KR20020055467A - Method for the Manufacture of the Multi-Colored Clay Brick - Google Patents
Method for the Manufacture of the Multi-Colored Clay Brick Download PDFInfo
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- KR20020055467A KR20020055467A KR1020000083557A KR20000083557A KR20020055467A KR 20020055467 A KR20020055467 A KR 20020055467A KR 1020000083557 A KR1020000083557 A KR 1020000083557A KR 20000083557 A KR20000083557 A KR 20000083557A KR 20020055467 A KR20020055467 A KR 20020055467A
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B28—WORKING CEMENT, CLAY, OR STONE
- B28B—SHAPING CLAY OR OTHER CERAMIC COMPOSITIONS; SHAPING SLAG; SHAPING MIXTURES CONTAINING CEMENTITIOUS MATERIAL, e.g. PLASTER
- B28B11/00—Apparatus or processes for treating or working the shaped or preshaped articles
- B28B11/04—Apparatus or processes for treating or working the shaped or preshaped articles for coating or applying engobing layers
- B28B11/048—Apparatus or processes for treating or working the shaped or preshaped articles for coating or applying engobing layers by spraying or projecting
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- C—CHEMISTRY; METALLURGY
- C03—GLASS; MINERAL OR SLAG WOOL
- C03C—CHEMICAL COMPOSITION OF GLASSES, GLAZES OR VITREOUS ENAMELS; SURFACE TREATMENT OF GLASS; SURFACE TREATMENT OF FIBRES OR FILAMENTS MADE FROM GLASS, MINERALS OR SLAGS; JOINING GLASS TO GLASS OR OTHER MATERIALS
- C03C8/00—Enamels; Glazes; Fusion seal compositions being frit compositions having non-frit additions
- C03C8/14—Glass frit mixtures having non-frit additions, e.g. opacifiers, colorants, mill-additions
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
- C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
- C04B41/50—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials
- C04B41/5072—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials with oxides or hydroxides not covered by C04B41/5025
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- E—FIXED CONSTRUCTIONS
- E04—BUILDING
- E04C—STRUCTURAL ELEMENTS; BUILDING MATERIALS
- E04C1/00—Building elements of block or other shape for the construction of parts of buildings
- E04C1/40—Building elements of block or other shape for the construction of parts of buildings built-up from parts of different materials, e.g. composed of layers of different materials or stones with filling material or with insulating inserts
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Abstract
Description
본 발명은 건축용 점토벽돌 및 포장용 바닥 점토벽돌의 젖은 소지 표면에 건식유(乾式釉)(유약을 구성하는 분말 조성물)를 도포 및 융착시킴으로써 다양한 색상 및 다양한 무늬가 현출되도록 한 점토벽돌의 제조방법에 관한 것이다.The present invention relates to a method of manufacturing a clay brick in which various colors and patterns are expressed by applying and fusing a dry oil (powder composition constituting a glaze) on a wet base surface of a building clay brick and a paving floor clay brick. It is about.
종래에는 공개특허 제 97-33,665 호에 기재된 바와 같이 성형된 벽돌의 건조된 소지 표면에 색소를 함유한 습식유(濕式釉)(유약을 구성하는 분말 조성물을 물에 현탁시킨 것)를 도포 및 소성함으로써 벽돌표면에 색상을 현출하였으나 액상의 습식유를 사용한 한계 때문에 다양한 색상 및 다양한 무늬를 현출할 수 없었다.Conventionally, as described in Korean Patent No. 97-33,665, a wet oil containing a pigment (suspended in a powder composition constituting a glaze in water) is applied to a dried body of a molded brick. By firing, the color appeared on the brick surface, but due to the limitation of using liquid wet oil, various colors and patterns could not be expressed.
위 발명에서는 1차 시유(施釉)를 한 후 그 위에 2차 시유를 하여 2가지 색상을 현출한다고 하였으나 액상의 1차 습식유와 액상의 2차 습식유의 혼합으로 인하여 혼합색을 현출하는데 불과하였다.In the above invention, after the first oiling (施釉) and the second oiling on it to express two colors, but due to the mixing of the liquid primary wet oil and the liquid secondary wet oil was only to display the mixed color.
