RU2438647C1 - Cosmetic agent for creating fancy look (versions) - Google Patents

Abstract

FIELD: medicine.

SUBSTANCE: invention refers to make-up products and represents a cosmetic agent for creating a fancy look, presented in the form of a colourless luminescent make-up product containing organic phosphor of abnormally high Stockes shift more than 100 nm, colourless in daylight and luminescing in a visible spectral region when exposed to UV radiation, differing by the fact that specified phosphor is introduced in the cosmetic agent in the form of a powdered pigment forming suspension with a colourless binding substance not absorbing long-wave UV radiation in the range of 365-420 nm.

EFFECT: invention provides improved visual perception of the fancy look at the distance due to higher make-up contrast and brightness under UV radiation, and better stability, homogeneity and segregation resistance of the cosmetic agents containing phosphors.

16 cl, 3 ex, 6 dwg

Description

The invention relates to decorative cosmetics, which can be used in makeup, as part of theatrical makeup, for decorating hairstyles, as well as for applying a drawing to the body. The claimed cosmetic product is intended to form an artistic image of a character in a theatrical production or entertainment show.

Cosmetics (from the Greek. Κοςµητική - “the art of decorating” or “with experience in decorating”) is a doctrine of the means and methods of improving a person’s appearance. Cosmetics, as a rule, are substances of complex chemical composition containing various ingredients. The composition of one cosmetic product may include more than 50 ingredients, with each ingredient performing certain functions in the composition of the cosmetic product.

The concept of decorative cosmetics combines, in particular, such areas as makeup, makeup, body art and others.

Makeup is the application of various types of decorative cosmetics to the skin of the face. In everyday life, makeup has become widely used since the second half of the 20th century. Then there were special sections on makeup in fashion magazines, as well as in various popular magazines.

Since the development of technology allowed us to supply theatrical stages, exhibition halls, discos and any entertainment events with sources of ultraviolet light, the idea arose of using phosphors in decorative cosmetics, which, unlike the widely used fluorescent pigments, do not absorb visible light. Under ordinary lighting, they are white powders, and when illuminated with ultraviolet, "black light" they emit blue, green, yellow or red glow.

Makeup specialists - make-up artists, as well as theatrical make-up artists began to use luminous additives to decorative cosmetics, however, the formulation of the specified means of decorative cosmetics is poorly developed.

Makeup (makeup) develops as a cosmetic modeling of the face, the art of changing the appearance of an actor, mainly his face, using make-up colors, plastic and hair stickers, a wig, hairstyle, etc. The nature of makeup in a theater depends on the artistic features of the play, the intent of the actor, and the director’s concept and the style of the performance.

Also called makeup themselves paint used for makeup.

The history of makeup goes back to folk rites and games, requiring external transformation from the participants.

Greater importance in the work on the role was attached by K.S. Stanislavsky. In the practice of the Moscow Art Theater, the art of makeup has become one of the important components of the director's intention of the performance. Since that time, a new position as a make-up artist appears.

There are two main methods of makeup: painting and volumetric (plastic). Picturesque methods of applying makeup require the use of only paints to simulate volume - the necessary depressions and bulges are simply drawn on the face, and the skin color changes. Volume makeup involves the use of adhesives, stickers and suspenders, as well as postage products (mustaches, beards, wigs). Currently, the concept of volume makeup is identified with the concept of plastic makeup. Plastic make-up involves gluing latex or silicone elastic patches onto the skin.

The main materials for the manufacture of plastic linings are various types of silicone, latex (usually foamed), gelatin mixtures, polyurethanes, and other elastic materials. Previously, foam latex was widely used, but at the moment it is replaced by silicone.

Makeup products, as well as make-up materials and paints applied to the skin, must be safe and hypoallergenic, and must be washed off without any difficulty and without harm to health.

Another direction of artistic creativity, in which the use of decorative cosmetics is used to form or change the character’s external image, is “body art”. Body art (English body art - “body art”) is one of the forms of avant-garde art, where the body of a person becomes the main object of creativity, and the content is revealed using poses, gestures, facial expressions, drawing signs, “jewelry” on the body. Body art objects can also be drawings, photos, videos and body models. The direction arose at an early stage of the avant-garde, but gained particular popularity during the period of postmodernism, which resorted to it as an element of installations and performance.

