CN101734076B - Method for manufacturing bodiless lacquer sculptures - Google Patents
Method for manufacturing bodiless lacquer sculptures Download PDFInfo
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- CN101734076B CN101734076B CN2009102654856A CN200910265485A CN101734076B CN 101734076 B CN101734076 B CN 101734076B CN 2009102654856 A CN2009102654856 A CN 2009102654856A CN 200910265485 A CN200910265485 A CN 200910265485A CN 101734076 B CN101734076 B CN 101734076B
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Abstract
The invention discloses a method for manufacturing bodiless lacquer sculptures, relating to the field of manufacturing sculptures and solving the problem that current bodiless lacquer techniques only result in tedious surface effect of sculptures and cannot meet the demand of multiple effects required by sculpturing. The method according to the invention comprises the steps: coating dusting agent at the inner side of a mould and then coating various corresponding powders according to the desired artistic effects, so as to obtain a substrate; papering fabrics on the substrate and scratching plaster until the substrate is dry; repeatedly performing the previous step several times and demoulding until the whole substrate is dry in order to a certain part of the sculpture which can be divided into a plurality of parts according to shape features; afterwards, sewing a plurality of parts of the sculpture and then plastering to obtain rough sculpture; and implementing different treatments on the rough sculpture according to the desired surface effect to result in the sculpture. The method not only offers new materials for the creation of modern sculptural art, but also brings new uses to the traditional lacquer technique.
Description
Technical field
The article that the present invention relates to sculpture making and some special surface effects are made the field, particularly relate to a kind of preparation method of bodiless lacquer sculptures.
Background technology
The materials used of tradition lacquerware is the lacquer liquid that natural lacquer tree produced, and is a kind of semi-transparent resin, and lacquer tree is a kind of deciduous tree that can be up to several meters, and growth distribution is in east Asia, and China is its main place of production.That lacquer liquid has is bonding, protection and waterproof, corrosion-resistant effect, and implements are coated color and luster floridity after the raw lacquer, and not only attractive in appearance and other tool artistic value can long preservation, and is for a long time not bad.
When the technology that the tradition lacquerware is made rises from, and history can not be examined, but according in the record Yu Shun " as feeder, cut mountain wood and wealth it, cut the mark that saw is repaiied, stream lacquer Mo Qishang ... Yu Zuowei sacrificial utensil, China ink dye outside it, and Zhu draws in it." (" Han Feizi. ten cross "), visible Chinese use the history of lacquer very ancient.Humans to adapt to the necessities of life, local materials, "Book. Yugong" referred to at the time Yan, Yu lacquer objects produced in the two states, "The Book of Songs," also recorded "chestnut hazel tree, chair tongzi Qi (paint), Yuan cutting of band "," mountain paint, Xi has chestnut. "Zhou Dynasty is also put " lacquer garden ", and village is once for covering lacquer garden official.
In Yu Xia, wooden feeder, stream lacquer Mo Qishang just paints pitch-dark on woodenware; Lacquer originally has " deceive " to anticipate, the lacquer liquid of being cut off from the lacquer tree, and canescence is translucent; With the passing of time color becomes black at last by greyish white and dark brown, is black in color so the most original lacquerware is worked as.In Yu, China ink dyes outside it, and Zhu draws in it, and continuing has redness with the cinnabar toning.If find from archaeology, the wooden lacquer bowl that in the He Mudu culture, once was unearthed, apart from we have approximately now 7,000 years far.And the discovery of certain useful lacquer in the Yin Dynasty merchant, just literature record lacks, and the Zhou Dynasty is " Zhou Li examines worker's note " lacquer system of clearly recording the lacquer car, coating with lacquer decorations then, also has at that time " carved lacquerware " by name in the surname, as the carved lacquerware person of opening is just arranged among disciple Confucius.
In recent years because archaeological discovery is abundant, especially in the unearthed remains of Warring states Chu culture a considerable number of lacquerware is arranged.The system worker of Chu state lacquerware is superior, and shape standard appearance is various, and the decorative pattern subject matter changes abundant, and painting line and color are graceful.The reason that its lacquer craftwork is prosperous, it is relevant with its geographical environment and produce that yes.Chu culture originated in the South, the fields that are in the current Hunan, Hubei, Hunan, Hubei area, has a paint process required materials, such as paint with tung oil, palette used realgar, cinnabar, manufacturing tires used css hemp linen.In the Two Hans, the tradition of Chu state lacquerware is adopted as heir in the making of lacquer craftwork, keeps on improving, and also tends to the magnificent decorations of coating with lacquer, and the account inscription of complete operation and making is arranged.