또한, 위 발명에서는 건조된 소지 표면에 습식유가 도포되면 수분이 가해짐으로써 조직이 파괴되어 품질이 좋지않아 수율이 떨어지는 문제점이 있었으며 완성된 제품의 표면이 매끈하고 광택이나 인위적인 느낌을 주어 점토벽돌의 생명인 소박한 질감을 얻을 수 없었다.In addition, in the above invention, when wet oil is applied to the dried body surface, the moisture is added to the tissues, resulting in a problem of poor yield due to poor quality of the finished product. I could not get the rustic texture that is life.
이에 본 발명은 성형된 벽돌의 건조된 소지에 습식유를 시유하는 대신 성형된 벽돌의 건조과정을 생략하고 젖은 상태 그대로인 젖은 소지에 건식유를 시유함으로써 벽돌표면에 다양한 색상 및 다양한 무늬가 현출되는 점토벽돌을 제공하고자 한다.Therefore, the present invention skips the drying process of the molded brick and applies dry oil to the wet body in the wet state, instead of applying the wet oil to the dried body of the molded brick, the clay having various colors and various patterns on the surface of the brick. To provide a brick.
도 1a 및 도 1b는 2도 색상을 현출하기 위하여 마스킹 된(검은 부분) 수직 진동체의 금망Figures 1a and 1b show the gold mesh of a masked (black section) vertical vibrating body to produce a second degree color
도 1c는 2도 색상이 현출된 벽돌표면Figure 1c is a brick surface in which the color of the second degree
도 2a, 도 2b 및 2c는 3도 색상을 현출하기 위하여 마스킹 된(검은부분) 수직 진동체의 금망Figures 2a, 2b and 2c show the gold mesh of a masked (black) vertical vibrating body to produce a 3 degree color
도 2d는 3도 색상이 현출된 벽돌표면Figure 2d shows a brick surface with three degree colors
도 3은 실시예 1의 점토벽돌의 사진3 is a photograph of clay brick of Example 1
본 발명을 상세히 설명하면 다음과 같다.The present invention is described in detail as follows.
먼저, 건식유를 만든다.First, make dry oil.
유약을 구성하는 각각의 원료들을 건조시킨 후, 20 메쉬이하로 분쇄한 다음 원하는 색상에 따라 각 원료들을 배합하여 건식유를 만든다.After drying each of the raw materials constituting the glaze, it is pulverized to 20 mesh or less and then blended with each raw material according to the desired color to make a dry oil.
회청색(灰靑色) 건식유의 조성은 산화철 30∼60 중량부, 함평점토 20∼50 중량부, 붕사 10∼30 중량부 및 알루미나(Al2O3) 1∼10 중량부이고, 황색 건식유의 조성은 중국점토 20∼50 중량부, 정읍점토 20∼60 중량부, 안양장석 20∼30 중량부 및 붕사 2∼10 중량부이고, 금색(Gold) 건식유의 조성은 운모 20∼60 중량부, 해제점토 20∼50 중량부, 핑크(Pink) 안료 2∼15 중량부 및 붕사 2∼10 중량부이며, 핑크(Pink)색 건식유의 조성은 해제점토 50∼100 중량부, 핑크안료 10∼30 중량부 및 붕사 2∼10 중량부이다.The composition of gray-blue dry oil is 30 to 60 parts by weight of iron oxide, 20 to 50 parts by weight of Hampyeong clay, 10 to 30 parts by weight of borax, and 1 to 10 parts by weight of alumina (Al 2 O 3 ), and a composition of yellow dry oil. Is 20 to 50 parts by weight of Chinese clay, 20 to 60 parts by weight of Jeongeup clay, 20 to 30 parts by weight of Anyang feldspar and 2 to 10 parts by weight of borax, and the composition of gold dry oil is 20 to 60 parts by weight of mica and released clay. 20 to 50 parts by weight, 2 to 15 parts by weight of pink pigment and 2 to 10 parts by weight of borax, and the composition of the pink dry oil is 50 to 100 parts by weight of released clay, 10 to 30 parts by weight of pink pigment and Borax is 2-10 weight part.
