JP2011121350A - Technique for painting color lacquer and color lacquer painted product - Google Patents
Technique for painting color lacquer and color lacquer painted product Download PDFInfo
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- JP2011121350A JP2011121350A JP2009299390A JP2009299390A JP2011121350A JP 2011121350 A JP2011121350 A JP 2011121350A JP 2009299390 A JP2009299390 A JP 2009299390A JP 2009299390 A JP2009299390 A JP 2009299390A JP 2011121350 A JP2011121350 A JP 2011121350A
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Abstract
Description
本発明は、立体感のある絵柄や模様を描く色漆の絵付技法及び色漆絵付製品に関する。 The present invention relates to a color lacquer painting technique and a product with a colored lacquer painting that draws a three-dimensional pattern or pattern.
漆はわが国では、数千年も前から食器類をはじめとする日用品や、建築物等に塗料として広範囲に利用されてきた。一般的に漆は非常に堅固であることで知られ、日常の使用にも十分耐えうるが、取扱い方や手入れ方法等の難しさもあり日常での使用頻度は少ないのが現状である。そこで一般の消費者にも手軽に使用してもらえるような漆製品の開発が望まれている。 In Japan, lacquer has been used extensively as a coating material for tableware and other daily necessities and buildings for thousands of years. In general, lacquer is known to be very solid and can withstand daily use. However, there are difficulties in handling and care, and the usage frequency in daily life is low. Therefore, development of lacquer products that can be easily used by general consumers is desired.
従来、一般に漆塗り製品に対する色漆を使った絵付けは、漆塗りを施した漆塗層の形成後に、色漆を一色だけ細い丸筆にとり、漆塗層面に絵柄や模様等を描くようにしている。 Traditionally, painting using colored lacquer for lacquered products is generally done after forming a lacquered lacquered layer and then drawing only one color lacquer into a thin circular brush and drawing a pattern or pattern on the lacquered layer surface. I have to.
このような一般的な色漆の絵付けは、細い丸筆に色漆を一色だけつけて、漆塗層面に絵付けするようにしていることから、濃淡のない平面的なものにならざるを得なかった。また、複数の色を用いて立体感を出したいような場合は、例えば蒔絵の技法を用い、上述したように細い丸筆である色の色漆で絵柄や模様を絵付けしてほぼ乾いた状態で、その上に金や銀の粉や色漆の顔料の粉を蒔いて立体感のある絵柄や模様を表現するようにしている。 Such general color lacquer painting is not flat because there is only one color lacquer on a thin circular brush and painting on the surface of the lacquered layer. Did not get. In addition, when you want to create a three-dimensional effect using multiple colors, for example, using the technique of lacquer work, as described above, paint the pattern or pattern with the color lacquer of the color that is a thin round brush, and it is almost dry In the state, gold or silver powder or colored lacquer pigment powder is sprinkled on it to express a three-dimensional pattern or pattern.
しかしながら、蒔絵の技法を使って立体感のある絵柄や模様を表現する絵付技法にあっては、工程が多いため制作に多くの時間を要すると共にグラデーションのような濃淡のある微妙な色使いを表現することは極めて困難なことであった。 However, the painting technique that expresses a three-dimensional pattern or pattern using the technique of lacquer painting requires a lot of time for production due to many processes, and expresses subtle colors with gradations such as gradation. It was extremely difficult to do.
本発明は、上記の課題を解決するためになされたものであり、複数の色の色漆を使用して濃淡があり立体感のある絵柄や模様を筆の使い方だけで描くことができる色漆の絵付技法及び色漆絵付製品を提供することを目的とする。 The present invention has been made in order to solve the above-described problems, and is a color lacquer that can be used to draw a pattern and a pattern having a three-dimensional effect using a plurality of colors of color lacquer only by using a brush. The purpose is to provide a painting technique and colored lacquered products.
