JP2016017022A - Clay molding fired/fumigated product and production method thereof - Google Patents

Clay molding fired/fumigated product and production method thereof Download PDF

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JP2016017022A
JP2016017022A JP2014142112A JP2014142112A JP2016017022A JP 2016017022 A JP2016017022 A JP 2016017022A JP 2014142112 A JP2014142112 A JP 2014142112A JP 2014142112 A JP2014142112 A JP 2014142112A JP 2016017022 A JP2016017022 A JP 2016017022A
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晶久 浅田
Akihisa Asada
晶久 浅田
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Asada Masahisa
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Abstract

PROBLEM TO BE SOLVED: To develop and produce 'kyo-gawara(kyo tile)' provided with a variety of patterns excellent in designability and a production method capable of creating diversity of design and new possibilities of 'kyo-gawara'.SOLUTION: A production method of a clay molding fired/fumigated product comprises forming a silk screen plate including a region for an ink to pass through and a region for an ink not to pass through, based on a draft or a pattern, conducting silk screen printing by using the silk screen plate by means of an ink consisting of a clay water-dissolved on the surface of a clay molding formed by kneading and molding raw material clay and drying the resultant body and reducing the dried clay molding with strong reduction power in a step of firing and fumigating the clay molding under specified conditions so as to form carbon films different in texture and glossiness between a part applied with the ink on the surface of the clay molding and a part not applied with the ink.SELECTED DRAWING: Figure 1

Description

本発明は、いぶし瓦関連製品(例えば、いぶし瓦、床タイル、壁タイル等)の表面に、従来にはない見た目・風合いを持つ模様を形成した粘土成形焼成燻化物およびその製造方法に関する。   The present invention relates to a clay-molded and fired hatched product in which a pattern having an appearance and texture that has not been seen in the past is formed on the surface of an Ibushi tile-related product (for example, Ibushi tile, floor tile, wall tile, etc.) and a method for producing the same.

いぶし瓦は、日本の建造物の屋根に長きにわたって使用されてきた伝統的な屋根材であり、一般の民家から重要文化財まで広く使われてきた。そうした粘土成形焼成燻化物は、現在では屋根材としてだけではなく、インテリアやエクステリアとしての使用も広まっている。   Ibushi tile is a traditional roofing material that has been used for a long time on roofs of Japanese buildings, and has been widely used from ordinary private houses to important cultural properties. Such clay-molded and fired hatching products are now widely used not only as roofing materials but also as interiors and exteriors.

いぶし瓦の製造工程は、大きく分けて粘土の混練、成形、焼成・燻化の3段階に大別化される。最初に原料となる粘土に水を加えた後、足でしっかりと踏み、山を作る。その粘土を土練機に投入して混練を行う。混練済みの粘土を用いて瓦の概形を作った後、規定の型を用いて成形を行い、表面に水を付けて撫で板でなでた後、乾燥させる。完全に乾燥させた後、窯の中で焼成を行う。通常の瓦の場合、製造工程はこれで全てであるが、いぶし瓦の場合、焼成後に自然冷却で800〜950℃前後まで低下させた後、燻化(またはいぶし)を行う。酸素供給を断った状態、いわゆる強還元雰囲気でブタンガスなどの炭化水素ガスを供給し、発生した煤を製品表面に沈着させる工程である。   The manufacturing process of Ibushi tile is roughly divided into three stages: clay kneading, molding, firing and hatching. First, add water to the raw clay, and then step firmly with your feet to make a mountain. The clay is put into a kneader and kneaded. After making the rough shape of the tile using the kneaded clay, it is molded using a specified mold, water is applied to the surface, the plate is boiled and then dried. After complete drying, firing is performed in a kiln. In the case of ordinary roof tiles, the manufacturing process is all of this, but in the case of smoked roof tiles, they are cooled to about 800-950 ° C. by natural cooling after firing and then hatched (or smoldered). In this process, hydrocarbon gas such as butane gas is supplied in a so-called strong reducing atmosphere in a state where the supply of oxygen is cut off, and the generated soot is deposited on the product surface.

日本におけるいぶし瓦の主要な産地は、淡路島と愛知県の三河地区であり、そこでは、製造工程のほとんどがオートメーションで行われている。その他の地域でもいぶし瓦の製造は行われている。町家や神社仏閣の存在する京都も、日本有数のいぶし瓦の産地であった。京都で伝統的に製造されてきた瓦は「京瓦」と呼ばれる。いぶし瓦の中でも重厚さと優美さを併せもつ「京瓦」は、品質・色・つやの点で古くより高級品とされており、寺院や神社、数寄屋から一般の町家まで幅広く普及していた。   The main production areas for Ibushi tiles in Japan are Awaji Island and the Mikawa area of Aichi Prefecture, where most of the manufacturing process is automated. Ibushi tiles are also manufactured in other areas. Kyoto, where the townhouses and shrines and temples exist, was one of Japan's leading producers of Ibushi tiles. Traditionally manufactured roof tiles in Kyoto are called “Kyo roof tiles”. Among the Ibushi tiles, “Kyo tile”, which has both profoundness and elegance, has been regarded as a high-quality item from the old days in terms of quality, color, and gloss, and has spread widely from temples, shrines, sukiya to ordinary townhouses.