One of the first experiments in the spirit of body art in the 20th century dates back to the 1910s, when Russian futurism in the person of M.F. Larionov proclaimed that "it is time for art to invade life" and that "face painting is the beginning of an invasion." Offering a program of various kinds of “colorings” and transformations of the appearance of male and female figures, Larionov realized the ideas of masked body art in relation to himself and his comrades. Having painted their faces and turned themselves into living art objects, they went on September 14, 1913 on a “futuristic walk” along the Kuznetsk bridge.

A variation of “body art” is body painting.

Body painting, leg art, body painting - this is the art of drawing on the body. The most common type of body art, in which the main place is drawing on the face, is face art.

Currently, body art is widespread as one of the forms of advertising a product or service at exhibitions, presentations and other events. For this, professional models and artists are involved.

The claimed invention is directed to the use of luminous decorative cosmetics to solve the problem of changing the visual image of a make-up character when changing the type of light source.

The prior art decorative cosmetics, which use luminous components. Cosmetics presented on the site:

http://www.ufaservice.ru/cosmetika4.php - selected as the closest analogue of the claimed invention.

On this site, various types of decorative fluorescent cosmetics are offered for sale in an assortment of five glow colors, such as: glowing makeup, body shine cream, fluorescent hair gel, fluorescent lipstick, etc. It is said about “glowing makeup” that “makeup can be applied to the face and body. In the daytime, the makeup is not visible, but it glows in the dark and under ultraviolet light. ”

From this information it follows that in this cosmetics a pigment is used that glows in two cases, firstly, in the dark (without the action of a source of ultraviolet radiation) and, secondly, under the influence of ultraviolet radiation. Inorganic phosphors based on metal oxides, in particular based on aluminum or zinc oxides, as well as phosphors based on rare-earth metal oxides, possess such properties. These are well-known inorganic phosphors (see patent RU 2217467 “STABLE PHOTOLUMINOPHOR WITH LONG LAST AFTER”, published November 27, 2003, priority December 14, 2001). Inorganic phosphors, however, have several disadvantages that prevent their widespread use as pigments in decorative cosmetics.

The pigments obtained on the basis of inorganic phosphors are powders of large fractions. They are poorly milled, and with careful abrasion, inorganic phosphor powders lose their luminescent properties, since their luminescence depends on the crystal structure of the pigment.

Due to the fact that inorganic phosphors based on metal oxides are poorly pulverized, cosmetics have a rough paste-like consistency, which when applied to the skin surface creates a rough texture of makeup. For makeup, where a smooth transition of tones and shades is required, thick textured strokes of bright cosmetics on inorganic phosphors cannot be used either.

In addition, the density of phosphors based on rare-earth metal oxides is approximately 5 g / cm ³ , which is many times higher than the density of organic binders used in cosmetics. As a result, suspensions and emulsions obtained using inorganic phosphors have unstable properties, they delaminate, and the pigment precipitates.

Another disadvantage of this cosmetics is that it does not immediately go out in the dark when you turn off the sources of ultraviolet and daylight. The color of the glow and the duration of the afterglow are the individual properties of a particular phosphor, which are preserved by mixing several pigments. Therefore, for example, a body foundation, the color of which is made up of a mixture of several phosphors, being in the dark, will go out after a short afterglow of the pigments, but each pigment of the mixture will go out at different times, which will lead to a gradual change in the color of an object painted with cosmetics of this composition, into yellow, blue or green tones. This property leads to a distortion of the color perception of the object in the dark after turning off the source of ultraviolet illumination.

The claimed invention is aimed at eliminating the above disadvantages.

The following terminology is used in the art.

Luminescence is a nonthermal glow of a substance that occurs after it absorbs excitation energy.

Solid and liquid substances that can luminesce are called phosphors (from Latin lumen - light and Greek phoros - carrier).

The luminescent luminescence of bodies includes the phenomenon of photoluminescence - this is luminescence under the influence of light of the visible and ultraviolet ranges. Photoluminescence, in turn, is divided into fluorescence with a luminescence duration of 10 ^-9 -10 ^-6 s and phosphorescence with an afterglow of 10 ^-3 -10 ² s.