Clip css lacquer practice
Css folder method is the traditional lacquer paint process tube skeleton constitutes one of the ways, the latest in the fourth century when its production technology has matured.Css folder of Xing, real and since the Six Dynasties Buddhist statues has a very close relationship.Passing on from one to another India has the tradition of what is called " row picture ", and " row picture " is exactly when the religion celebration, to meet to ask the figure of buddha, must ask the appearance of the figure of buddha beyond the monastery, similar present around the border, we now still thus this ceremony occur in India.Due to the css folder as lightweight as its quality, conducive to exempt from Customs duties, if the trip is like a stone in weight is known.When Buddhism came to China after the line is also popular in China as a traditional hand Turkey monastery scale is getting bigger, the higher becomes large statues made of stone or wood difficult to obtain, so the law has subsequently clip css is widely used is the logical things, like the clip css paint is very popular.
Css folder, on the "css" in the sense, "said the text," said: "genus, fine by Quan, ramie cloth white and fine day."Seen" clip css "is a linen and paint each other stacked layers, the use of linen and paint adhesion tensile structures, such as the shape of the plasticized dryness, condensed into solid form.There must first be seen clip ramie production tires.Early clip css practice just simply as a daily utensils, mostly round or square, must first car into a round wood veneer made of bone or tire the shape, then overlapping hemp paint is made in kind in such practices Han also archaeological discovery, especially in Korea Yue Han Dynasty unearthed lacquer waves are to be such that we called "wood tire clip css" folder css with paint like there is a different approach.
Clip css paint, also known as "bodiless folder css", mostly used to shape the statue can be said that the earliest molds technologies.Because of its three-dimensional statue geometric shape than round or square, so instead of wood tire trouble, so is the soil for the child, the first complete shape made with clay, and then to ramie hemp (linen) and tone tile ash layers of lacquer staggered.Since lacquer plus small tile-like solid ash with cement strength, coupled with ramie hemp tension, like building a house, ramie linen is reinforced, namely cement gray lacquer watts.When ramie linen and crisscross lacquer after five to six, until dryness, and put mud tires shaped soil dug from becoming hollow heart-shaped base lacquer statues, the surface to be polished then lacquer color decoration.Therefore, the "bodiless folder css" and "wooden tire clip css" The biggest difference is that bodiless css folder must undergo stripping process.The record in " ancient record is learned in the garden, road " of Yuan Dynasty's anxiety collection: " casual silks clay idol and coat with lacquer it removes its soil then, coats with lacquer silks and becomes picture.The former times people tastes for it, and fabulous especially to just giving (Liu Bingyuan), the spiral ball claims to take off work again, and people from capital speaks this."Yuan said the lacquer visible folder css like to Tuan pills or deactivated.
According to Tang Falin "debate is on" the record: "Jin Chang Shi Dai (Kui) On Road, apprenticeship is far superior, making Hermit Temple, hand-made five folders css like, and very good friend."Emperor Jianwen was made" for the artificial Zhangba folder css gold finishes like "culture, as seen from the Six Dynasties folder css paint, already spread, and later Tang Xuanzang in Qu Sa DA Yonaguni (Khotan) seen clip css vertical Buddha, reportedly from Kucha.
Tang Tianbao years, Yangzhou monk Jian Zhen Yun Temple went to Japan to preach, clip css statues of the law is passed by the state he, monk Jian Zhen's, like, ever present in Nara, Japan Toshodai Temple.This construction method known Japanese statues of dry paint (Lacquer), resulting in America and most people are only aware of the dry paint and do not know the name of a folder css bodiless.Later Ming Huang Cheng book "painted decoration recorded" have made it clear that " heavy cloth tire" method, known as the legacy of France clip css bodiless, Ming and Qing dynasties after the general lacquer, red lacquer dishes dish used by the court and the like, most of the with bodiless lacquerware to produce.
Clip the system as a result of ramie lightweight, easy to be carried or transported, our early bodiless folder css statues mostly living abroad, and now America's Metropolitan Museum of Art (The? Metropolitan? Museum? Of? Art) Museum and Seattle (Seattle? Art? Museum) The possession of the Tang Dynasty folder css bodiless Buddha statue.
The modern bodiless lacquer of China mainly originates in Foochow.Coat with lacquer that the decorations skill and technique mainly contains colored drawing, paints in gold, dizzy gold, collude fill out, print that brocade, embedding tin applique, carving are filled out, inlayed, drypoint etc.Wherein embedding tin applique (being commonly called as the platform flower) is to inherit the flat traditional technique that takes off of gold and silver, and tinfoil paper is attached to the lacquerware surface, carves with reference to decorative pattern with cutter and engraves, and picks surplus paper tinsel, coats the matting lacquer again, through polishing, shows the tinfoil paper grain pattern of engraving former quarter.The seal brocade is on the brocade material that raw lacquer, carclazyte etc. is processed, and goes out brocade ground grain pattern with bright and beautiful press back, after modifying, is attached on the lacquerware, coats with lacquer lacquer with gold or colour again, becomes Jin Jin, color brocade, is unique skill and technique of Foochow bodiless lacquer.