바람직한 회청색 건식유의 조성은 산화철 40 중량부, 함평점토 40 중량부, 붕사 20 중량부 및 알루미나(Al2O3) 5 중량부이고, 바람직한 황색 건식유의 조성은 중국점토 35 중량부, 정읍점토 40 중량부, 안양장석 25 중량부 및 붕사 5 중량부이고, 바람직한 금색(Gold) 건식유의 조성은 운모 55 중량부, 해제점토 45 중량부, 핑크(Pink)안료 10 중량부 및 붕사 5 중량부이며 바람직한 핑크(Pink)색 건식유의 조성은 해제점토 80 중량부, 핑크안료 20 중량부 및 붕사 5 중량부이다.The preferred composition of gray blue dry oil is 40 parts by weight of iron oxide, 40 parts by weight of Hampyeong clay, 20 parts by weight of borax and 5 parts by weight of alumina (Al 2 O 3 ), and the preferred composition of yellow dry oil is 35 parts by weight of Chinese clay, 40 parts by weight of clay. Part, anyang feldspar 25 parts by weight and borax 5 parts by weight, the preferred composition of gold dry oil is 55 parts by weight of mica, 45 parts by weight of released clay, 10 parts by weight of pink pigment and 5 parts by weight of borax, preferably pink The composition of the (Pink) color dry oil is 80 parts by weight of released clay, 20 parts by weight of pink pigment and 5 parts by weight of borax.
그 이외에 여러가지 색상의 건식유를 사용할 수 있다.Other dry oils are available.
유약(釉藥)의 색소로는 유약성분 중에 불순물로 존재하는 성분이 유약성분과 반응하여 본래 상태에서 변화하여 발색(發色)하는 발색제 또는 정색제(呈色劑)가있고 유약의 성분 중에 첨가되어 소성에 의하여서도 변색을 하지 않고 본래의 색상을 유지하는 안료가 있음은 주지의 사실이다.Glaze pigments include coloring agents or colorants that react with the glaze components and change color from the original state, and are added to the glaze components. It is well known that there is a pigment that does not discolor even after firing and maintains its original color.
본 발명의 회청색 건식유와 황색 건식유는 정색제의 발색을 이용한 것이고 금색 건식유와 핑크색 건식유는 정색제의 발색을 이용한 것에 부가하여 안료를 첨가한 것이다.The gray-blue dry oil and the yellow dry oil of the present invention utilize the color development of the colorant, and the gold dry oil and the pink dry oil use the pigment in addition to the color development of the colorant.
본 발명에 사용되는 핑크안료는 인산망간 25 중량부 및 수산화 알루미늄 75 중량부를 산화 분위기에서 1160℃의 온도로 소성한 것, 산화크롬 0.6 중량부 석회석 23.2 중량부, 규석 23.2 중량부 및 산화주석 53.0 중량부를 산화 분위기에서 1200℃의 온도로 소성한 것, 또는 크롬산바륨 1.1 중량부, 석회석 24.2 중량부, 규석 24.7 중량부 및 산화주석 50.0 중량부를 산화 분위기에서 1200℃의 온도로 소성한 것들이다.Pink pigment used in the present invention is 25 parts by weight of manganese phosphate and 75 parts by weight of aluminum hydroxide calcined at an temperature of 1160 ℃ in an oxidizing atmosphere, 0.6 parts by weight of chromium oxide 23.2 parts by weight of limestone, 23.2 parts by weight of silica and 53.0 parts by weight of tin oxide The part was calcined at a temperature of 1200 ° C. in an oxidizing atmosphere, or 1.1 parts by weight of barium chromate, 24.2 parts by weight of limestone, 24.7 parts by weight of quartz and 50.0 parts by weight of tin oxide were baked at a temperature of 1200 ° C. in an oxidizing atmosphere.
본 발명에서 사용하는 유약 원료들의 화학조성을 표로 만들어 보면 다음과 같다.Looking at the chemical composition of the glaze raw materials used in the present invention as a table.
다음, 성형기에서 성형되어 나온 젖은 벽돌의 소지 상단을 와이어브러쉬로 0.5∼1mm의 깊이로 긁어준다.Next, scrape the upper end of the wet brick molded in the molding machine to a depth of 0.5 ~ 1mm with a wire brush.
다음, 와이어브러쉬로 긁어준 젖은 벽돌의 소지 상단에 건식유를 산포(散布)한다.Next, spread the dry oil on top of the body of the wet brick scraped with a wire brush.