The phenomenon of phosphorescence has long been used in the manufacture of paints that glow in the dark (you can recall the phosphorus-colored dog of the Baskervilles). In addition, phosphorescent light compositions are used for application on the scales of devices intended for use in low light.

At present, many luminous luminescent organic compounds are already known, but not every luminous substance is suitable for practical use in the formulation of decorative cosmetics. For this, along with luminescence, properties such as hypoallergenicity, harmlessness to humans upon contact of the substance with the skin, as well as lightfastness, chemical inertness, low solubility in organic binders, etc., which make it possible to solve the problem of obtaining a stable cosmetic composition, are needed.

Organic phosphors that are colorless in daylight are known from the prior art, for example from the following patent documents: RU 2287007, RU 2247117, RU 2039745, SU 681792, SU 305160, SU 198340, SU 179773, DE 2209872, US 3169129, US 3658817. However, none of the listed patent documents does not disclose the formulation of a cosmetic product containing phosphors suitable for forming or changing the visual image of a character in a theater or on an entertainment show.

The invention is aimed at solving the problem of changing the visual image of a make-up character when illuminated by a source of ultraviolet radiation.

The technical result of the invention is to improve the visual perception of the artistic image at a distance by increasing the contrast and brightness of decorative cosmetics under the influence of ultraviolet radiation.

Another technical result of the invention is to increase the stability, homogeneity and resistance to delamination of cosmetics containing phosphors.

SUMMARY OF THE INVENTION

Declared a cosmetic product for the formation of an artistic image, made in the form of a colorless luminescent product of decorative cosmetics containing a phosphor and a binder. Moreover, as a phosphor, the cosmetic product contains an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with an ultraviolet radiation source, and as a binder, the cosmetic product contains a colorless (transparent) organic substance not absorbing long-wave ultraviolet radiation in the range of 365-420 nm. This cosmetic product can be presented in the form of makeup, body cream, lipstick, eyeshadow, cosmetic pencils, paints for body art, hair gel, hair spray, hair styling foam and other makeup products.

In photoluminescence, ultraviolet rays serve as a source of excitation of the phosphor. Absorbing the energy of ultraviolet radiation, the phosphor molecules go into an excited state and, returning to the ground state, emit longer wavelength light than absorbed.

The long-wavelength shift of the luminescence maximum relative to the absorption maximum, which is called the Stokes shift (or Stokes shift) (Fig. 1) usually ranges from 50-70 nm and characterizes non-radiative energy losses in the luminescence act.

However, there are known substances whose molecules, having absorbed a quantum of light, undergo a series of transformations (associated with changes in angles and interatomic distances) in the excited state corresponding to the new distribution of electron density, and turn out to be at a lower, excited level. After the emission of light, they again undergo a series of changes, but in the opposite direction. Such cases can, for example, occur when a molecule takes on a flatter configuration in the excited state, or, due to proton displacement, hardening of the intramolecular hydrogen bond occurs. Then the Stokes shift increases to 150-200 nm. The Stokes shift, the magnitude of which exceeds 100 nm, is called the “anomalously large Stokes shift”. It is this type of phosphors used in the claimed invention.

For the implementation of the claimed invention, only colorless organic phosphors with an anomalously large Stokes shift are suitable as a pigment of artistic paint, since only they make it possible to obtain a make-up that has the property of being invisible in daylight, its glow goes out immediately after turning off the ultraviolet source, and does not have the property to preserve afterglow that does not distort the character’s color image when changing the lighting mode.

As a binder, the cosmetic product may contain a transparent varnish or glue, or gel, or wax, or fat, or oil and other types of binders suitable for the manufacture of decorative comets that do not absorb ultraviolet radiation in the range 365-366 nm.

The claimed cosmetic product luminesces in the visible region of the spectrum when irradiated with a source of ultraviolet radiation with a wavelength of 365-366 nm.