高級品とされる要因として、製造行程中の「磨き」による表面の美しさが挙げられ、これは、京瓦の代名詞とも言える。成形後、ある程度の固さまで乾燥させた状態で、専用の台に載せ、金ベラやコテを使って丁寧に表面を撫ぜ、面取りを行うことで、表面についた小傷や凹凸が平滑になり、完成後の製品表面の光沢が増し、製品全体の印象が引き締まって見えるようになる。磨き工程は、製品一つ一つの表面の状態を見極めて作業する必要が有るため、製造技術者が手作業で行う、労力のかかる工程である。   One of the factors that make it a luxury product is the beauty of the surface due to “polishing” during the manufacturing process, which is synonymous with Kyoto tiles. After molding, after drying to a certain degree of hardness, place it on a dedicated stand, gently knead the surface with a gold spatula or trowel, and chamfering, smoothing small scratches and irregularities on the surface, The gloss of the product surface after completion increases, and the impression of the entire product becomes visible. The polishing process is a labor-intensive process that is manually performed by a manufacturing engineer because it is necessary to determine and work on the surface condition of each product.

経験的に伝えられている磨きのコツを記す。磨きは成形の最終段階であるため、磨き後の表面の状態が、完成品の表面の美しさを左右する。金ベラを表面に接触させただけでも表面の光の反射の仕方が変わってしまう。表面を撫でる際は、ヘラを短い距離で何度も動かすのではなく、磨く面の端、もしくは目立ちにくい箇所から長く、可能な限り同一方向に動かすようにする。製品の角度を変えたり、作業者自らの位置を変えたりと、可能な限り作業しやすい位置関係を維持したまま磨く。   Here are some tips on how to polish your experience. Since polishing is the final stage of molding, the surface condition after polishing affects the beauty of the surface of the finished product. Even just touching the gold spatula on the surface will change the way light is reflected on the surface. When stroking the surface, instead of moving the spatula over a short distance, move it in the same direction as much as possible from the edge of the surface to be polished, or from an area that is not noticeable. Polish while maintaining the positional relationship that makes it as easy as possible, such as changing the angle of the product or changing the position of the worker.

かつての京瓦の生産地として、原料粘土が採掘されていた東山周辺の大佛地域と京都市伏見区の深草地域が挙げられ、明治時代には、十数件の窯元が軒を連ねていた。現在では「京瓦」の伝統技術を受け継ぐ職人はほとんどおらず、事実、「京瓦」を製造している事業所は京都に2軒しか残っていない。   The former production of Kyoto tiles includes the Otsuchi area around Higashiyama where raw clay was mined and the Fukakusa area in Fushimi-ku, Kyoto. During the Meiji period, more than a dozen potteries were lined up. At present, few craftsmen inherit the traditional techniques of “Kyogawara”, and in fact, there are only two establishments in Kyoto that manufacture “Kyogawara”.

浅田製瓦工場は、現役で京瓦を製造している窯元である。機械化による大量生産の波に押され、全国的に姿を消している熟練の瓦製造技術を、現代に伝えている唯一の京瓦窯元である。これまで浅田製瓦工場製の瓦は、南禅寺全般の諸寺院を始め京都の名刹の屋根を飾ってきた。日露戦争から帰った初代・浅田徳三郎が、明治44年に伏見区紙子屋町にて薬製造と瓦製造業を始めた。創業当時、隣には太閤時代から瓦製造を続ける山田家(屋号瓦吉)があり、瓦の製造において少なからず影響を受けたと考えられる。徳三郎は、瓦製造を始めてから職人の技術を見て覚え、親方として一通りの仕事が出来るようになったという。徳三郎は、事業を少しずつ大きくしたため、経済的には必ずしも安定しなかった。ようやく安定するのは、大きな台風があり、在庫の瓦が売れてからのことであった。瓦屋と台風は因縁があり、瓦屋は台風を喜んだ。現在の伏見区舞台町に移ったのは二代目・良治の代になってからである。満州から帰った良治が本格的に瓦を造り始めたのは31歳になってからで、初代と同様に見覚えで京瓦の技術を受け継いだ。木型を使った軒平瓦造りを得意とする良治は、伝統の引っ掛け桟瓦で通産大臣賞を受賞した経験を持つ。現在は、良治の長男で三代目・晶久が鬼瓦を中心に京瓦製造の伝統を受け継いでいる。現在の作業場は味噌蔵を改造したもので、各種の木型が所せましと並ぶ様は壮観ですらある。京瓦の衰退とともに、かつては十数人いた職人の数も減少し、京瓦製造に従事する若者の早期育成は、京瓦の存亡にも関わる昨今の課題となっている。   The Asada Tile Factory is an active pottery who manufactures Kyoto tiles. It is the only Kyogawara potter that conveys to the present age the skillful tile manufacturing technology that has disappeared nationwide due to the wave of mass production due to mechanization. So far, the tiles made by Asada Tile Factory have decorated the roofs of famous temples in Kyoto, including various temples throughout Nanzen-ji. The first generation, Tosaburo Asada, who returned from the Russo-Japanese War, began drug manufacturing and tile manufacturing in Kasoya-cho, Fushimi-ku in 1904. At the time of its founding, there was the Yamada family (Kaiyoshi Yaya) who has been producing tiles since the Dazai era. Tokusaburo said that he was able to work as a parent by learning the skills of craftsmen since he started making tiles. Tokusaburo was not always stable economically because his business was gradually increased. It finally became stable after there was a big typhoon and the tiles in stock were sold. The tiler and typhoon were closely related, and the tiler was pleased with the typhoon. I moved to the current Fushimi-ku stage town after the second generation, Reiji. Ryoji, who returned from Manchuria, began building tiles in full swing when he was 31 years old. Reiji, who is good at making eaves flat tiles using wooden shapes, has won the Minister of International Trade and Industry Award for traditional hanging tiles. Currently, Ryoji's eldest son, the third generation, Akihisa, has inherited the tradition of Kyo-gawara manufacturing, centered on Onikira. The current workshop is a modification of the miso storehouse, and it is even spectacular that various wooden patterns are lined up. With the decline of Kyoto tiles, the number of craftsmen that used to be 10 has decreased, and the early development of young people engaged in the manufacture of Kyoto tiles has become a recent issue related to the existence of Kyoto tiles.

