JP2002067599A - Manufacturing method for japanese paper canvas for painting - Google Patents

Abstract

PROBLEM TO BE SOLVED: To eliminate such problems that linen of a good quality becomes hard to crop year after year, and in the meantime, labor is required for the conventional manufacturing method, and the adhesion of paints, the coloration, and the catching of a painting brush or the like are unfavorable despite of being expensive, and such a situation becomes a big obstacle in painting a picture, and in addition, when being burnt as wastes, an unfavorable effect is applied to the environment as well, and, there is a big difference in price depending on the weaving method. SOLUTION: Japanese paper is used in stead of linen, and gesso is used in stead of white lead. Then, the weaving mesh of an optimal extremely fine weaving is molded with the gesso paint, and Japanese paper is stretched on the top for this manufacturing method. Such a manufacturing method is completely new, however, gesso itself has been conventionally used, and the quality has been proved. This Japanese paper canvas is more excellent in all the fields such as a manufacturing method, usability, strength, price and the viewpoint from the environment, compared with a linen canvas, and can be used for oil paintings, tempera paintings, Japanese paintings, and acrylic paintings or the like.

Description

DETAILED DESCRIPTION OF THE INVENTION

[0001]

The present invention relates to oil paintings, Japanese paintings,
The present invention relates to a method for manufacturing a painting paper canvas such as a tempera drawing.

[0002]

2. Description of the Prior Art It is necessary to stretch a hemp-woven fabric over a wooden cloth, dry the fabric while adjusting the texture of the fabric by gluing the glue, and dry it for several months by kneading lead white with linseed oil.

[0003]

When drawing a picture, the canvas must be of good quality along with paints and brushes. However, the raw material, hemp, is getting worse year by year, but the extraordinary fine weave, which is considered to be the best and requires the old manufacturing method, is expensive. Although there is a chemical weave to make up for them, the paint is hard to adjust to and is inferior to hemp. Also, the paint is lead-white, which is bad for the environment.

[0004]

SUMMARY OF THE INVENTION In order to solve the above-mentioned problems, the present invention makes it possible to make the most of the merits of hemp and to produce a canvas of higher quality than hemp without using hemp. It is.

For example, if Japanese paper is used instead of hemp and Gesso is used instead of lead white, strength and quality can be maintained and the environment can be protected.

[0006]

DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENT
It is said that it can be mass-produced infinitely from the mold, and the labor is reduced by half, and it can be produced at low prices. And since they are mass-produced from molds, they have to make tools and materials.

[0007] First, 200 g of buckwheat flour and 4200 c of water
C., heat at a temperature of 50 to 60 degrees for about 7 hours, put 160 g of alum in the mixture, stir with a large brush for 5 minutes, and filter with 240 mesh nylon. Then, 2000 cc of water is mixed with 1000 cc of the vinyl acetate resin in a bucket, and the mixture is filtered as above.

First, the gesso paint is made by drying gypsum killed with water for about 10 days, and 1 kg is added to the above-mentioned Dosa 500.
You can mix cc and 2000cc made of vinyl resin, stir and mix with 4cm square timber to make 40cm square wood wag, make 240 mesh nylon, stretch the canvas and put it on the saucer Place and strain on a flat plate. The strained Gesso is easy to apply with a fine grain.

Next, the fermented egg yolk, which is the most indispensable when later making a mold or making a canvas. For 500 cc of yolk only, starch paste, 250 cc of "this is commercially available", well mixed with a spatula, put in a tightly closed container, shake it for about 8 hours, so shake it well. , This one
Use once a day for 2 weeks and stop if it is more than 30 days old.

Then, dosa is applied to the washi paper. Japanese paper stretches when it absorbs moisture, making it difficult to stretch. To prevent this, apply a dosa, keep it crisp and taut, and apply a dosa to a thick, flat plate with a thickness of 1 mm thick soft PVC plate. Attach and fix. Spread the Japanese paper on top of it, spread the dosa three times thinner with water, apply it with a brush, stretch it while applying it, and apply it so that it sticks perfectly to the board. When completely dried, peel it off and wind it up.

