamboo and rattan and the handle of the umbrella. Finally, a cotton rope is wound around the short ribs to strengthen the solid skeleton structure to complete the production of a paper umbrella. In the production process and use of oil-paper umbrella, the following problems will occur. 1247595 1 · The pattern of the coating on the surface of the bean paper umbrella has environmental pollution and harm to human health: In general, in addition to the plain surface design In addition, mainly based on chemical coatings The pattern is drawn on the paper umbrella surface, and after the chemical paint is dried, the tung oil coating action is performed. However, the chemical paint is difficult to display the simple and natural wind in the image presentation, and it is volatile during the use process to generate chemical gas, inhaled. It will endanger the health of the human body, and if it is given improperly, it will inevitably pollute the environment. 2. The layer of tung oil coated will easily cause the cracks and stickiness of the umbrella surface, and the overall maintenance and preservation will not be easy: When overlaid, it is generally used to repeatedly coat the two tung oils to enhance the anti-seepage effect. It can also make the rice paper umbrella surface more firm and thick. However, the tung oil layer is quite easy to crack after being exposed to sunlight; After many times of use, the hard tung oil layer is prone to cracks and cracks, which affects the ornamental value of the oil paper umbrella. Moreover, as the use grows, the oil paper umbrella will absorb water, and if it is not dried, it will be put away. It is easy to make the umbrella surface sticky and can not be opened again. It takes more trouble to maintain and preserve the whole. 3. The umbrella process is more complicated: In addition, after the paper is drawn, the pattern is drawn, and the chemical coating is used to paint the canopy pattern during the process of coating the tung oil, the first tung oil coating is required after the chemical coating is dried. After the first tung oil is naturally dried, the first tung oil is applied. It is quite time-consuming to treat the drying of chemical coatings and tung oil, which makes the overall oil-paper umbrella process more complicated and the 1247595 is long and the umbrella efficiency is not good. Therefore, the applicants of this case mainly have the gradual loss of the traditional blue enamel dyeing technique in Meinong, and the traditional oil-paper umbrella has to be broken in the production technology and practical ornamental value. The applicant of this case combines the oil-paper umbrella process and the blue-dyeing technique to use the blue-skin plant to dye. Umbrella cloth is used as the umbrella surface to open up the unique blue enamel dyed umbrella technology field of Mino, in order to make the Mino blue grass blue dyeing technique and the blue grass farming industry unique in this regional characteristic unique folk customs, and let Mino The strong and simple Hakka culture can be revitalized and expanded. SUMMARY OF THE INVENTION Therefore, the object of the present invention is to provide an umbrella cloth dyed with blue enamel, which is natural and easy to maintain and preserve, and can promote the technology of Mino blue dyeing, revitalize the economics of bluegrass plants, and be environmentally friendly. The method