浅田製瓦工場では、長寿命な京瓦を製造するための工夫として、焼成工程での徹底した温度管理を行っている。浅田製瓦工場での焼成・燻化条件の概要は、焼成処理温度1100〜1160℃、前記焼成処理温度までの到達時間30〜40時間、前記焼成処理温度の保持時間は2〜3時間、前記焼成処理に続く燻化処理の温度は830〜850℃、前記燻化処理の時間は0.8〜1.5時間の条件である。焼成を行う製品の形状と、肉厚によって温度の上昇速度を変えている。また、焼成の際に製品に亀裂、破損を発生させないように、本焼成の前に必ず前焚きを行い、乾燥では蒸発しきれなかった、製品内の残留水分を除去する一手間を加えている。   Asada's roof tile factory is conducting thorough temperature control in the firing process as a device for manufacturing long-lived roof tiles. The outline of firing and hatching conditions at the Asada tile factory is as follows: firing temperature 1100-1160 ° C, time to reach the firing temperature 30-40 hours, holding time of the firing temperature 2-3 hours, The temperature of the hatching process following the baking process is 830 to 850 ° C., and the time of the hatching process is 0.8 to 1.5 hours. The rate of temperature rise is changed according to the shape of the product to be fired and the wall thickness. Also, in order to prevent cracking and breakage of the product during firing, it must be pre-plated before the main firing, and a process of removing residual moisture in the product that could not be evaporated by drying is added. .

他には、現在より表面の美しい京瓦を開発する取り組みも行っている。現在、浅田製瓦工場では、三河地区で採取した5種類の粘土をブレンドして原料としているが、京都で採取されていた粘土よりも大きな砂が混ざっている。そのため、焼結後の製品の表面に砂が現れるため、磨きの美しさを殺す要因となってしまう。そこで、乾燥させた粘土を粉砕し篩を通して砂を取り去った粘土を使用することで、昔ながらの美しい表面の製品を再現することを考えており、表面および構造に与える影響を科学的に分析・検討している。   In addition, we are also making efforts to develop a Kyoto tile with a beautiful surface. Currently, the Asada Tile Factory uses five types of clay blended in the Mikawa area as raw materials, but it contains a larger amount of sand than clay collected in Kyoto. For this reason, sand appears on the surface of the product after sintering, which is a factor that kills the beauty of polishing. Therefore, we are thinking of reproducing the old beautiful product by crushing the dried clay and removing the sand through the sieve, and scientifically analyze and examine the effects on the surface and structure. doing.

浅田製瓦工場では、伝統技術である「京瓦」の制作に加え、積極的に瓦素材の開発を京都工芸繊維大学の濱田研究室と共同で行っている。2011年9月には、発明者である浅田晶久が京瓦の磨きに関する研究で博士号を取得し、論文投稿及び学会発表を行っている。具体的な内容として、磨き工程の回数が異なる試験片を作製し、表面物性の検討を行った結果、磨き工程が多いほど試験片の表面粗さが減少し、光沢・明度が増加した。また、耐水性に関しては接触角が増加し、吸水率は減少した。以上のことから、伝統的な技法である「磨き」は、美観と機能の両方の観点から重要な工程ということが確認できた。京瓦の特徴である磨きは手作業で行われているため、作業する職人の熟練度も重要である。経験年数の異なる職人2名を被験者として磨きの動作分析を行った。その結果、非熟練者は手先だけを動かしていたが、熟練者は手先だけでなく体全体を使って作業を行い、ヘラを動かす回数が非熟練者より少なく、より短時間で磨き工程を完了していた。以上のような研究成果を持って国内および国際学会で発表を行っており、京都の伝統である京瓦を科学的に研究していることを世界に向けて広めている。   In addition to producing the traditional technique “Kyo-gawara”, the Asada Tile Factory is actively developing tile materials in collaboration with the Iwata Laboratory of Kyoto Institute of Technology. In September 2011, the inventor Akihisa Asada obtained a PhD in research related to the polishing of Kyoto tiles, submitted a paper, and presented a conference. Specifically, as a result of preparing test pieces with different numbers of polishing steps and examining the surface properties, the surface roughness of the test pieces decreased as the polishing step increased, and the gloss and brightness increased. As for water resistance, the contact angle increased and the water absorption decreased. From the above, it was confirmed that the traditional technique “polishing” is an important process in terms of both aesthetics and function. Polishing, which is a characteristic of Kyoto tile, is done manually, so the skill level of the craftsmen who work is also important. We analyzed the movement of polishing with two craftsmen with different years of experience. As a result, the unskilled person moved only the hand, but the skilled person used not only the hand but the entire body to work, and the spatula was moved less frequently than the unskilled person, completing the polishing process in a shorter time Was. Presenting research results as described above at domestic and international conferences, spreading the scientific study of Kyoto roof tiles, a tradition of Kyoto, to the world.

