CN104608468B - Template carving process applied to craft of casting antique bronze ware - Google Patents

Template carving process applied to craft of casting antique bronze ware Download PDF

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CN104608468B
CN104608468B CN201510016694.2A CN201510016694A CN104608468B CN 104608468 B CN104608468 B CN 104608468B CN 201510016694 A CN201510016694 A CN 201510016694A CN 104608468 B CN104608468 B CN 104608468B
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sample
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pattern
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CN104608468A (en
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王汉卿
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Suzhou Art and Design Technology Institute
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Abstract

本发明公开了一种应用于铸造仿古铜器技艺中刻制模板工艺,其包括以下几步:选择木质细腻韧性好便于精雕细刻的木板;先取相应尺寸的线描稿纸平放在板面上,依样拷贝到平滑光整的板面上,从而获得原器纹饰或铭文的图样;用拳刀先刻主纹线条来确定其型,再用铲底刀在主纹的空白处铲底,然后再刻花纹,最后才刻版面上的底纹;在所述主纹空白的地方,根据大小选择铲底刀具凿剃光、推平,最后根据花纹底部不同的弧度和角度,再磨光使整底既圆浑光滑;以拳刀为主刻出版面上的底纹线条;把雕刻好的凹型浮雕模板,对照平面样稿和凹型浮雕样稿反复对样。该工艺方法便捷,刻制模板精致,提高了仿古铜器的质量。The invention discloses a process for engraving templates applied in the art of casting antique bronze wares, which includes the following steps: selecting a wooden board with fine wood and good toughness, which is easy to carve finely; Copy it to the smooth surface of the plate according to the sample, so as to obtain the pattern of the original decoration or inscription; use a boxing knife to first engrave the main grain line to determine its shape, and then use a shovel knife to shovel the bottom in the blank space of the main grain, Then engrave the pattern, and finally engrave the shading on the layout; in the blank place of the main pattern, choose a shovel tool according to the size to shave and flatten it, and finally according to the different radians and angles of the bottom of the pattern, polish it again The whole bottom is round and smooth; the shading lines on the printing surface are mainly carved with a boxing knife; the carved concave relief template is compared with the flat sample and the concave relief sample repeatedly. The process method is convenient, and the engraved template is exquisite, which improves the quality of the antique bronze ware.

Description

应用于铸造仿古铜器技艺中刻制模板工艺Applied to the craft of engraving templates in the technique of casting antique bronzes

技术领域technical field

本发明涉及一种刻制模板工艺,具体涉及一种应用于铸造仿古铜技艺中刻制模板工艺。The invention relates to a process for engraving templates, in particular to a process for engraving templates applied in the art of casting antique copper.

背景技术Background technique

青铜器是是中华民族文化的瑰宝,随着我国现代城市的发展、商业旅游业的兴起和物质生活水平的逐步提高,人们对精神需求也在不断的提高,因此对青铜器的青睐程度也越来越高。青铜器以独特的器形、精美的纹饰、典雅的铭文揭示了中华民族的铸造工艺、文化水平和历史渊源,其历史价值、学术价值要远远超过字画、瓷器等。因此,青铜器收藏市场潜力巨大,不仅深受中国收藏者的喜爱,在世界上也享有盛誉。Bronze ware is a treasure of Chinese national culture. With the development of modern cities in my country, the rise of commercial tourism and the gradual improvement of material living standards, people's spiritual needs are also constantly improving, so the favor of bronze ware is also increasing. high. Bronze ware reveals the casting technology, cultural level and historical origin of the Chinese nation with its unique shape, exquisite decoration, and elegant inscriptions. Its historical and academic value far exceeds that of calligraphy, painting, and porcelain. Therefore, the bronze ware collection market has huge potential, and it is not only deeply loved by Chinese collectors, but also enjoys a high reputation in the world.

近年来,全国各地出现的一些仿古铜器业和个人,仿制古铜器都是以盈利为目的,他们往往受技术水平、文化修养、审美能力等因素的影响,既缺乏技术高手和文化底蕴,又缺乏研究意识和实验根据,因而仿制古铜器的纹饰、铭文、内壁、器形等方面都严重失真,直接影响了其观赏价值和收藏价值。In recent years, some antique bronze ware industries and individuals have appeared all over the country. The imitation of ancient bronze ware is for profit. They are often affected by factors such as technical level, cultural accomplishment, and aesthetic ability. They lack technical masters and cultural background. There is also a lack of research awareness and experimental basis, so the decoration, inscriptions, inner walls, and shape of the imitation bronze ware are seriously distorted, which directly affects its ornamental value and collection value.

