KR102645183B1 - Three-dimensional artwork using gaengjogae and production method thereof - Google Patents
Three-dimensional artwork using gaengjogae and production method thereof Download PDFInfo
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- KR102645183B1 KR102645183B1 KR1020230073771A KR20230073771A KR102645183B1 KR 102645183 B1 KR102645183 B1 KR 102645183B1 KR 1020230073771 A KR1020230073771 A KR 1020230073771A KR 20230073771 A KR20230073771 A KR 20230073771A KR 102645183 B1 KR102645183 B1 KR 102645183B1
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- 238000004519 manufacturing process Methods 0.000 title description 2
- 235000020639 clam Nutrition 0.000 claims abstract description 68
- 241000237519 Bivalvia Species 0.000 claims abstract description 11
- 238000000034 method Methods 0.000 claims abstract description 7
- 241000209094 Oryza Species 0.000 claims description 21
- 235000007164 Oryza sativa Nutrition 0.000 claims description 21
- 235000009566 rice Nutrition 0.000 claims description 21
- 239000003973 paint Substances 0.000 claims description 11
- 239000000463 material Substances 0.000 claims description 10
- 235000019997 soju Nutrition 0.000 claims description 7
- LFQSCWFLJHTTHZ-UHFFFAOYSA-N Ethanol Chemical compound CCO LFQSCWFLJHTTHZ-UHFFFAOYSA-N 0.000 claims description 6
- XLYOFNOQVPJJNP-UHFFFAOYSA-N water Substances O XLYOFNOQVPJJNP-UHFFFAOYSA-N 0.000 claims description 6
- 239000011230 binding agent Substances 0.000 claims description 5
- 239000000843 powder Substances 0.000 claims description 5
- 239000004575 stone Substances 0.000 claims description 5
- 235000021419 vinegar Nutrition 0.000 claims description 5
- 239000000052 vinegar Substances 0.000 claims description 5
- NIXOWILDQLNWCW-UHFFFAOYSA-N acrylic acid group Chemical group C(C=C)(=O)O NIXOWILDQLNWCW-UHFFFAOYSA-N 0.000 claims description 4
- 210000004905 finger nail Anatomy 0.000 claims description 2
- 239000003292 glue Substances 0.000 claims 1
- 230000003796 beauty Effects 0.000 abstract description 8
- 230000014509 gene expression Effects 0.000 abstract description 3
- 230000000694 effects Effects 0.000 abstract description 2
- 241000237502 Ostreidae Species 0.000 description 3
- 239000000853 adhesive Substances 0.000 description 3
- 230000001070 adhesive effect Effects 0.000 description 3
- 239000007788 liquid Substances 0.000 description 3
- 235000015170 shellfish Nutrition 0.000 description 3
- 239000000203 mixture Substances 0.000 description 2
- 235000020636 oyster Nutrition 0.000 description 2
- 239000004576 sand Substances 0.000 description 2
- 239000013535 sea water Substances 0.000 description 2
- 241000238017 Astacoidea Species 0.000 description 1
- 244000025254 Cannabis sativa Species 0.000 description 1
- 235000012766 Cannabis sativa ssp. sativa var. sativa Nutrition 0.000 description 1
- 235000012765 Cannabis sativa ssp. sativa var. spontanea Nutrition 0.000 description 1
- 241000237509 Patinopecten sp. Species 0.000 description 1
- 241000220324 Pyrus Species 0.000 description 1
- 235000021425 apple cider vinegar Nutrition 0.000 description 1
- 229940088447 apple cider vinegar Drugs 0.000 description 1
- 235000009120 camo Nutrition 0.000 description 1
- 235000005607 chanvre indien Nutrition 0.000 description 1
- 239000011248 coating agent Substances 0.000 description 1
- 238000000576 coating method Methods 0.000 description 1
- 239000003086 colorant Substances 0.000 description 1
- 230000002542 deteriorative effect Effects 0.000 description 1
- 238000001035 drying Methods 0.000 description 1
- 238000005516 engineering process Methods 0.000 description 1
- 239000013505 freshwater Substances 0.000 description 1
- 239000011487 hemp Substances 0.000 description 1
- 239000010977 jade Substances 0.000 description 1