上記目的を達成するために、本発明は色漆の絵付技法にあっては、一本の平筆の両端側にそれぞれ異なる色の色漆をそれぞれ混じり合わないように付ける第1の工程と、両端側に異なる色の色漆を付けた平筆をパレット上で押し付け複数回こすり馴染ませることで、中間部に異なる色が混じりあったグラデーションを生成する第2の工程と、漆が浸透しない処理が施されている下地の表面で、両端側にそれぞれ異なる色の色漆が付けられる共に中間部に異なる色の色漆が混じり合ったグラデーションが生成された平筆を動かし絵柄や模様を描く第3の工程を含むことを特徴とする。 In order to achieve the above object, the present invention is a first step of attaching a color lacquer of different colors to both ends of one flat brush so as not to mix each other in the color lacquer painting technique, The second step of creating a gradation in which different colors are mixed in the middle part by pressing a flat brush with different color lacquers on both ends and rubbing it several times on the pallet, and processing that does not penetrate the lacquer On the surface of the base, the lacquer of different colors is attached to both ends, and a flat brush with a gradation that mixes different colors of lacquer in the middle is generated. 3 steps are included.
また、下地は、漆塗りを施した漆塗層面であることを特徴とする。 Moreover, the base is a lacquered layer surface with lacquering.
また、パレットは、ガラス板であることを特徴とする。 The pallet is a glass plate.
また、本発明の色漆絵付製品にあっては、凹凸がなく漆が浸透しない処理が施されている下地の表面に、両端側にそれぞれ異なる色の色漆が付けられると共に中間部に異なる色の色漆が混じり合ったグラデーションが生成された平筆を動かし絵柄や模様が描かれたものであることを特徴とする。 In addition, in the colored lacquered product of the present invention, different colors are applied to the middle part of the surface of the base on which the lacquer is not permeated and the lacquer is not permeated. It is characterized by the fact that it is a pattern or pattern drawn by moving a flat brush with a gradation mixed with lacquered lacquer.
本発明によれば、平筆の中間部に異なる色が混じりあったグラデーションを生成することで、1度の筆の運びで多数の色をのせることができ、濃淡のある微妙な色使いを表現可能とし、従来の絵付技法では得られなかった立体感のある絵柄や模様を容易に描くことできる。したがって、この絵付技法であれば、一般的な蒔絵・日本画のような絵柄や模様だけでなく華やかな洋風の絵柄や模様も描くことができる。 According to the present invention, by generating a gradation in which different colors are mixed in the middle part of a flat brush, it is possible to put a large number of colors with a single stroke of a brush, and to use subtle colors with shades. It can be expressed and can easily draw three-dimensional patterns and patterns that were not obtained with conventional painting techniques. Therefore, with this painting technique, it is possible to draw not only patterns and patterns such as general lacquer and Japanese paintings, but also gorgeous Western-style patterns and patterns.
また、漆器といえば、和風の器のイメージであるが、本発明の絵付技法を用いれば洋食器のように華やかな絵柄や模様を描くことが可能となり、若い世代にも受け入れらる製品の制作を行なうことができる。また普段使いできる食器の制作も可能となり、漆器の利用頻度を上げることが可能となる。 Speaking of lacquerware, it is an image of a Japanese-style vessel, but if you use the painting technique of the present invention, you can draw gorgeous patterns and patterns like Western dishes, and produce products that are accepted by the younger generation. Can be performed. In addition, it will be possible to produce tableware that can be used on a daily basis, and it will be possible to increase the frequency of use of lacquerware.
本発明の色漆の絵付技法及び色漆絵付製品に係る実施の形態を図面に基づいて詳しく説明する。 DESCRIPTION OF THE PREFERRED EMBODIMENTS Embodiments relating to a color lacquer painting technique and colored lacquer painting product of the present invention will be described in detail based on the drawings.
本発明の色漆の絵付技法の工程を、図1を参照して説明する。 The process of the color lacquer painting technique of the present invention will be described with reference to FIG.
本発明の絵付技法にあっては、平筆1を使用することになる。平筆1としては、セーブル筆など自然毛のものだけが使用可能である。先ずガラス板からなるパレット3上の少し離れた2箇所に、異なる2色の色漆、色漆4(赤色)、色漆5(白色)を置く。色漆が滲み込むような素材のパレットは使用できない。ガラス板は、色漆が滲み込むようなことがなく且つ色も確認し易いことから、パレットの素材として最適である。 In the painting technique of the present invention, the flat brush 1 is used. As the flat brush 1, only natural hair such as a sable brush can be used. First, two different colors of color lacquer, color lacquer 4 (red), and color lacquer 5 (white) are placed in two places on the pallet 3 made of glass. Pallets made of materials that allow colored lacquer to penetrate cannot be used. The glass plate is optimal as a material for the pallet because the color lacquer does not penetrate and the color is easy to check.