As an organic phosphor, the claimed cosmetic product contains a colorless photophosphor selected from the group including:

2- [2- (4,6-dichloro- [1,3,5] triazin-2-ylamino) phenyl] benzo [d] [1,3] oxazin-4-one,

2- (2-arylsulfonylaminophenyl) -4H-3,1-benzoxazin-4-one,

O-tosylamino-substituted 2,5 diaryl-1,3,4-oxadiazoles,

Substituted 2- (2'-arylsulfonylaminophenyl) -4H-3,1-benzoxazones-4,

6-oxo-2 [2 '- (4' '- toluenesulfamido) phenyl] benz [a-4,5] -1,3-oxazine,

2- [2 '- (β-naphthalenesulfonylamino) phenyl} -3,1,4H-benzoxazin-4-one,

Substituted 2- (2-hydroxyphenyl) benzazoles;

Substituted 2- (2-acylaminophenyl) -4 (3H) -quinazolinones;

Substituted 2- (2-hydroxyphenyl) -4 (3H) -quinazolinones;

4,4'-bis (2-phenyl-5-hydroxypyrimidine.

The composition of the cosmetic product depends on the type of makeup product to be manufactured. In general, the ratio of components varies widely. The claimed cosmetic product may contain components in the following ratio (in wt.%):

the above colorless organic phosphor 5-95 and a transparent organic binder, non-absorbing long-wave ultraviolet radiation in the range of 365-420 nm rest.

Preferably, the cosmetic product contains components in the following ratio (in wt.%):

the above colorless organic phosphor 20-50 and a transparent organic binder, non-absorbing long-wave ultraviolet radiation in the range of 365-420 nm rest.

Organic phosphor with an abnormally large Stokes shift necessary for the manufacture of the claimed type of decorative cosmetics is presented on the market in the form of solutions or in the form of powders, which are a ready-made pigment based on a phosphor. The pigment based on organic phosphors with an abnormally large Stokes shift is produced in Russia under the brand name “Orlyum” and is presented in a wide range of colors. To obtain the claimed cosmetics, it is preferable to use, specifically, Orlyum brand pigments. In this case, the cosmetic product contains an organic phosphor in the form of a pigment of a given glow color selected from the group including:

green phosphor "Orlyum white 520T",

phosphor yellow-green glow "Orlyum white 540T",

yellow phosphor "Orlyum white 560T",

phosphor blue glow "Orlyum white 470T",

red phosphor "White Orlyum 613 T"

or a composition of several of these phosphors of different glow colors in an amount of 20-50 wt.% and

the rest is a binder.

Pigments containing these organic phosphors are suspensions of organic phosphors or mixtures thereof in polycondensation or polymerization resins. Due to the fragility of the resins in which the phosphors are suspended, the pigments can be easily converted to fine powders with particle sizes of 0.002-5 microns.

The resins that serve as the basis for these pigments are usually resistant to acids and alkalis, insoluble in most organic solvents. Urea or melamine-formaldehyde resins modified with monohydric or polyhydric alcohols or arylsulfamides, for example, can be selected as the basis for pigment.

A cosmetic product for forming an artistic image can be performed, for example, in the form of makeup products, in particular in the form of luminescent decorative cosmetics selected from the group including: foundation, eye shadow, blush, lipstick. In addition, these pigments can be introduced into cosmetic pencils, into mascara, into the contour for the eyes or lips, in markers, etc.

Cosmetic for forming an artistic image can also be made in the form of luminescent paint for body art.

To obtain a colorless luminescent makeup, the cosmetic product contains a phosphor and an aqueous and / or fat base. In this case, as a phosphor, the makeup contains an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with an ultraviolet radiation source, and as a basis, the makeup contains a colorless water-in-oil emulsion or colorless ( transparent) fat that does not absorb long-wave ultraviolet radiation in the range 365–420 nm.

Upon receipt of a colorless luminescent gel or hairspray, the cosmetic product contains a phosphor and a binder. In this case, the gel or hairspray contains an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with an ultraviolet light source, and colorless (transparent) gel as a binder or hair spray, not absorbing long-wave ultraviolet radiation in the range of 365-420 nm.

A method of obtaining a cosmetic product for the formation of an artistic image involves obtaining a given type of colorless luminescent product of decorative cosmetics containing a phosphor and a binder. At the same time, an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with an ultraviolet radiation source, is introduced into the composition of the cosmetic product as a phosphor, and a colorless (transparent) organic substance is used as a binder not absorbing long-wave ultraviolet radiation in the range of 365-420 nm, the specified phosphor is introduced into the binder in the form of a pigment powder, which is previously measured lchayut.