因为,铸造仿古铜工艺中每一步都至关重要,每一步的工艺结果都影响最终全器的效果,现在常用的刻制模板工艺较为复杂,纹饰精致不够涉密,而且不易成批生产。Because every step in the process of casting antique copper is very important, and the result of each step affects the final effect of the whole device. The commonly used engraving template process is more complicated, the decoration is exquisite and not confidential, and it is not easy to mass produce.

“模版定终身”这句话充分说明了刻制模版的重要性,也表明了刻制模版的好坏会影响到仿古铜器的质量。因此,现在需要一种仿古铜器铸造技艺中的刻制模板工艺,通过该技艺铸造的仿制古铜器的纹饰、铭文、内壁、器形等方面与古铜器对比真实,具有高的观赏价值和收藏价值,通过该技艺方法铸造的仿古铜器能够满足现代人的需求。The phrase "template is for life" fully illustrates the importance of engraved templates, and also shows that the quality of engraved templates will affect the quality of antique bronzes. Therefore, there is a need for an engraved template process in the antique bronze casting technique. The imitation ancient bronze ware cast by this technique is more realistic in terms of decoration, inscriptions, inner walls, and vessel shapes than the ancient bronze ware, and has high ornamental value. And collection value, the antique bronze cast by this technique can meet the needs of modern people.

发明内容Contents of the invention

为解决上述技术问题,本发明的目的在于提供一种应用于贴蜡法铸造仿古铜器技艺中刻制模板工艺,该工艺方法便捷,刻制模板精致,提高了仿古铜器的质量。In order to solve the above-mentioned technical problems, the object of the present invention is to provide a process for engraving templates applied in the technology of casting antique bronzes by waxing method. The process is convenient, the engraving templates is exquisite, and the quality of antique bronzes is improved.

为达到上述目的,本发明的技术方案如下:To achieve the above object, the technical scheme of the present invention is as follows:

一种应用于铸造仿古铜器技艺中刻制模板工艺,其包括以下几步:A process for engraving templates applied in the technique of casting antique bronze wares, which includes the following steps:

第一步、选配木板:选择木质细腻韧性好便于精雕细刻的木板;The first step is to choose a wooden board: choose a wooden board that is fine and tough and easy to carve;

第二步、板面粘贴画稿:先将稿纸平放在板面上,在板面上做稿纸四周的记号,再用浆糊均匀涂抹板面,贴上稿纸,再用砂皮砂薄稿纸背面,再用蘸油棉花轻擦,使稿纸显出清晰的墨线条;The second step, pasting the draft on the board surface: first place the manuscript paper flat on the board surface, make marks around the manuscript paper on the board surface, then evenly smear the board surface with paste, paste the manuscript paper, and then sand the back of the manuscript paper , and then lightly wipe with cotton dipped in oil to make the manuscript paper show clear ink lines;

第三步、主纹刻线定型:用拳刀先刻主纹线条来确定其型,再用铲底刀在主纹的空白处铲底,然后再刻花纹,最后才刻版面上的底纹;The third step is to finalize the engraving line of the main pattern: first carve the line of the main pattern with a boxing knife to determine its shape, then use the shovel knife to shovel the bottom of the blank space of the main pattern, then carve the pattern, and finally engrave the shading on the layout;

第四步、刻凹留凸敲底:在所述主纹空白的地方,根据大小选择铲底刀具凿剃光、推平,最后根据花纹底部不同的弧度和角度,用相应的扦凿扦平或扦圆版底后再磨光,使整底既圆浑光滑;The fourth step, engraving concave and convex to knock the bottom: in the blank place of the main pattern, select the bottom shovel tool to shave and flatten according to the size, and finally use the corresponding chisel to flatten according to the different radians and angles of the bottom of the pattern Or polish the bottom of the round plate to make the whole bottom round and smooth;

第五步、精刻底纹版面:以拳刀为主刻出版面上的底纹线条;The fifth step, finely engraved shading layout: the shading lines on the layout are mainly engraved with boxing knives;

第六步、反复对样修整:把雕刻好的凹型浮雕模板,对照平面样稿和凹型浮雕样稿反复对样,找出差距,不断修正,做到与原器相同。Step 6. Repeated proofreading and trimming: compare the carved concave relief template with the flat sample and the concave relief sample repeatedly, find out the gap, and constantly correct it to be the same as the original.