次に、図1(1)に示すように平筆1の毛先2の一端側2aの角にパレット3の色漆4(赤色)を付け、次に図1(2)に示すように平筆1の毛先2の他端側2bの角にパレット3の色漆5(白色)を、色漆4(赤色)が混じらないように付ける(第1の工程)。 Next, as shown in FIG. 1 (1), the color lacquer 4 (red) of the pallet 3 is attached to the corner of the one end side 2a of the brush tip 2 of the flat brush 1, and then as shown in FIG. The color lacquer 5 (white) of the pallet 3 is attached to the corner of the other end 2b of the brush tip 2 of the brush 1 so that the color lacquer 4 (red) is not mixed (first step).
次に、パレット3上で、第1の工程で毛先2の一端側2aに色漆4(赤色)、他端側2bに色漆5(白色)を付けた平筆1を軽く押し付けこすり馴染ませると共に中間部2cに色漆4(赤色)、色漆5(白色)の混じり合った色(ピンク色)のグラデーションを生成する(第2の工程)。 Next, on the pallet 3, in the first step, the flat brush 1 with the colored lacquer 4 (red) on the one end side 2a of the bristles 2 and the colored lacquer 5 (white) on the other end 2b is lightly pressed and rubbed. And a gradation of a color (pink) in which the color lacquer 4 (red) and the color lacquer 5 (white) are mixed is generated in the intermediate portion 2c (second step).
具体的には、図1(3)に示すように、パレット3の色漆4(赤色)、色漆5(白色)のある場所から離れた場所の平筆1に色漆を馴染ませるエリア6において、第1の工程で毛先2の一端側2aに色漆4(赤色)、他端側2bに色漆5(白色)を付けた平筆1の毛先2を水平の状態で、パレット3の上で軽く押し付け2cm程度の長さで手前側に引く動作を5〜6回程度繰り返し行う。手前側に引く動作は同じ位置ではなく、例えば平筆1の幅が1cm程度の場合は、左右に3〜5mm程度移動させながら行うことになる。 Specifically, as shown in FIG. 1 (3), an area 6 in which the color lacquer is blended with the flat brush 1 in a place away from the place where the color lacquer 4 (red) and the color lacquer 5 (white) of the pallet 3 are located. In the first step, the tip 2 of the flat brush 1 with the color lacquer 4 (red) on the one end side 2a of the tip 2 and the color lacquer 5 (white) on the other end 2b in a horizontal state, the palette The operation of pressing lightly on 3 and pulling it to the near side with a length of about 2 cm is repeated about 5 to 6 times. For example, when the width of the flat brush 1 is about 1 cm, the pulling operation toward the front side is performed while moving about 3 to 5 mm from side to side.
パレット3上で平筆1に色漆を馴染ませるエリア6では、エリアの一端側6aに平筆1の一端側2aをこすり色漆4(赤色)が付くように、エリアの他端側6bに平筆1の他端側2bをこすり色漆5(白色)が付くようにする。更に、エリアの中心部6cでは、前述したように、平筆1を手前に引く動作を複数回に渡り左右に移動させながら行うことで、色漆4(赤色)、色漆5(白色)の色の境目が混じり合うようになり、2色の混じり合った色(ピンク色)のグラデーションが生成される。グラデーションは、エリアの一端側6aに近いほど色漆4(赤色)が多い、エリアの一端側6bに近いほど色漆5(白色)が多い、2色の混じり合った色(ピンク色)のグラデーションが生成されることになる。なお、平筆1を左右に移動させてグラデーションを生成する場合でも、平筆1の毛先2の両端側には最初に付けた色の色漆をそのまま残すようにする。 In the area 6 where the flat lacquer 1 is familiarized with the flat brush 1 on the pallet 3, the one end side 2a of the flat brush 1 is rubbed with the colored lacquer 4 (red) on the one end side 6a of the area. The other end 2b of the flat brush 1 is rubbed with colored lacquer 5 (white). Furthermore, in the central part 6c of the area, as described above, by performing the operation of pulling the flat brush 1 forward while moving it left and right a plurality of times, the color lacquer 4 (red) and the color lacquer 5 (white) Color boundaries are mixed and a gradation of two mixed colors (pink) is generated. As for gradation, the color lacquer 4 (red) increases as it is closer to one end side 6a of the area, and the color lacquer 5 (white) increases as it is closer to one end side 6b of the area. Will be generated. Even when the gradation is generated by moving the flat brush 1 left and right, the color lacquer of the first color is left as it is on both ends of the hair tip 2 of the flat brush 1.