산포는 수직 진동체로 한다. 수직 진동체 내부에 건식유의 분말 조성물을 넣고 수직 진동체를 작동시키면 수직 진동체의 수직방향의 진동에 의하여 건식유의 분말 조성물이 수직방향으로 낙하하여 소지 상단에 수평방향으로 균일하게 산포된다.Spread is made with vertical vibrating body. When the powder composition of the dry oil is put into the vertical vibrating body and the vertical vibrating body is operated, the dry oil powder composition falls in the vertical direction by the vertical vibration of the vertical vibrating body and is uniformly distributed in the horizontal direction on the upper end of the body.
다음, 건식유를 시유함으로써 젖은 벽돌의 소지 상단에 무늬를 현출하는 방법을 설명한다.Next, a method of displaying a pattern on the upper end of the wet brick by lubricating dry oil will be described.
한가지 방법으로는 정색건식유 중의 한 종류를 바탕유로 하여 수직 진동체로소지 상단에 전면(全面) 산포한 후 그 위에 다른 종류의 정색건식유 예를들면, 금색 건식유를 수직 진동체 내부에 넣고 바탕유의 시유와는 달리 수직 진동체를 순간적으로 작동시키면 바탕유 위에 금색 건식유가 점점이 균일하게 흩어져 금가루를 뿌린듯한 무늬가 현출된다.One method is to spread the entire surface on top of the body with a vertical vibrating body based on one kind of color drying oil, and then put another type of color drying oil, for example, gold dry oil inside the vertical vibrating body. Unlike oil-based oils, when a vertical vibrating body is momentarily operated, gold dry oil gradually spreads evenly on the base oil, and a pattern like sprinkled with gold powder appears.
다른 방법으로는 실크 스크린 인쇄에서와 같이 수직 진동체의 금망(金網)의 일부를 현출하고자 하는 무늬에 부합되게 종이나 합성수지 필름 또는 감광물질(感光物質) 등으로 마스킹(masking)한 후 정색건식유를 시유하고 이를 반복함으로써 다양한 색상과 다양한 무늬를 현출할 수 있다.Alternatively, as in silk screen printing, a part of the gold mesh of the vertical vibrating body is masked with paper, a resin film, or a photosensitive material to match the pattern to be displayed, and then color dried oil. By simulating and repeating, we can express various colors and various patterns.
도 1a와 도 1b는 수직 진동체의 금망이 마스킹되어 있는 것을 보여준다.1A and 1B show that the gold mesh of the vertical vibrating body is masked.
도 1a의 금망은 왼쪽이 마스킹되어 있고 도 1b의 금망은 오른쪽이 마스킹되어 있다.The gold mesh of FIG. 1A is masked on the left side and the gold mesh of FIG. 1B is masked on the right side.
2도 색상을 현출하고자 하는 경우에는 젖은 벽돌의 소지 상단에 도 1a의 금망으로 하나의 색상의 정색건식유를 시유한 다음 도 1b의 금망으로 다른 색상의 정색건식유를 시유하면 젖은 벽돌의 소지 상단에 도 1c에서와 같이 2가지 색상이 현출된다.If you want to make a second degree color, apply the color dry oil of one color to the top of the wet brick with the gold mesh of FIG. 1A, and then the color dry oil of the other color with the gold mesh of FIG. 1b. In FIG. 1C, two colors appear.
도 2a, 도 2b 및 도 2c는 수직 진동체의 금망이 마스킹되어 있는 것을 보여준다.2A, 2B and 2C show that the gold mesh of the vertical vibrating body is masked.
도 2a의 금망은 왼쪽이 마스킹되어 있고 도 2b의 금망은 중앙이 마스킹되어 있으며, 도 2c의 금망은 오른쪽이 마스킹되어 있다.The gold mesh of FIG. 2A is masked on the left side, the gold mesh of FIG. 2B is masked on the center, and the gold mesh of FIG. 2C is masked on the right side.