本发明的一个较佳实施例中,优选地,在所述第一步之前还包括校对图样画稿,校对图样画稿的方法为:熟悉原器的造型特点、时代背景、具体尺寸、纹饰铭文特点以及纹饰中主纹和底纹的前后关系,对原器纹饰拓片图片和线描画稿、浮雕纹饰样稿、立体内范样稿进行反复校对。In a preferred embodiment of the present invention, preferably, before the first step, proofreading of the drawing is also included. The method of proofreading the drawing of the drawing is: being familiar with the shape characteristics of the original device, the background of the times, the specific size, the characteristics of the decorative inscriptions and The front and back relationship between the main pattern and the shading pattern in the decoration, repeated proofreading of the original decoration rubbing pictures and line drawing drafts, relief pattern samples, and three-dimensional interior sample drafts.

本发明的一个较佳实施例中,优选地,第一步中所述的选择木板包括以下一种或几种:黄杨木、黎木、白切木,所述木板的最小厚度为1.5公分。In a preferred embodiment of the present invention, preferably, the selected wood board in the first step includes one or more of the following: boxwood, Li wood, white cut wood, and the minimum thickness of the wood board is 1.5 cm.

本发明的一个较佳实施例中,优选地,将所述木板进行加工,加工方法为:所述木板的大小按照纹饰和铭文的稿纸大小确定,再将已经确定大小的木板刨平、磨光,使木板达到平光细净、无疤斑孔洞、腐烂、跷裂和暗伤。In a preferred embodiment of the present invention, preferably, the wood board is processed, and the processing method is: the size of the wood board is determined according to the size of the manuscript paper of the decoration and inscription, and then the wood board with the determined size is planed and polished , so that the plank is flat and fine, without scars, holes, rot, cracks and dark wounds.

本发明的一个较佳实施例中,优选地,第三步中所述的花纹包括:平纹、二层花纹、三层花纹;刻花纹的种类包括:线刻、平刻、凹刻、凸刻;刻花纹的刀法包括:发、衬、挑、复;刻底纹的种类包括:线刻和平刻。In a preferred embodiment of the present invention, preferably, the patterns described in the third step include: plain patterns, two-layer patterns, and three-layer patterns; the types of engraved patterns include: line engraving, flat engraving, intaglio, embossed engraving The knife techniques for engraving patterns include: hair, lining, picking, and repetition; the types of engraving shading include: line engraving and engraving.

本发明的一个较佳实施例中,优选地,第四步中选用的铲底刀具包括:扁凿、大剔空、二剔空、韭菜边、针凿、修根凿。In a preferred embodiment of the present invention, preferably, the shoveling tools selected in the fourth step include: flat chisel, large chisel, double chisel, leek edge, needle chisel, root pruning chisel.

本发明的一个较佳实施例中,优选地,第五步中所述的精刻底纹版面的方法为:刻正主纹凹型浮雕后,接着才能精刻平纹,在刻线时以一把拳刀为主,采用“发、衬、挑、复”四种刀法刻出版面上的底纹线条,刻直线也可用“拖刀”依照直尺下拖一刀,以取挺直,刻线时必须深度一致,主纹凹型与底纹边沿形成的凸线,通常是直中带弧,弧中带直,依纹走刀,刀法既流畅又利落。In a preferred embodiment of the present invention, preferably, the method for finely engraving the shading layout described in the fifth step is: after engraving the concave relief of the main pattern, then the plain pattern can be finely engraved, and a Boxing knife is the main method, and the four knife methods of "hair, lining, picking, and compounding" are used to engrave the shading lines on the printing surface. The "drag knife" can also be used to drag a knife down according to the ruler to get straight and engraved lines. The depth must be the same. The convex line formed by the concave shape of the main pattern and the edge of the shading pattern is usually straight with an arc in the center and straight in the arc. The knife moves according to the pattern, and the knife technique is smooth and neat.