- 238000004898 kneading Methods 0.000 description 1
- 238000005065 mining Methods 0.000 description 1
- 238000010428 oil painting Methods 0.000 description 1
- 238000010422 painting Methods 0.000 description 1
- 235000021017 pears Nutrition 0.000 description 1
- 238000004064 recycling Methods 0.000 description 1
- 235000020637 scallop Nutrition 0.000 description 1
- 239000000126 substance Substances 0.000 description 1
Classifications
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
- B44C5/02—Mountings for pictures; Mountings of horns on plates
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
- B44C5/06—Natural ornaments; Imitations thereof
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44D—PAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
- B44D3/00—Accessories or implements for use in connection with painting or artistic drawing, not otherwise provided for; Methods or devices for colour determination, selection, or synthesis, e.g. use of colour tables
- B44D3/18—Boards or sheets with surfaces prepared for painting or drawing pictures; Stretching frames for canvases
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- Agricultural Chemicals And Associated Chemicals (AREA)
Abstract
본 발명은 갱조개를 이용한 입체 미술품 및 그 제작방법에 관한 것으로, 갱조개 껍질을 활용함으로써, 자연환경을 연상하게 하고, 껍질 자체의 고유한 색과 무늬, 그 크기로 갖는 특유의 입체미와 조형미를 살리며 다양한 표현이 가능한 효과가 있다.The present invention relates to a three-dimensional art object using aquatic clams and a method of producing the same. By using the aquatic clam shell, the present invention is reminiscent of the natural environment, and the unique three-dimensional beauty and formative beauty of the unique color, pattern, and size of the shell itself. It has the effect of bringing life to life and allowing for various expressions.
Description
본 발명은 갱조개를 이용한 입체 미술품 및 그 제작방법에 관한 것이다.The present invention relates to a three-dimensional artwork using aquatic clams and a method of producing the same.
갱조개는 강조개나 재첩 또는 재치라 부르기도 하는 것으로, 민물과 바닷물이 교차하는 기수역(汽水域) 모래펄에서 주로 서식하는 손톱 크기만한 조개를 말한다. 과거에는 낙동강, 강원도 양양 남대천, 섬진강 등 바닷물과 만나는 강하구 어디서든 많이 채취되었으나, 현재는 섬진강 주변이 유일한 생산지로 되고 있다.Gang clams, also known as jade clams, clams, or crayfish, are clams the size of a fingernail that live mainly in sandy flats in brackish water where freshwater and seawater intersect. In the past, it was harvested from anywhere in estuaries that meet seawater, such as the Nakdong River, Namdaecheon in Yangyang, Gangwon-do, and Seomjingang River, but currently, the area around the Seomjingang River is the only production area.
갱조개는 까만 아기 조개란 의미로, '가막조개'로도 불리는데, 조선 후기에는 '모시조개(黃蛤)'로 불린 기록이 있고, '재첩'이란 이름은 한 조가비 안에 두 아내를 거느린 조개라 하여 '재첩(在妾)조개'라는 설과 '어레미(얼기미)'로 가막조개만 재치게 된다하여 '재치조개'로 불리다 음운변화로 '재첩조개'가 되었다는 이야기가 있다(https://mobile.busan.com/view/busan/view.php?code=20120604000118, https://m.blog.naver.com/blisskim47/221318545302 참조).Gang clam means black baby clam, and is also called 'Gamak clam'. There is a record of it being called 'Mosi clam (黃蛤)' in the late Joseon Dynasty, and the name 'jaecheop' refers to a clam with two wives in one clam. There is a theory that it is a 'jaecheop clam' and that it was called 'jaechi clam' because it only catches gamak clams with 'eoremi (eolgimi)', but then it became 'jaecheop clam' due to a phonetic change (https://mobile) (see .busan.com/view/busan/view.php?code=20120604000118, https://m.blog.naver.com/blisskim47/221318545302).
갱조개의 껍질은 동그랗고 삼각형에 가까운 형태이며 표면에서 광택이 난다. 색깔은 서식환경에 따라 변이가 심한데 모래 바닥에서 서식하는 것은 황갈색, 진흙 펄에서 사는 것은 검은색을 띄는 것이 많다(위 부산일보 기사 참조).The shell of the clam is round and almost triangular in shape, and is shiny on the surface. The color varies greatly depending on the habitat, with those living on sandy bottoms often being yellow-brown, and those living on muddy pears often being black (see the Busan Ilbo article above).