結果、これらパレット3上の色漆は平筆1に馴染むことになることから、図1(4)に示すように、平筆1の毛先2の一端側2aに色漆4(赤色○)、他端側に色漆5(白色×)、中央部2cに2色の混じり合った色漆(ピンク色△)のグラデーションが生成されることになる。 As a result, the colored lacquer on the pallet 3 becomes familiar with the flat brush 1, and as shown in FIG. 1 (4), the colored lacquer 4 (red ◯) is placed on one end side 2a of the hair tip 2 of the flat brush 1. The gradation of the color lacquer 5 (white color x) on the other end side and the color lacquer (pink △) mixed with two colors in the central portion 2c is generated.
次に、凹凸がなく漆が浸透しない処理が施されている下地の表面で、平筆1の両端側にそれぞれ異なる色(赤色○、白色×)の色漆が付けられる共に中間部に異なる色の色漆が混じり合った色(ピンク色△)のグラデーションが生成された平筆を動かし絵柄や模様を描くことになる(第3の工程)。このように平筆1の両端側にそれぞれ異なる色の色漆が付けられる共に平筆1の中間部に異なる色が混じりあったグラデーションを生成することで、1度の筆の運びで多数の色をのせることができ、濃淡のある微妙な色使いが表現可能となる。描いた後は、特にコーティングなどは必要なく、湿度を管理しながら、2週間〜1カ月程度放置して乾燥させることで製品は完成である。 Next, different colors (red ○, white ×) are applied to both ends of the flat brush 1 on the surface of the base that has been processed so that lacquer does not penetrate and there is no unevenness, and different colors in the middle part The flat brush on which the gradation of the color (pink △) mixed with the color lacquer is moved to draw a pattern or pattern (third step). In this way, lacquers of different colors are attached to both ends of the flat brush 1 and a gradation in which different colors are mixed in the middle part of the flat brush 1 is generated, so that a large number of colors can be achieved by carrying the brush once. It is possible to express a subtle color scheme with shading. After drawing, there is no particular need for coating or the like, and the product is completed by leaving it to dry for about 2 weeks to 1 month while controlling the humidity.
なお、上記の実施形態にあっては、異なる2色の色漆の色として赤色と白色、混じりあった色としてピンク色を使って説明したが、それ以外にも、異なる2色の色漆の色として黄色と緑色、混じりあった色として黄緑色など、いろいろな色の組み合わせが可能である。また、凹凸がなく漆が浸透しない処理が施されている下地の表面としては、漆器などの漆塗りを施した漆塗層面で描くことが可能である。色漆が浸透しないような処理が施されている下地であればどのようなものでも描くことができる。 In the above-described embodiment, red and white are used as the colors of two different color lacquers, and pink is used as a mixed color. Various combinations of colors are possible, such as yellow and green as colors and yellow-green as a mixed color. Moreover, as the surface of the foundation | substrate which has the process which is not uneven | corrugated and the lacquer does not osmose | permeate, it is possible to draw with the lacquered layer surface which gave lacquering, such as a lacquer ware. Any substrate can be drawn as long as it is treated so that colored lacquer does not penetrate.
本発明の絵付技法を使った描き方の例を、図2を参照して説明する。 An example of how to draw using the painting technique of the present invention will be described with reference to FIG.
半月型になるように平筆1の筆圧を加減しながら1回のストロークで、図2(1)に示すような花びらの絵柄を描くことができる。例えば平筆1の両端側に赤色○と白色×の色漆が付けられる共に中間部にこれらの色の色漆が混じり合ったピンク色△のグラデーションが生成された平筆を用いて描くことで、両端に赤色と白色、中間にピンク色のグラデーションの掛かった色鮮やかなバラの花びらが描くことができる。 A petal pattern as shown in FIG. 2 (1) can be drawn with one stroke while adjusting the pressure of the flat brush 1 so as to be a half-moon shape. For example, by drawing with a flat brush with a red triangle and a white x color lacquer attached to both ends of the flat brush 1 and a pink △ gradation created by mixing these colors of color lacquer in the middle A colorful rose petal with red and white on both ends and a pink gradation in the middle can be drawn.