[0011]

DESCRIPTION OF THE PREFERRED EMBODIMENTS For the examples, a hemp extra-fine woven fabric is stretched loosely on a 2 cm thick plywood, like a canvas. After stretching, do not dilute the glue dosa that was made earlier, warm it as it is to about 50 degrees,
Paint with a brush. Then, while rubbing with a scourer, removing excess glue, arranging the fabric, and removing unnecessary threads and hairs.

When the above is completely dried, the previously made egg yolk is diluted twice with water and thinly brushed with a brush. When it dries, paint the previously made Gesso thin and flat, dry it completely, repeat it twice and three times, and then repeat the coloring, and when the fourth dry, dosa Stretch Japanese paper with a mixture of dosa and vinyl resin used for making gesso.

When it is completely dry, remove it slowly.
After peeling off, mix the water 1 with the woodwork paste 1 on the plywood of about 2 cm, paint with a brush and paste. And
Put a little thick paper on top of it and rub it with a hard, flat object.

When completely dried, a mixture of linseed oil 1 and petrol 2 is thinly dried and dried for one week. Once dried, mix the water 1 with the yolk fermentation 1 and thinly dip it. If it is dry, dip the Gesso thinly. If it is completely dry, repeat it 4 times and dry it. When dry, put dosa-colored Japanese paper. The inside of this washi is completely peeled off when it is completely dry.

[0015]

According to the present invention, an infinite number of molds can be made from one piece of cloth, and the same canvas can be manufactured infinitely from one piece of cloth. Needless to say, quality, strength, durability and ease of use. In addition, the price can be reduced to a fraction of the conventional value by using machine-made Japanese paper.

First of all, the method of setting up the oil painting and the effect was improved. A 3mm plywood was glued on the back of the conventional wooden board, and a little thick white paper, bond 1 and water 1 were mixed on top of it. Attach, in this case, paint on both the paper and the board, and when the paper folds, rub it from the edge and stretch. Then, put the washi canvas on the bag. First, lightly nail a few places with a nail, apply water to the brush, lightly apply it for a few minutes, and haul the nail lightly by hand. When it dries, there is a plate on the back, so if you draw with strong power, you will not be afraid.

The paint applied to the stretched Japanese paper canvas fits well, is easy to brush, and has excellent coloration. This is because even though the paint suitable for the base coat is applied more than the conventional canvas, the texture is not damaged at all. This is the great possibility of this discovery.

For Japanese paintings, use the glue instead of nails when bagging as described above. If the size is 15 or more, attach the glue to the No. 8 large plate. deep. It is a dry and taut weave, and it is easy to paint on rough rocks that are difficult to get wet. It is ideal for thick coating.

In the case of a tempera drawing, on a white background plate,
Paint the mixture of bond 1 and water 1 and then place the washi canvas on top of it, place the thick paper on top of it, and place it on a thick, palm-sized, flat object firmly. Rub. Once dry, sand a little paper to create the best ground for tempera painting.

Claims (5)

[Claims] (1) Gesso used for manufacturing Japanese paper canvas, which is strong, easy to draw and does not crack, is vulnerable to humidity and easy to decay, so that glue, alum and vinyl acetate resin are blended in order to prevent them. A method of manufacturing paint that is kneaded and made. 2. A method of forming a texture pattern from a fabric and a method of forming a canvas from the pattern. 3. To completely form the weave, it is easy to adhere, and when peeling off, it is essential that the yolk is made by fermenting the egg yolk. Is possible. 4. To absorb the moisture and stretch the hard-to-stretch Japanese paper so that it does not wrinkle, the dosa must be sufficiently wetted and tightly glued to the pins. It can be bonded to and not peeled off, so you can prevent adhesion by placing a soft PVC board below. 5. A method for manufacturing Japanese paper cabanas in which all of the above items 1, 2, 3, 4 and the like are assembled and completed.