EP0512894B1 - Asymmetrischer Tanzschuh und derartiges Schuhpaar - Google Patents

Asymmetrischer Tanzschuh und derartiges Schuhpaar Download PDF

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Publication number
EP0512894B1
EP0512894B1 EP92401216A EP92401216A EP0512894B1 EP 0512894 B1 EP0512894 B1 EP 0512894B1 EP 92401216 A EP92401216 A EP 92401216A EP 92401216 A EP92401216 A EP 92401216A EP 0512894 B1 EP0512894 B1 EP 0512894B1
Authority
EP
European Patent Office
Prior art keywords
shoe
foot
front part
shoes
dancer
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired - Lifetime
Application number
EP92401216A
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English (en)
French (fr)
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EP0512894A1 (de
Inventor
Jean-Marie Vallée
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Repetto
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Repetto
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Publication date
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Publication of EP0512894A1 publication Critical patent/EP0512894A1/de
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Anticipated expiration legal-status Critical
Expired - Lifetime legal-status Critical Current

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Classifications

    • A—HUMAN NECESSITIES
    • A43—FOOTWEAR
    • A43B—CHARACTERISTIC FEATURES OF FOOTWEAR; PARTS OF FOOTWEAR
    • A43B5/00—Footwear for sporting purposes
    • A43B5/12—Dancing shoes