굴 껍질을 화분으로 재활용하는 기술은 등록특허 제10-1968815호(패각류를 이용한 화분)로 알려져 있으나, 갱조개의 껍질은 매화 밭 등에 그냥 버려지고 있는 실정이다.The technology for recycling oyster shells into flower pots is known as Patent Registration No. 10-1968815 (Pollen using shellfish), but the shells of oyster clams are just thrown away in plum fields.
한편, 현재 캔버스(畵布)에 그려지는 미술품(미술작품)은 아무리 유화로 덧칠해도 단순한 평면적 회화로 여겨질 수밖에 없다. 즉, 입체미를 살리는 데 한계가 있다.Meanwhile, artworks currently drawn on canvas cannot help but be regarded as simple two-dimensional paintings, no matter how much they are painted over with oil. In other words, there are limits to preserving the three-dimensional beauty.
이에 본 발명은 버려지는 갱조개 껍질을 활용하여 입체미를 살리며 다양한 표현이 가능한 갱조개를 이용한 입체 미술품 및 그 제작방법을 제공하고자 한다.Accordingly, the present invention seeks to provide a three-dimensional artwork using discarded clam shells, which preserves the three-dimensional beauty and allows for various expressions, and a method of producing the same.
상기 목적을 달성하기 위하여, 본 발명에 의한 갱조개를 이용한 입체 미술품은 캔버스; 상기 캔버스에 그려진 밑그림; 상기 밑그림 또는 상기 캔버스 상에 붙여진 복수의 갱조개 껍질; 및 상기 복수의 갱조개 껍질 중 하나 이상에 덧칠해진 갱조개 껍질을 포함하는 것을 특징으로 한다.In order to achieve the above object, the three-dimensional art work using the raw clam according to the present invention includes a canvas; A sketch drawn on the canvas; A plurality of clam shells attached to the sketch or canvas; And characterized in that it comprises a gang clam shell overpainted on one or more of the plurality of gang clam shells.
상기 복수의 갱조개 껍질은 찹쌀과 멥쌀을 섞어 지은 밥에 화장지를 넣어 반죽한 재료로 붙인 것일 수 있다.The plurality of clam shells may be made by kneading rice mixed with glutinous rice and non-glutinous rice with toilet paper.
본 발명에 의한 갱조개를 이용한 입체 미술품 제작방법은 캔버스에 밑그림을 그리는 단계; 상기 밑그림이나 상기 캔버스 상에 복수의 갱조개 껍질을 붙이는 단계; 및 상기 복수의 갱조개 껍질 중 하나 이상에 덧칠을 하는 단계를 포함하는 것을 특징으로 한다.The method of producing a three-dimensional art object using shellfish according to the present invention includes the steps of drawing a sketch on a canvas; Attaching a plurality of clam shells to the sketch or the canvas; And it is characterized in that it includes the step of overcoating one or more of the plurality of clam shells.
상기 복수의 갱조개 껍질을 붙이는 단계는 돌가루가 섞인 바인더액 또는 찹쌀과 멥쌀을 섞어 지은 밥에 화장지를 넣어 반죽한 재료를 껍질 안쪽 또는 껍질 바깥쪽에 바른 후 상기 캔버스에 붙이는 것이고, 상기 덧칠을 하는 단계는 상기 복수의 갱조개 껍질을 붙인 캔버스를 일주일 이상 바람이 잘 통하는 그늘에서 말린 후 아크릴 물감이나 유화 물감으로 덧칠하며 그림을 완성하는 것일 수 있다.The step of attaching the plurality of clam shells is to apply the material kneaded by adding toilet paper to a binder solution mixed with stone powder or rice cooked with glutinous rice and non-glutinous rice to the inside or outside of the shell and then attaching it to the canvas. The step may be to dry the canvas with the plurality of clam shells attached in a well-ventilated shade for more than a week and then paint it over with acrylic paint or oil paint to complete the picture.