of manufacturing the beauty blue-dyed cloth umbrella and the finished product of the natural health appeal. Therefore, the method for manufacturing the Mino blue dyed cloth umbrella of the present invention comprises an umbrella frame making step, an umbrella cloth blue dyeing step, a patching step, a handle loading step, and a staple cloth step. In the step of fabricating the umbrella frame, a plurality of long ribs, a plurality of short ribs, a large umbrella head connected to the long ribs, and a small umbrella head connected to the short ribs are wound and fixed by a string, and the long ribs are fitted together. An umbrella frame completes an umbrella skeleton. In the blue dyeing step of the umbrella cloth, the blue scorpion coloring matter is first extracted from the bluegrass plant to form a blue enamel, which is used to make a blue enamel dyeing liquid, and is designed according to a clean fiber cloth, and is immersed in the blue enamel dyeing solution for dyeing. Then, after taking out for oxidation, drying, and rinsing, the dyeing is repeated a plurality of times, and finally, the ironing is completed, that is, a blue-dyed umbrella cloth is completed. In the patching step, the blue smudged umbrella cloth is pasted on the umbrella surface of the long rib of the skeleton of the umbrella 1247595, and the outside is outside. Attached to the handle (4): Let:: The head is barely exposed to the blue smudged umbrella heart, and the large umbrella head is fixed on the top of the handle 嫂 ^ ΐ ΐ 柄 周. Finally, in the second two: the head is slidably sleeved (4) and the cover is fixed on the large umbrella head, and the second is completed: the other one is made of another small piece of umbrella material, the Mino blue silk dyed cloth umbrella of the present invention, including the shelves, and - Laying on the umbrella surface of the umbrella frame: 彀4: Umbrella f The smock-dyed umbrella cloth is obtained by using the blue drum extracted from the bluegrass plant to obtain the dye. The effect of the present invention lies in the use of the blue grass M. Production technology blue competition: Let: Jin Yicheng Wu Langjian dyed cloth umbrella finished product is different from the traditional ^ half of the fresh and steady blue color, and the simple and natural personalized * wind 'the whole is very ornamental value and Maintenance and preservation are easy. In order to promote Mino, we will record the dyeing techniques, revitalize the economic development of bluegrass plants, and take into account environmental protection and natural health appeals. The above and other technical contents, features, and advantages of the present invention will be apparent from the following detailed description of the preferred embodiments. Referring to FIG. 2 and FIG. 3, the embodiment of the method for manufacturing the Miyun blue dyed cloth umbrella of the present invention comprises an umbrella frame 21 in sequence, and a step 12, a patching step 13, and an umbrella are provided. The handle is attached to step 14, and - the staple head step 15. First select appropriate bamboo (for example, most short ribs 212, one larger than the umbrella frame 21 to make step 11 • Meng Zongzhu) to cut out most long ribs 211, 10 1247595 umbrella head 213, - small umbrella head 214, and an umbrella Handle 215. Of course, the long and short ribs 2H, 212 and the handle 215 need to