JPS6223800A - Manufacture of leather picture using leather as substrate - Google Patents

Manufacture of leather picture using leather as substrate

Info

Publication number
JPS6223800A
JPS6223800A JP16352985A JP16352985A JPS6223800A JP S6223800 A JPS6223800 A JP S6223800A JP 16352985 A JP16352985 A JP 16352985A JP 16352985 A JP16352985 A JP 16352985A JP S6223800 A JPS6223800 A JP S6223800A
Authority
JP
Japan
Prior art keywords
leather
substrate
painting
dyeing
wax
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Pending
Application number
JP16352985A
Other languages
Japanese (ja)
Inventor
山中 敏三郎
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to JP16352985A priority Critical patent/JPS6223800A/en
Publication of JPS6223800A publication Critical patent/JPS6223800A/en
Pending legal-status Critical Current

Links

Landscapes

  • Synthetic Leather, Interior Materials Or Flexible Sheet Materials (AREA)
  • Treatment And Processing Of Natural Fur Or Leather (AREA)

Abstract

(57)【要約】本公報は電子出願前の出願データであるた
め要約のデータは記録されません。
(57) [Summary] This bulletin contains application data before electronic filing, so abstract data is not recorded.

Description

【発明の詳細な説明】 (イ) 産業上の利用分野 この発明は、長方形の皮革基板の表面に原画を転写し、
浮彫り、染色、ろうけつの防染、ろうけつのキ裂の染め
、バックの刻印による打込み等の技術に水溶性樹脂系絵
具又は補助剤をもって彩色、防水加工し、これを加圧、
固形硬化し、整形した皮革を基板とした革絵を制作する
方法に関する。
[Detailed description of the invention] (a) Industrial application field This invention transfers an original image onto the surface of a rectangular leather substrate,
Techniques such as embossing, dyeing, resist dyeing of wax, dyeing cracks in wax, and stamping on the back are colored and waterproofed using water-soluble resin paints or auxiliary agents, and this is then applied with pressure.
This invention relates to a method for producing leather paintings using solid hardened and shaped leather as a substrate.

(ロ)従来の技術 従来、絵画等において基板は、油絵の場合は、油性のコ
ーティングをしであるキャンパス、水彩画、クレヨンの
画用紙1日本画の画仙紙1色紙。
(B) Conventional technology Conventionally, in the case of paintings, etc., the substrate has been coated with an oil-based coating in the case of oil paintings, canvas, watercolor paintings, crayon drawing paper, 1 Japanese painting paper, 1 colored paper.

絹布、板などを基板にして各種の絵具で描かれた。They were painted with various paints using silk cloth, boards, etc. as substrates.

日本画では岩絵具など主に鉱物質の顔料をニカワで、油
絵具は主に鉱物質の顔料を植物油で、水彩絵具はアラビ
アゴムで、クレヨンはろうとそれぞれの顔料を画面に定
着させるためにそれぞれの媒剤による顔料の積み重なり
で質量感を出した。
In Japanese paintings, mineral pigments such as mineral pigments are used with glue, oil paints are mainly mineral pigments with vegetable oil, watercolors are made with gum arabic, and crayons are used with wax to fix each pigment on the painting surface. A sense of mass was created by the pigment being piled up using a medium.

一方革手芸としては、浮彫法、刻印法、モザイツク法、
彫刻法、型押し法、それに染色法などがあげられ、この
模様をつけ染色された皮革を材料として繊維、ゴム、プ
ラスチック、金属等の部品を組合せて財布、バンド、ハ
ンドバック、 a 、 衣料用品、ブックカバー、造花
、室内装飾品1箱草四等の作品をつくりあげることであ
る。
On the other hand, leather handicrafts include relief engraving, engraving, mosaic,
These methods include engraving, embossing, and dyeing, and using the patterned and dyed leather as a material, parts such as fibers, rubber, plastic, and metal can be combined to create wallets, bands, handbags, clothing items, etc. The goal is to create works such as book covers, artificial flowers, and interior decoration items.