상기 복수의 갱조개 껍질은 갱조개 껍질 2kg에, 물 5ℓ, 소주 1병(360㎖, 알코올 17도 기준) 및 식초 360~900㎖를 첨가하여 3일 동안 재워 둔 후 바람이 잘 통하는 그늘에 물이 잘 빠지는 채반에 널어 15일 이상 건조시킨 것일 수 있다.For the plurality of clam shells, add 5 liters of water, 1 bottle of soju (360 ml, based on 17 percent alcohol) and 360 to 900 ml of vinegar to 2 kg of clam shells, marinate for 3 days, and then place in water in a well-ventilated shade. It may have been dried on a well-draining tray for more than 15 days.
본 발명은 갱조개 껍질을 활용함으로써, 자연환경을 연상하게 하고, 껍질 자체의 고유한 색과 무늬, 그 크기로 갖는 특유의 입체미와 조형미를 살리며 다양한 표현이 가능한 효과가 있다.The present invention has the effect of using clam shells to remind people of the natural environment, and to enable various expressions by utilizing the unique three-dimensional beauty and formative beauty of the unique color, pattern, and size of the shell itself.
도 1은 본 발명의 재료로 준비된 갱조개 껍질을 보여주는 사진이다.
도 2 및 도 3은 각각 본 발명의 일 실시예에 의한 갱조개를 이용한 입체 미술품을 보여준다.Figure 1 is a photograph showing a clam shell prepared with the material of the present invention.
Figures 2 and 3 each show a three-dimensional artwork using gray clams according to an embodiment of the present invention.
이하, 첨부된 도면을 참조하며 본 발명의 바람직한 실시예에 대하여 설명한다.Hereinafter, preferred embodiments of the present invention will be described with reference to the attached drawings.
본 발명의 일 실시예에 의한 갱조개를 이용한 입체 미술품은, 도 2와 같이, 캔버스(10); 상기 캔버스에 그려진 밑그림(20); 상기 밑그림 또는 상기 캔버스 상에 붙여진 복수의 갱조개 껍질(30, 40); 및 상기 복수의 갱조개 껍질 중 하나 이상에 덧칠해진 갱조개 껍질(50, 60)을 포함한다.A three-dimensional art work using sea shells according to an embodiment of the present invention includes a canvas 10, as shown in FIG. 2; A sketch (20) drawn on the canvas; A plurality of gray clam shells (30, 40) attached to the sketch or the canvas; And it includes pit clam shells (50, 60) coated on one or more of the plurality of pit clam shells.
여기서, 상기 복수의 갱조개 껍질(30, 40)은 후술하는 바와 같이 돌가루가 섞인 바인더액(도공액)을 이용하여 밑그림(20)이나 캔버스(10) 위에 붙인 것일 수 있으나, 찹쌀과 멥쌀을 섞어 지은 밥에 화장지를 넣어 반죽한 재료로 붙인 것이 2cm 내외의 크기를 갖는 갱조개 껍질 특성에 비추어 바람직하다.Here, the plurality of clam shells 30 and 40 may be attached to the sketch 20 or the canvas 10 using a binder liquid (coating liquid) mixed with stone powder, as described later, but glutinous rice and non-glutinous rice are used. Considering the characteristics of the clam shell, which is about 2cm in size, it is preferable to paste the mixed rice with toilet paper and knead it.
또한, 상기 캔버스(10)는 갱조개 껍질(30, 40)을 붙일 수 있는 미술품 도구이면 충분하나, 통풍이 잘 되고 습기에 강하여 상술한 재료로 붙인 갱조개 껍질(30, 40)이 잘 붙어 있을 수 있는 것이 바람직하고, 구체적으로는 삼베로 만든 아사천 캔버스가 바람직하다.In addition, the canvas (10) is sufficient as an art tool to attach the clam shells (30, 40), but it is well ventilated and resistant to moisture, so that the clam shells (30, 40) attached with the above-mentioned materials can be well adhered. It is preferable that it can be used, and specifically, Asacheon canvas made of hemp is preferable.
상기 밑그림(20)은 캔버스(10)에 구도용으로 그려진 일체의 스케치 혹은 완성품의 일부로 유화 등 물감으로 그려진 바탕 채색일 수 있다.The sketch 20 may be a sketch drawn on the canvas 10 for composition purposes or a background color drawn with paint such as oil painting as part of a finished product.