be processed through the S hole for subsequent use of the cotton rope in series. Wherein, the plurality of long ribs 211 are radially connected to the large umbrella head 213; one end of the plurality of short ribs 212 is respectively connected with the end of the large umbrella 211 adjacent to the large umbrella head 213, and the other end It is lightly connected to the small umbrella head 2i4. A cotton rope (not shown) is wound around the holes of the long and short ribs 211, 212 to wrap the long ribs 2:1, the ribs 212, the large umbrella head 213 and the small umbrella head 214 The upper surface of the long rib 211 is fitted with an umbrella surface to complete an umbrella skeleton. Then, in the umbrella blue dyeing step 12 _, the blue enamel pigment is extracted from the bluegrass plant to form a blue enamel' to prepare a blue enamel dye solution. First and foremost, the bluegrass plants planted in the early Taiwan blue dyeing industry are the woody plants of the family Branchaceae (also known as the Indian blue), and the blue-breasted plants of the genus Mako (also known as Daqing, Shanqing or Shanlan). Mainly. Ma Lan is like wet and rainy, and the northern yield is higher than that of the blue-green magpie, with the central and southern regions as the main producing areas. In A, Mulan is recognized as the dye plant with the highest amount of blue pigment and the best dyeing quality. First, use the traditional Shen Dian method to make blue processing: in the collection of bluegrass plants ( • wooden orphans), the leaves of the bluegrass plants must be covered with dew on the morning, and the words (4) are harvested and selected. The leaf of the bluegrass plant is fully immersed in the deficiencies, and the leaves are prepared. After the blue pigment contained in the leaves is dissolved, the leaves are prepared: and then the human milk is added and the water is quickly stirred, and then left to stand still. Filtered in a embryo cloth bag to obtain a blue model. #矛]Building blue processing with hair fermenting method··Storing a large bucket of alkaline water (example 1247595:=) 'The blue drum, auxiliary fermentation nutrient (such as the blue drum dye of malt original blue bubble Beads, when they are used to dye cloth for blue dyeing of fabrics, they must use a piece of j-dimensional fabric that has been subjected to deconstruction or bleaching, and then use the tying method to design the pattern, and then, in the heart-like dyeing solution. Dip-dye for a few minutes (about three to five minutes), and then take out, oxidize the two-color nucleus, and then repeat the dyeing after rinsing, until the desired dyeing depth is reached, and finally the tying pattern is produced. Finishing the flattening 'completes a blue smudged umbrella cloth 22.
Ik後再進仃適當另裁’讓藍彀染傘布22面積略大於伞 面面積，亚於藍彀染傘布22中央㈣出—供該大傘頭⑴ 穿過的圓形孔洞。 再來，於該貼布步驟13中，先於該傘骨架21之長傘 月211傘面上塗覆黏漿’將所完成藍散染傘布22黏貼覆蓋 於長傘骨211傘面上，並讓大傘頭213穿越、裸露出藍靛染 芈布22中央的圓形孔洞之外。由於藍靛染傘布22面積略 大於傘面面積，藍靛染傘布22周緣將突伸出長傘骨2ιι端 緣，此時，將藍靛染傘布22之突伸部分予以反摺入長傘骨 211下表面處並黏固，即完成藍靛染傘布22之貼覆。 接續，於该傘柄加裝步驟14中，是將所製成傘柄215 加I牙置於傘骨架21的大、小傘頭214中，大傘頭213是 固定於傘柄215頂端，小傘頭214是可滑動地套設於傘柄 215周面上。當然，也可於傘柄215上多鑿出一用以供傘瑪 12 1247595 (圖中未不）&設的長方形小洞，利用傘瑪與小傘頭214 相配合’以控制長傘骨211、短傘骨212與藍鼓染傘布22 間能相對傘柄215往復地進行撐展、收合連動。由於有關 傘具㈣收作動是屬習知技藝，恕於此不再詳述。 “最後’於該釘布頭步驟15中，以另-同樣經過前述傘 布皿木乂秣12杂製而成的小塊傘頭紮布23包覆固定於大 伞頭213上’再用棉繩捆繞紫緊，配合於該傘頭紮布23盘 傘柄215下釘釘牢，便完成-美濃藍靛染布傘2成品。 