The way of " dried lacquer is made " of Japanese Modern, be similar to the bodiless lacquer of Foochow: make statue earlier, do the branch mould again, each sheet is mounted in addition, sews up to coat with lacquer to be coated with, and following grey japanning becomes the tire bone eventually.
To sum up, single with the sculpture surface effect of existing bodiless lacquer fabrication techniques, can not reduce the sculpture effect fully, can not satisfy the required multiple effects of sculpture creation.
Summary of the invention
The present invention provides a kind of preparation method of bodiless lacquer sculptures, and is single in order to the sculpture surface effect that solves existing bodiless lacquer fabrication techniques, can not reduce the sculpture effect fully, can not satisfy the problem of the requirement of the required multiple effects of sculpture creation.
The preparation method of bodiless lacquer sculptures of the present invention comprises the following steps: after interleaving agent is smeared in the mould inboard, according to required artistic effect, smears corresponding various powder, processes bottom; On said bottom, paper fabric, scrape ash again after to be dried; Treat the demoulding behind the volume drying, obtain the each several part of sculpture; All shells that said sculpture is required are sewed up, and mend ash, obtain the sculpture blank; According to required surface effect the sculpture blank is carried out different disposal, obtain sculpture.
Beneficial effect of the present invention is following:
Tradition lacquer technology has been " non-material cultural heritage " by country location; The present invention uses for reference and has developed this cultural heritage; Be not merely the creation of modern scuoptor a kind of new material is provided, through the technological innovation new purposes that has been traditional lacquer technique extension yet.
Description of drawings
Fig. 1 is the method step flow chart in the embodiment of the invention.
The specific embodiment
For technology with bodiless lacquer, reduce the texture appearance effect of scuoptor works accurately, the invention provides a kind of preparation method of bodiless lacquer sculptures, referring to shown in Figure 1, comprise following key step:
The first step: with ' sculpture clay ' plastotype.
Second step: turn over molding jig.
The 3rd step: smear interleaving agent.
The 4th step: according to last required effect, smear various powder, such as: need the copper effect at last, just add coppery powder etc.; Stone matter effect is just added white powder and cyan powder etc. if desired.
The 5th step: on ready-made bottom, paper fabric, scrape ash again after to be dried, the paper fabric, this operation repeats 3-4 time.
The 6th step: after treating its volume drying, finishing shell, the demoulding.
The 7th step: the shell that combination is taken off, sew up, mend ash, make it moulding.
The 8th step: carry out various different disposal as required, make sculpture obtain different surface effects.
(above production process all needs under suitable temperature and humidity, to carry out, and too driedly or too cold all can influence net effect.)
To sum up, there be not above-mentioned the 4th operation in traditional handicraft and the external technology; Preceding two operations could be produced different sculpture surface effects as required with the overall co-ordination of the 8th step ending operation, and because mould is turned in the once direct tread flaking of this technology, need not repeatedly tread flaking and turn over mould, can not destroy loss original work details because of repeatedly turning over mould.Inevitable " pushing away light " operation during the tradition bodiless lacquer is made; The present invention " has abandoned fully and has pushed away ring of light joint "; Make the bodiless lacquer technology be completely free of on the traditional sense " handicraft " category for a long time; Broken through the limitation of traditional bodiless lacquer technology, reached the rich of scuoptor works performances, made " participating in scuoptor works post-production " become possibility with the bodiless lacquer technology.And the present invention is applied to the making of scuoptor works, not only can reduce the original work looks more accurately than metal casting; Keep original work spirit; And solved ' surface effect is single ' this guardian technique difficult problem in the lacquer tread flaking technology, make the bodiless lacquer sculptures effect surmount the metal casting effect, simultaneously; Because the acid and alkali-resistance of lacquer own makes sculpture break away from the shortcoming that is subject to acid and alkali corrosion in the metal casting works.In addition, the present invention expects that from former process more has very big environment-friendly advantage than the metal casting technology.Have, the present invention has removed the monopoly position of metal casting in sculpture post-production technology again, therefore, to the sculpture processing technology still be lacquer tread flaking technology all be a unprecedented innovation and breakthrough.
Obviously, those skilled in the art can carry out various changes and modification to the present invention and not break away from the spirit and scope of the present invention.Like this, belong within the scope of claim of the present invention and equivalent technologies thereof if of the present invention these are revised with modification, then the present invention also is intended to comprise these changes and modification interior.