浅田製瓦工場は、上記のように京瓦の伝統的な製造方法を継承している。加えて、独自の工夫を行い、京瓦の特徴である磨きを対象とした研究も行っており、発明者はそれらの研究内容で博士号を取得しており、経験のみに頼らない理論的な京瓦の説明を行うことが可能である。発明者は、磨き以外の有効な表面処理の技法の開発および応用可能な表現技法の発明に熱意を持って取り組んできた。斬新で有効な表面処理方法または京瓦に応用可能な表現技法があれば、表現可能なデザインの幅が広がり、さらに意匠性に優れた京瓦を開発・製造することが可能となり、デザインの多様性、京瓦の新たな可能性を創造することにつながる。
重要なことは、新たな技法が、磨きによって得られる表面の美しさを完全に消し去ってしまわないようにすることであり、京瓦の磨きの美しさの他に、磨きとは違った表面の質感を生み出す処理方法や技法である必要がある。
Asada's roof tile factory inherits the traditional manufacturing method of Kyoto roof tiles as described above. In addition, we have conducted original research and research on polishing, which is a characteristic of Kyoto tiles, and the inventor has obtained a PhD in their research content and is theoretically independent of experience. It is possible to explain Kyoto tiles. The inventor has eagerly worked on the development of effective surface treatment techniques other than polishing and the invention of applicable expression techniques. If there is a novel and effective surface treatment method or expression technique that can be applied to Kyo roof tiles, the range of designs that can be expressed will be widened, and it will be possible to develop and manufacture Kyo roof tiles with excellent design characteristics. This will lead to the creation of new possibilities for sexuality and Kyoto tiles.
The important thing is that the new technique does not completely erase the beauty of the surface obtained by polishing. In addition to the beauty of polishing of Kyoto tile, it is a different surface from polishing. It needs to be a processing method or technique that produces the texture of the material.

特開平5−138629号公報JP-A-5-138629

ところで、屋根瓦等の窯業建材の表面を「磨き」なしに平滑にして製造工程の省力化を図り、燻化にて形成される炭素膜により、いぶし銀色を発色させて、屋根瓦、床タイル、壁タイル等への使用を可能にしたものとしては、上記特許文献に記載のものが知られている。   By the way, the surface of ceramic building materials, such as roof tiles, is smoothed without “polishing” to save labor in the manufacturing process. As those that can be used for wall tiles and the like, those described in the above-mentioned patent documents are known.

ところが、この特許文献に記載のものは、2層にプレス成形した下層部の材質を、釉薬瓦、タイル等に使用される原料を粉体状とする母材原料とし、上層部の材質を、いぶし瓦に適した原料を粉体状とする補助原料とし、この2層体を乾燥、焼成、燻化処理して銀色光沢を呈する窯業建材を提供するものであるが、これらの窯業建材をもってしても、その表面にデザイン性に優れ、光沢の違いによって模様を描いたものは存在しない。   However, the material described in this patent document uses the material of the lower layer part press-formed into two layers as a base material raw material for powder material used for glaze tiles, tiles, etc., and the material of the upper layer part, A material suitable for smoldering tiles is used as an auxiliary material in powder form, and the two-layered body is dried, fired, and hatched to provide ceramic building materials that exhibit silvery luster. However, the surface has excellent design and there is no pattern with different gloss.

本発明は、意匠性に優れた様々な模様のある粘土成形焼成燻化物を提供するとともに、その製法を提供して、新たな京瓦の開発・製造を可能にすることを課題とする。   It is an object of the present invention to provide a clay-molded and fired hatched product having various patterns excellent in design properties and to provide a production method thereof to enable development and production of a new Kyoto tile.

本発明の粘土成形焼成燻化物は、表面に光沢の異なる模様を形成してなる粘土成形焼成燻化物であって、まず図案や文様を元に、インクが通過する領域とインクが通過しない領域のあるシルクスクリーン版を製作する。次に原料粘土を混練、成形して粘土成形物を製作し、その製作工程を経た粘土成形物の表面に、水溶した粘土をインクとして、前記スクリーン版を使用してシルクスクリーン印刷を行って乾燥させる。続いてこの印刷・乾燥工程を経た前記粘土成形物を所定条件で焼成・燻化処理するが、その焼成・燻化工程において、強還元力により還元して、前記粘土成形物表面のインクの塗布された箇所と塗布されなかった箇所とで、質感や光沢の異なる炭素被膜を形成することを特徴とする。   The clay-molded fired hatching product of the present invention is a clay-molded fired hatched product formed with patterns with different gloss on the surface. First, based on the design and pattern, the area where ink passes and the area where ink does not pass Make a silkscreen version. Next, raw clay is kneaded and molded to produce a clay molded product. The surface of the clay molded product that has undergone the production process is silk screen printed using the screen plate and dried using water-soluble clay as an ink. Let Subsequently, the clay molded product that has undergone this printing / drying step is fired and hatched under predetermined conditions. In the firing / incubating step, the clay molded product is reduced by strong reducing power and applied to the surface of the clay molded product. A carbon film having a different texture and gloss is formed between the applied part and the non-applied part.

インクとして使用する水溶粘土は、例えばあらかじめ、0.15mm以下の粒径や、0.18mm以下の粒径の粉末状に粉砕した粘土粉を多量の水に溶いたものである。インクの粘度を変えることで焼成燻化工程後の製品表面の質感を様々に変えることが可能である。   The water-soluble clay used as the ink is obtained by, for example, dissolving clay powder pulverized into a powder having a particle size of 0.15 mm or less or a particle size of 0.18 mm or less in a large amount of water. It is possible to change the texture of the product surface after the baking and hatching process by changing the viscosity of the ink.