因此，該美濃藍鼓染布伞製造方法於 揮下列優點： 利用植物木，讓染著效果呈現自然樸實且豐富變化的工 藝風格： 於藍毅染技術中，天然纖維布料是經圖案設計製作與 =同次數的染色程序，所得藍靛染傘布22可呈現出豐富 ^的圖象變化與色彩意念。因此，利用自藍草植物萃取 靛以染製成藍靛染傘布22,能讓藍靛染傘布22呈現 人丑田的狀監色澤感，以及純樸自然的個性化染風， 而不同於化學藍染布所呈現雖絶麗卻較生硬不自然之染風 〇 …推廣美濃傳統藍靛染文化技藝·· 利用m早植物中萃取出藍鼓並配製成藍鼓染液，以 將布料藍染製繼染伞布22,能夠藉以重振 蓺s吴•傳統監草藍鼓染液製作技術及相關藍染文化技 4 ’讓美濃當地能承續保有純樸、濃厚的傳統民俗文化風 13 1247595 情，進而增進觀光遊賞魅力。 1重振美濃傳統木藍農作經濟文化： 連帶地，於利用藍草藍靛染製技術製作藍靛染傘布 22，以重振、推廣美濃當地傳統藍染文化技藝之際，必須 傳承運用早期美濃當地所引以為倣之穩定成熟的藍草人工 栽培技術，讓美濃當地所栽種藍草植物產量得以大增，藍 草植物付以再成為美濃主要經濟農作物，振興美濃傳統藍 草作物經濟文化。 4,染製過程兼顧環保與自然健康訴求·· 而且，從藍草植物提煉出藍靛以染製出藍靛染傘布 22 所使用藍靛染料是屬植物性染料而完全無害無毒，於 染製過程中或是產品（即美濃藍彀染布傘2成品）使用過程 2不會產生造成環境污染或危害人體健康之有毒物質， Ά保與自然健康之訴求，明顯改善其他地區利用化學 染料染製藍衫，以致化學物料會對週遭環境與 染與危害此問題。 可 >•開拓出美濃特有的另類藍染傘工藝領域： 另一方面，利用藍草藍靛染製出藍靛染傘布22,並 予以貼覆於傘骨架21 1 ’而成型出呈現鮮麗穩重之毂藍 色澤’且純樸自然個性化染風獨具的美濃藍靛染布傘2， 相較於傳統利用化學塗料塗緣於宣紙傘面上，而後塗覆桐 油=護之^紙傘，美濃藍鼓染布傘2於簡易舆環保之製傘 過私狀監色相與純樸自然之傘風，以及整體觀賞價值上 ’皆明顯與美濃傳統油紙傘有別，並能藉以推廣美濃傳統 14 1247595 藍草藍觳染製文化技藝與振興藍草農作經濟文化，進 抬出美濃特有的另類藍染傘工藝領域，讓美濃料的_ 民俗風情文化得以延續發展至極致。 參閱圖3與® 4 ’為本發明美濃藍”布傘2之一車六户 ::例，是包含一具有一傘面的傘骨· 21、一舖設於：： 月条21之傘面上的藍靛染傘布22，以及—傘頭紮布u。 同樣是經由以木藍植物所萃取出的藍靛進行浸染。該藍靛 染傘布22與該傘頭紮布23是利用藍草植物（例如··木藍= :取出之藍彀予以浸染而得。由於藍草藍叙染製技術已於 前有所揭露，恕於此不再詳述。 該傘骨架21具有多數長傘骨211、一用以將該多數長 傘骨211連結排列呈輻射狀且突出於該藍靛染傘布u表面 外的大傘頭213、多數分別與該長傘骨211近該大傘頭213 處樞接連結的短傘骨212、一用以將該多數短傘骨212連結 排列呈輻射狀的小傘頭214、一穿置於該大，以及小傘頭 214中的傘柄215。該小傘頭214能相對該傘柄215上下滑 移，藉以連動長傘骨211、短傘骨212與藍靛染傘布22間 配合產生撐展或收合作動。至於傘之撐展收合作動機制係 屬習知傘工藝技術，恕於此不再詳述。 另外，該傘頭紮布23是利用竹藤與釘子相配合而包覆 固定於裸露於外之該大傘頭213處。 該美濃藍靛染布傘2於使用上確實能發揮下列優點： 1_撐展收合作動順暢，且易於維護保存： 22，讓 利用藍草藍靛染製而成之軟質的藍靛染傘布 15 1247595 整體於撐展、收合作動之順暢度大為提昇，改善傳統油紙 伞是為塗覆層層桐油而硬化的宣紙傘面，於撐展收合作動 上較為受阻而不順暢此問題。 再者，藍教染傘布22為軟質者，於撐展收指間其表 面不易殘留摺痕，能維持藍散染傘布22之染樣視感與美 硯性，整體易於維護保存，改善傳統油紙伞表面之硬化桐 油層於曝曬後易裂開、於撐展收合間易產生擅收裂痕，且 易口又潮而使旦紙傘面產生沾黏現象，以致於維護保存困 難此問題。 2.鮮麗沉穩之織色相，樸實自敍純化之傘風獨具： 利用藍草餘染製而成的藍《傘布22,具有鮮麗 沉穩之散藍色相，更讓整體呈現出樸實天然且個性化的伞 風，極具觀賞價值，而有別於傳統油紙伞所呈現飽麗彩風 且較古樸雕琢的傘風，因而能進一步為美濃區域拓展出另 類的藍染傘工藝文化。 歸納上述，本發明美濃藍毅染布傘製造方法及其成品 ’利用自藍草染料植物萃取出藍靛以染製出藍靛染傘布Μ ’讓所製成美濃藍彀染布傘2成品呈現出有別於傳統油紙 傘之鮮麗穩重的鼓藍色澤感，以及純樸自然的個性化毕風 體極具觀賞價值’且維護保存容易。藉以推廣美濃傳 統監草藍鼓技藝文化、重振藍草農作經濟發展，開拓美濃 另類藍染傘工藝，且同時能兼顧環保與自然健康訴求，故 本發明確實能達到發明之目的。 淮以上所述者，僅為本發明之較佳實施例而已，當不 16 1247595 能以此限定本發明實施之範圍，即大凡依本發明申請專利 範圍及發明說明内容所作之簡單的等效變化與修飾，皆仍 屬本發明專利涵蓋之範圍内。 【圖式簡單說明】 圖1是一製程示意圖，說明一傳統油紙傘之製作流輕 圖2疋一製作流程圖，說明本發明美濃藍靛染难傘製 造方法之一較佳實施例； 圖3是該較佳實施例之一成型示意圖；以及 圖4是一立體圖，說明本發明美濃藍靛染布傘之/較 佳實施例。 17 1247595 【主要元件符號說明】 11 傘骨架製作步驟 211 長傘骨 12 傘布藍染步驟 212 短傘骨 13 貼布步驟 213 大傘頭 14 傘柄加裝步驟 214 小傘頭 15 釘布頭步驟 215 傘柄 2 美濃藍靛染布傘 22 藍散染傘布 21 傘骨架 23 傘頭紮布 18After Ik, it is appropriate to make another cut. 'Let the blue enamel umbrella cloth 22 be slightly larger than the umbrella area, and the center of the blue smudged umbrella cloth 22 (four) - a circular hole for the large umbrella head (1) to pass through. Then, in the patching step 13, the paste is applied to the umbrella surface of the long umbrella month 211 of the umbrella frame 21, and the finished blue dyed umbrella cloth 22 is adhered to the umbrella surface of the long rib 211, and Let the large umbrella head 213 pass through and expose the circular hole in the center of the blue enamel cloth 22 . Since the area of the blue smudged umbrella cloth 22 is slightly larger than the area of the umbrella surface, the edge of the blue smudged umbrella cloth 22 will protrude from the edge of the long ribbed 2 ιι. At this time, the protruding portion of the blue scorpion dyed umbrella cloth 22 is folded back into the long rib. The lower surface of 211 is adhered and adhered, that is, the attachment of the blue enamel umbrella cloth 