本发明的一个较佳实施例中,优选地,第六步中所述的反复对样修整还可以在刻好的模板上进行贴蜡试样,对照原器纹饰浮雕,找出差距,使其形神兼备,做到与原器相同,对照的项目包括:形体起伏、形状大小、线型走势、线条流畅、形态方圆、边沿棱角的圆浑。In a preferred embodiment of the present invention, preferably, the repeated sample trimming described in the sixth step can also carry out wax samples on the engraved template, and compare the relief of the original device to find the gap, so that It has both form and spirit, so that it is the same as the original one. The comparison items include: shape undulations, shape size, linear trend, smooth lines, round shape, and rounded edges and corners.

本发明的有益效果是:The beneficial effects of the present invention are:

其一、本发明公开一种应用于铸造仿古铜器技艺中刻制模板工艺,该工艺方法便捷,刻制模板精致,提高了仿古铜器的质量。Firstly, the present invention discloses a process for engraving templates applied in the art of casting antique bronze wares. The process method is convenient, the engraving templates are exquisite, and the quality of antique bronze wares is improved.

其二、本发明的刻制模板工艺基于贴蜡法铸造仿古铜器技艺中样稿设计工艺,依据原器纹饰或铭文样稿,反复刻制成精致慎密的阴纹模板,主要用于贴蜡制模,无需再雕塑蜡模,便捷容易成批生产,满足现代对大量仿古铜器的需求。Second, the engraving stencil process of the present invention is based on the sample design process in the technique of casting antique bronzes by the wax paste method. According to the original decoration or inscription sample draft, it is repeatedly engraved to make a delicate and precise negative pattern template, which is mainly used for wax paste. There is no need to sculpt wax models, which is convenient and easy to produce in batches, meeting the modern demand for a large number of antique bronzes.

其三、应用本发明的刻制模板工艺刻制的模板,铸造成的全器纹饰精致慎密,而且器物内壁极其接近古物,仿古铜器物与原器形神相似度极高。Thirdly, the template engraved by the engraving template process of the present invention can be cast into exquisite and compact decorations, and the inner wall of the utensil is very close to the ancient objects, and the antique copper utensils have a high degree of similarity to the original utensils in shape and spirit.

具体实施方式detailed description

下面对本发明实施例中的技术方案进行清楚、完整地描述,显然,所描述的实施例仅仅是本发明一部分实施例,而不是全部的实施例。基于本发明中的实施例,本领域普通技术人员在没有作出创造性劳动前提下所获得的所有其他实施例,都属于本发明保护的范围。The following clearly and completely describes the technical solutions in the embodiments of the present invention. Obviously, the described embodiments are only some of the embodiments of the present invention, but not all of them. Based on the embodiments of the present invention, all other embodiments obtained by persons of ordinary skill in the art without creative efforts fall within the protection scope of the present invention.

实施例1Example 1

本实施例中公开一种应用于铸造仿古铜器技艺中刻制模板工艺,其包括以下几步:This embodiment discloses a process for engraving templates applied in the technique of casting antique bronze wares, which includes the following steps:

步骤一、校对图样画稿:熟悉原器的造型特点、时代背景、具体尺寸、纹饰铭文特点以及纹饰中主纹和底纹的前后关系,对原器纹饰拓片图片和线描画稿、浮雕纹饰样稿、立体内范样稿进行反复校对。Step 1. Proofreading drawings and drafts: Familiarize yourself with the shape characteristics of the original vessel, the background of the times, the specific size, the characteristics of the decorative inscriptions, and the relationship between the main pattern and the shading pattern in the pattern. The three-dimensional internal sample draft is repeatedly proofread.

步骤二、选配木板:选择木质细腻韧性好便于精雕细刻的木板;上述的选择木板包括以下一种或几种:黄杨木、黎木、白切木;上述木板的最小厚度为1.5公分。Step 2. Select wood boards: choose wood boards that are fine and tough and easy to carve; the above-mentioned selected wood boards include one or more of the following: boxwood, Li wood, white cut wood; the minimum thickness of the above-mentioned boards is 1.5 cm .

然后再将所述木板进行加工,加工方法为:所述木板的大小按照纹饰和铭文的稿纸大小确定,再将已经确定大小的木板刨平、磨光,使木板达到平光细净、无疤斑孔洞、腐烂、跷裂和暗伤。Then the wood board is processed, the processing method is: the size of the wood board is determined according to the size of the manuscript paper of the decoration and the inscription, and then the wood board with the determined size is planed and polished, so that the wood board is smooth, fine and clean, without scars Holes, rot, cracks and undercuts.

