五、新型說明： 【新型所屬之技術領域】 本創作係有關於布料，係指一種兼具壓、印雙重效果之布料。 【先前技術】 單：=之用途相當廣泛，舉凡穿著用之衣服’睡眠用之床 製；^^終、門解，皆係由_絲脂纖維等材料 製成之布料為基材所構成。 就吾騎知，目前布料輕⑽費者，—者採賴轉印之手 二=枓ίΓρ製特殊之圖樣、造形，以改變素面布料過於單 體㈣ 則採用壓印手段，於布料表面形成具凹、凸立 體、，文路之圖紋’讓布料具有立體感。 ；Pt之布料频有其多樣性，但印製之圖樣仍為， 視覺效果未能滿足多元化之消費者需求，而體 因造形_少’⑽軸、林場谢。m部 ，針對财不是岭麵就是立_抑料存在之單-’ &題創作人思索久後’終於研創出跳脫單獨印花，或單獨 之布料，爾麵未㈣繼版第三類布料。 【新型内容】 本創作主要雜供—縣具花奴敎雙重雜之新 料。 =創作達到上述目的所運用之布料，主要於—基布表面同時 w層與一立麵紋，其中由棉與聚脂纖維混紡而成之基 勖79510 布，表面則轉印有單色或多色構成之圖樣印刷層，以及利用機具 熱壓而成之立體壓紋，而形成兼具印花及壓紋之布料，令該布料 之印刷圖樣更立體，而立體赦躲、淺豐富色彩龍效果。 【實施方式】 本實施例就一較佳實施例說明本創作之技術手段，並非用以 限制本創作之技術範疇。 睛參考圖1、圖2，本創作提供一種布料，包含一基布丨、一 印刷層10與-立體壓紋20’該基布1之主要成分為棉與聚脂纖維 混紡而成，而該印刷層1〇與立體壓紋2〇設置在該基布丨上該 印刷層10為預設之圖樣、文字l〇g〇或圖、文組合等任意形態，其 成形於基布1，可利用膠膜轉印、熱轉印或是熱昇華轉印技術，復 於基布1表面施以一壓紋手段，係利用一模具（圖未示）接觸面， 於轉印之印刷層10上，施以加熱加壓方式熱壓印出一立體壓紋 20。 其中該印刷層10，又以熱昇華轉印為較佳的實施方式，熱昇 華轉印技術是在高溫下使轉印油墨中的染料受熱昇華，滲入物體 表面，該圖像凝固後即形成色彩亮麗的圖像，其主要特點是轉印 圖像色彩鮮明，層次豐富，且清洗不易褪色等諸多優點。 如圖3所示，該壓紋手段係利用一模具之接觸面加熱至特定 溫度後，於基布1之表面施加壓力，該基布上之聚脂纖維受熱受 壓後產生熱洛與凹陷之現象，使該熱溶區域凹陷並形成立體壓 紋’該立體壓紋20依照該模具之接觸面所使用不同紋理而形成不 同之立體舰，本實施财使財魏找戦轴其立體層次。 本創作具有立紋及印花之布料，除上述先轉印出印刷 t再熱㈣立雜财如外，亦可利·紋手段於基布上先 ，印出塊紋，後再將該印刷層設置於該立體壓紋上，該基布 =面城模具加熱加麵生該立體觀2G後，再_印刷、膠 膜轉印、熱轉印或熱㈣在該立體壓紋2G上設置—層印刷層10。 總結以上實_ ’賴作提供H體驗及印花之布料， 透過此種技術讓印刷層與立體驗結合，讓獨立之印刷圖樣更立 體，而獨立之立體壓紋财著深、淺、明、暗不同色澤之 Γ化眷而創造出有別於獨立花紋或獨立立體壓花之第三種視 見、觸覺感受之新穎布料。 【圖式簡單說明】 圖1係本創作之布料部分示意圖。 圖2係本創作之立體壓紋部分示意圖。 圖3係本創作之剖視圖。 【主要元件符號說明】 1 .基布 10 :印刷層 20 :立體壓紋V. New type description: [Technical field of new type] This creation department refers to cloth, which refers to a fabric that has both double pressure and printing effects. [Prior Art] Single: = The use of a wide range of clothes, such as wearing clothes, sleep bed system; ^ ^ final, door solution, are made of _ silk fiber and other materials made of a substrate. As far as I am riding, the current fabric is light (10), and the person who uses the transfer hand 2 = 枓ίΓρ makes a special pattern and shape to change the plain fabric too monomer (4). Concave, convex three-dimensional, the pattern of the text road makes the fabric have a three-dimensional sense. Pt's fabrics have a variety of frequencies, but the printed patterns are still, the visual effects fail to meet the needs of diversified consumers, and the cause of shape is less (10) axis, forest field thanks. m Department, for the financial is not the ridge is the standing _ to suppress the existence of the single - '& creator thinks for a long time' finally researched to create a separate print, or a separate fabric, the no face (four) followed by the third type of cloth . [New content] This creation is mainly miscellaneous—the county has a new mixed material of flowers and slaves. = Create the fabric used for the above purposes, mainly on the surface of the base fabric at the same time w layer and a facade line, which is made of cotton and polyester fiber blended base 75510 cloth, the surface is transferred with a single color or more The printed layer of the color composition and the three-dimensional embossing formed by the hot pressing of the machine form a fabric which has both printing and embossing, so that the printed pattern of the cloth is more three-dimensional, and the three-dimensional 赦 hides and lightly enriches the color dragon effect. [Embodiment] This embodiment describes a technical means of the present invention