上記工程におけるスクリーンの材質としては、ポリエステルやナイロンなどの合成繊維の布が挙げられる。スクリーン上にインクが通過する領域とインクが通過しない領域を作るために使用する感光剤は、耐水性感光乳剤のミノライトを使用する。またはその他の耐水性感光乳剤も使用することができる。シルクスクリーン印刷・乾燥工程では、スクリーン上にインク材を適量置き、スクイージーでスクリーンの上に強く押し当てて、スクリーンの全ての面に渡って、一定方向に動かすことで、インクをスクリーンの穴を通して粘土成形物へ押し出す方法を取る、もしくは同様の効果の得られる方法も使用可能である。   Examples of the material of the screen in the above process include a cloth of synthetic fiber such as polyester and nylon. The photosensitive agent used to make the area where ink passes and the area where ink does not pass on the screen uses minolite which is a water-resistant photosensitive emulsion. Alternatively, other water-resistant photosensitive emulsions can be used. In the silk screen printing / drying process, an appropriate amount of ink material is placed on the screen, squeezed firmly onto the screen, and moved in a fixed direction across the entire surface of the screen, allowing the ink to perforate the screen. It is also possible to use a method of extruding to a clay molding or a method of obtaining a similar effect.

なお、上記工程の所定条件とは、いぶし瓦の焼成・燻化条件であり、例えば、焼成処理温度は1100〜1160℃、前記焼成処理温度までの到達時間は30〜40時間、前記焼成処理温度の保持時間は2〜3時間、前記焼成処理に続く燻化処理の温度は830〜850℃、前記燻化処理の時間は0.8〜1.5時間の条件である。上記構成により、燻化工程において、強還元力により還元し、前記シルクスクリーン印刷・乾燥工程を行った箇所と行わなかった箇所、すなわち、インクを塗布した箇所と塗布しなかった箇所とで、質感や光沢の異なる炭素被膜を形成することにより、京瓦の磨きによる表面の美しさを残しながらも、その表面に様々な質感や光沢の異なる模様を形成してなる京瓦関連製品の製造が可能となる。   The predetermined conditions of the above steps are conditions for firing and hatching the smoldering tile, for example, the firing temperature is 1100 to 1160 ° C., the arrival time to the firing temperature is 30 to 40 hours, and the firing temperature The holding time is 2 to 3 hours, the temperature of the hatching treatment following the baking treatment is 830 to 850 ° C., and the incubation time is 0.8 to 1.5 hours. According to the above configuration, in the hatching process, it is reduced by strong reducing force, and the silk screen printing / drying process is performed and the areas where the ink coating is not performed, that is, where the ink is applied and where the ink is not applied. By forming carbon films with different luster and gloss, it is possible to manufacture Kyoto tile-related products by forming various textures and patterns with different luster on the surface while retaining the beauty of the surface by polishing the roof tile. It becomes.

本発明のシルクスクリーン印刷処理を用いた粘土成形焼成燻化物およびその製造方法によれば、いぶし工程の強還元雰囲気でインクを塗布した箇所と塗布しなかった箇所とで、質感や光沢の異なる炭素被膜を形成することができるから、京瓦の磨きによる表面の美しさを残しながらも、その表面に繊細な模様を施した京瓦関連製品の製造が可能となる。   According to the clay-molded and fired hatched product using the silk screen printing process of the present invention and the method for producing the same, the carbon having different texture and gloss is different between the portion where the ink is applied and the portion where the ink is not applied in the strongly reducing atmosphere in the smoldering process. Since a coating can be formed, it is possible to manufacture a Kyoto tile-related product with a delicate pattern on the surface while retaining the beauty of the surface by polishing the Kyoto tile.

インクとして使用する水溶粘土は、例えばあらかじめ、0.15mm以下の粒径や、0.18mm以下の粒径の粉末状に粉砕した粘土粉を多量の水に溶いたものである。インクの粘度を変えることで焼成燻化工程後の製品表面の質感や光沢を様々に変えることが可能である。   The water-soluble clay used as the ink is obtained by, for example, dissolving clay powder pulverized into a powder having a particle size of 0.15 mm or less or a particle size of 0.18 mm or less in a large amount of water. By changing the viscosity of the ink, it is possible to variously change the texture and gloss of the product surface after the baking and hatching process.

シルクスクリーン技術を利用した粘土成形焼成燻化物の製造工程を示すフローチャート。The flowchart which shows the manufacturing process of the clay shaping | molding baking hatching using a silk screen technique. 本発明によって製造した粘土成形焼成燻化物の一例を示す写真。The photograph which shows an example of the clay shaping | molding baking hatching manufactured by this invention.

以下、本発明を実施するための形態について実施例により具体的に説明する。なお、本発明の技術的思想の範囲は、これらの実施例の具体的な形状や数値に限定されるものではない。   Hereinafter, embodiments for carrying out the present invention will be specifically described with reference to examples. The scope of the technical idea of the present invention is not limited to the specific shapes and numerical values of these examples.

図1は、シルクスクリーン技術を利用した粘土成形焼成燻化物の製造工程を示すフローチャートである。本発明の粘土成形焼成燻化物は、原料粘土を混練・成形・焼成燻化した粘土成形焼成燻化物であり、その製造工程は、図1に示すように、大きくは、粘土成形工程、シルクスクリーン印刷・乾燥工程、焼成・燻化工程の3つの工程からなり、そこにスクリーン製版工程が加わる。   FIG. 1 is a flowchart showing a manufacturing process of a clay-molded fired hatching product using silk screen technology. The clay-molded and fired hatched product of the present invention is a clay-molded and fired hatched product obtained by kneading, molding and calcining raw material clay. As shown in FIG. It consists of three processes: a printing / drying process and a baking / incubation process, and a screen plate-making process is added to it.

粘土成形工程は、従来の京瓦製造工程にも見られる工程である。原料粘土に適切な量の水を加え、原料粘土を混練し、水分の分布を均一にする。前記混練後の粘土を使用し、必要な形状に成形を行う。   The clay molding process is a process also found in the conventional Kyoto tile manufacturing process. Add an appropriate amount of water to the raw clay and knead the raw clay to make the moisture distribution uniform. Using the kneaded clay, it is molded into a required shape.