Before introducing the pigment of the organic phosphor into the binder powder, it is ground by grinding in a mill, in another grinding unit or by grinding in a mortar until a particle size of powder of 0.002-5 microns is obtained. The pigment powder consists of polymer resins and is very finely ground. After grinding, the pigment powder of the organic phosphor is gradually introduced into the binder with thorough mixing until a stable suspension is obtained. The density of the organic phosphor does not exceed 1-1.2 g / cm ³ , so that there is practically no difference in density between the binder and the pigment, due to which the suspension obtained by mixing the components is stable, does not exfoliate, and has high consumer properties. Organic phosphors are harmless in contact with human skin, do not cause irritation, are not toxic. Including, even if these phosphors accidentally enter the human body with food, there are no negative consequences.

Note that the preparation of a cosmetic product and its application on the skin and on other surfaces was carried out under irradiation with ultraviolet light, since the control of the error in compiling the desired color shade is visually possible under ultraviolet light conditions.

There are various options for using the declared decorative cosmetics, in particular, its use by make-up artists and landscape painters in the practice of preparing entertainment shows for theatrical performances is promising.

The method of using a cosmetic product to form an artistic image, which is made in the form of a colorless luminescent product of decorative cosmetics. The difference from the prior art is that an organic phosphor with an anomalously large Stokes shift of more than 100 nm is introduced into a cosmetic product based on a transparent organic binder, it is applied to an ordinary theater makeup corresponding to the chosen artistic image, in the form of a top layer, colorless during daylight lighting and luminescent in the visible region of the spectrum when irradiated with a source of ultraviolet radiation, to change the artistic image in the case of its illumination by an ultra violet radiation.

The use of a cosmetic product has some limitations, in particular when applied to a black base or to a dark base having a color close to black. In this case, whitewash or powder is used as a sublayer, or a layer of light or white makeup or a layer of another light cosmetic product that shields a dark substrate.

Example 1

To create the image of a “butterfly,” we used liquid face painting without the addition of color dyes and a set of phosphors of a given glow color. The luminophore of the yellow luminescence “Orlyum white 560T” was chosen as the luminescent pigment; the luminophore of the blue luminescence “Orlyum white 470T” and the phosphor of the red luminescence “Orlyum white 613T” were also taken.

Each type of pigment was abraded separately in a mortar to the state of fine powder (with a particle size of approximately 1-3 microns). Each type of pigment was mixed with face painting in a proportion of 20 wt.% Phosphor and face painting - the rest with constant stirring to obtain a stable suspension. The abrasion and mixing operations were carried out under ultraviolet light to provide visual control over the technological process, since in daylight pigment powders look the same whitish, colorless powders, which are easily confused with each other. As a basis for this decorative cosmetics, a commercially available theatrical face painting was used, which includes components that meet the safety requirements that apply to cosmetic formulations.

The composition of face painting includes: talc, water, liquid paraffin, kaolin, propylene glycol, polyvinylpyrrolidone, candellil wax, octyldodecanol, isopropyl myristate, beeswax, paraffin, glycerol monostearate, cetyl stearyl alcohol, otterolate, stearolate, sodium stearolate, stearolate, sodium stearolate titanium dioxide, detoxil in the proportion established by the manufacturer.

The obtained colorless phosphor make-up of yellow, blue and red glow under UV light was applied with a brush on the face of the model to obtain a pattern corresponding to the shape and coloring of the butterfly's wings. In daylight, the model’s face looks clean, and during the show, when the lighting is switched to ultraviolet light, the model’s face turns into a bright butterfly.

Example 2

To create an image of "joy", open areas of the model's body were covered with flowers. For make-up, a light foundation was used, and for a color drawing, body paints based on theatrical makeup on a greasy basis.

The composition of decorative cosmetics was prepared in the same way as in example 1, by adding a frayed pigment of a given glow color to the foundation and to a colorless grease base for theatrical makeup. An organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescing in the visible region of the spectrum when irradiated with an ultraviolet radiation source, was used as an additive to them. The following organic phosphors were chosen to create the artistic image: yellow phosphor “Orlyum white 560T”, phosphor of the blue glow “Orlyum white 470T”, phosphor of the red glow “Orlyum white 613T”.

