RU72175U1 - ART IMAGE TYPE FRESCO - Google Patents

Abstract

1. An artistic image of a fresco type, including a layer of plaster with an image applied to it with water paints, characterized in that the plaster is applied in a thin layer to a layer of glue previously applied to a nonwoven fabric, with cracks forming on the plaster, a layer of soil is applied to the plaster , on which a plotter is applied with water-based paint, coated with a layer of varnish, and cracks in the plaster are filled with structural paint. 2. The art image according to claim 1, characterized in that the thickness of the plaster layer is not more than 1 mm

Description

The utility model relates to the field of arts and crafts and can be used to create mural-type images when creating interior interiors.

The well-known "Method of performing monumental painting" (SU, No. 384694 A1, 1973), as a result of the implementation of which an image of the fresco type is obtained.

A known fresco-type image includes a layer of plaster with an image of water paints applied thereto.

The disadvantages of the known solutions include the following. The inability to create images with sufficient flexibility to stick them on surfaces that differ from the plane.

The technical result, which the utility model aims to achieve, is to provide the flexibility of creating a canvas with frescoes, which expands the possibilities of its use, increasing print speed.

The specified technical result is achieved by the fact that in the artistic image of the fresco type, including a layer of plaster with an image applied to it with water paints, the plaster is applied in a thin layer on a layer of glue previously applied to a canvas of non-woven material, with cracks on the plaster, applied to the plaster layer a layer of soil on which the image is applied by means of a plotter with water paints, covered with a layer of varnish, and cracks in

stucco filled with structural paint.

To increase flexibility, the thickness of the plaster layer can be no more than 1 mm.

Artistically an image of the type of mural (hereinafter referred to as the mural) is obtained as follows.

As the basis of the fresco, a non-woven material, for example, non-woven, is used. The non-woven fabric is laid on a flat table surface; the size of the non-woven fabric can reach up to 300 cm in length and 200 cm in width.

Water-based glue is used on the non-woven, used to glue wood and paper. The glue is evenly applied using a paint roller.

Decorative plaster used for wall decoration is applied to a layer of dry glue. The plaster is applied with a spatula, uniformly the same thickness up to 1 mm., Avoiding the formation of scratches and strips from the spatula. A thin layer of plaster provides flexibility of the canvas, which in turn makes it possible to print the image using a plotter, as well as stick the canvas on surfaces other than the plane, for example, on cylindrical ones - columns, arches, etc., and also ensures ease of storage and transportation.

Then, the non-woven fabric with the stucco applied to the dried glue is kept on the table until it dries completely, about 12 hours.

In the process of drying due to the difference in the coefficients of shrinkage of the adhesive and the plaster, the plaster becomes cracked and adheres firmly to the non-woven. The canvas is completely covered with cracks. Moreover, the nature of the cracks is chaotic. The size of the cracks depends on the thickness of the applied layer of plaster, more layer - more cracks, less layer - less cracks. Thus, the size of the cracks can be controlled. The presence of cracks, in addition to giving the visual effect of antiquity, can increase the flexibility of the finished canvas with frescoes, since we can say

about the fact that in the locations of cracks the canvas is equipped with "hinges".

After 12 hours, after complete drying, the surface of the resulting fabric is carefully ground, for example, using an abrasive skin.

After grinding, a layer of soil is applied to the surface of the canvas. For this, any primer for walls is used. A layer of soil is necessary to obtain saturated colors.

After the soil has dried, the actual image is applied with water-based paints. Water-based paints are applied by means of a plotter connected to a computer, which stores digitized images that are printed. At the moment, it is possible to obtain ready-made paintings with frescos up to 180 cm wide and up to 500 cm long. The digitized images are entered into the computer from a digital camera, scanner, or CD. Printing produce water-based paints for interior printing. In addition to the plotter for printing images with water colors, other devices for printing can be used, however, for replication, the plotter is more suitable from the point of view of the speed of applying the image.

The finished, printed image is varnished to protect against moisture. After the varnish has completely dried (after about 1 hour), a decorative structural mosaic paint is applied to the image. Do not let the excess structural mosaic paint dry, with a rag and water, wash off. Thus, the paint remains only in the cracks, painting them white. Drying time 1 hour.

The fresco is completely ready and it can be glued to a wall or other surface in the same way as the wallpapering process is carried out - glue is applied to the wall with a roller, an image (mural) is applied and smoothed with a rubber roller.

Claims (2)

1. An artistic image of a fresco type, including a layer of plaster with an image applied to it with water paints, characterized in that the plaster is applied in a thin layer to a layer of glue previously applied to a nonwoven fabric, with cracks forming on the plaster, a layer of soil is applied to the plaster , which is covered by a plotter with water paints, coated with a layer of varnish, and cracks in the plaster are filled with structural paint. 2. The artistic image according to claim 1, characterized in that the thickness of the plaster layer is not more than 1 mm