TW201729178A - String instrument - Google Patents

Abstract

A string instrument including a head, a body, a neck and a plurality of strings. The body connects to the head via the neck. The neck has a plurality of first signs and a plurality of second signs. The first signs are three scale fall and rise temperament signs. The second signs are equal temperament signs. The ends of the strings are fixed to the body and the head.

Description

Piano

The present invention relates to a musical instrument, and more particularly to a musical instrument.

Music can cultivate body and mind and nourish spirituality. The variety of musical instruments is varied and unique. The reason why these instruments can produce beautiful music is based on the laws of human discovery or human creation. For example, pure law, three-point profit and loss, etc. are human discoveries, and the average law is the norm for transfer convenience and ensemble. And the calculated agreement. This kind of musical instrument has experienced many improvements and changes in history, but there are metaphysical laws behind it.

Today, the instruments that use the law of the average law are piano, guitar, cymbals, cymbals, etc. A purely musical instrument is like a violin... and a three-point profit and loss law has a guqin...etc. The instrument with the law of average law is convenient to transfer, and it can meet the needs of the ensemble at any time. The instrument with the three-point profit and loss method is warm and full of ancient meaning. Musical instruments with the law of averaging and instruments with the rule of three-point profit and loss can be said to have their own characteristics.

Traditional guitars, cymbals...etc. Because there are raised melody on the fingerboard, the player will be limited by the melody and will not be able to eject the length of the sound. In addition, the guitar is based on the law of averaging. Therefore, when playing a song created by a guitar, a cymbal, etc. with a three-point loss law, it is not easy to perfectly interpret all the songs because of the aforementioned problems. On the other hand, when a musical instrument with a three-point loss law is used to play a song written by the average law, it will also encounter great difficulties because the instrument has no mark of the average law. Due to the above problems, the player cannot play various songs with a single instrument, but needs to change the instrument depending on the type of the song. Moreover, when using a guitar and a Chinese traditional instrument for concerto, it is also impossible to coordinate because the pitch (frequency) of the same note is different in various laws.

The present invention provides a piano that can produce musical tones by tapping and tapping.

The piano of the present invention includes a head, a body, a handle, and a plurality of strings. The body is connected to the head via a handle. The handle has a plurality of first indicia and a plurality of second indicia. The first mark is a three-part loss benefit mark. The second mark is the average law mark. The two ends of the string are fixed to the head and the body respectively.

In an embodiment of the invention, the plurality of first marks and the plurality of second marks of the piano are located on a front side or a side of the handle.

In an embodiment of the invention, the plurality of second marks of the piano are twelve quaternary law marks.

In an embodiment of the invention, the head of the piano has a plurality of string buttons, and the body has a plurality of fixed-chord cones, and both ends of the strings are fixed between the string buttons and the fixed-choove cones.

In an embodiment of the invention, the handle of the piano further has an upper chord, the body has a lower chord, the string spans the upper chord and the lower chord, and the upper chord is used to maintain the string between the shank and the handle. The lower chord is used to maintain the distance between the string and the handle.

In an embodiment of the invention, the body of the piano has a speaker and at least one sound hole, and the sound hole communicates with a resonance space in the speaker.

In an embodiment of the invention, the first mark and the second mark of the piano are flat marks.

In an embodiment of the invention, the head has a plurality of fixed-chord holes through which the strings pass.

Based on the above, the handle of the piano of the present invention has a three-part loss mark and an average law mark, and therefore, the player can perform the performance with reference to the instructions of the different marks in accordance with different situations. The piano of the invention can simultaneously exert the three-part loss law and the average law, and can not only play warm and pleasant lines, but also can make the melody and harmony of each tone.

The above described features and advantages of the invention will be apparent from the following description.

1 is a top plan view of a piano in accordance with an embodiment of the present invention. Fig. 2 is a top plan view showing the piano of Fig. 1 with the strings omitted. Referring to FIG. 1 and FIG. 2, the piano 100 of the present embodiment includes a head 210, a body 300, a handle 200, and a plurality of strings 400. The body 300 is coupled to the head 210 via a handle 200. The handle 200 has a plurality of first indicia 500 and a plurality of second indicia 510. The first indicia 500 of the handle 200 is a three-part loss sign. The second indicium 510 of the handle 200 is an average law mark. Both ends of the string 400 are fixed to the body 300 and the head 210, respectively.

As can be seen from the above, the piano 100 of the present embodiment simultaneously provides the first mark 500 and the second mark 510. Therefore, when playing with the piano 100 of the present embodiment, since the three-part loss benefit mark and the average law mark are simultaneously marked, the player can perform the performance with reference to the appropriate mark as appropriate, without changing the instrument depending on the track. In addition, since the piano 100 of the present embodiment is provided, the melody feeling is more versatile, and the transposition is convenient without tuning the strings, and the composer also has a larger creative space when composing.

Other optional technical features of the present invention are described below, but the present invention is not limited thereto.

In the present embodiment, the plurality of first indicia 500 and the plurality of second indicia 510 of the piano 100 are located on the front side of the handle 200, that is, the surface on which the strings 400 are crossed on the handle 200, the strings 400 and the first Marker 500 and second marker 510 can be seen from the same direction. In other embodiments, the first mark 500 and the second mark 510 may also be located on the side of the handle, or the two marks may be located on the front side and the side side, or even on the back side, as long as the player can see or touch. feel. The front surface of the shank 200 of the present embodiment is a flat surface, and is different from a piano which is provided with a projection on a conventional guitar. Therefore, the frequency of the sound that each string 400 can play is not interrupted by the raised piano, and it can pop out a more natural portamento, and can also present a variety of notes with only slight differences.