日本画でも油絵でもなく、皮革にただ絵を描くというこ
と丈ではなく、革手芸の技法と絵画の技法を併せ純粋な
絵画を目指した車検は従来の技法では制作されなかった
が、この皮革に車検を制作しようとすると、皮革基板の
表面に原画を転写し、浮彫り、刻印の打込みを重ね染料
で充分型染、混染を繰り込し、更に絵具を使用し独自の
質量感を出すがこの工程を重ねると、皮革の厚さ、原画
又は皮革のなめし具合、使用場所などにより皮革基板が
凸凹に歪み、平面で固形硬化を要求される車検では加圧
修正をしなければならない。
It is not a Japanese painting or an oil painting, but rather a simple drawing on leather.The vehicle inspection, which combines leather handicraft techniques and painting techniques to create a pure painting, was not produced using traditional techniques, but this leather When trying to produce a car inspection, the original image is transferred onto the surface of a leather substrate, the relief and engraving are repeated, and the dye is used to thoroughly dye and mix the dyes, and then the paint is used to create a unique sense of mass. When this process is repeated, the leather substrate becomes uneven depending on the thickness of the leather, the degree of tanning of the original or leather, the location of use, etc., and pressure correction must be applied during vehicle inspections that require solid hardening on a flat surface.

又皮革の表面で微細な繊維で構成されている銀面層、綱
様層及びこれらの境で毛根などで空隙が多くもっとも弱
くしかもいたみ易いこの繊維構造で、かびがはえやすい
、均一でない、湿気ぬれに弱く、吸水性が大でしかも同
じ革でも場所によっ収縮する多くの革はアルカリに弱い
等数多くの欠点がある。「この発明は皮革の一可塑性が
大である植物タンニンなめし革を基板とし原画を浮彫り
、刻印打込みにより確実に浮き出させこれを染色し更に
水溶性樹脂系の絵具(水溶性樹脂系の絵具はその媒剤と
しての状態は極く微細な樹脂粒子が水中に浮遊している
状態にあり、この水溶状の樹脂粒子が水分の蒸発につれ
て互に結合し、弾力のあるフィルム状となって固着し顔
料をその中に包み込んだ形で画面に定着させる水溶性の
絵具で乾くと耐水性となり速乾性をもち薄塗りなら5〜
20分、厚く盛りあげても2〜4時間で内部まで乾き耐
水耐候と非常に耐久性に富んだ絵具で樹脂皮膜が顔料を
保護するので外気の変化や、紫外線に強く、変色、褪色
の恐れがなく塗膜がしなやがで強くキ裂や剥落の心配な
がく画面が傷まず保存上も心配なく極めて接着力が強い
) Liquitex DIRECTEDBY KUN
I 、OKAMURA 1972 PRINTED I
N JAPANより参照を使用し原画を描き起し。浮彫
りを固形化安定させ皮革基板の歪を修正し、平面を硬化
維持し車検を絵画として完成させることを目的としてい
る。
In addition, the surface of the leather is made up of fine fibers, such as the grain layer, the rope-like layer, and the boundaries between these layers, where there are many voids such as hair roots.This fiber structure is the weakest and most fragile, and is prone to mold growth and is uneven. Many leathers have a number of drawbacks, such as being sensitive to moisture, highly absorbent, and shrinking in some places, even if they are the same leather.Most leathers are sensitive to alkalis. ``This invention uses vegetable tanned leather, which has a high plasticity, as a substrate, embosses the original image, embodies it to ensure that it is embossed, dyes it, and then uses water-soluble resin paint (water-soluble resin paint is As a medium, extremely fine resin particles are suspended in water, and as the water evaporates, these water-soluble resin particles combine with each other to form an elastic film and adhere to the pigment. It is a water-soluble paint that is wrapped in a water-soluble paint that fixes it on the screen. When it dries, it becomes water-resistant and quick-drying.
Even if it is piled up thickly for 20 minutes, it dries to the inside within 2 to 4 hours.It is water resistant, weather resistant and extremely durable.The resin film protects the pigment, so it is resistant to changes in the outside air and ultraviolet rays, so there is no risk of discoloration or fading. Liquitex DIRECTEDBY KUN (Liquitex DIRECTEDBY KUN)
I, OKAMURA 1972 PRINTED I
The original drawing was created using references from N JAPAN. The purpose is to solidify and stabilize the relief, correct the distortion of the leather substrate, and maintain the hardened flat surface to complete the vehicle inspection as a painting.

