Classifications

• • G—PHYSICS
  • G10—MUSICAL INSTRUMENTS; ACOUSTICS
  • G10G—REPRESENTATION OF MUSIC; RECORDING MUSIC IN NOTATION FORM; ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR, e.g. SUPPORTS
  • G10G1/00—Means for the representation of music

Definitions

• This invention relates to a method, keyboard and system for typing music.
• State of the art At present, writing music is rather a laborious task due to the extremely large number of symbols that can be represented in the staff.
• Another solution offered by the known art consists of connecting a music keyboard to a computer with appropriate software by means of a special communication interface.
• a music keyboard to a computer with appropriate software by means of a special communication interface.
• the duration of each note depends on how long the key is pressed, which makes it extremely difficult to ensure the correct interval between each bar.
• all musical symbols and notation used have to be added or completed later, by means of a mouse, for example.
• the object of the present invention is to provide a method for typing music that solves the problems described above, allowing scores and sheet music to be written simply and quickly.
• a further object of the invention is to provide a keyboard that allows sheet music to be written without having to use other means of input to complete it. Therefore, the present invention achieves the above disclosed objects by providing a method for writing sheet music and scores that, according to claim 1 , includes the following steps: restricting the tone range to one octave only; associating a note-key (I) with C, a note-key (II) with D, a note-key (III) with E, a note-key (IV) with F, a note-key (V) with G, a note-key (Vl) with
• a and another note-key (VII) with B - associating two function-keys (TTO1 and TTO2) with a function that converts the current octave, to which the previous phrase refers, to a higher or lower octave; so that with at least nine basic associations it is possible to represent every note of every octave.
• a keyboard for typing music formed of at least nine keys, characterized in that seven thereof are associated with the notes from C to B of the current octave, and two function-keys (TTO1 and TTO2) are used to create a re-association with another octave above or below the current octave.
• a system including a computer, a display device, traditional input systems, and characterized in that it also includes a keyboard for typing music and a relative computer program for managing and interfacing with the keyboard.
• each key as well as being related to a note as far as the pitch is concerned, also represents that note as far as rhythmic duration is concerned, therefore, similarly to the above-disclosure relating to the shift between octaves, a key is introduced that represents the pause, and additional two function-keys (TTR1 and TTR2) that serve to re- associate the keys with rhythmic representations of a longer or shorter duration than the current one.
• TTR1 and TTR2 additional two function-keys
• the object keyboard also features additional keys for entering all those symbols, such as ornaments, ties etc., that are normally present on a musical score.
• Figure 1 shows the flow diagram relating to a method for managing a keyboard for typing music
• Figure 2 shows a preferred embodiment of a keyboard for typing music, formed of three rows of keys associated with notes, plus a pause key, each associated with a different rhythmic representation, and four function keys for shifting octave and rhythmic representation;
• Figure 3 shows an example of how to use said keyboard for typing music, showing the sequence of operations for the given musical phrase, and in particular, the letters for the various steps correspond to those placed below the melody;
• Figure 4 shows an example of a keyboard for typing music that also includes keys for the punctuation and symbols typically used in musical notation.
• the method object of the present invention is formed by a step in which the tonal range, corresponding more or less to the 88 white keys on a piano, is restricted, e.g. to a single octave. If the alterations of the tonal system are managed in another manner, then only seven associations between the notes in an octave and the corresponding keys are enough. Therefore, in order to cover all the octaves in the range, another step involves another two associations, i.e. between two TTO1 and TTO2 keys and two functions, which are used, respectively, to shift the reference octave of the previous step, to an octave above or below the current one.
• pressing key TTO1 causes key I to refer to the C of the third interval of the treble clef.
• pressing key TTO2 again, for example, causes key Il to refer to D of the middle octave.
• each note represents both the pitch of the note and its duration
• keys TTR1 double (or half) the value of note duration, so that, if the current value is a minim, pressing TTR2 causes all the following notes to become crotchets; in particular, a key between III and IV only has a time value, representing a pause of a duration consistent with the current setting.
• key I does not refer statically to C, but may rather be associated with the first degree of the current tonal system, e.g. G - if the tonal system is G major (or minor), the seventh (or third and sixth) degree is automatically altered by the software for managing and interfacing the keyboard with a computer.
• the typing fingers are the 2nd, 3rd and 4th fingers of each hand.
• the 5th finger of the right hand shifts up an octave from the insertion of the next note, while the 5th finger of the left hand shifts down an octave from the insertion of next note.
• the 4th finger of the left hand presses the first degree
• the 3rd finger presses the second degree
• the 2nd finger presses both the third degree and the pause; continuing
• the 2nd finger on the right hand presses the fourth and fifth degree
• the 3rd finger on the right hand presses the sixth degree and the 4th finger the seventh degree.
• the thumb of the right hand doubles note duration from the next note typed, while the thumb of the left hand halves note duration from the next note typed.
• a shift key t When a shift key t is pressed at the same time as a key associated to a note of the row of note-keys above or below, it doubles the note duration multiplication factor, which is normally 2 for the top row and ⁇ h for the lower row, with respect to the current value of the middle row: for example, if the middle row is set to represent quavers, the top row, rather than referring to crotchets, refers to minims, while the lower row, rather than referring to semiquavers, refers to demisemiquavers.
• the double-shift key tt quadruples the above-mentioned multiplication factor.
• additional keys for entering dots, ties, staccato dots and the various other symbols typical of musical notation, including clefs, tempo, polyphony and expression marks.
• Other keys allow triplets, chords, arpeggios, etc. to be added easily.
• Additional function keys may also be present, which perform their function only as long as they are pressed, so that a further symbol may be associated with a key in addition to the usual one; there is also a key for deleting the last symbol entered and/or the last setting applied.
• step 1 the program is started; at step 2, the system waits for a key to be pressed; at step 3, the system determines which key was pressed using a decoding code, an operation commonly called Scan Code; at step 4, the system identifies whether the key refers to a symbol, then at step 5, the position and duration of the symbol on the staff are calculated, so that, at step 6, the successful insertion of the symbol is shown on a display device, such as a monitor. Then at step 15 it is decided whether to interrupt the insertion of symbols by going to the END, or to insert another symbol by returning to step 2.
• a decoding code an operation commonly called Scan Code
• step 7 it is determined whether the key function represents a rhythmic shift (TTR) or an octave shift (TTO). If it is an octave shift, at step 9 it is decided whether to go to step 10, and shift to the higher octave starting from the current insertion position, or to go to step 1 1 , and shift to the lower octave. If it is a rhythmic shift, at step 12 it is decided whether to go to step 13, increasing note duration starting from the current insertion position, or to go to step 14, decreasing said note duration. Steps 10, 1 1 , 13 and 14 lead back to step 2, waiting for another key to be pressed.
• TTR rhythmic shift
• TTO octave shift
• Said keyboard may be made with real membrane, micro-switch keys, or it can be made using optical-reading systems that can detect the position of the fingers and all possible variants; more generally, it may be made using typing recognition means.

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• Physics & Mathematics (AREA)
• Engineering & Computer Science (AREA)
• Acoustics & Sound (AREA)
• Multimedia (AREA)
• Electrophonic Musical Instruments (AREA)

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• 2007
  • 2007-06-21 IT ITRM20070346 patent/ITRM20070346A1/it unknown
• 2008
  • 2008-05-29 EP EP08760168A patent/EP2162878A1/en not_active Withdrawn
  • 2008-05-29 WO PCT/EP2008/056576 patent/WO2008155201A1/en active Application Filing

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