3도 색상을 현출하고자 하는 경우에는 젖은 벽돌의 소지 상단에 도 2a의 금망으로 하나의 색상의 정색건식유를 시유한 후 도 2b의 금망으로 다른 색상의 정색건식유를 시유한 다음 도 2c의 금망으로 또다른 색상의 정색건식유를 시유하면 젖은 벽돌의 소지 상단에 도 2d에서와 같이 3가지 색상이 현출된다.When the third degree color is to be manifested, the color drying oil of one color is applied to the upper surface of the wet brick with the gold mesh of FIG. 2a, and the color drying oil of the other color is applied with the gold mesh of FIG. When the color dry oil of another color is applied, three colors are displayed on the upper surface of the wet brick as shown in FIG. 2D.
이와같은 방법으로 다색(多色)의 다양한 무늬도 현출할 수 있다.In this way, various patterns of various colors can also be displayed.
다음, 시유를 마친 젖은 벽돌의 소지 상단에 미분쇄한 프리트(Frit) 또는 파유리를 수직 진동체로 전면으로 얇게 산포한다.Next, the frit or cullet pulverized on the upper end of the base of the wet brick finished seeding is spread thinly in the front with a vertical vibrating body.
다음, 프리트 또는 파유리로 소지 상단이 산포된 젖은 벽돌을 80°∼90℃로 가열된 롤러로 소지가 변형되지 않을 정도로 눌러 압착한다.Next, the wet brick in which the upper end of the substrate is spread by frit or cullet is pressed by a roller heated at 80 ° to 90 ° C so as not to deform the substrate.
가열되지 않은 롤러로 압착할 경우, 소지가 롤러에 달라붙어 소지를 파괴한다.When pressed with a roller that is not heated, the substrate sticks to the roller and destroys the substrate.
2도 색상이나 3도 색상을 현출하고자 하는 경우에는 정색건식유의 시유후 마다 가열된 롤러로 압착할 수도 있다.If the second degree or third degree color is to be manifested, it may be pressed with a heated roller after every application of color dry oil.
다음, 소지를 1∼3일 건조시킨 다음 소성로에서 환원분위기 하에 1100∼1150℃의 온도로 30∼40시간 소성시켜 다색무늬의 점토벽돌을 얻는다.Next, the body is dried for 1 to 3 days, and then calcined at a temperature of 1100 to 1150 ° C. for 30 to 40 hours in a reducing atmosphere in a calcination furnace to obtain a clay brick having a multicolored pattern.
실시예 1 : 금가루가 흩뿌려진 무늬의 점토벽돌Example 1 Patterned Clay Bricks Scattered with Gold Powder
성형기에서 성형되어 나온 젖은 벽돌의 소지 상단을 와이어브러쉬로 0.7mm의 깊이로 긁어준 후 그 위에 20 메쉬이하의 산화철 40 중량부, 함평점토 40 중량부,붕사 20 중량부 및 알루미나 5 중량부를 혼합한 회청색 건식유를 수직 진동체로 균일하게 전면 산포한 다음, 그 위에 운모 55 중량부, 해제점토 45 중량부, 인산망간 25 중량부와 수산화 알루미늄 75 중량부를 산화분위기에서 1160℃의 온도로 소성한 핑크안료 10 중량부 및 붕사 5 중량부를 혼합한 금색 건식유를 수직 진동체로 순간적으로 소량 산포한 후 그 위에 미분말의 프리트를 수직 진동체로 전면으로 얇게 산포한 다음 젖은 벽돌의 소지 상단을 85℃로 가열된 롤러로 소지가 변형되지 않을 정도로 눌러 압착한 후 소지를 2일간 건조시킨 다음 소성로에서 환원분위기 하에 1150℃의 온도로 36시간 소성시켜 금가루가 회청색 바탕에 흩뿌려진 무늬의 점토벽돌을 얻었다.The upper surface of the wet brick formed from the molding machine was scraped with a wire brush to a depth of 0.7 mm, and then mixed with 40 parts by weight of iron oxide of 20 mesh or less, 40 parts by weight of Hampyeong clay, 20 parts by weight of borax and 5 parts by weight of alumina. Uniformly spread gray-gray dry oil in a vertical vibrating body, and then, pink mica, 55 parts by weight of released clay, 25 parts by weight of manganese phosphate and 75 parts by weight of aluminum hydroxide were calcined at an temperature of 1160 ° C. in an oxidizing atmosphere. Instantly scatter a small amount of gold dry oil mixed with 10 parts by weight and 5 parts by weight of borax with a vertical vibrating body, and then spread the thin powder of frit thinly on the front with a vertical vibrating body, and then heat the upper end of the wet brick to 85 ° C. Press the press to a degree that the body is not deformed and then press it to dry for 2 days, and then fire it for 36 hours at a temperature of 1150 ° C. in a reducing atmosphere in a kiln. The gold powder turn got the clay brick pattern scattered on the grayish blue background.