に)問題点を解決するための手段 この発明を図面にもとづいて説明すると、第1図におい
て、車検は主として牛皮革の植物タンニンなめし革の約
2〜5ミリの厚さく厚さは作品によって異なる)長方形
の皮革基板1を用いる。原画2をもとに、トレシングペ
ーパーに写しこれを皮革表面に前篭か鉄筆又は硬い鉛筆
などで転写し線描をする。この場合皮革の表面をサラと
水刷毛で水分を与え全体を適度にしめらす。続いて浮彫
り3を原画2の線に沿って外側を凹ましながら原画2の
線を浮き上がらしてゆく、皮革の厚さが限定された中で
片側を凹ませることで高さを盛り上げてゆき、線が浮き
上がってみえる技法で、皮革がしめっている間に出来た
凹凸は皮革が乾いてもの基本原理でもある。これは後の
工程の染色だけではなく、水溶性樹脂系の絵具で描き起
してゆく彩色の質量感にも大変重要な影響を与える車検
の大事な特徴の−っである。
2) Means for Solving Problems This invention will be explained based on the drawings. In Figure 1, vehicle inspection is mainly made of vegetable tanned cowhide leather with a thickness of about 2 to 5 mm (the thickness varies depending on the work). A rectangular leather substrate 1 is used. Based on the original drawing 2, copy it onto tracing paper and transfer it to the leather surface with a maegoko, iron brush, hard pencil, etc. to draw lines. In this case, use a water brush to moisten the surface of the leather and soften the entire surface to an appropriate degree. Next, the outside of the relief 3 is concave along the lines of the original picture 2 while raising the lines of the original picture 2.With the thickness of the leather being limited, one side is concave to increase the height. , is a technique that makes the lines appear raised, and is the basic principle behind the unevenness that is created while the leather is being tightened, even when the leather dries. This is an important feature of vehicle inspection, as it has a very important influence not only on the subsequent dyeing process, but also on the sense of mass of the coloring created using water-soluble resin paints.

浮彫り3が終り車検の全体像が浮んできたら染色にはい
る。牛皮革の植物タンニンなめし革を皮革基板1とする
車検の染料は初めに結合のよい塩基性染料を使用する。
Once Embossing 3 is finished and the overall image of the vehicle inspection becomes clear, dyeing begins. A basic dye with good binding is first used as a dye for vehicle inspection using vegetable tanned cowhide leather as the leather substrate 1.

この皮革は負(−)に荷電しているので塩基性染料の正
(+)に荷電したものと静電的中和をおこし結合する、
塩基性染料は一般に色調は鮮明であるが日光にあてると
変色しやすいのが欠点であるが、これは後の工程水溶性
樹脂系の絵具又は補助剤の塗布で補修する。車検の染色
は初め拭き染の1染から入る、柔らかな布で軽く拭き染
めてゆく、その結果濃淡明暗が自然と画面に生じ1(ぼ
かし〕の革車検特の美しさが出るこれも最後まで重要な
影響を残す車検ならではの特徴の一つである。
Since this leather is negatively (-) charged, it electrostatically neutralizes and combines with the positively (+)-charged basic dye.
Basic dyes generally have a clear color tone, but the disadvantage is that they tend to discolor when exposed to sunlight, but this can be repaired by applying water-soluble resin paint or an auxiliary agent in a later step. The dyeing process for vehicle inspection begins with the first wipe-dye, which is then lightly wiped with a soft cloth.As a result, shading and lightness naturally appear on the screen, creating the unique beauty of 1 (blur) leather vehicle inspection.This continues until the end. This is one of the unique characteristics of vehicle inspections that has a significant impact.

現在の染色の工程では大体の調子が出ればよく、全体の
色調を見た上でろうけつ4に入るが、普通の染色では防
染が主な目的であるが、車線の場合のろうけつ4はろう
けつによるキ裂を入れ、染料を刷り込み又は植物染料を
刷り込み媒染剤をかけ皮革表面に微妙なキ裂による染色
の紋様を定着させ車線独自の美を求め、日本画でもない
油絵でもない車線であることを主張し証明しようとする
ものである。このろうけつ4は皮革表面にろう伏せ(ろ
うを融かし、ろう筆で皮革表面にろうをぬる)をする染
料を刷り込み後これを水洗して脱ろうする。ろうけつ用
のろうの融点 木ろう52.0〜53℃、由ろう40〜
53℃、パラフィンろう38〜65℃室温、気候等色々
な条件に影響され、計算されない偶発性のろうけつキ裂
は車線独自のものとして活かすべきである。全体の画調
が確立されて来たら浮彫り3の線をつぶさぬようにバッ
ク5の部分を刻印で打込み凹ましてゆく、皮革表面のバ
ック5の部分が小さな凹凸の面となり、染色を重ねるこ
とにより染料の吸収を増し色調を深めてゆく。
In the current dyeing process, it is enough to get the general tone, and after looking at the overall color tone, we start waxing 4. In ordinary dyeing, resist dyeing is the main purpose, but in the case of lanes, waxing 4 The leather is cracked with wax, imprinted with dye or vegetable dye, and applied with a mordant to establish the dyed pattern of subtle cracks on the leather surface, seeking a unique beauty that is neither Japanese painting nor oil painting. This is an attempt to assert and prove that it is a lane. This wax 4 is made by imprinting a waxing dye on the leather surface (melting the wax and applying the wax to the leather surface with a wax brush), and then washing it with water to remove the wax. Melting point of wax for wax: Japanese wax 52.0~53℃, Yuro 40~
53 degrees Celsius, paraffin wax 38-65 degrees Celsius, room temperature, climate, and other various conditions, and uncalculated accidental cracks in the wax should be utilized as something unique to the lane. Once the overall tone has been established, the back 5 part is engraved and indented without crushing the lines of the relief 3. The back 5 part on the leather surface becomes a small uneven surface and is dyed repeatedly. This increases dye absorption and deepens the color tone.