22 is completed. In the stalk attachment step 14, the umbrella handle 215 is placed in the large and small umbrella head 214 of the umbrella frame 21, and the large umbrella head 213 is fixed to the top of the handle 215, which is small. The umbrella head 214 is slidably sleeved on the circumferential surface of the handle 215. Of course, a rectangular hole for the Umbrella 12 1247595 (not shown) can be cut on the handle 215, and the Umbrella and the small Umbrella 214 can be used together to control the long rib. 211. The short ribs 212 and the blue drum-dyed umbrella cloth 22 can be reciprocated and folded together with respect to the handle 215. As the relevant umbrella (4) is a customary skill, it will not be detailed here. "Finally" in the nail cloth head step 15, a small piece of umbrella head cloth 23, which is also made of the above-mentioned umbrella cloth raft 12, is overlaid and fixed on the large umbrella head 213. The bundled purple tightness is matched with the 23-panel umbrella handle 215 of the umbrella head cloth, and the nail is finished, and the finished product of the Miyun blue dyed cloth umbrella 2 is finished. Therefore, the manufacturing method of the Miyun blue drum dyed cloth umbrella has the following advantages: Plant wood, so that the dyeing effect presents a natural and simple and varied craft style: In the blue dyeing technology, the natural fiber fabric is dyed by the pattern design and the same number of times, the resulting blue enamel umbrella cloth 22 can be rich ^ Image changes and color ideas. Therefore, the use of blue grass plant extracts to dye the blue dyed umbrella cloth 22, can make the blue enamel umbrella cloth 22 to present the ugly color of the ugly field, and the simple and natural individualization Dyeing the wind, but unlike the chemical blue dyed cloth, it is more beautiful but harder and more unnatural. It promotes the traditional culture of the blue-dyed culture of Mino. · Extracts the blue drum from the early plant and prepares the blue drum dyeing solution. To dye the fabric blue dyed umbrella cloth 2 2, can be used to revitalize 蓺 s Wu • traditional Jiancao blue drum dyeing liquid production technology and related blue dyeing culture skills 4 'Let Mein local to continue to maintain a simple, strong traditional folk culture style 13 1247595 love, and thus enhance sightseeing tours Charm. 1 Revitalize the traditional culture of Mino's traditional wood and blue farming economy: In conjunction with the use of bluegrass and blue enamel dyeing technology to produce blue enamel umbrella cloth 22, in order to revitalize and promote the traditional blue dyeing culture skills of Mino, it is necessary to pass on the early Mino The locally-recognized and mature bluegrass artificial cultivation technology has greatly increased the production of bluegrass plants grown in Mino, and the bluegrass plants have become the main economic crops of Mino, and revitalize the economic culture of Mino traditional bluegrass crops. 