Definitions

  • the invention relates to a dance shoe suitable for performing steps on points of the type having the characteristics mentioned in the preamble of claim 1.
  • a dance shoe mainly comprises a sole to which is connected a flexible headdress or "rod”, most often made of cotton or satin, which covers the front of the foot and extends from side to side. across the instep until around the heel from behind.
  • the front of the upper is made rigid by a box or “vamp” adapted to grip the front of the foot; this upper is in practice formed from superimposed layers glued, for example cotton, jute and felt, which are then put into the desired shape, in the front bottom of the rod, thanks to a shoe tree or "shape" d '' sizing: the stiffness of the vamp depends on the quantity and the sizing glue.
  • the sole has an outer sole, for example of leather, and an inner sole, extending to the bottom of the upper, formed of a sole plate called the first, for example of leather or cardboard and covered a cotton fabric, and an underlying stiffening plate or "shank", for example of cardboard.
  • Such a ballet shoe allowed generations of dancers to perform the graceful ballet steps required by their art, but at the cost of painful compressions on the front of the foot leading in particular with the famous "onion of the dancer” and sometimes capable of leading to osteo-ligamentary or musculo-tendinous pathologies.
  • a dance shoe In practice, a dance shoe, from its new state of maximum rigidity, inevitably deforms during use while its rigidity degrades until it requires replacement; in this way, during most of its life, a slipper painfully compresses the front of the foot of the dancer who uses it and a reduction in this painful period (for example by the use of a lesser amount of glue) implies a shortening of the life of the liner.
  • the object of the invention is to shorten this painful period or at least reduce the discomfort of the dancer during the life of use of the slipper, without reducing the latter.
  • it aims for a bootie which, for the same duration of use as in the past, leads to less discomfort without compromising either the quality of the support of the forefoot or the safety of the dancer, and this for a bearable additional cost without deviating too much from the traditions or the aesthetics of the dance.
  • the invention proposes a dance shoe comprising a sole to which a flexible rod is fixed, stiffened in a front part to an end. substantially flat, by an upper covered by this rod and intended to grip the front of the foot of a dancer, characterized in that this front part has on its top a crest line, formed by maxima in height of successive transverse cuts of this front part, which is offset on a given side from a longitudinal plane of the liner by deviating from this plane all the more as one moves away from the end of the liner, this front part connecting, transversely towards the on the other side of said longitudinal plane, by a zone forming a flat that is all the wider as one moves away from this end, thanks to which this boot is specifically intended for one or the other of the feet of a dancer, the ridge line being intended to extend from above the big toe of the foot considered.
  • dance slippers reserved for a limited clientele for the exercise of their art, have completely different functions from those of city or leisure shoes or the indoor slippers used by the whole of the population in everyday life: the dance slippers targeted by the invention are intended mainly, as explained above, for the execution of spikes while the shoes or slippers of the everyday life are mainly intended to support the foot flat on the ground (walking, running or even jumping ).
  • the invention does not impose any differentiation of the upper or the sole (without excluding it).
  • the invention has been able to recognize the critical location of a dance shoe where a differentiation between right foot and left foot is important from the comfort point of view of the dancer while respecting the good distribution of the forces in the foot which
  • this differentiation could be discreet enough to respect the general aesthetics of the slipper and the traditions of dance.
  • the invention has been able to abstract from the habit of a person skilled in the art of reasoning from above or from below and reasoning from the end.
  • the invention further provides a pair of dance shoes of the aforementioned type, the crest lines of which are offset in opposite directions with respect to the respective longitudinal planes of these shoes.
  • Figure 1 shows the right foot 1 of a dancer peaking; this foot is fitted in a dance shoe 2 shown in FIGS. 1 to 4 and comprising, in a known manner, an outer sole 3 to which is attached a flexible rod 4 covering the toes and more generally the front of the dancer's foot, s' extending on either side of the instep and around the heel.
  • a vamp 5 shown in dotted lines in FIG. 1, the rigidity of which is intended to firmly hold the front of the dancer's foot.
  • first 6 which extends to the bottom of the vamp; an intermediate piece or shank 6A (see FIG. 4) intended for the longitudinal stiffening of the liner is sandwiched between the outer sole 3 and the first 6.
  • the front part 7 of the liner called the tip, is flattened with very low convexity .
  • the upper 4 is made of satin
  • the outer sole 3 is of leather
  • the first 6 and the shank are made of strong cardboard
  • the upper is formed by a stack of a burlap, a piece of felt, burlap and cotton cloth, linked together and held in shape by a mass of dried impregnating glue.
  • the dance shoe 2 has an asymmetry with respect to the longitudinal plane P of FIG. 2. This asymmetry appears mainly in FIGS. 3 and 4, in the conformation of the vamp, therefore of the boot on the top of the foot.
  • the slipper 2 has a maximum height M which is offset laterally with respect to the longitudinal plane P, d 'a side intended to follow the big toe.
  • the points M in successive cross sections of the vamp form a crest line marked 10.
  • This line appears to be, with respect to the plane P, offset on average from a distance of barely a few millimeters, ranging from approximately 5 mm near the point 7 of the liner (this line is hardly marked there) to approximately 12 mm near the edge 8 of the upper.
  • this crest line deviates from the plane P with an inclination of about 7 to 8 degrees when viewed from above (preferably between 5 ° to 15 ° or better, between 5 ° and 10 ° depending on the size of the bootie and its width).
  • the offset of the ridge line in a cutting plane appears to be approximately 0.5 to 0.15 times (here approximately 0.10 times on average) of the width of the liner in this cutting plane.
  • This crest line, seen from the side (see FIG. 1) is practically rectilinear by making an angle ⁇ approximately constant here about 20 to 25 ° relative to the underside (or base) of the vamp.
  • this crest line is weakly marked, the entire half 11 of the top of the liner having to cover the big toe and part of the corresponding metatarsus (internal half) having a slowly varying curvature.
  • the other half 12 (external half) has a flat 13 that is all the more wide and marked as one moves away from the point of the bootie until, in the example considered, becoming slightly concave (see Figure 4).
  • FIG. 1 where the dotted lines represent, for comparison purposes, the outline in top view of a conventional slipper, shows that the differentiation in top view of slipper 1 is very moderate and only disturbs very slightly the aesthetics of the slipper; it has in fact been exaggerated to make it visible, but it only appears to the eye on an actual bootie with very little difficulty, much less clearly than the dissymmetry of the uppers.
  • This differentiation consists of a widening along the big toe then a narrowing on the approach of the instep and, on the other side, a narrowing along the small toes.
  • a shoe for the left foot (not shown) has the same characteristics as shoe 2, but by reversing the halves 11 and 12 on either side of the longitudinal plane.

