KR100827739B1 - A gold mending and painting method of crafted products - Google Patents

Abstract

A gold sticking and painting method of crafted products is provided to gold-stick and paint the crafted products without joints, by using Korean papers and charcoal and to secure moisture-proof and antimicrobial effects. A gold sticking and painting method of crafted products comprises the steps of: attaching Korean papers to the crafted product by paste mixed with charcoal powder(S301); placing whitewash on the Korean paper according to patterns to be carved(S303); painting the Korean paper attached with the whitewash, with colored lacquer(S305); plating a part of the Korean paper attached with the whitewash, with gold(S307); and painting the Korean paper(S309). Whitewash solution used for the whitewash is produced by mixing stone dust, gelatin, glutinous rice paste, and charcoal powder at the predetermined rate.

Description

A GOLD MENDING AND PAINTING METHOD OF CRAFTED PRODUCTS}

Figure 1a is a statue of the Buddha produced according to the conventional Buddha carving and opening method,

FIG. 1B is a flowchart showing step by step the conventional Buddha carving and opening method shown in FIG. 1A;

Figure 2a is a statue of a Buddhist statue produced according to the recent Buddhist carving and opening method,

Figure 2b is a flow chart showing a step of the recent Buddha carving and opening method shown in Figure 2a,

3 is a flow chart showing step by step the method of cutting and painting the craft according to a preferred embodiment of the present invention,

Figure 4a and Figure 4b is a photograph of the Buddha produced by the carving and painting method of the craft according to the present invention.

The present invention relates to a method of carving and painting of crafts, and in particular, the method of gold carving and gelatin, which is used for the surface of the Buddhist statues or various crafts, is placed on the surface of the crafts using Hanji and charcoal, and the tombs are raised. The present invention relates to a method of cutting and painting a craft that is beneficial to the human body by shortening the working time for cutting and painting the craft, extending the life span, and coloring by coating gold with gold foil.

The Buddha statue, which means Buddha's presence, in the narrow sense means Buddha, that is, the image of a woman who realized the truth and reached the highest level, but in a broad sense, the various Bodhisattva statues and Buddhist statues, the Buddhist god of protection, and the Buddhist statue, Buddhism. Included. Therefore, all the sculptures related to Buddhist doctrine, such as statue, bodhisattva, prudence and investigation, can be called Buddha.

Since the Buddha is usually shown to the public on behalf of the Buddha's holy presence, the original appearance of the Buddha is preserved and maintained through periodic opening and rehabilitation. Gold carving refers to the process of pasting and painting Buddha statues, Buddhist temples, and other objects using gold leaf or gold powder.

Conventionally, the method of cutting and remodeling the Buddha statues was performed by applying moss or burlap to the Buddha statue, applying the ground (hex) on it, and attaching the gold plate before the lacquer dries, but it is easily aged and frequently used. Because it was necessary to cut and reorganize, it was not only an economic burden but also had to stop prepayment.

In order to solve this problem, a method of solidifying the surface of the Buddha is disclosed in Korean Patent Application No. 10-2003-0026929 (published date: 203.06.11, hereinafter referred to as “prior art 1”).

Figures 1a and 1b of the Buddhist statue of the Buddha according to the prior art 1, the work process according to the opening method and the image of the Buddha produced according to the work process. As shown in the prior art 1 is a background color work (S101) for coloring the background using a white (acrylic) paint on the surface of the Buddha, cloth work (S103) for attaching the cloth to the entire Buddha image, sketching and embossing work (S105) ), The coloring work (S107), lacquer work (S109) and openwork (S111) in order to improve the durability and three-dimensional and lively of the Buddha.

However, the Buddhist carving and carving method disclosed in the prior art 1 focuses on protecting and maintaining the surface of the Buddha, and uses a method of applying a paint such as a synthetic resin onto the surface of the Buddha several times before the carving is performed. In the case of thick coated synthetic resins, rather than hinder the natural ventilation in the wood there was a problem of impairing the durability of the Buddha. In addition, the prior art takes a lot of work time because it performs a cloth work on the entire surface of the Buddha, blocked all the aesthetic areas of the sculpture, such as clothed on the sculpture, repeated lacquer on the painted surface several times By doing so, there was a problem that the clarity of the color falls. In addition, by using the method of tearing off the unnecessary parts after opening the entire Buddha statue, there was a drawback of inefficient time and cost.

Therefore, in order to solve the problems of the prior art, in recent years, shorten the work time for the opening and renovation of the Buddha, and in the case of the wood fire to protect the cracked or knotted part and prevent deformation without disturbing the ventilation of the wood The reclamation and reorganization method of the Buddha is disclosed by the applicant in the patent application 2005-0042865 (hereinafter referred to as "prior art 2") on May 23, 2005.