步骤三、板面粘贴画稿:先将稿纸平放在板面上,在稿纸四周和版面衔接处用铅笔打上四五个骑缝叉,避免贴稿纸时走位;再用浆糊匀薄地涂遍板面,迅速贴上稿纸,用小棕帚轻匀地自中央向四周刷出,稿纸贴好后,用砂皮砂薄稿纸背面,用蘸了油的棉花轻擦,使稿纸显出清晰的墨线条,便于雕刻不走样。Step 3. Paste the drawing on the board surface: first place the manuscript paper flat on the board surface, and use a pencil to mark four or five seam forks around the manuscript paper and the connection between the layout to avoid displacement when pasting the manuscript paper; then spread the paste all over the board evenly and thinly On the surface, paste the manuscript paper quickly, and use a small palm broom to gently brush it from the center to the surroundings. After the manuscript paper is pasted, use sand leather to sand the back of the manuscript paper, and wipe it lightly with cotton dipped in oil to make the manuscript paper show clear ink. Lines, easy to carve without losing shape.

步骤四、主纹刻线定型:在雕刻模版时,其花纹,多为平纹、二层花纹、三层花纹,融线刻、平刻、凹刻、凸刻于一身。通常以一把拳刀为主,采用“发、衬、挑、复”等四种刀法,先刻主纹的线条来确定其型;再用铲底刀在主纹的空白处铲底,先刻二层花纹,再刻三层花纹,以线刻、平刻、凹刻和凸刻为主,来表现其前后层次的形与体;最后才刻版面上的底纹,以线刻、平刻为主。Step 4. Finalize the main pattern engraving: When engraving the template, the patterns are mostly plain, two-layer, and three-layer patterns, which integrate line engraving, flat engraving, concave engraving, and embossing. Usually a boxing knife is used as the main knife, using four knife methods such as "hair, lining, picking, and re-cutting". First, engrave the lines of the main pattern to determine its shape; The second layer of patterns, and then three layers of patterns, mainly line engraving, flat engraving, intaglio and embossing, to express the shape and body of the front and rear layers; finally, the shading on the layout is engraved, and line engraving, flat engraving Mainly.

步骤五、刻凹留凸敲底:在主纹刻线定型后,对照原样,重点在主纹内空白的地方,根据其大小分别选用扁凿、大剔空、二剔空、韭菜边、针凿、修根凿等铲底刀具凿剔光、推平。由于刻制模版技术特点是“减法”,在铲底雕刻时,注意凹中有凸、凸中有凹、线中有面、面中有体,尤其对其中的凸型线条一定要留余地,不断对照平面样稿和凹型浮雕样稿,采用先凹后凸的方法层层深入,如同下阶梯般的逐步琢磨。最后根据花纹底部不同的弧度和角度,用相应的扦凿扦平或扦圆版底后再磨光,使整底既圆浑光滑,又工整精细,更变化有序。Step 5. Engraving concaves and convexes and knocking the bottom: After the main grain engraving line is finalized, compare it with the original, focus on the blank place in the main grain, and choose flat chisel, large chisel, two chisel, leek edge, and needle respectively according to its size. Chisel, root chisel and other bottom shovel tools chisel, polish and flatten. Since the technical feature of engraving templates is "subtraction", when engraving the bottom of the shovel, pay attention to the convexity in the concave, the concave in the convexity, the surface in the line, and the body in the surface, especially for the convex lines in it. Comparing with the plane sample and the concave relief sample, the method of first concave and then convex is used to go deep layer by layer, and to ponder step by step like going down a ladder. Finally, according to the different radians and angles of the bottom of the pattern, use the corresponding chisel to flatten or round the bottom and then polish it, so that the whole bottom is not only round and smooth, but also neat and fine, and more orderly.

步骤六、精刻底纹版面:以拳刀为主刻出版面上的底纹线条;具体方法为:刻正主纹凹型浮雕后,接着才能精刻平纹,在刻线时以一把拳刀为主,采用“发、衬、挑、复”四种刀法刻出版面上的底纹线条,刻直线也可用“拖刀”依照直尺下拖一刀,以取挺直,刻线时必须深度一致,主纹凹型与底纹边沿形成的凸线,通常是直中带弧,弧中带直,依纹走刀,刀法既流畅又利落。Step 6. Finely engrave the shading layout: mainly engrave the shading lines on the publishing surface with a boxing knife; the specific method is: after engraving the concave relief of the main pattern, then the plain pattern can be finely engraved, and a boxing knife is used when engraving the line Mainly, use the four knife methods of "hair, lining, picking, and compounding" to engrave the shading lines on the printing surface. You can also use the "drag knife" to drag a knife down according to the ruler to make it straight. When engraving the line, you must The depth is consistent, the convex line formed by the concave shape of the main grain and the edge of the base grain is usually straight with an arc in the middle, and straight in the arc, and the knife is moved according to the grain, and the knife technique is smooth and neat.