Further, the second mark 510 of the present embodiment may be a twelve-average law mark. In addition, the first mark 500 and the second mark 510 of the embodiment are all flat marks, that is, the first mark 500 and the second mark 510 do not protrude from the surface of the handle 200. For example, the first indicia 500 and the second indicia 510 can be made of stickers, paint, shells embedded in the surface, or other types.

In an embodiment of the present invention, the head 210 of the piano 100 has a plurality of fixed holes 212 and a plurality of string buttons 240 (shown in FIG. 4). The body 300 has a bridge 320, and the bridge 320 has a plurality of bridges 320. A solid string cone 330. The string button 240 is located on the back of the head 210. Each of the strings 400 passes through a corresponding solid string hole 212 from the front of the head 210 to the back of the head 210, and each end of each string 400 is fixed to a string button 240 and a fixed string cone, respectively. 330.

Figure 3 is a top plan view of the bridge of Figure 1. Figure 4 is a side elevational view of the piano of Figure 1. Referring to FIG. 1 and FIG. 3, the handle 200 of the piano 100 of the present embodiment further has an upper chord 230. The body 300 has a lower chord 340. The string 400 spans the upper chord 230 and the lower chord 340, and the upper chord 230 To maintain the distance between the string 400 and the handle 200, the lower string pillow 340 is used to maintain the distance between the strings 400 and the handle 200, as shown in FIG. In particular, the upper chord 230 provides an upward support to support the strings 400 across the upper chord 230, the lower chord 230 provides an upward support to support the strings 400 across the lower chord 340, and the upper chord 230 has more A spaced apart groove receives the string 400 that spans the upper chord, and the lower chord 340 has a plurality of spaced apart grooves to receive the string 400 across the lower chord.

Referring to FIG. 1 again, the body 300 of the embodiment has a speaker 304 and at least one sound hole 310. The sound hole 310 communicates with a resonance space 302 in the speaker 304. The sound waves generated when the strings 400 vibrate resonate and amplify inside the resonance space 302, and are output to the outside of the speaker 304 through the sound holes 310. The body 300 of the present embodiment adopts a shape similar to a bottle, and can also function as a percussion instrument. Tap the panel, the different parts of the side panel can get different tapping sounds, plus the use of the palm part of the transformation, sometimes the fingers, sometimes the palms, and sometimes the finger joints, the sounds are either thick or crisp, or sharp, or More gentle changes. The head-type design of the head 210 gives a rational, organized and organized visual impression. I hope that everyone will understand the rigor of the music behind while accepting the auditory enjoyment provided by music. The head 210 of the embodiment can also be provided with a decorative jade ornament 250 to enhance the texture.

In summary, the piano of the present invention is provided with two kinds of marks on the handle portion, so that the player can use the single piano to have two kinds of marks for reference, and also increases the creative space for the composer to compose. In addition, when a flat type of mark is used, the flat fingerboard portion allows the strings to be vibrated without being disturbed by obstacles, thereby producing a continuous variety of sound frequencies. The piano of the present invention is a pioneering invention in the field of musical instruments, and also contributes to the simultaneous promotion of the three-part loss law and the average law, and contributes greatly to the music industry.

Although the present invention has been disclosed in the above embodiments, it is not intended to limit the present invention, and any one of ordinary skill in the art can make some changes and refinements without departing from the spirit and scope of the present invention. The scope of the invention is defined by the scope of the appended claims.

100‧‧ ‧ piano
200‧‧ ‧ handle
210‧‧‧ head
212‧‧‧ Solid hole
230‧‧‧Upper pillow
240‧‧‧String button
250‧‧‧Jade ornaments
300‧‧‧Body
302‧‧‧Resonance space
304‧‧‧ Speaker
310‧‧‧ Ringhole
320‧‧ ‧Bridge
330‧‧‧Solid cone
340‧‧‧Lower Pillow
400‧‧‧ strings
500‧‧‧ first mark
510‧‧‧ second mark

1 is a top plan view of a piano in accordance with an embodiment of the present invention. Fig. 2 is a top plan view showing the piano of Fig. 1 with the strings omitted. Figure 3 is a top plan view of the bridge of Figure 1. Figure 4 is a side elevational view of the piano of Figure 1.

100‧‧ ‧ piano

200‧‧ ‧ handle

210‧‧‧ head

212‧‧‧ Solid hole

230‧‧‧Upper pillow

250‧‧‧Jade ornaments

300‧‧‧Body

302‧‧‧Resonance space

304‧‧‧ Speaker

310‧‧‧ Ringhole

320‧‧ ‧Bridge

330‧‧‧Solid cone

340‧‧‧Lower Pillow

400‧‧‧ strings

500‧‧‧ first mark

510‧‧‧ second mark

Claims (8)

A piano comprising: a piano head; a body; a handle connecting the head and the body, wherein the handle has a plurality of first marks and a plurality of second marks, the first marks are three The second damage mark is an average law mark; and a plurality of strings, both ends of which are fixed to the head and the body. The piano of claim 1, wherein the first marks and the second marks are located on a front side of the handle. The piano of claim 1, wherein the second marks are twelve quaternary law marks. The piano of claim 1, wherein the first marks and the second marks are flat marks. The piano of claim 1, wherein the head has a plurality of string buttons, the body has a plurality of fixed-chord cones, and the two ends of the strings are fixed to the string buttons and the fixed strings Between the cones. The piano of claim 1, wherein the handle further has a winding pillow, the body having a lower string pillow, the strings crossing the upper string pillow and the lower string pillow, wherein the upper string pillow is used to maintain The distance between the strings and the handle, the lower string is used to maintain the distance between the strings and the body. The piano of claim 1, wherein the body has a speaker and at least one sound hole, and the sound hole communicates with a resonance space in the speaker. The piano of claim 1, wherein the head has a plurality of solid-chord holes through which the strings pass.