その中から更に原画2の部分の染色を強め、その上を水
溶性樹脂系の絵具で補色し、原画2を描き起し作品のイ
メージを確立してゆく、浮彫り3による質量感と加わり
、車線独自の盛りあがりが出る。
From this, the dyeing of the original painting 2 is further strengthened, and a complementary color is applied on top of it with water-soluble resin paint, and the original painting 2 is drawn and the image of the work is established, adding to the sense of mass created by the relief 3. There is excitement unique to each lane.

皮革基板1全体が完全に乾燥した後、千刷毛スプレーな
どで水溶性樹脂系の仕上げ補助剤を使用して皮革基板1
の表面をむらなく塗布する。これが乾燥すれば表面の画
面は完成であるが浮彫り3やバック5の部分をモデラや
細かい刻印の打込みで皮革基板1が凸凹に歪んでしまう
。これを修正して固形硬化し、平面にしなければならな
い。表面の画面、特に浮彫り3の表面や凹凸部を痛めぬ
様、皮革基板1の裏面6より水溶性接着剤又は固型剤を
よく刷り込み塗布する。生乾きの状態で浮彫り3で完成
された車線表面に接触する部分を痛めぬための第8図、
第9図、第10図における尉脂膜10とクッション面1
1を有する平面板12と生乾きの裏面6に塗布された接
着剤又は固型剤が接着しないための平滑平面板13に車
線をはさみ適当な重さく10に9前後位)で加圧し、乾
燥固形化した後、解圧皮革基板1を整形し車線は完成す
る。作品によっては工程順序の変更省略もある。
After the entire leather substrate 1 is completely dry, apply a water-soluble resin finishing aid to the leather substrate 1 using Senbake spray or the like.
Apply evenly to the surface. When this dries, the surface screen is completed, but the leather substrate 1 becomes uneven and distorted due to the modeler and fine engravings applied to the embossed parts 3 and the back 5. This must be corrected, solidified, and flattened. A water-soluble adhesive or a solidifying agent is thoroughly imprinted and applied from the back surface 6 of the leather substrate 1 so as not to damage the surface screen, especially the surface of the relief 3 and the uneven parts. Figure 8 to prevent damage to the part that contacts the lane surface completed with relief 3 in a half-dried state,
The fat film 10 and the cushion surface 1 in FIGS. 9 and 10
A lane is sandwiched between a flat plate 12 having a 100% carbon chloride and a smooth flat plate 13 to prevent the adhesive or solidifying agent applied to the half-dried back side 6 from adhering, and pressurized with an appropriate weight (approximately 10 to 9) to form a dry solid. After that, the decompressed leather substrate 1 is shaped and the lane is completed. Depending on the work, the order of the steps may be changed or omitted.

更に作品の強度を補強する場合は皮革基板1の裏面6に
合板14又は厚紙15を接着剤で圧着する。
When further reinforcing the strength of the work, plywood 14 or cardboard 15 is pressed onto the back surface 6 of the leather substrate 1 with adhesive.

