GB2415439A - A textile marbling technique for effecting a feathered cracked pattern on materials such as fabric, paper or wood - Google Patents

A textile marbling technique for effecting a feathered cracked pattern on materials such as fabric, paper or wood Download PDF

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Publication number
GB2415439A
GB2415439A GB0414296A GB0414296A GB2415439A GB 2415439 A GB2415439 A GB 2415439A GB 0414296 A GB0414296 A GB 0414296A GB 0414296 A GB0414296 A GB 0414296A GB 2415439 A GB2415439 A GB 2415439A
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GB
United Kingdom
Prior art keywords
rtm
marbling
feathered
carrageenan
pattern
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Withdrawn
Application number
GB0414296A
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GB0414296D0 (en
Inventor
Arcey Emma Ruth D
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Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to GB0414296A priority Critical patent/GB2415439A/en
Publication of GB0414296D0 publication Critical patent/GB0414296D0/en
Publication of GB2415439A publication Critical patent/GB2415439A/en
Withdrawn legal-status Critical Current

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Classifications

    • BPERFORMING OPERATIONS; TRANSPORTING
    • B44DECORATIVE ARTS
    • B44FSPECIAL DESIGNS OR PICTURES
    • B44F5/00Designs characterised by irregular areas, e.g. mottled patterns
    • BPERFORMING OPERATIONS; TRANSPORTING
    • B05SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05DPROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05D1/00Processes for applying liquids or other fluent materials
    • B05D1/18Processes for applying liquids or other fluent materials performed by dipping
    • B05D1/20Processes for applying liquids or other fluent materials performed by dipping substances to be applied floating on a fluid
    • BPERFORMING OPERATIONS; TRANSPORTING
    • B05SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05DPROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05D5/00Processes for applying liquids or other fluent materials to surfaces to obtain special surface effects, finishes or structures
    • B05D5/06Processes for applying liquids or other fluent materials to surfaces to obtain special surface effects, finishes or structures to obtain multicolour or other optical effects
    • B05D5/061Special surface effect
    • DTEXTILES; PAPER
    • D06TREATMENT OF TEXTILES OR THE LIKE; LAUNDERING; FLEXIBLE MATERIALS NOT OTHERWISE PROVIDED FOR
    • D06BTREATING TEXTILE MATERIALS USING LIQUIDS, GASES OR VAPOURS
    • D06B11/00Treatment of selected parts of textile materials, e.g. partial dyeing
    • DTEXTILES; PAPER
    • D06TREATMENT OF TEXTILES OR THE LIKE; LAUNDERING; FLEXIBLE MATERIALS NOT OTHERWISE PROVIDED FOR
    • D06PDYEING OR PRINTING TEXTILES; DYEING LEATHER, FURS OR SOLID MACROMOLECULAR SUBSTANCES IN ANY FORM
    • D06P1/00General processes of dyeing or printing textiles, or general processes of dyeing leather, furs, or solid macromolecular substances in any form, classified according to the dyes, pigments, or auxiliary substances employed
    • D06P1/0096Multicolour dyeing
    • DTEXTILES; PAPER
    • D06TREATMENT OF TEXTILES OR THE LIKE; LAUNDERING; FLEXIBLE MATERIALS NOT OTHERWISE PROVIDED FOR
    • D06PDYEING OR PRINTING TEXTILES; DYEING LEATHER, FURS OR SOLID MACROMOLECULAR SUBSTANCES IN ANY FORM
    • D06P1/00General processes of dyeing or printing textiles, or general processes of dyeing leather, furs, or solid macromolecular substances in any form, classified according to the dyes, pigments, or auxiliary substances employed
    • D06P1/44General processes of dyeing or printing textiles, or general processes of dyeing leather, furs, or solid macromolecular substances in any form, classified according to the dyes, pigments, or auxiliary substances employed using insoluble pigments or auxiliary substances, e.g. binders
    • D06P1/46General processes of dyeing or printing textiles, or general processes of dyeing leather, furs, or solid macromolecular substances in any form, classified according to the dyes, pigments, or auxiliary substances employed using insoluble pigments or auxiliary substances, e.g. binders using compositions containing natural macromolecular substances or derivatives thereof
    • D06P1/48Derivatives of carbohydrates
    • DTEXTILES; PAPER
    • D06TREATMENT OF TEXTILES OR THE LIKE; LAUNDERING; FLEXIBLE MATERIALS NOT OTHERWISE PROVIDED FOR
    • D06PDYEING OR PRINTING TEXTILES; DYEING LEATHER, FURS OR SOLID MACROMOLECULAR SUBSTANCES IN ANY FORM
    • D06P5/00Other features in dyeing or printing textiles, or dyeing leather, furs, or solid macromolecular substances in any form
    • D06P5/003Transfer printing
    • D06P5/007Transfer printing using non-subliming dyes
    • DTEXTILES; PAPER
    • D21PAPER-MAKING; PRODUCTION OF CELLULOSE
    • D21HPULP COMPOSITIONS; PREPARATION THEREOF NOT COVERED BY SUBCLASSES D21C OR D21D; IMPREGNATING OR COATING OF PAPER; TREATMENT OF FINISHED PAPER NOT COVERED BY CLASS B31 OR SUBCLASS D21G; PAPER NOT OTHERWISE PROVIDED FOR
    • D21H19/00Coated paper; Coating material
    • D21H19/66Coatings characterised by a special visual effect, e.g. patterned, textured
    • BPERFORMING OPERATIONS; TRANSPORTING
    • B05SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05DPROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05D2203/00Other substrates
    • B05D2203/20Wood or similar material
    • BPERFORMING OPERATIONS; TRANSPORTING
    • B05SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05DPROCESSES FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
    • B05D2203/00Other substrates
    • B05D2203/22Paper or cardboard