平筆1を約45度の角度で置きS字を描くように下方に引く1回のストロークで、図2(2)に示すような葉の絵柄を描くことがきる。また、約45度の角度で平筆を置き左側を葉の根元から葉先に向かい葉脈のようにジグザグに動かし葉先で筆を止め、右側も同様に平筆を動かし、2回のストロークに分けることで、図2(3)に示すような葉の絵柄を描くことができる。例えば平筆1の両端側に緑色■と黄色●の色漆が付けられる共に中間部にこれらの色の色漆が混じり合った黄緑色▼のグラデーションが生成された平筆を用いて描くことで、両端に緑色と黄色、中間に黄緑色のグラデーションの掛かった色鮮やかな葉が描くことができる。なお、上述したのは、描き方の例であることから、これ以外にもいろいろな描き方が可能である。 A flat pattern of leaves as shown in FIG. 2 (2) can be drawn with a single stroke that draws the flat brush 1 downward at an angle of about 45 degrees and draws an S-shape. Also, place a flat brush at an angle of about 45 degrees, move the left side from the base of the leaf to the tip of the leaf in a zigzag like a vein, stop the brush at the tip of the leaf, move the flat brush in the same way on the right side, and make two strokes By dividing, it is possible to draw a leaf pattern as shown in FIG. For example, by using a flat brush with a greenish green and yellow color lacquer applied to both ends of the flat brush 1 and a yellowish green ▼ gradation created by mixing these colored lacquers in the middle. A colorful leaf with green and yellow on both ends and a yellow-green gradation on the middle can be drawn. Since the above is an example of how to draw, various other ways of drawing are possible.
図3は、本発明の絵付技法を使ってバラ(花びら、葉など)を描いた盆(一部)の写真である。 FIG. 3 is a photograph of a tray (part) depicting roses (petals, leaves, etc.) using the painting technique of the present invention.
本発明の色漆の絵付技法によれば、漆器の他、漆塗装をした装飾品、家具などにも応用可能である。 According to the color lacquer painting technique of the present invention, it can be applied to lacquered decorative items, furniture, and the like.
1 平筆
2 毛先
2a 毛先の一端側
2b 毛先の他端側
2c 毛先の中間部
3 パレット
4 色漆(赤色)
5 色漆(白色)
6 平筆1に色漆を馴染ませるエリア
6a エリアの一端側
6b エリアの他端側
6c エリアの中間部DESCRIPTION OF SYMBOLS 1 Flat brush 2 Hair tip 2a One end side 2b of hair tip The other end side 2c of hair tip Middle part 3 of hair tip Pallet 4 Color lacquer (red)
5 color lacquer (white)
6 Area 6a for blending flat lacquer with color lacquer 1a One end side of area 6b The other end side of area 6c Middle part of area
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Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JP2018130915A (en) * | 2017-02-17 | 2018-08-23 | 武藤 守夫 | Lacquer product and method of manufacturing the same |
CN114619792A (en) * | 2022-01-25 | 2022-06-14 | 浙江罗卡芙家纺有限公司 | Drawing method of Suzhou embroidery yard body painting |
CN116674316A (en) * | 2023-03-28 | 2023-09-01 | 厦门追素视觉文化传媒有限公司 | Light relief lacquer painting process combining spot-color lacquer painting technique and lacquer carving technique |
-
2009
- 2009-12-14 JP JP2009299390A patent/JP2011121350A/en active Pending
Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JP2018130915A (en) * | 2017-02-17 | 2018-08-23 | 武藤 守夫 | Lacquer product and method of manufacturing the same |
CN114619792A (en) * | 2022-01-25 | 2022-06-14 | 浙江罗卡芙家纺有限公司 | Drawing method of Suzhou embroidery yard body painting |
CN116674316A (en) * | 2023-03-28 | 2023-09-01 | 厦门追素视觉文化传媒有限公司 | Light relief lacquer painting process combining spot-color lacquer painting technique and lacquer carving technique |
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