(ホ)  作  用 上記のように構成された車線は、皮革表面の刻印打込み
による光の争反射、吸収は独自の色調を生み、浮彫りに
染色又は水溶性樹脂系の絵具を塗布する質量感は油絵以
上の盛り上りを出し、ろうけつによる偶発的なキ裂の染
色定着は車線独特の紋様を生じ、原画とこれらの総合的
調和に、仕上げ防水加工の水溶性樹脂系の仕上げ剤は耐
水、耐候、耐酸、耐油と非常に耐久性に擾れ車線は装飾
性としても芸術性としても、新らしい絵画としても有効
に作用するものである。
(E) Function The lanes configured as described above produce unique color tones through the reflection and absorption of light due to the engravings on the leather surface, and the mass impression created by dyeing or applying water-soluble resin paint to the reliefs. The color is more vibrant than an oil painting, and the accidental staining of the cracks caused by the wax creates a unique pattern of the lane.The water-soluble resin finishing agent used for the waterproof finish is water-resistant. It is highly durable, weather-resistant, acid-resistant, and oil-resistant, making it effective as a decoration, as an artist, and as a new painting.

(へ)発明の効果 油絵でも日本画でもない車線という全く新らしい分野の
開発によって装飾、美術面は勿論、皮革産業界の中に今
迄とは別個な皮革の用途が拓け、産業としても大いに役
立つと共に、絵画の世界においても独自の車線という世
界を確立し、皮革の可塑性の弱点をプラスにかえた。現
代文明が生み出した水溶性樹脂系の絵具の開発、染色技
術、革工芸技術の向上が総合されて、日本独自の新らし
い車線が出来たのである。
(f) Effects of invention The development of a completely new field called lanes, which is neither oil painting nor Japanese painting, has opened up new uses for leather, not only in decoration and art, but also in the leather industry, and has greatly expanded the industry. Not only was it useful, but it also established a unique lane in the world of painting, turning the weakness of leather's plasticity into a positive. The development of water-soluble resin paints created by modern civilization, improvements in dyeing techniques, and leather craft techniques were integrated, and a new lane unique to Japan was created.

【図面の簡単な説明】[Brief explanation of drawings]

第1図は、車線表面斜視図。 第2図は、車線に固型剤を塗布合板又は厚紙を圧着実施
した表面斜視図。 第3図は車線に固型剤を塗布合板又は厚紙を圧着実施し
た裏面斜視図。 第4図は、車線横断面図。 第5図は、車線に固型剤を塗布合板又は厚紙を圧着実施
した横断面図。 第6図は、車線の縦断面図 第7図は、車線に固型剤を塗布合板又は厚紙を圧着実施
した縦断面図。 第8図は、車線な平面板ではさんだ実施斜視図。 第9図は、車線を平面板ではさんだ実施側面図。 第10図は、車線な平面板ではさむ実施斜視図。 1. 皮革基板 2、車線原画 3、浮彫り部分 4、 ろうけつ部分 5、 打込み部分 6、 皮革基板裏面 7、 皮革、基板断面部 8、 固型剤塗布合板又は厚紙圧着実施側面部9、 固
型剤塗布合板又は厚紙圧着実施裏面部10、樹脂膜 11、クッション面 12、平面板 13、平滑平面板 14、合板 15、厚紙
FIG. 1 is a perspective view of the lane surface. FIG. 2 is a perspective view of the surface of the lane after applying a hardening agent and press-bonding plywood or cardboard. FIG. 3 is a perspective view of the back side of the lane after applying a hardening agent and press-bonding plywood or cardboard. Figure 4 is a lane cross-sectional view. FIG. 5 is a cross-sectional view of a lane of plywood or cardboard coated with a hardening agent. FIG. 6 is a longitudinal sectional view of a lane, and FIG. 7 is a longitudinal sectional view of a lane after applying a hardening agent and bonding plywood or cardboard. FIG. 8 is a perspective view of the construction sandwiched between two lane plane plates. Figure 9 is a side view of the lane sandwiched between flat plates. FIG. 10 is a perspective view of the implementation sandwiched between lane plane plates. 1. Leather board 2, original lane drawing 3, embossed part 4, wax part 5, driven part 6, back side of the leather board 7, leather, cross section of the board 8, side part 9 of plywood or cardboard crimped with a hardening agent applied, hardening agent Coated plywood or cardboard pressure bonding back surface part 10, resin film 11, cushion surface 12, flat plate 13, smooth flat plate 14, plywood 15, cardboard

Claims (1)