The resulting colorless phosphor makeup under ultraviolet light was applied with a brush on exposed areas of the model's body (on the arm) to obtain the intended pattern. In daylight, the face and body of the model look clean, and in the process of theatrical production, when the lighting is switched to ultraviolet light and the body of the model is transformed by bright colors. This example is illustrated in the photographs of FIGS. 1-3. Figure 1 shows a view of the hand in daylight, figure 2 and 3 shows a view of the same hand in ultraviolet light.

Example 3

To form the image of a theatrical production character, we use a light wig, which we color with a colorless fluorescent hair styling gel. To do this, we add frayed pigment based on an organic phosphor with an abnormally large Stokes shift into a cosmetic hair styling gel. The following organic phosphors were chosen for coloring the wig: phosphor of the yellow-green glow "Orlyum white 540T", phosphor of the blue glow "Orlyum white 470T" and the phosphor of the red glow "Orlyum white 640T". The abrasion and mixing operations were carried out under ultraviolet light. After mixing, three servings of a colorless luminescent gel were obtained, which were filled with atomizers and applied to the wig hair in a given color combination.

In daylight, the wig looks like a lush hairstyle from ordinary blond hair, and during theatrical production, when the lighting is switched to ultraviolet light, the model’s hairstyle is transformed in accordance with the color of the glow of the phosphors applied to the wig. This example is illustrated by photographs 4 and 5. Figure 4 shows a theatrical wig in daylight. Figure 5 shows the same wig under ultraviolet light.

The above examples show that the claimed invention allows to obtain various types of colorless decorative cosmetics containing phosphors, suitable for the formation of artistic images in theatrical productions and entertainment shows, as well as in discos and other similar cases. Moreover, organic phosphors with an anomalously large Stokes shift are used as phosphors in cosmetics. Decorative cosmetics is of high quality due to the durability and homogeneity of the compositions of the obtained cosmetics, which have practically equal pigment and binder densities, do not exfoliate, and have good miscibility properties of the components to obtain the desired colors and shades.

Makeup and makeup obtained in accordance with the claimed invention, in contrast to makeup and makeup, made by well-known fluorescent cosmetics, appear only in ultraviolet light and remain invisible in daylight.

It should be noted that the makeup and makeup obtained in accordance with the claimed invention are not self-luminous, do not have the property of phosphorescence, have no afterglow in the dark, that is, do not glow in the dark.

Additionally, we note that decorative cosmetics corresponding to the claimed invention is environmentally friendly, harmless in contact with humans. When disposing of this cosmetics, environmental pollution does not occur, since organic phosphors decompose to water and carbon dioxide during oxidation, and, unlike cosmetics on inorganic phosphors, the claimed cosmetics do not contain heavy metal compounds (rare-earth metals).

Claims (16)