상기 복수의 갱조개 껍질(30, 40)은 밑그림(20)이나 캔버스(10) 위에 상술한 재료로 껍질 바깥쪽의 고유한 색과 무늬가 보이도록 옳게 또는 껍질 안쪽이 보이도록 뒤집어(32 참조) 붙여질 수 있다. The plurality of ganged clam shells (30, 40) are placed on the sketch (20) or canvas (10) using the above-described material and turned over so that the unique colors and patterns on the outside of the shell are visible or so that the inside of the shell is visible (see 32). It can be attached.
상기 복수의 갱조개 껍질 중 하나 이상은 밑그림(20)에 맞추어 덧칠해진 갱조개 껍질(50, 60)로 포함될 수 있다. 이때, 덧칠은 밑그림과 같은 재료 또는 후술하는 아크릴 물감이나 유화 물감으로 할 수 있다.One or more of the plurality of pit clam shells may be included as pit shells (50, 60) that are overpainted according to the sketch (20). At this time, overpainting can be done with the same material as in the sketch, or with acrylic paint or oil paint, which will be described later.
상기와 같이 구성됨으로써, 자연환경을 소재를 통해 자연스럽게 연상하게 할 뿐만 아니라, 갱조개 껍질 자체의 고유한 색과 무늬를 그대로 살리며, 어촌 마을의 모습(40)이나, 구름(50, 60) 등을 특유의 입체미와 조형미로 다양하게 표현할 수 있게 된다.By being structured as above, not only does it naturally evoke the natural environment through the material, but it also preserves the unique color and pattern of the clam shell itself, and creates the appearance of a fishing village (40) or clouds (50, 60). It can be expressed in various ways with its unique three-dimensional beauty and formative beauty.
도 3은 갱조개 껍질이 갖는 작은 크기와 대칭성을 이용하여 나비(70)나 풀밭의 꽃(80) 등을 쉽게 표현할 수 있음을 보여준다.Figure 3 shows that a butterfly (70) or a flower in a meadow (80) can be easily expressed by using the small size and symmetry of the clam shell.
본 발명의 일 실시예에 의한 갱조개를 이용한 입체 미술품 제작방법은 캔버스(10)에 밑그림(20)을 그리는 단계; 상기 밑그림이나 상기 캔버스 상에 복수의 갱조개 껍질(30, 40)을 붙이는 단계; 및 상기 복수의 갱조개 껍질 중 하나 이상에 덧칠(50, 60)을 하는 단계를 포함한다.A method of producing a three-dimensional art object using shellfish according to an embodiment of the present invention includes the steps of drawing a sketch (20) on a canvas (10); Attaching a plurality of clam shells (30, 40) to the sketch or the canvas; And it includes the step of applying additional paint (50, 60) to one or more of the plurality of clam shells.
상기 복수의 갱조개 껍질(30, 40)을 붙이는 단계는 돌가루가 섞인 바인더액 또는 찹쌀과 멥쌀을 섞어 지은 밥에 화장지를 넣어 반죽한 재료를 껍질 안쪽 또는 껍질 바깥쪽에 바른 후 상기 캔버스(10)에 붙일 수 있다. 여기서, 돌가루는 갱조개를 채취한 모래일 수 있다. 모래를 바인더액에 버무려 두었다가 이를 갱조개 껍질의 접착제로 쓸 수도 있고, 강이나 바다를 연상하게 표현하기 위한 소재로 사용될 수도 있다. 찹쌀과 멥쌀로 접착제를 만들 경우는 찹쌀과 멥쌀을 1:1 분량으로 섞어 질게 지은 밥에 화장지(형광물질 등을 첨가하지 않은 휴지; 예컨대, 두루마리 휴지)를 상기 질은 밥의 수분이 흡수될 정도로 넣고 반죽한 것이 바람직하다. 이는 2cm 내외의 갱조개를 껍질 바깥쪽이 드러나도록 옳게 붙일 경우는 안쪽 테두리뿐만 아니라 홈에 상기 준비된 접착제로 채워져 건조 후에는 갱조개 껍질이 캔버스(10)에 단단히 붙어 있도록 하기 위함이다.The step of attaching the plurality of clam shells (30, 40) is to knead the binder liquid mixed with stone powder or rice mixed with glutinous rice and non-glutinous rice with toilet paper and apply the kneaded material to the inside or outside of the shell and then apply it to the canvas (10). can be attached to Here, the stone powder may be sand obtained from mining clams. Sand can be mixed in a binder solution and used as an adhesive for clam shells, or it can be used as a material to create images reminiscent of a river or the sea. When making adhesive with glutinous rice and non-glutinous rice, mix glutinous rice and non-glutinous rice in a 1:1 ratio and apply toilet paper (toilet paper without added fluorescent substances; e.g., toilet paper roll) to the cooked rice so that the moisture of the rice is absorbed. It is preferable to put it in and knead it. This is to ensure that when a 2 cm long clam shell is properly attached so that the outside of the shell is exposed, not only the inner border but also the groove is filled with the prepared adhesive so that the oyster clam shell is firmly attached to the canvas 10 after drying.