실시예 2 : 2도 색상·무늬의 점토벽돌Example 2 Clay Brick of 2nd Degree Color and Pattern
성형기에서 성형되어 나온 젖은 벽돌의 소지 상단을 와이어브러쉬로 0.7mm의 깊이로 긁어준 후 그 위에 20 메쉬이하의 산화철 40 중량부, 함평점토 40 중량부, 붕사 20 중량부 및 알루미나 5 중량부를 혼합한 회청색 건식유를 도 1a에서와 같이 왼쪽이 마스킹된 수직 진동체로 오른쪽만 균일하게 산포한 후 그 위에 20 메쉬이하의 중국점토 35 중량부, 정읍점토 40 중량부, 안양장석 25 중량부 및 붕사 5 중량부를 혼합한 황색 건식유를 도 1b에서와 같이 오른쪽이 마스킹된 수직 진동체로 왼쪽만 균일하게 산포한 다음 그 위에 미분말의 프리트를 수직 진동체로 전면으로 얇게 산포한 다음 젖은 벽돌의 소지 상단을 85℃로 가열된 롤러로 소지가 변형되지않을 정도로 눌러 압착한 후 소지를 2일간 건조시킨 다음 소성로에서 환원분위기 하에 1150℃의 온도로 36시간 소성시켜 왼쪽에는 황색 오른쪽에는 회청색이 현출된 점토벽돌을 얻었다.The upper surface of the wet brick formed from the molding machine was scraped with a wire brush to a depth of 0.7 mm, and then mixed with 40 parts by weight of iron oxide of 20 mesh or less, 40 parts by weight of Hampyeong clay, 20 parts by weight of borax and 5 parts by weight of alumina. The gray-blue dry oil is uniformly scattered only on the right side with a vertical vibrating body masked on the left side as shown in FIG. 1A, and there are 35 parts by weight of Chinese clay, 20 parts by weight of Jeongeup clay, 25 parts by weight of feldspar and 5 parts of borax on it. Yellow dry oil mixed with the parts is uniformly scattered on the left side with a vertical vibrating body masked on the right side as shown in FIG. Press the substrate to the extent that it is not deformed by using a heated roller and then press it to dry it for 2 days. Then, in the kiln, reduce the temperature to 1150 ℃ for 36 hours. To the left, the right, to obtain a grayish blue yellow this saliency clay.
실시예 3 : 3도 색상·무늬의 점토벽돌Example 3 Clay Brick of 3 Degree Color and Pattern
성형기에서 성형되어 나온 젖은 벽돌의 소지 상단을 와이어브러쉬로 0.7mm의 깊이로 긁어준 후 그 위에 20 메쉬이하의 중국점토 35 중량부, 정읍점토 40 중량부, 안양장석 25 중량부 및 붕사 5 중량부를 혼합한 황색 건식유를 도 2a에서와 같이 오른쪽이 마스킹된 수직 진동체로 왼쪽만 균일하게 산포한 다음 그 위에 20 메쉬이하의 산화철 40 중량부, 함평점토 40 중량부, 붕사 20 중량부 및 알루미나 5 중량부를 혼합한 회청색 건식유를 도 2b에서와 같이 좌우양쪽이 마스킹된 수직 진동체로 중앙만 균일하게 산포한 후 그 위에 20 메쉬이하의 해제점토 80 중량부, 인산망간 25 중량부와 수산화 알루미늄 75 중량부를 산화 분위기에서 1160℃의 온도로 소성한 핑크안료 20 중량부 및 붕사 5 중량부를 혼합한 핑크색 건식유를 도 2c에서와 같이 왼쪽이 마스킹된 수직 진동체로 오른쪽만 균일하게 산포한 다음 그 위에 미분말의 프리트를 수직 진동체로 전면으로 얇게 산포한 다음 젖은 벽돌의 소지 상단을 85℃로 가열된 롤러로 소지가 변형되지 않을 정도로 눌러 압착한 후 소지를 2일간 건조시킨 다음 소성로에서 환원분위기 하에 1150℃의 온도로 36시간 소성시켜 왼쪽에는 황색, 중앙에는 회청색, 오른쪽에는 핑크색이 현출된 점토벽돌을 얻었다.The upper part of the wet brick formed by the molding machine was scraped with a wire brush to a depth of 0.7 mm, and then 35 parts by weight of Chinese clay, 20 parts by weight of Jeongeup clay, 25 parts by weight of feldspar and 5 parts by weight of borax on it. The mixed yellow dry oil is uniformly scattered on the left side by a vertical vibrating body masked on the right side as shown in FIG. 2A, and then 40 parts by weight of iron oxide having 20 mesh or less, 40 parts by weight of Hampyeong clay, 20 parts by weight of borax and 5 parts of alumina thereon. 