前記の成形工程が完了した後に行うのが「磨き」である。ある程度の固さまで乾燥させた状態で、専用の台に載せ、金ベラやコテを使って丁寧に表面を撫ぜ、面取りを行うことで、表面についた小傷や凹凸が平滑になり、完成後の製品表面が美しくなり、製品全体の印象が引き締まって見えるようになる。「磨き」は、技術者が製品一つ一つの表面の状態を見極めながら行うものである。金ベラを表面に接触させただけでも表面の光の反射の仕方が変わってしまう。表面を撫でる際は、ヘラを短い距離で何度も動かすのではなく、磨く面の端もしくは目立ちにくい箇所から長く、可能な限り同一方向に動かすようにすると表面の構造が均一になりやすい。製品の角度を変えたり、作業者の位置をかえたりと、可能な限り作業しやすい位置関係を維持したまま磨く。   “Polishing” is performed after the molding step is completed. After being dried to a certain degree of hardness, it is placed on a dedicated stand, carefully rubbed with a gold spatula or trowel, and chamfered to smooth out small scratches and irregularities on the surface. The product surface becomes beautiful and the overall impression of the product becomes tight. “Polishing” is performed by an engineer ascertaining the surface condition of each product. Even just touching the gold spatula on the surface will change the way light is reflected on the surface. When stroking the surface, the spatula is not moved many times over a short distance, but it is long from the edge of the surface to be polished or a conspicuous part, and if it is moved in the same direction as much as possible, the surface structure tends to be uniform. Polish while maintaining the positional relationship that makes it as easy as possible, such as changing the angle of the product and changing the position of the worker.

スクリーン製版工程は、あらかじめデザインされた図案や文様を元に、感光乳剤を用いてインクが通過する領域とインクが通過しない領域を作り、シルクスクリーン版を製作する工程である。用意された図案よりも四方が約10cm大きめの木枠を用意し、引っ張りながらスクリーンを樹脂で木枠に固定する。その後、感光乳剤がうまく乗るようにスクリーンを脱脂する。脱脂した木枠付きスクリーンにハケを用いて感光乳剤を塗布し、暗室にて乾燥を行う。その後、事前に図案を転写しておいたトレーシングペーパーを乾燥後の木枠付きスクリーンにかぶせて露光し、感光を行う。適切な時間、露光を行った後、未感光の乳剤を、スポンジ等を使って水で洗い流して乾燥を行う。スクリーンに感光乳剤を塗布してから露光を行うまでは、迅速に作業を進めることが大切である。乾燥後、木枠の部分をガムテープなど耐水性テープでマスキングすれば、スクリーン版の完成である。   The screen plate-making process is a process for producing a silk screen plate by creating a region through which ink passes and a region through which ink does not pass using a photosensitive emulsion based on a predesigned design or pattern. Prepare a wooden frame that is about 10cm larger on each side than the prepared design, and fix the screen to the wooden frame with resin while pulling. Thereafter, the screen is degreased so that the light-sensitive emulsion is successfully applied. Apply a light-sensitive emulsion on a degreased screen with a wooden frame using a brush and dry it in a dark room. After that, the tracing paper onto which the design has been transferred in advance is covered with a dried framed screen and exposed to light. After exposure for an appropriate time, the unexposed emulsion is washed with water using a sponge or the like and dried. It is important to proceed quickly after applying the photosensitive emulsion on the screen until exposure. After drying, masking the wooden frame with a waterproof tape such as gummed tape will complete the screen.

次の工程は、前記の粘土成形物の表面に前記のスクリーン製版工程で製作したスクリーン版を載せて、水溶粘土をインクにしてシルクスクリーン印刷と乾燥を行うシルクスクリーン印刷・乾燥工程 である。原料粘土を乾燥させ、杵と臼で細かく粉砕し、それらを
80meshや100meshの目開きの篩に通して粒径を0.15mm以下や0.18mm以下にそろえ、スクリーン版を通りやすい状態にしておく。前記の粒径がそろった粘土粉を水に溶き、これをインクとして使用する。粘土粉と水の重量比、つまりインクの粘度の違いによって、粘土成形体表面にスクリーン印刷された図案の写り方に違いを与えることができる。インクが濃ければ強く、薄ければ淡い表現になりやすい。
The next step is a silk screen printing / drying step in which the screen plate produced in the screen plate making step is placed on the surface of the clay molding, and silk screen printing and drying are performed using water-soluble clay as an ink. The raw clay is dried and finely crushed with a pestle and mortar.
Pass through a sieve with 80mesh or 100mesh mesh, and adjust the particle size to 0.15mm or less and 0.18mm or less to make it easy to pass through the screen plate. The clay powder having the same particle diameter is dissolved in water and used as ink. Depending on the weight ratio of the clay powder and water, that is, the difference in the viscosity of the ink, it is possible to make a difference in the way the image printed on the surface of the clay molding is projected. If the ink is dark, it will be strong, and if it is thin, it will be light.