상기 덧칠을 하는 단계는 상기 복수의 갱조개 껍질을 붙인 캔버스(10)를 일주일 이상 바람이 잘 통하는 그늘에서 말린 후 밑그림과 같은 재료 또는 아크릴 물감이나 유화 물감으로 덧칠하며 그림을 완성하는 것이 바람직하다. In the step of overpainting, it is preferable to dry the canvas 10 on which the plurality of clam shells are attached in a well-ventilated shade for more than a week and then overpaint it with the same material as the sketch or acrylic paint or oil paint to complete the picture.
상술한 각 실시예에서 사용되는 갱조개 껍질은, 도 1과 같이, 안쪽의 살이 완전히 발려지고(관자도 제거), 갱조개 특유의 냄새를 제거하고 작품에 쓰여 오래 남아도 변질되지 않도록 하기 위해 아래 과정을 거쳐 준비해 둠이 바람직하다.As shown in FIG. 1, the inner flesh of the clam shell used in each of the above-described examples is completely peeled off (the scallop is also removed), the unique odor of the clam is removed, and in order to prevent it from deteriorating even if it remains for a long time when used in the work, it is as follows. It is advisable to prepare through the process.
일 실시예로, 갱조개 껍질 2kg에, 물 5ℓ, 소주 1병(360㎖, 알코올 17도 기준) 및 식초 360~900㎖를 첨가하여 3일 동안 재워 둔 후 바람이 잘 통하는 그늘에 물이 잘 빠지는 채반에 널어 15일 이상 건조시킨 것일 수 있다. 이는 갱조개 껍질 2kg를 기준으로 한 것이므로, 갱조개 껍질의 양에 따라 물, 소주, 식초의 양은 비례해서 다르게 실시될 수 있다. 소주는 알코올 17도를 기준으로 한 것이므로, 알코올 25도나 30도 등을 사용시에는 첨가되는 소주의 양을 알코올 돗수를 고려하여 줄일 수 있다. 식초는 사과식초를 소주과 같은 360㎖를 사용했으나, 갱조개 껍질의 표면에 이물질이 많이 붙어 있을 경우나, 무늬가 제대로 드러나지 않을 경우는 900㎖까지 추가될 수 있다. 3일 동안 재워 둘 때에는 상온(15~25℃)이면 충분하고, 채반에 널어 햇볕에 말리면 갱조개 껍질이 잘 부스러질 뿐만 아니라 탈색되는 문제가 있으므로, 그늘에서 15일 이상 천천히 건조시키는 것이 바람직하다.In one example, 5 liters of water, 1 bottle of soju (360 ml, based on 17 percent alcohol), and 360-900 ml of vinegar were added to 2 kg of clam shells, left to marinate for 3 days, and placed in a well-watered, well-ventilated shade. It may have been dried on a tray for more than 15 days. This is based on 2kg of clam shells, so the amounts of water, soju, and vinegar may vary proportionally depending on the amount of clam shells. Soju is based on 17% alcohol, so when using 25% or 30% alcohol, the amount of soju added can be reduced by considering the alcohol content. For the vinegar, 360 ml of apple cider vinegar was used, the same amount as soju, but if there is a lot of foreign matter attached to the surface of the clam shell or if the pattern is not properly revealed, up to 900 ml can be added. When marinating for 3 days, room temperature (15-25℃) is sufficient. If dried on a tray and dried in the sun, the shells of the clams not only become brittle but also discolor, so it is advisable to slowly dry them in the shade for more than 15 days.