1. Cosmetic for forming an artistic image, made in the form of a colorless luminescent product of decorative cosmetics, containing an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with its ultraviolet source, characterized in that the specified phosphor is introduced into the cosmetic product in the form of a pigment powder, forming a suspension with a colorless binder, oschayuschim long wavelength ultraviolet radiation in the range 365-420 nm. 2. The cosmetic product according to claim 1, characterized in that it contains a colorless organic substance as a binder, in particular transparent varnish, or glue, or gel, or wax, or fat or oil, which do not absorb ultraviolet radiation in the range 365-366 nm 3. The cosmetic product according to claim 1, characterized in that it luminesces in the visible region of the spectrum when irradiated with an ultraviolet radiation source with a wavelength of 365-366 nm. 4. The cosmetic product according to claim 1, characterized in that the pigment powder of the organic phosphor contains a colorless photophosphor selected from the group including:
2- [2- (4,6-dichloro- [1,3,5] triazin-2-ylamino) phenyl] benzo [d] [1,3] oxazin-4-one,
2- (2-arylsulfonylaminophenyl) -4H-3,1-benzoxazin-4-one,
O-tosylamino-substituted 2,5 diaryl-1,3,4-oxadiazoles,
substituted 2- (2'-arylsulfonylaminophenyl) -4H-3,1-benzoxazones-4,
6-oxo-2 [2 '- (4''- toluenesulfamido) phenyl] benz [a-4,5] -1,3-oxazine,
2- [2 '- (β-naphthalenesulfonylamino) phenyl} -3,1,4H-benzoxazin-4-one,
substituted 2- (2-hydroxyphenyl) benzazoles;
substituted 2- (2-acylaminophenyl) -4 (3H) -quinazolinones;
substituted 2- (2-hydroxyphenyl) -4 (3H) -quinazolinones;
4,4'-bis (2-phenyl-5-hydroxypyrimidine). 5. Cosmetic product according to any one of claims 1 or 4, characterized in that it contains components in the following ratio, wt.%:
pigment powder containing colorless organic phosphor 5-95 binder rest 6. The cosmetic product according to claim 5, characterized in that it contains components in the following ratio, wt.%:
pigment powder containing colorless organic phosphor 20-50 binder rest 7. The cosmetic product according to claim 6, characterized in that it contains an organic phosphor in the form of a pigment of a given glow color, selected from the group including:
green phosphor "Orlyum white 520T",
phosphor yellow-green glow "Orlyum white 540T",
yellow phosphor "Orlyum white 560T",
phosphor blue glow "Orlyum white 470T",
red phosphor "White Orlyum 613T"
or a composition of several of these phosphors of different glow colors in an amount of 20-50 wt.% and the rest is a binder. 8. Cosmetic product according to any one of claims 1 or 7, characterized in that it is made in the form of makeup products selected from the group including: foundation, eyeshadow, blush, lipstick. 9. Cosmetic product according to any one of claims 1 or 7, characterized in that it is made in the form of fluorescent paint for body art. 10. Cosmetic for creating an artistic image, made in the form of a colorless luminescent product of decorative cosmetics containing an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with its ultraviolet source, characterized in that the cosmetic product is made in the form of a colorless luminescent makeup, and the specified phosphor is introduced into the cosmetic product in the form of CABG pigment forming the slurry with the binder, while as binder makeup contains a colorless water-fat emulsion or colorless fat without absorbing long wavelength ultraviolet radiation in the range 365-420 nm. 11. Cosmetic for creating an artistic image, made in the form of a colorless luminescent product of decorative cosmetics containing an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with its ultraviolet source, characterized in that the cosmetic product is made in the form of a colorless gel or hairspray, and the specified phosphor is introduced into the cosmetic product in the form of the powder pigment, forming a suspension with a binder, while as a binder makeup contains a colorless wet-fat emulsion or colorless fat that does not absorb long-wave ultraviolet radiation in the range 365-420 nm. 12. A method of obtaining a cosmetic product for the formation of an artistic image made in the form of a colorless luminescent product of decorative cosmetics containing an organic phosphor with an anomalously large Stokes shift of more than 100 nm, colorless in daylight and luminescent in the visible region of the spectrum when irradiated with an ultraviolet radiation source, characterized in that the phosphor is introduced into the cosmetic product in the form of a pigment powder with stirring until a stable suspensions, and as a binder, a colorless substance is used that does not absorb long-wave ultraviolet radiation in the range of 365-420 nm, while the organic phosphor is introduced into the binder when it is irradiated with a source of ultraviolet radiation. 13. The method according to p. 12, characterized in that the pigment powder of the organic phosphor before being introduced into the binder is pre-crushed to obtain a particle size of 0.002-5 microns. 14. A method of using a cosmetic product to form an artistic image, made in the form of a colorless luminescent product of decorative cosmetics, mainly in the form of makeup, characterized in that a pigment powder containing an abnormally organic phosphor is introduced into the cosmetic product based on a transparent organic binder when illuminated with ultraviolet light a large Stokes shift of more than 100 nm, and is applied on top of the usual theater makeup, corresponding to the chosen artist vennomu image, in the form of a colorless upper layer in daylight, and a luminescent in the visible region of the spectrum when irradiated by a source of ultraviolet radiation to change the artistic image if it is the light source of ultraviolet radiation. 15. The method of using the cosmetic product according to 14, characterized in that when applying it to a black base or to a dark base having a color close to black, use white or powder or a layer of light or white makeup as a sublayer, or a layer of another light cosmetic shielding a dark substrate. 16. The use of cosmetics for the formation of an artistic image, made in the form of a colorless luminescent product of decorative cosmetics according to any one of claims 1 to 15, as a decorating agent for theatrical productions and entertainment shows.

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