步骤七、反复对样修整:最后把雕刻好的凹型浮雕模版,对照平面样稿和凹型浮雕样稿反复对样,也可在刻好的模版上进行贴蜡试样,对照原器纹饰浮雕,找出差距,不断修整,使其形神兼备,做到与原器相同。包括形体起伏、形状的大小、线型的走势、线条的流畅、形态的方圆、边沿棱角的圆浑等细微变化,具有一定的空间感和凹凸起伏感;给人精细雅致之感。Step 7. Repeated sample modification: Finally, compare the carved concave relief template with the flat sample and the concave relief sample repeatedly. You can also paste wax samples on the carved template and compare it with the original decorative relief to find out The gap is constantly trimmed, so that it has both form and spirit, so that it is the same as the original device. Including subtle changes such as body ups and downs, shape size, linear trend, smooth lines, roundness of shape, roundness of edges and corners, etc., it has a certain sense of space and a sense of unevenness; it gives people a sense of refinement and elegance.

实施例2Example 2

一、校对刘鼎图样画稿1. Proofreading Liu Ding's drawings

根据“刘鼎”文献图片及其纹饰、铭文的拓片资料,熟悉其造型特色、时代背景、具体尺寸及其纹饰中主纹、底纹的前后关系等。依据贴蜡法铸造仿古铜器技艺的工艺要求,将仿器设计制作的线描画稿、浮雕阴纹模型稿和立体模型稿与原器相关资料进行反复核对,直至无丝毫差异为止。According to the "Liu Ding" document pictures and rubbings of its decorations and inscriptions, familiarize yourself with its modeling features, historical background, specific size, and the relationship between the main and shading patterns in the decorations, etc. According to the technical requirements of the technique of casting antique bronze wares by sticking wax, the line drawing drafts, embossed negative pattern drafts and three-dimensional model drafts designed and produced by the imitation wares are checked repeatedly with the relevant information of the original wares until there is no slight difference.

二、合理选配纹饰板材2. Reasonable selection of decorative panels

选择1.5公分以上厚的黎木板,按“刘鼎”器面纹饰、器物上相应饰件、部件的纹饰和内壁铭文等稿纸尺寸配置板料、刨平、磨光,使之平光细净。Choose Li wood boards with a thickness of more than 1.5 cm, arrange the boards according to the size of manuscript paper such as "Liu Ding" decorations on the surface, corresponding decorations on the utensils, decorations on parts, and inscriptions on the inner wall, planing, and polishing to make them smooth and fine.

三、板面粘贴纹饰画稿3. Paste the decorative artwork on the board surface

先取相应尺寸的线描稿纸平放在板面上,依样拷贝到平滑光整的板面上,从而获得“刘鼎”纹饰或铭文的图样,便于雕刻不走样。First take the line drawing paper of the corresponding size and lay it flat on the board, and copy it to the smooth and smooth board according to the sample, so as to obtain the pattern of "Liu Ding" pattern or inscription, which is convenient for engraving without losing shape.

四、主纹用刀刻线定型4. The main pattern is shaped with a knife engraved line

以“刘鼎”兽面纹的主纹刻线定型入手为例,主要以一把拳刀为主,先以“发、挑、衬、复”等四种方法刻出纹饰或铭文的线条来刻线定型“主纹”。“发刀”是在线条右边向内发划用刀,“衬刀”是在线条左边相距约一分的地方所衬的一刀。再用“挑刀”,在发刀、衬刀和墨线间挑去木面,于是一根线条刻出来了;线条刻出后,到敲底前又必须先在线条的根处再复一刀称“复刀”,此时要比前三刀吃刀略深些,以便在敲底时能顺利地敲出空间,又能确保线条根底的牢固。另外,刻边线的长线条,可用一种“拖刀”依照直尺下拖一刀,以取挺直。Taking the engraving of the main pattern of "Liu Ding" animal face pattern as an example, a boxing knife is mainly used, and the lines of the pattern or inscription are first engraved by four methods such as "hair, pick, lining, and repetition". The engraving finalizes the "main pattern". "Fat knife" is a knife drawn inward on the right side of the line, and "lining knife" is a knife lined at a distance of about one point to the left of the line. Then use the "picking knife" to remove the wood surface between the hair knife, lining knife and ink line, so a line is carved out; "Compound knife", at this time, the knife should be slightly deeper than the first three knifes, so that the space can be smoothly knocked out when the bottom is knocked, and the foundation of the line can be ensured. In addition, for the long line of the engraving line, a kind of "drag knife" can be used to drag it down according to the ruler to make it straight.