in a preferred embodiment, and is not intended to limit the technical scope of the present invention. Referring to Figures 1 and 2, the present invention provides a fabric comprising a base fabric, a printing layer 10 and a three-dimensional embossing 20'. The main component of the base fabric 1 is a blend of cotton and polyester fibers. The printing layer 1〇 and the three-dimensional embossing 2〇 are disposed on the base fabric, and the printing layer 10 is in any form such as a preset pattern, a text l〇g〇 or a combination of a figure and a text, and is formed on the base cloth 1 and can be utilized. The film transfer, thermal transfer or sublimation transfer technology is applied to the surface of the base fabric 1 by an embossing means, by using a mold (not shown) contact surface on the transfer printed layer 10, A three-dimensional embossing 20 is hot-pressed by heat and pressure. Wherein the printing layer 10 is further subjected to thermal sublimation transfer as a preferred embodiment, the sublimation transfer technology is to sublimate the dye in the transfer ink at a high temperature to penetrate the surface of the object, and the image forms a color after solidification. The bright image, its main features are the vivid color of the transfer image, rich layers, and many advantages such as cleaning and fading. As shown in FIG. 3, the embossing means applies pressure to the surface of the base fabric 1 after heating to a specific temperature by a contact surface of a mold, and the polyester fiber on the base fabric is heated and pressed to generate heat and depression. Phenomenon, the hot-dissolved area is recessed and formed into a three-dimensional embossing. The three-dimensional embossing 20 forms different three-dimensional ships according to the different textures used by the contact faces of the mold, and the implementation of the financial system finds the three-dimensional level of the axis. This creation has the fabric of vertical grain and printing. In addition to the above-mentioned transfer printing, it is reheated (four), and the grain can be printed on the base fabric first, and then the printed layer can be printed. Provided on the three-dimensional embossing, the base fabric=face-face mold heating and adding the stereoscopic view 2G, then printing, film transfer, thermal transfer or heat (4) is set on the three-dimensional embossing 2G layer Printed layer 10. Summarize the above _ 'Lai provides H experience and printed fabrics, through this technology to make the printing layer and the experience together, so that the independent printing pattern is more three-dimensional, and the independent three-dimensional embossing is deep, shallow, bright and dark The different shades of color create a new fabric that is different from the third view and tactile sensation of independent patterns or independent three-dimensional embossing. [Simple description of the drawing] Figure 1 is a schematic view of the fabric part of the creation. Figure 2 is a schematic view of a three-dimensional embossed portion of the present creation. Figure 3 is a cross-sectional view of the present creation. [Main component symbol description] 1. Base fabric 10: Printed layer 20: Three-dimensional embossing