4, the dyeing process takes into account environmental protection and natural health appeals. · Moreover, the blue scorpion is extracted from the bluegrass plant to dye the blue enamel umbrella cloth. The blue enamel dye used is a phytochemical dye and is completely harmless and non-toxic during the dyeing process. Or the product (ie, the product of Mino Blue Dyeing Umbrella 2) will not produce toxic substances that cause environmental pollution or endanger human health. The demand for environmental protection and natural health has significantly improved the use of chemical dyes to dye blue shirts in other regions, so that chemical materials will harm the surrounding environment and harm. • Can develop the unique blue dye umbrella technology field unique to Mino: On the one hand, the blue scorpion dyed umbrella cloth 22 is dyed with blue grass blue scorpion, and it is attached to the umbrella frame 21 1 ', and a blue and blue smudge with a fresh and stable hub is formed, and the pure blue natural dyeing is unique. Cloth umbrella 2, compared with the traditional use of chemical coating on the surface of the rice paper umbrella, and then coated with tung oil = protection of the paper umbrella, Mino blue drum dyed cloth umbrella 2 in the simple and environmentally friendly umbrella over the private color monitoring phase and The simple and natural umbrella style, as well as the overall ornamental value, are clearly different from the traditional Japanese oil-paper umbrellas, and can be used to promote the Mino tradition 14 1247595 bluegrass blue enamel dyeing cultural skills and revitalize the bluegrass farming economic culture, and carry out the Mino The unique alternative blue-dyed umbrella technology field has allowed the _ folk customs culture of Mino to continue to develop to the extreme. Refer to Figures 3 and 4' for the invention of Mino Blue's Umbrella 2, one of the six cars:: an example, which consists of an umbilical with a canopy. 21, one laid on: Umbrella 21 The blue smudged umbrella cloth 22, as well as the umbrella head drapes u. The same is carried out by the blue scorpion extracted from the sapphire plant. The blue smudged umbrella cloth 22 and the umbrella head cloth 23 are made of blue grass plants (for example ··木蓝=: The extracted blue dragonfly is obtained by dip dyeing. Since the bluegrass blue dyeing and dyeing technology has been disclosed before, it will not be described in detail here. The umbrella skeleton 21 has a plurality of long ribs 211 and a a large umbrella head 213 for connecting the plurality of long ribs 211 in a radial shape and protruding outside the surface of the blue smudged umbrella cloth u, and most of which are respectively pivotally connected to the long rib 211 near the large umbrella head 213 a short rib 212, a small umbrella head 214 for connecting the plurality of short ribs 212 in a radial shape, a shank 215 disposed in the large, and small umbrella head 214. The small umbrella head 214 can The shank 215 is slid down relative to the shank 215, so that the long rib 211, the short rib 212 and the blue smudged umbrella cloth 22 cooperate to generate an extension or a cooperation. The cooperation mechanism of the umbrella support exhibition is a custom umbrella technology, which will not be described in detail here. In addition, the umbrella head 23 is made of a bamboo vine and a nail to be coated and fixed on the outside. The large umbrella head 213. The Mino blue silk dyed cloth umbrella 2 can really play the following advantages in use: 1_Supporting the exhibition and smooth cooperation, and easy to maintain and preserve: 22, let the soft blue silk blue dyed soft The blue smudged umbrella cloth 15 1247595 has greatly improved the smoothness of the exhibition and the cooperation, and the