Claims (6)

  1. Tanzschuh (2), umfassend eine Sohle (3, 6), an der ein biegsames versteiftes Vorderblatt (4) befestigt ist, der in einem vorderen Teil bis zu einer im wesentlichen flachen Spitze (7) durch ein Oberleder (5) versteift ist, das von diesem Vorderblatt bedeckt ist und dazu bestimmt ist, den vorderen Teil des Fußes einer Tänzerin zu umschließen, dadurch gekennzeichnet, daß dieser vordere Teil auf seiner Oberseite eine Scheitellinie (10) aufweist, die von Höhenmaxima (M) der Querschnitte dieses vorderen Teils gebildet ist und auf eine bestimmte Seite einer Längsebene (P) des Schuhs versetzt ist, indem sie sich mit zunehmender Entfernung von der Spitze (7) des Schuhs von dieser Ebene entfernt, wobei dieser vordere Teil sich in Querrichtung auf die andere Seite dieser Längsebene zu durch eine eine Abflachung (13) bildende Zone anschließt, die mit zunehmender Entfernung von dieser Spitze breiter wird, so daß dieser Schuh spezifisch für den einen oder den anderen Fuß einer Tänzerin bestimmt ist, wobei die Scheitellinie dazu bestimmt ist, auf der Oberseite der großen Zehe des betreffenden Fußes entlangzulaufen.
  2. Tanzschuh nach Anspruch 1, dadurch gekennzeichnet, daß die Scheitellinie (10) sich von der Spitze an von der Längsebene mit einer Neigung von 5 bis 15° in Draufsicht entfernt.
  3. Tanzschuh nach Anspruch 2, dadurch gekennzeichnet, daß diese Neigung in Draufsicht 5 bis 10° beträgt.
  4. Tanzschuh nach Anspruch 1 oder 2, dadurch gekennzeichnet, daß diese Scheitellinie in Seitenansicht wenigstens annähernd geradlinig ist.
  5. Tanzschuh nach Anspruch 4, dadurch gekennzeichnet, daß diese Scheitellinie in Seitenansicht einen Winkel von etwa 20 bis 25° mit der Basis des Oberleders (5) bildet.
  6. Tanzschuhpaar, bestehend aus zwei Schuhen nach einem der Ansprüche 1 bis 5, deren Scheitellinien bezüglich der jeweiligen Längsebenen dieser Schuhe in entgegengesetzten Richtungen versetzt sind.
EP92401216A 1991-05-03 1992-04-29 Asymmetrischer Tanzschuh und derartiges Schuhpaar Expired - Lifetime EP0512894B1 (de)

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
FR9105467 1991-05-03
FR9105467A FR2675983B1 (fr) 1991-05-03 1991-05-03 Chausson de danse dissymetrique et paire de tels chaussons.

Publications (2)

Publication Number Publication Date
EP0512894A1 EP0512894A1 (de) 1992-11-11
EP0512894B1 true EP0512894B1 (de) 1994-07-27

Family

ID=9412503

Family Applications (1)

Application Number Title Priority Date Filing Date
EP92401216A Expired - Lifetime EP0512894B1 (de) 1991-05-03 1992-04-29 Asymmetrischer Tanzschuh und derartiges Schuhpaar

Country Status (7)

Country Link
US (1) US5191726A (de)
EP (1) EP0512894B1 (de)
JP (1) JPH05130902A (de)
AT (1) ATE108983T1 (de)
AU (1) AU644733B2 (de)
DE (1) DE69200272T2 (de)
FR (1) FR2675983B1 (de)