五、刻凹留凸层层深入5. Engraving concave and convex layer by layer

在主纹内空白的地方,采用“刻凹留凸层层深入”的方法敲底,根据主纹的大小,选用扁凿、大剔空、二剔空、韭菜边、针凿、修根凿等铲底刀具凿剔光、推平。In the blank place in the main pattern, use the method of "carving concave and convex layers to deepen" to knock the bottom. According to the size of the main pattern, use flat chisel, large chisel, two chisel, leek edge, needle chisel, root trimming chisel Wait until the shovel bottom tool is chiseled and flattened.

如在雕刻“刘鼎”兽面纹模版时,通常先刻二层花纹的夔龙纹饰多为窄而凹,再刻三层花纹的凹沉纹饰。在“敲底”时,要求刀法准确,铲地要平整、圆浑、光滑。For example, when engraving the "Liu Ding" animal face pattern template, usually the Kuilong pattern with two layers of patterns is usually narrow and concave, and then the sunken pattern with three layers of patterns is carved. When "knocking the bottom", the knife technique is required to be accurate, and the shovel ground must be flat, round and smooth.

六、精刻云雷底纹版面6. Precisely engraved cloud and thunder shading layout

由于整个板面底纹在同一个水平面上,所刻的底纹由精细繁缛、自然流畅的线条组成,除了刻线深度必须一致外,还要与凹型体内层次分明的浮雕形态相辅相存、遥向呼应。Since the shading of the entire board is on the same horizontal plane, the engraved shading is composed of fine and complicated, natural and smooth lines. In addition to the consistent depth of the engraving lines, it must also complement and coexist with the well-defined relief forms in the concave body. Echoing from afar.

如在雕刻“刘鼎”兽面纹模版时,在其版面的形象之间多以云雷纹填空形成底纹。仍然以一把拳刀为主,采用各种刀法刻出版面上的“底纹”线条,刻直线也可用“拖刀”依照直尺下拖一刀,以取挺直。For example, when engraving the "Liu Ding" animal face pattern template, the image of the layout is often filled with cloud and thunder patterns to form a shading pattern. Still using a boxing knife as the main tool, various knife methods are used to engrave the "shading" lines on the printing surface, and the "drag knife" can also be used to draw a straight line down according to the ruler to make it straight.

七、反复对样修整模版Seven, repeated sample modification template

贴蜡法铸造仿古铜器中刻制模版的质量关系到全器的成败,最后把雕刻好的“刘鼎”阴纹模版,对照线描画稿和浮雕阴纹模型样稿,注意分毫,不得有丝毫马虎,也可在刻好的模版上进行贴蜡试样,反复修整。雕刻的模版必须精细工整、层次分明,雕工精细雅致、自然流畅。The quality of the engraved stencils in the antique copper ware cast by the wax sticking method is related to the success or failure of the whole ware. Finally, compare the engraved "Liu Ding" negative pattern stencil with the line drawing draft and the relief negative pattern model draft, and pay attention to it. If you are careless, you can also stick a wax sample on the engraved template and trim it repeatedly. The engraved template must be fine and neat, with distinct layers, and the carving should be fine and elegant, natural and smooth.

对所公开的实施例的上述说明,使本领域专业技术人员能够实现或使用本发明。对这些实施例的多种修改对本领域的专业技术人员来说将是显而易见的,本文中所定义的一般原理可以在不脱离本发明的精神或范围的情况下,在其它实施例中实现。因此,本发明将不会被限制于本文所示的这些实施例,而是要符合与本文所公开的原理和新颖特点相一致的最宽的范围。The above description of the disclosed embodiments is provided to enable any person skilled in the art to make or use the invention. Various modifications to these embodiments will be readily apparent to those skilled in the art, and the general principles defined herein may be implemented in other embodiments without departing from the spirit or scope of the invention. Therefore, the present invention will not be limited to the embodiments shown herein, but is to be accorded the widest scope consistent with the principles and novel features disclosed herein.