traditional oil-paper umbrella is a rice paper umbrella surface hardened by coating layer of tung oil, which is more hindered in the cooperation and cooperation. This problem is smooth. In addition, the blue-stained umbrella cloth 22 is soft, and the surface of the blue-stained umbrella cloth is not easy to remain creases, and the dye-like appearance of the blue-dyed umbrella cloth 22 can be maintained. Maintenance and preservation, improve the hardened tung oil layer on the surface of the traditional oil paper umbrella, which is easy to crack after exposure, easy to crack in the expansion and contraction, and easy to mouth and tide, so that the paper surface of the paper is sticky, so that it can be preserved and preserved. Difficult to this problem. 2. Fresh and steady weaving Hue, simple and self-reporting umbrella wind unique: The blue "Umbrella cloth 22" made of blue grass dyed, has a fresh and calm blue phase, which makes the overall appearance of a simple natural and personalized umbrella wind, very Appreciating the value, unlike the traditional oil-paper umbrella, which is full of colorful winds and more quaintly carved umbrella style, it can further expand the alternative blue-dyed umbrella craft culture for the Mino region. In summary, the present invention is a beautiful blue-dyed fabric umbrella. The manufacturing method and its finished product 'Using the blue scorpion dyed plant to extract the blue enamel to dye the blue enamel dyed umbrella Μ 'Let's make the Mino blue 彀 dyed cloth umbrella 2 finished with a fresh and stable drum different from the traditional oil paper umbrella The sense of blueness, as well as the simple and natural personality of the Bifeng body, are of great ornamental value, and it is easy to maintain and preserve. It is used to promote the traditional culture of Mino, the blue drum art culture, to revitalize the economic development of bluegrass farming, and to develop the alternative blue dyed umbrella process of Mino, and At the same time, it can balance environmental protection and natural health appeals, so the present invention can indeed achieve the purpose of the invention. The above is only the preferred embodiment of the present invention, and the scope of the present invention is not limited to the scope of the present invention, that is, the simple equivalent change according to the scope of the present invention and the description of the invention. And modifications are still within the scope of the invention patent. BRIEF DESCRIPTION OF THE DRAWINGS FIG. 1 is a schematic view of a process, illustrating a flow chart of a conventional oil-paper umbrella, and a flow chart of the production process of the present invention, illustrating a preferred embodiment of the method for manufacturing the Miyun blue dyeing umbrella of the present invention; A schematic view of one of the preferred embodiments; and FIG. 4 is a perspective view of a preferred embodiment of the Mino blue dyed fabric umbrella of the present invention. 17 1247595 [Description of main component symbols] 11 Umbrella skeleton making step 211 Long ribs 12 Umbrella blue dyeing step 212 Short ribs 13 Patching step 213 Large umbrella head 14 Umbrella handle loading step 214 Small umbrella head 15 Staple head step 215 Umbrella handle 2 Mino blue silk dyed cloth umbrella 22 blue dyed umbrella cloth 21 umbrella frame 23 umbrella head cloth 18