粘土成形物の上にスクリーン版を置き、印刷作業の際に動かないようにしっかりと固定する。次に、スクリーン版の上部にインクを置いてスクイージーでゆっくりと一気に下げる。このときのスクイージーの角度は約45度を維持したままにする。さらに注意点としてスクイージーを動かしている途中でインクが無くならないようにする必要がある。印刷する図案にもよるが、印刷範囲が広い場合、想像以上に多量のインクが必要となるため紙などに試し刷りするのが好ましい。なるべく1回で印刷し切るのが好ましいが、多くても2回くらいで印刷できれば綺麗に仕上がる。スクイージーを動かしきった後、粘土成形物表面から垂直にスクリーン版を上げて粘土成形物から離し、粘土成形物を乾燥させる。
乾燥は、最初のうちは陰干しを行い、粘土成形物の端々が白色を呈してきたら、日向で直射日光に当て、完全に白くなるまで乾燥させる。使用後のスクリーン版は水洗いをし、スクリーンの穴に詰まったインクを除去し、乾燥させる。
Place the screen plate on the clay molding and fix it firmly so that it does not move during the printing process. Next, put ink on the top of the screen plate and slowly squeeze it down. Keep the squeegee angle at about 45 degrees. Furthermore, it is necessary to make sure that the ink does not run out while moving the squeegee. Although depending on the design to be printed, if the printing range is wide, a larger amount of ink is required than expected, so it is preferable to test print on paper or the like. It is preferable to print as much as possible once, but if it can be printed at most twice, it will be beautiful. After the squeegee has been moved, the screen plate is lifted vertically from the surface of the clay molding and separated from the clay molding to dry the clay molding.
Drying is performed in the shade at first, and when the edges of the clay molding have become white, they are exposed to direct sunlight in the sun and dried until they are completely white. After use, the screen plate is washed with water to remove the ink clogged in the screen holes and dried.

そして焼成・燻化工程では、前記のシルクスクリーン印刷・乾燥工程後の粘土成形物の焼成・燻化を所定条件で行う。所定条件としては、いぶし瓦の焼成・燻化の条件でよい。本発明は、従来の焼成・燻化条件で焼成・燻化工程を行い、燻化工程で強還元状態を作り出し、インクを塗布した箇所と塗布しなかった箇所とで、質感や光沢の異なる炭素被膜を形成するものである。焼成処理温度は1100〜1160℃、前記焼成処理温度までの到達時間は30〜40時間、前記焼成処理温度の保持時間は2〜3時間、前記焼成処理に続く燻化処理の温度は830〜850℃、前記燻化処理の時間は0.8〜1.5時間の条件である。ただし、焼成を行う製品の形状、肉厚によって温度の上昇速度を変える必要がある。浅田製瓦工場では、焼成時の燃料および燻化剤としてブタンガスを使用している。   And in a baking and hatching process, baking and hatching of the clay molding after the said silk screen printing and drying process are performed on predetermined conditions. The predetermined condition may be a condition for firing and hatching the smoldering tile. The present invention performs the firing and hatching process under the conventional firing and hatching conditions, creates a strongly reduced state in the hatching process, and has different textures and glosses in the areas where the ink is applied and where it is not applied. A film is formed. The firing treatment temperature is 1100 to 1160 ° C., the time to reach the firing treatment temperature is 30 to 40 hours, the firing treatment temperature holding time is 2 to 3 hours, and the temperature of the hatching treatment following the firing treatment is 830 to 850 C., and the hatching time is 0.8 to 1.5 hours. However, it is necessary to change the temperature increase rate depending on the shape and thickness of the product to be fired. The Asada Tile Factory uses butane gas as fuel and soot for firing.

焼成工程を始める前に、窯の扉を少しだけ開けた状態で極めて弱い火力で4時間ほど前焚きを行い、窯内部の温度を100℃前後まで上昇させた後、火を止めて、8から10時間放置することで、製品内にわずかに残留する水分を除去するのが望ましい。焼成の際の温度上昇のさせ方として、具体的には10時間で300℃,20時間で700℃、30時間で1000℃といったように、ゆるやかに温度を上げていき、極端な温度上昇による亀裂発生を防ぐことに務める。温度が1000℃を超えたあたりから、火力の調整に注意を払い、窯内部の温度が1100〜1160℃になるよう調整を行う。前記の1100〜1160℃に至ったならば、その温度を2〜3時間保持するように火力を調整する。その後、完全に火を止め、燻化を行うのに適した温度830〜850℃まで、自然に冷却を行う。その際、外気が窯内部に流入し、急激に温度が低下しないように注意する。   Before starting the firing process, open the kiln door a little and fire it for about 4 hours with extremely weak heating power, raise the temperature inside the kiln to around 100 ° C, stop the fire, and from 8 It is desirable to remove the moisture remaining in the product by leaving it for 10 hours. As a method of increasing the temperature during firing, specifically, 300 ° C for 10 hours, 700 ° C for 20 hours, 1000 ° C for 30 hours, and so on, cracks due to extreme temperature rise Serves to prevent outbreaks. When the temperature exceeds 1000 ° C, pay attention to the adjustment of the thermal power and adjust the temperature inside the kiln to 1100-1160 ° C. When the temperature reaches 1100 to 1160 ° C., the heating power is adjusted so that the temperature is maintained for 2 to 3 hours. After that, the fire is completely stopped and cooled naturally to a temperature of 830-850 ° C. suitable for hatching. At that time, care should be taken so that the outside air does not flow into the kiln and the temperature drops rapidly.