이상으로, 본 발명의 바람직한 실시예에 대하여 설명하였으나, 첨부한 도면에 보여진 작품은 일 예에 지나지 않으므로, 이에 제한되지 않고 다양하게 구현될 수 있다. Although the preferred embodiment of the present invention has been described above, the work shown in the attached drawings is only an example, and is not limited thereto, and may be implemented in various ways.
10: 캔버스
20: 밑그림
30, 40: 갱조개 껍질로 표현한 마을
50, 60: 구름
70: 나비
80: 꽃10: Canvas
20: Sketch
30, 40: Village expressed in clam shells
50, 60: clouds
70: Butterfly
80: flowers
Claims (5)
상기 밑그림이나 상기 캔버스 상에 복수의 갱조개 껍질을 붙이는 단계; 및
상기 복수의 갱조개 껍질 중 하나 이상에 덧칠을 하는 단계를 포함하되,
상기 복수의 갱조개 껍질을 붙이는 단계는 돌가루가 섞인 바인더액 또는 찹쌀과 멥쌀을 섞어 지은 밥에 화장지를 넣어 반죽한 재료를 껍질 안쪽 또는 껍질 바깥쪽에 바른 후 상기 캔버스에 붙이되, 상기 껍질 안쪽에 발라 껍질 바깥쪽이 드러나도록 옳게 붙일 경우에는 안쪽 테두리뿐만 아니라 홈에 채워 붙이고,
상기 덧칠을 하는 단계는 상기 복수의 갱조개 껍질을 붙인 캔버스를 일주일 이상 바람이 잘 통하는 그늘에서 말린 후 아크릴 물감이나 유화 물감으로 덧칠하며 그림을 완성하는 것이고,
상기 복수의 갱조개 껍질은, 각각 2cm 이내의 손톱 크기만한 것이고, 갱조개 껍질 2kg에, 물 5ℓ, 소주 1병(360㎖, 알코올 17도 기준) 및 식초 360~900㎖를 첨가하여 3일 동안 재워 둔 후 바람이 잘 통하는 그늘에 물이 잘 빠지는 채반에 널어 15일 이상 건조시켜 갱조개 껍질의 무늬가 제대로 드러나도록 한 것을 특징으로 하는 갱조개를 이용한 입체 미술품 제작방법.Drawing a sketch on a canvas;
Attaching a plurality of clam shells to the sketch or the canvas; and
Including the step of overpainting one or more of the plurality of clam shells,
In the step of attaching the plurality of clam shells, the material kneaded by adding toilet paper to a binder solution mixed with stone powder or rice cooked with glutinous rice and non-glutinous rice is applied to the inside or outside of the shell and then attached to the canvas, but inside the shell. If you glue it correctly so that the outside of the shell is exposed, fill in the groove as well as the inner border.
In the step of overpainting, the canvas to which the plurality of clam shells are attached is dried in a well-ventilated shade for more than a week and then painted over with acrylic paint or oil paint to complete the picture,
The plurality of clam shells are each the size of a fingernail within 2 cm, and 5 liters of water, 1 bottle of soju (360 ml, based on 17 percent alcohol) and 360 to 900 ml of vinegar are added to 2 kg of the clam shells and kept for 3 days. A method of producing three-dimensional art using aquatic clams, which is characterized by marinating them and then hanging them on a well-draining tray in a well-ventilated shade to dry for more than 15 days so that the patterns on the aquatic clam shells are properly revealed.
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| KR20120136553A (en) * | 2011-06-09 | 2012-12-20 | 이용재 | Decoration made by using of korean traditional lacquerware inlaid with mother-of-pearl and manufacturing method thereof |
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| KR100564249B1 (en) * | 2004-12-24 | 2006-03-29 | 백남탁 | The four gracious plants paint made by the shells of pen shell and method for preparing thereof |
| KR20120136553A (en) * | 2011-06-09 | 2012-12-20 | 이용재 | Decoration made by using of korean traditional lacquerware inlaid with mother-of-pearl and manufacturing method thereof |
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