Families Citing this family (26)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
KR20010018860A (ko) * 1999-08-23 2001-03-15 조영규 발레용 토슈즈
JP2003530179A (ja) 2000-04-13 2003-10-14 キット シュー リミテッド 靴の組み立て部材およびこれを用いた靴並びにその製造方法
US6470599B1 (en) * 2001-04-23 2002-10-29 Young Chu Climbing shoe with concave sole
US6691431B2 (en) * 2001-08-14 2004-02-17 Sylvia Ortiz Farrior Apparatus and method for augmenting dancer's foot
US6895694B2 (en) 2002-11-19 2005-05-24 William S. Nye Toe shoe
US20050138839A1 (en) * 2003-12-29 2005-06-30 Paul Terlizzi Dance shoe and last for making a dance shoe
AU2005291828A1 (en) * 2004-10-08 2006-04-13 J Bloch Pty Limited Dance footwear
US20060143945A1 (en) * 2005-01-04 2006-07-06 Walker Craig S Article of manufacture for ballet shoes and shanks
US7765718B2 (en) * 2006-02-28 2010-08-03 Pointe Noir Pty Ltd. Dance shoe with moldable foot compartment
US7926203B2 (en) * 2006-10-17 2011-04-19 Pointe Noir Pty Ltd. Dance footwear
GB0625184D0 (en) * 2006-12-18 2007-01-24 Macgregor Elizabeth Y Dance shoe
US20090151200A1 (en) * 2007-12-08 2009-06-18 Harper Grace Niedermeyer Ballet pointe shoe
US9314068B2 (en) 2010-04-30 2016-04-19 Kelly Susan Schmutte Self-customized, moldable, weight-distributing insert for ballet pointe shoes
CA2866832A1 (en) * 2011-12-29 2013-07-04 Drew Layne, Llc Toe wedge for a ballet pointe shoe
JP5120743B1 (ja) * 2012-05-28 2013-01-16 恵里 田邊 ジャンピングシューズ及びジャンピングシューズの製造方法
US10813404B2 (en) * 2013-07-08 2020-10-27 Orzapro LLC Shock-absorbing dance shoe assembly
US20150230541A1 (en) * 2014-02-14 2015-08-20 W. L. Gore & Associates, Gmbh Conformable Booties, Shoe Inserts, and Footwear Assemblies Made Therewith, and Waterproof Breathable Socks
WO2017027826A2 (en) 2015-08-13 2017-02-16 W. L. Gore & Associates, Inc. Booties and footwear assemblies comprising seamless extensible film, and methods therefor
WO2017031432A1 (en) 2015-08-19 2017-02-23 W. L. Gore & Associates, Inc. Conformable seamless three dimensional articles and methods therefor
USD838098S1 (en) * 2016-01-27 2019-01-15 Savvier, Lp Sock
USD903990S1 (en) 2016-11-01 2020-12-08 Lisias Ransan Footwear component
USD825153S1 (en) 2017-02-02 2018-08-14 Piga Inc. Soft sole footwear with adjustable plantar arch support
US11026474B2 (en) * 2018-06-05 2021-06-08 Drew Layne, Llc Ballet pointe shoe
USD912375S1 (en) 2018-11-01 2021-03-09 Lisias Ransan Footwear component
US11278080B2 (en) 2019-01-19 2022-03-22 Lisias Ransan Ballet pointe shoe having toe platform with malleable bumper
USD920642S1 (en) 2019-12-03 2021-06-01 Lisias Ransan Ballet pointe shoe

Family Cites Families (11)

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US1525848A (en) * 1924-04-22 1925-02-10 Barney S Bonaventure Toe slipper
US1744122A (en) * 1928-10-18 1930-01-21 John G Keeling Toe-dancer's shield
US1844885A (en) * 1930-07-26 1932-02-09 Professional Shoe Corp Ballet slipper and method of making the same
US1819766A (en) * 1930-08-05 1931-08-18 Capezio Salvatore Toe shield
US1953659A (en) * 1931-04-22 1934-04-03 Savino Michele Ballet slipper
US2701925A (en) * 1952-08-19 1955-02-15 Dorothy C Luhr Removable cover for toe-dancing shoes
US3797137A (en) * 1972-11-13 1974-03-19 Pirvoette Projects Inc Ballet slipper
US4026046A (en) * 1976-07-29 1977-05-31 Clark Ann V Dancing slipper with self-molding toe insert
US4412393A (en) * 1981-07-10 1983-11-01 Ballet Makers, Inc. Ballet toe shoe and process of manufacture thereof
US4901453A (en) * 1988-03-18 1990-02-20 Gaynor Elizabeth H Ballet slipper and method of manufacturing a ballet slipper
US5101579A (en) * 1989-08-04 1992-04-07 Ballet Makers Inc. Sound deadening ballet shoe

Also Published As

Publication number Publication date
FR2675983A1 (fr) 1992-11-06
ATE108983T1 (de) 1994-08-15
US5191726A (en) 1993-03-09
AU1593492A (en) 1992-11-05
FR2675983B1 (fr) 1994-01-28
DE69200272D1 (de) 1994-09-01
EP0512894A1 (de) 1992-11-11
AU644733B2 (en) 1993-12-16
JPH05130902A (ja) 1993-05-28
DE69200272T2 (de) 1994-11-03

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