Claims (7)

1. one kind is applied to cast in bronze, brass or copper ware skill modelled after an antique and scribes form technology it is characterised in that it includes the following steps:
The first step, apolegamy plank:Wooden exquisiteness good toughness is selected to be easy to the plank worked with great care;
Second step, plate face paste rough sketch:The line drawing manuscript paper first taking corresponding size lies in plate face, copies smooth finishing to according to sample Plate face on;
3rd step, the sizing of main line groove:First carve main streakline bar with fist knife and determine its type, then with shoveling the blank space in main line for the bed plate Shovel bottom, then texturing line again, the shading finally just cut blocks for printing on face;
4th step, carve recessed staying and convex strike bottom:In the place that described main line is blank, shovel bed plate tool chisel is selected to shave light, be bulldozed according to size, Finally according to the different radian in decorative pattern bottom and angle, put down with corresponding skewer chisel skewer or skewer circle version bottom after repolish, both made whole bottom Round and mellow smooth;
5th step, the finishing impression shading space of a whole page:The shading lines on the space of a whole page are carved based on fist knife;
6th step, repeatedly to sample repair:The matrix embossed template carved, reference plane sample manuscript and matrix embossment sample manuscript are repeatedly To sample, find out gap, constantly revise, accomplish identical with prototype;Also include proofreading pattern rough sketch, check and correction before the described first step The method of pattern rough sketch is:It is familiar with modeling characteristic, historical background, concrete size, decorative pattern inscription feature and the decorative pattern of prototype Main line and the context of shading, enter to model sample manuscript in prototype decorative pattern rubbing picture and line drawing rough sketch, embossment decorative pattern sample manuscript, solid Row is proofreaded repeatedly.
2. according to claim 1 be applied to cast scribe form technology in bronze, brass or copper ware skill modelled after an antique it is characterised in that first Selection plank described in step include following one or more:Boxwood, Li Mu, white cut are wooden, and the minimum thickness of described plank is 1.5 centimetre.
3. according to claim 2 be applied to cast in bronze, brass or copper ware skill modelled after an antique scribe form technology it is characterised in that also wrapping Include and described plank is processed, processing method is:The size of described plank determines according to the manuscript paper size of decorative pattern and inscription, then Plank planing, the polishing of size will be had determined, make plank reach zero diopter carefully net, no scar spot hole, rot, lift up and split and internal injury.
4. according to claim 1 be applied to cast scribe form technology in bronze, brass or copper ware skill modelled after an antique it is characterised in that the 3rd Decorative pattern described in step includes:Plain weave, two layers of decorative pattern, three layers of decorative pattern;The species of texturing line includes:Line is carved, flat quarter, intaglio, convex Carve;The skill in using a kitchen knife in cookery of texturing line includes:Send out, serve as a contrast, choosing, answering;The species carving shading includes:Line is carved peace and is carved.
5. according to claim 1 be applied to cast scribe form technology in bronze, brass or copper ware skill modelled after an antique it is characterised in that the 4th The shovel bed plate tool selected in step includes:Flat chisel, pick greatly sky, two pick sky, leek side, pin chisel, root relief chisel.
6. according to claim 1 be applied to cast scribe form technology in bronze, brass or copper ware skill modelled after an antique it is characterised in that the 5th The method of the finishing impression shading space of a whole page described in step is:After carving just main line matrix embossment, then finishing impression plain weave again, in groove with one Based on fist knife, using " send out, serve as a contrast, choosing, multiple " four kinds of shading lines that the skill in using a kitchen knife in cookery carves on the space of a whole page, engraving straight line also available " dragging knife " according to Directly drag a knife under chi, straight and upright to take, during groove, necessary depth is consistent, the convex line that main line matrix is formed with shading edge.
7. according to claim 1 be applied to cast scribe form technology in bronze, brass or copper ware skill modelled after an antique it is characterised in that the 6th Repeatedly sample is repaired described in step can also carry out pasting wax sample in the template carved, and compare prototype decorative pattern embossment, find out Gap, so as to unity of form and spirit, is accomplished identical with prototype, and the project of comparison includes:Body fluctuating, shape size, line style tendency, line Bar is smooth, form circumference, edge corner angle round and mellow.
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