燻化に使用する燻化剤としては、松材、石炭等の固形燃料、重油、軽油など液体燃料、またはブタンガスなどの炭化水素ガスなど可燃材料を使用する。本実施例の場合、燻化を行う際は、燃焼処理の後に酸素供給を断った状態で窯内部の温度が830〜850℃なった際にブタンガスを、直接窯内部に供給し、発生した煤を製品表面に蒸着させる手法をとっている。燻化工程に費やす時間は50〜60分を目安としており、急激に大量のブタンガスを供給するのではなく、ゆるやかに供給量を増加させていぶしをかける。   As a hatching agent used for hatching, a flammable material such as a solid fuel such as pinewood or coal, a liquid fuel such as heavy oil or light oil, or a hydrocarbon gas such as butane gas is used. In the case of this example, when hatching is performed, butane gas is directly supplied to the inside of the kiln when the temperature inside the kiln becomes 830 to 850 ° C. with the oxygen supply turned off after the combustion treatment, and the generated soot The method of vapor-depositing on the product surface is taken. The time spent in the hatching process is 50 to 60 minutes as a guideline. Instead of supplying a large amount of butane gas suddenly, increase the supply amount slowly.

急激な温度変化は、製品に亀裂を発生させる危険性があるため、いぶし工程が完了した後も、窯内部に外気が流入しないように注意し、緩やかに温度を下げ、常温近くにまで下がったのを確認した後、扉を少しずつ開放する。   Sudden temperature changes may cause cracks in the product, so even after the completion of the smoldering process, care was taken to prevent outside air from flowing into the kiln, and the temperature was slowly lowered to near room temperature. After confirming that, open the door little by little.

シルクスクリーン技術を利用した従来にはない、見た目・風合いを持ついぶし瓦関連製品の粘土成形焼成燻化物およびその製造方法は、いぶし瓦関連製品に対して広く適用される。   A clay molded and fired hatching product of an Ibuki tile-related product having an appearance and a texture, which has not been conventionally used using a silk screen technology, and a manufacturing method thereof are widely applied to an Ibuki tile-related product.

Claims (2)

図案や文様を元に、インクが通過する領域とインクが通過しない領域のあるシルクスクリーン版を製作し、一方、原料粘土を混練、成形して粘土成形物を製作し、その製作工程を経た粘土成形物の表面に、水溶した粘土をインクとして、前記シルクスクリーン版を使用してシルクスクリーン印刷を行って乾燥させ、印刷・乾燥させた前記粘土成形物を所定条件で焼成・燻化する工程において、強還元力により還元して、前記粘土成形物表面のインクの塗布された箇所と塗布されなかった箇所とで、質感や光沢の異なる炭素被膜を形成してなる粘土成形焼成燻化物。   Based on the designs and patterns, a silk screen plate with areas through which ink passes and areas through which ink does not pass is manufactured. On the other hand, clay is kneaded and molded to produce a clay molding, and the clay that has undergone the manufacturing process In the step of firing and hatching the clay molded product that has been printed and dried on the surface of the molded product using water-clay clay as an ink, performing silk-screen printing using the silk-screen plate, and drying. A clay-molded and fired hatched product obtained by forming a carbon film having a different texture and gloss at a portion where the ink is applied and a portion where the ink is not applied on the surface of the clay-molded product, which is reduced by strong reducing power. 図案や文様に基づいてインクが通過する領域とインクが通過しない領域のあるシルクスクリーン版を製作するスクリーン製版工程と、原料粘土を混練、成形して粘土成形物を成形する工程と、成形された前記粘土成形物の表面に、水溶した粘土をインクとして、前記スクリーン製版工程で作成したシルクスクリーン版を使用してシルクスクリーン印刷を行い、その後乾燥させるシルクスクリーン印刷・乾燥工程と、前記シルクスクリーン印刷・乾燥工程を経た前記粘土成形物を所定条件で焼成・燻化する焼成・燻化工程と、前記焼成・燻化工程において、強還元力により前記粘土成形物を還元して、前記粘土成形物表面のインクの塗布された箇所と塗布されなかった箇所とで、質感や光沢の異なる炭素被膜を生成する工程とを備えたことを特徴とする粘土成形焼成燻化物製造方法。   A screen plate making process for producing a silk screen plate with areas through which ink passes and areas through which ink does not pass based on designs and patterns, a process for kneading and forming raw clay to form a clay molded product, and molding A silk screen printing / drying step of performing silk screen printing on the surface of the clay molding using a silk screen plate prepared in the screen plate making process using water-soluble clay as an ink, and then drying the silk screen printing; and the silk screen printing In the firing / incubation step in which the clay molded product that has undergone the drying process is fired / incubated under predetermined conditions, and in the firing / incubation step, the clay molded product is reduced by a strong reducing force, and the clay molded product is And a step of generating a carbon film having different textures and glossiness between the area where the ink is applied and the area where the ink is not applied. Clay molded baked smoked product manufacturing method according to.
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Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH05138629A (en) * 1991-11-15 1993-06-08 Kosumitsuku:Kk Ceramic architectural material produced by dry press forming showing silver gloss
JPH05163053A (en) * 1991-12-10 1993-06-29 Marumi Toryo Kk Burnt building material subjected to surface treatment
JPH06316456A (en) * 1993-05-06 1994-11-15 Agency Of Ind Science & Technol Ceramics decorative pigment composition and production of decorated ceramic
JPH0987069A (en) * 1995-09-18 1997-03-31 Life Meiku:Kk Glaze finished product, production of glaze finished product and display device formed by using glaze finished product

Patent Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH05138629A (en) * 1991-11-15 1993-06-08 Kosumitsuku:Kk Ceramic architectural material produced by dry press forming showing silver gloss
JPH05163053A (en) * 1991-12-10 1993-06-29 Marumi Toryo Kk Burnt building material subjected to surface treatment
JPH06316456A (en) * 1993-05-06 1994-11-15 Agency Of Ind Science & Technol Ceramics decorative pigment composition and production of decorated ceramic
JPH0987069A (en) * 1995-09-18 1997-03-31 Life Meiku:Kk Glaze finished product, production of glaze finished product and display device formed by using glaze finished product

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