【特許請求の範囲】 1、長方形の皮革基板の表面に原画を転写し、浮彫り、
染色、ろうけつの防染、ろうけつのキ裂の染め、原画又
は背景の刻印による打込み等で原画を浮彫り、染色し水
溶性樹脂系絵具又は補助剤をもって彩色、防水加工した
皮革基板を樹脂膜とクッション部をもつ平面板と平滑な
平面板ではさみ加圧、固形硬化し整形した皮革を基板と
した革絵を制作する方法。 2、楕円形の皮革基板である特許請求の範囲第1項記載
の皮革を基板とする革絵。 3、円形の皮革基板である特許請求の範囲第1項又は第
2項記載の皮革を基板とする革絵。 4、正方形の皮革基板である特許請求の範囲第1項又は
第2項、第3項記載の皮革を基板とする革絵。 5、多角形の皮革基板である特許請求の範囲第1項又は
第2項、第3項、第4項記載の皮革を基板とする革絵。
[Claims] 1. Transferring the original picture onto the surface of a rectangular leather substrate, embossing it,
The original painting is embossed by dyeing, resist dyeing the wax, dyeing the cracks of the wax, and stamping the original painting or background, and then dyed and colored with water-soluble resin paints or auxiliary agents, making the leather substrate waterproof. A method of producing leather paintings using a substrate of leather that has been pressed, hardened, and shaped by sandwiching a flat plate with a membrane and a cushion part and a smooth flat plate. 2. A leather painting using a leather substrate according to claim 1, which is an oval leather substrate. 3. A leather painting using a leather substrate according to claim 1 or 2, which is a circular leather substrate. 4. A leather painting using the leather as a substrate according to claim 1, 2, or 3, which is a square leather substrate. 5. A leather painting using the leather as a substrate according to claim 1, 2, 3, or 4, which is a polygonal leather substrate.
JP16352985A 1985-07-24 1985-07-24 Manufacture of leather picture using leather as substrate Pending JPS6223800A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP16352985A JPS6223800A (en) 1985-07-24 1985-07-24 Manufacture of leather picture using leather as substrate

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP16352985A JPS6223800A (en) 1985-07-24 1985-07-24 Manufacture of leather picture using leather as substrate

Publications (1)

Publication Number Publication Date
JPS6223800A true JPS6223800A (en) 1987-01-31

Family

ID=15775603

Family Applications (1)

Application Number Title Priority Date Filing Date
JP16352985A Pending JPS6223800A (en) 1985-07-24 1985-07-24 Manufacture of leather picture using leather as substrate

Country Status (1)

Country Link
JP (1) JPS6223800A (en)

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH03227470A (en) * 1990-01-29 1991-10-08 Naoyuki Fujii Patterning on leather
CN111634147A (en) * 2020-05-13 2020-09-08 黑龙江八一农垦大学 Method for making toad feather picture

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH03227470A (en) * 1990-01-29 1991-10-08 Naoyuki Fujii Patterning on leather
CN111634147A (en) * 2020-05-13 2020-09-08 黑龙江八一农垦大学 Method for making toad feather picture

Similar Documents

Publication Publication Date Title
CN102085773B (en) Silk polished lacquer painting and preparation method thereof
CN1050003A (en) Art calligraphy decoration plate and manufacture method thereof
JPS6223800A (en) Manufacture of leather picture using leather as substrate
US1908075A (en) Ornamentation
RU2173268C1 (en) Method of decorative-artistic finish of wooden articles
JPS6140200B2 (en)
US20080075865A1 (en) Ceramic bisque product with underglaze outlines
US2126088A (en) Process of making decorative plates
US1097075A (en) Method of printing.
JPS6057390B2 (en) Decorative board manufacturing method
DE2600744B2 (en) PROCEDURE FOR REMOVING THE BACKING FROM BLACK AND WHITE OR COLOR PRINTS
CN2470147Y (en) Glass picture
DE735723C (en) Process for surface decoration by means of water-swellable glue paint pictures
US1961575A (en) Ornamentation
DE423114C (en) Process for the production of printable drawings, paintings, etchings, etc. like
CN1144753A (en) Colour rubbing engraving and its manufacturing method
Koehler Exhibition Illustrating the Technical Methods of the Reproductive Arts from the Xv. Century to the Present Time: With Special Reference to the Photo-mechanical Processes. January 8 to March 6, 1892
DE382510C (en) Process for the production of marbled foils for embossing purposes
US2237708A (en) Process of reproducing natural grain patterns
KR100712133B1 (en) A making method of a slabe of stone, high-quality to in colors keeping
Barrette Collograph Platemaking Techniques
CN1036167A (en) The method for platemaking that paper is bitten and brushed
JPH0327040B2 (en)
CN101007487A (en) Production method of Mianzhu Spring Festival picture
JPS59145183A (en) Manufacture of rugged decorative sheet