Landscapes

  • Engineering & Computer Science (AREA)
  • Textile Engineering (AREA)
  • Health & Medical Sciences (AREA)
  • Life Sciences & Earth Sciences (AREA)
  • Molecular Biology (AREA)
  • Chemical & Material Sciences (AREA)
  • Materials Engineering (AREA)
  • Paper (AREA)

Abstract

A feathered cracked pattern can be achieved on the surface of a marble bath that can be transposed to material such as fabric, paper or wood using carrageenan size, liquatex acrylic fabric paints and Kodak (RTM) photo-flo (RTM). The marbling effect begins in the usual manner. Carrageenan is mixed with water (two tablespoons of carrageenan to one gallon of water) and placed in a flat-bottomed vessel. A few drops of diluted Kodak (RTM) photo-flo (RTM) (one teaspoon of photo-flo (RTM) to five dessertspoons of distilled water) is placed on the surface of the carrageenan solution, then stirred to ensure even distribution. Liquatex acrylic fabric paint (mixed with liquatex marble ease and distilled water) is then dropped in dots on the surface of the carrageenan mixture in any desired pattern (eg, in ebru marbling, as rows of circles with concentric rings). Further colours can optionally be added. The process of this application is characterised by the following subsequent process steps. More drops of diluted photo-flo (RTM) are added to the surface of the marbling bath (either around the edges of the marbling bath or around the edges of the concentric rings). As soon as the colours or patterns start to contract very quickly, but before the point where they sink, some of the photo-flo (RTM) is very quickly lifted off the surface using newspaper or blotting paper until the pattern starts to move out again. This action causes the paint on the surface to crack into a feathered effect, giving rise to either distorted circular type shapes or an overall feathered cracked pattern (figures 3 and 4 respectively; marbled silk). Repeating this action gives rise to further cracking and distortion. In a conventional manner, the material to be patterned is then lowered onto the surface of the marble bath and lifted away to reveal the pattern.

Description

241 5439 Textile Marbling Technique The invention of this marbling
technique relates to a technical process I have created which leads to a unique type of patterning.
The marbling process is well known but the technique I have developed dramatically changes the look of the marbled piece of work.
The process begins in the usual manner, as used in any type of marbling. Firstly carrageenan is mixed with water (two tablespoons of carrageenan to one gallon of water) and placed in a flat-botL,,,r,ned vessel (the size and shape can be variable). A few drops of diluted Kodalpotofloi(one teaspoon of photofloJfive dessertspoons of distilled water) is placed on the surface of the carrageenan solution then stirred with a thin implement such as a cocktail stick to ensure even distribution.
Liquatex acrylic fabric paint (mixed with liquatex marble ease and distilled water) is then dropped in dots onto the surface of carrageenan mixture using a paintbrush or dropper.
Further colours can be added (according to personal preference) either on top of the first colour to form rows of circles with concentric rings (see. Fig 1 which shows an ariel view of the positioning of colours of paint on the surface of the carrageenan solution) as can be done in ebru marbling, or placed randomly one colour on top of the other (manipulated if desired) as used in ordinary marbling (see fig.2 which shows an ariel view of the positioning of random spots of paint on the surface of the carrageenan solution.) After all the colourfsR>,,a/ve been assembled this is where my technique begins. More drops of diluted photoflogneed to be added to the,7face of the marbling bath. If working with concentric rings of colour diluted photofloyneeds to be placed around the edge of a few of the rings1he first row). When working with randomly placed colour apply diluted photoflo'lto one side of the bath. As solo, as the colours or the circles start to contract, very quickly lift some of the photofloAoff the surface by using newspaper or blotting paper, until the rings or the overall pahern starts to move out again. Always enur)e that this is done quickly before any colour starts to sink. Stop removing the photoflolrom the surface as soon as the required size (personal preference) of the shape has been achieved.
This action causes the paint on the surface to crack considerably into a feathered effect, and creates either distorted circular type shapes (See figure 3 which depicts a piece of marbled silk) or an overall feathered cracked pattern (see figure 4 which depicts a piece of marbled silk.) The circles or overall pattern can then be further cracked and distorted again to gain an even more feathered effect. If working with circles repeat the exercise to all the rows until the overall desired effect has been achieved. If working with an overall pattern apply the diluted photoflot,to)the other edges of the bath until the feathered pattern has been achieved.
The usual process after this is to lower a piece of fabric or whatever other material is required that has been treated with or without alum solution onto the surface of the marble bath. This is then lifted away to reveal the pattern.
The key differences between traditional marbling and this technique that I have developed are that in traditional marbling when photoflo - s Jused, it is used to change the shape of the paint placed on the ca,geenan mixture. Also in traditional marbling only small quantities of diluted photoflolare placed on the surface of the bath in order to achieve this and to ensure the colours don't sink. In my technique I place photoflo(R / around the edges of the areas (two or three times more than would normally be used) I wish to pattern to the point where the colons Contract very quickly. Before the colours start to sink I then draw the excess photofloloff the surface so that the paint moves back out again quickly. This fast action thus creating a feathered pattern that is not currently used and this is what I am trying to protect.
The invention here therefore is the achievement of a feathered cracked pattern on the surface of the marble bath that can then be transposed to material to include, fabric, paper or wood.