2 parts of the gray-blue dry oil mixed with the parts are uniformly distributed only in the center with the vertical vibrating body masked on both sides as shown in FIG. 2B. Vertical vibration with a left side masked pink dry oil mixed with 20 parts by weight of pink pigment and 5 parts by weight of borax, calcined at an temperature of 1160 ° C. in an oxidizing atmosphere. Evenly spread on the right side of the furnace, and spread the fine powder of frit thinly on the front with a vertical vibrating body, and press the upper end of the wet brick so that the body is not deformed with a roller heated to 85 ℃. After drying, the resultant was calcined for 36 hours at a temperature of 1150 ° C. under a reducing atmosphere in a kiln to obtain clay bricks with yellow on the left, gray-blue on the center, and pink on the right.
건조된 소지에 습식유를 시유하는 대신 젖은 소지에 건식유를 시유함으로써 다양한 색상 및 다양한 무늬의 점토벽돌을 얻을 수 있었고, 또 건조된 소지에 습식유를 시유함으로써 발생하는 조직파괴를 방지하여 제품의 수율을 높일 수 있었으며 또한 톤(tone)에 있어서도 표면이 무광택의 매트(mat) 상태가 되어 점토벽돌의 생명인 소박한 질감의 점토벽돌을 얻을 수 있었다.Instead of applying wet oil to the dried body, dry oil was applied to the wet body to obtain clay bricks of various colors and patterns, and to prevent tissue destruction by applying the wet oil to the dried body. Yield could be increased, and even in tone, the surface became a matte mat, so that a clay brick having a rustic texture, which is the life of clay brick, could be obtained.
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KR100727375B1 (en) * | 2005-07-06 | 2007-06-12 | 주식회사 중앙벽돌 | Method for manufacturing clay bricks |
KR101410298B1 (en) * | 2013-06-04 | 2014-06-30 | 주식회사 동국세라믹 | Manufacturing method for decoration pannel and the decoration pannel thereof |
CN108752054A (en) * | 2018-06-29 | 2018-11-06 | 河源市东源鹰牌陶瓷有限公司 | The preparation method of thin crystallite sheen brick and thin crystallite sheen brick |
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JPH02311380A (en) * | 1989-05-26 | 1990-12-26 | Shin Nippon Kanetsu Kako Kk | Production of design tile |
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JP3029978B2 (en) * | 1995-03-07 | 2000-04-10 | 日本碍子株式会社 | Decoration method of brick made from incinerated ash |
KR970033665A (en) * | 1995-12-14 | 1997-07-22 | 장은용 | Surface treatment method of brick |
KR19980027305A (en) * | 1996-10-15 | 1998-07-15 | 송재선 | Manufacturing method of colored brick |
KR19980051225A (en) * | 1996-12-23 | 1998-09-15 | 김종진 | High strength porous brick manufacturing method using waste ceramics |
KR100204204B1 (en) * | 1997-04-22 | 1999-06-15 | 김장원 | Manufacturing method of surface-treated body with ceramic particles |
KR100234883B1 (en) * | 1998-01-09 | 1999-12-15 | 이호인 | Soil brick made by electric arc furnace dust and manufacturing method thereof |
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CN108752054A (en) * | 2018-06-29 | 2018-11-06 | 河源市东源鹰牌陶瓷有限公司 | The preparation method of thin crystallite sheen brick and thin crystallite sheen brick |
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