Claims (7)
1. the preparation method of a bodiless lacquer sculptures is characterized in that, comprises the following steps:
After interleaving agent is smeared in the mould inboard, according to required artistic effect, smear corresponding various powder, process bottom;
On said bottom, paper fabric, scrape ash again after to be dried;
Treat the demoulding behind the volume drying, obtain the various piece of sculpture;
All parts that said sculpture is required are sewed up, and mend ash, obtain the sculpture blank;
According to required surface effect the sculpture blank is carried out different disposal, obtain sculpture.
2. the preparation method of bodiless lacquer sculptures according to claim 1 is characterized in that the making of said mould comprises: with the step of sculpture clay plastotype; And the step of turning over molding jig.
3. the preparation method of bodiless lacquer sculptures according to claim 1 is characterized in that said artistic effect is as being the copper effect, and the powder of then smearing is the coppery powder.
4. the preparation method of bodiless lacquer sculptures according to claim 1 is characterized in that said artistic effect is a stone matter effect, and the powder of then smearing is white powder and cyan powder.
5. the preparation method of bodiless lacquer sculptures according to claim 1 is characterized in that, on said bottom, papers fabric, and the step of scraping ash again after to be dried repeats 3 to 4 times.
6. the preparation method of bodiless lacquer sculptures according to claim 1 is characterized in that, finishing shell earlier before the demoulding.
7. like the preparation method of each said bodiless lacquer sculptures of claim 1 to 6, it is characterized in that, in the temperature and humidity scope of regulation, carry out production process.
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| Application Number | Priority Date | Filing Date | Title |
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| CN2009102654856A CN101734076B (en) | 2009-12-29 | 2009-12-29 | Method for manufacturing bodiless lacquer sculptures |
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| CN2009102654856A CN101734076B (en) | 2009-12-29 | 2009-12-29 | Method for manufacturing bodiless lacquer sculptures |
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| CN101734076A CN101734076A (en) | 2010-06-16 |
| CN101734076B true CN101734076B (en) | 2012-11-21 |
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Families Citing this family (11)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN102276204B (en) * | 2011-06-07 | 2013-08-07 | 张怡 | Sculpture material stone mud composition and manufacturing method thereof |
| CN103303052B (en) * | 2013-06-25 | 2015-08-26 | 四川美术学院 | A kind of processing technology with the lacquerware of pierced pattern |
| CN103317942B (en) * | 2013-06-25 | 2015-12-09 | 四川美术学院 | A kind of processing technology of lacquerware |
| CN105459648A (en) * | 2015-12-29 | 2016-04-06 | 张合 | Painted stone seal and manufacturing method thereof |
| CN105818599B (en) * | 2016-03-29 | 2019-02-01 | 平遥县唐都推光漆器有限公司 | A kind of embossment founds the manufacturing method of powder lacquer and the vertical powder lacquerware of embossment |
| CN105774383B (en) * | 2016-03-30 | 2019-02-12 | 广州城建职业学院 | A kind of technique of painting of the flat modeling lacquer painting of drip powder |
| CN107283594A (en) * | 2017-06-27 | 2017-10-24 | 闽江学院 | A kind of method that utilization 3D printing makes bodiless lacquer |
| CN109693292B (en) * | 2019-01-28 | 2021-02-12 | 郑晓东 | Manufacturing process of silver chopsticks with flat-off lacquer |
| CN111890832B (en) * | 2020-07-10 | 2022-04-15 | 南京艾森城市规划设计有限公司 | Low-carbon metal sculpture manufacturing method |
| CN112223946A (en) * | 2020-11-04 | 2021-01-15 | 徐鸿飞 | Manufacturing method of easy-to-stick paint skin and manufacturing process of lacquerware and lacquer painting |
| CN113071257A (en) * | 2021-04-20 | 2021-07-06 | 黄山学院 | Hemp thread fetus clamping and statue-building technology using litharge as drying agent |
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| CN1048193A (en) * | 1989-06-17 | 1991-01-02 | 北京市金漆镶嵌厂 | Chinese ancient colored lacqueware process |
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Patent Citations (2)
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|---|---|---|---|---|
| CN1048193A (en) * | 1989-06-17 | 1991-01-02 | 北京市金漆镶嵌厂 | Chinese ancient colored lacqueware process |
| CN1053394A (en) * | 1991-01-10 | 1991-07-31 | 张华� | The production method of magnesium acid sculpture handicraft article and technology |
Non-Patent Citations (2)
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| 中国非物质文化遗产保护名录.福州脱胎漆器髹饰技艺.《中国生漆》.2008,第27卷(第2期),第47-48页. * |
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| CN101734076A (en) | 2010-06-16 |
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