Claims (3)

  1. Claims 1 Any material to include fabric, paper or wood created for
    wholesale and/or retail markets, which depict a cracked, feathered appearance from having carried out the marbling process using liquatex paints and diluted Kodapotofllt)
  2. 2 Any material to include fabric, paper or wood as claimed in claim 1 that has the cracked, feathered effect after preparing the marbling bath for ebru marbling.
  3. 3 A marbled work substantially as herein described above and illustrated in the accompanying drawings and photocopies.
GB0414296A 2004-06-25 2004-06-25 A textile marbling technique for effecting a feathered cracked pattern on materials such as fabric, paper or wood Withdrawn GB2415439A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
GB0414296A GB2415439A (en) 2004-06-25 2004-06-25 A textile marbling technique for effecting a feathered cracked pattern on materials such as fabric, paper or wood

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
GB0414296A GB2415439A (en) 2004-06-25 2004-06-25 A textile marbling technique for effecting a feathered cracked pattern on materials such as fabric, paper or wood

Publications (2)

Publication Number Publication Date
GB0414296D0 GB0414296D0 (en) 2004-07-28
GB2415439A true GB2415439A (en) 2005-12-28

Family

ID=32800213

Family Applications (1)

Application Number Title Priority Date Filing Date
GB0414296A Withdrawn GB2415439A (en) 2004-06-25 2004-06-25 A textile marbling technique for effecting a feathered cracked pattern on materials such as fabric, paper or wood

Country Status (1)

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GB (1) GB2415439A (en)

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN102720318A (en) * 2012-06-29 2012-10-10 惠州市长润发涂料有限公司 Imitation marble coating process
CN107254070A (en) * 2017-05-25 2017-10-17 苏州冰心文化用品有限公司 A kind of water opens up the chalk, graining paste and picture-drawing method of picture
WO2020209736A1 (en) 2019-04-11 2020-10-15 SCHATTDECOR Sp. z o.o. Method of producing a decorative surface and product comprising a decorative surface
IT201900019214A1 (en) * 2019-10-17 2021-04-17 Alberto Brunelli TANK FOR THE MAKING OF MARBLED FABRICS AND USE OF THIS TUB IN THE PROCESS OF MARBLING FABRICS

Non-Patent Citations (1)

* Cited by examiner, † Cited by third party
Title
"Suminagashi" [online], published by Redstick [date unknown], available from http://www.intersurf.com/ïredstic/Paper/Sumi.htm [Accessed 1 November 2004], see paragraph headed "dispersants" *

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN102720318A (en) * 2012-06-29 2012-10-10 惠州市长润发涂料有限公司 Imitation marble coating process
CN107254070A (en) * 2017-05-25 2017-10-17 苏州冰心文化用品有限公司 A kind of water opens up the chalk, graining paste and picture-drawing method of picture
WO2020209736A1 (en) 2019-04-11 2020-10-15 SCHATTDECOR Sp. z o.o. Method of producing a decorative surface and product comprising a decorative surface
IT201900019214A1 (en) * 2019-10-17 2021-04-17 Alberto Brunelli TANK FOR THE MAKING OF MARBLED FABRICS AND USE OF THIS TUB IN THE PROCESS OF MARBLING FABRICS

Also Published As

Publication number Publication date
GB0414296D0 (en) 2004-07-28

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