Figures 2a and 2b of the work process according to the carving and opening method of the Buddha statue according to the prior art 2 and the Buddha statue produced according to the work process are shown. As shown in the prior art 2 is carried out in the first step (S201) to catch the glue mixed with gold powder on the Buddha to be carved and to be carved, the golden color of the Buddha to be carved and carved at the same time the wood in the case of wood To protect them. Subsequently, prior art 2 cuts and pastes the cloth according to the moist and pattern of the Buddha in step S203, and raises the mounds according to the moist and pattern of the cloth attached to the buddha in step S205, coloring work (S207), lacquer work (S209). ) And in step S211 raise the gold leaf on the lacquered portion or finish by raising the gold powder.

As well shown in Figure 2b, the Buddha carving and reorganization method according to the prior art 2 has the advantage of shortening the working time and easily prevent the deformation of the Buddha, but it is possible to mix the gold powder on the Buddha Since the glue must be caught, there are some problems that impair natural ventilation and impair the durability of the Buddha, and the process is complicated because the cloth should be cut along the moisture and pattern of the cloth attached to the Buddha.

 By repeating the lacquer several times on the colored surface there was a problem that the sharpness of the color falls. In addition, by using the method of tearing off the unnecessary parts after opening the entire Buddha statues, there was a disadvantage of inefficient time and cost. In addition, after the coloring in the step S207 is carried out in the step S211, because the gold part is buried in the colored portion, the vividness of the color falls, there is a problem that the dust is sitting between the holes of the cloth, even after a little time, discolored quickly. .

Accordingly, an object of the present invention is to provide a method for cutting and painting a craft, which can shorten the manufacturing process and production time in applying the Buddhist carving and carving method to various crafts as well as the Buddha.

It is also an object of the present invention to provide a cutting and painting method of a craft that can be applied to the craft to a new painting method that reproduces the hwahwahwa technique of wall painting.

In addition, the object of the present invention in the method of cutting and painting the craft, the clearness of the cutting and the hwahwa, the cleanliness of the craft and the art of the craft so that the craft can perform a beneficial effect to the human body as well as a work of art To provide a method of cutting and painting.

The present invention for achieving these objects, in the art of carving and painting of crafts,

Attaching hanji to the craftsmanship with charcoal powder mixed with charcoal powder;

Raising the mounds along the pattern to be embossed on the paper;

Coating a colored lacquer on the hanji with the tombs;

Coating gold on the portion of the tomb; And

Coloring on the Hanji; Provides a method of cutting and painting the craft, characterized in that consisting of.

DETAILED DESCRIPTION A detailed description of preferred embodiments of the present invention will now be described with reference to the accompanying drawings. In the following description of the present invention, if it is determined that a detailed description of a related known function or configuration may unnecessarily obscure the subject matter of the present invention, the detailed description thereof will be omitted.

Figure 3 is a flow chart showing the method of cutting and painting the craft according to the preferred embodiment of the present invention step by step, Figures 4a and 4b is a photograph showing the Buddha statue produced by the method of cutting and painting the craft according to the present invention.

Referring to FIG. 3, the method of carving and painting of Buddha statues according to the present invention attaches hanji to a baffle pool in which char and gelatin, wheat grass, glutinous rice paste, etc. are mixed with the craft to be cut and cut (S301). The Korean paper prepared in step S301 is manufactured from the bark of the bark, and in particular, the Korean paper manufactured from the material of the Korean mulberry has a long life that does not change even after several hundred years and the Hanji has excellent strength enough to be used as a material for body armor. Therefore, Hanji is much tougher and stronger than any fabric or sun. In addition, Hanji has excellent air purification, absorbent and divergent properties that absorb dust and odors, helping to clean up the natural environment and make the viewer feel a soft and calm image.

In particular, since the paper is attached to the craft is fused by holding the paper, which is covered with torn fiber, it can be attached to the craft with a lot of bending and irregularities without any seams. In addition, the step of attaching the hanji according to the present invention (S301) shortens the manufacturing process by omitting the step of catching the glue to the craft in the conventional cutting and opening method.

On the other hand, in the galvanizing and cultivating method according to the present invention, the fold paste used when attaching the hanji to the craft is mixed with charcoal powder of fine particles such as wheat grass, glutinous rice paste, gelatin, etc., to suppress the generation of microorganisms with moisture-proof effect. To extend the shelf life of crafts. At this time, in the case of using the gelatin, a light colored transparent gelatin obtained by a precise process should be used, and when the color is dark and opaque and contains some impurities, it should be filtered using a fine strainer.

When the attaching of the hanji in step S301 is completed, the operation of raising the mounds on the hanji in step S303. The solid solution used for the tomb work is prepared by mixing the stone powder, gelatin, glutinous rice paste, wheat grass and charcoal powder in an appropriate ratio, excluding chemical components that are harmful to the human body and are not beneficial to the environment. The solid solution according to the present invention is an environmentally friendly material and prevents the growth of mold even after a long time and adapts to various environmental factors, so that Hanji and charcoal are more firmly combined to make the craft more durable. In addition, depending on the peculiar nature of the charcoal can also be a secondary effect of blocking the vein.

In the mound work (S303) by raising the mounds along the pattern of the various forms over the attached hanji to express a three-dimensional effect on the surface of the craft was flat.

Subsequently, an operation of applying colored lacquer to the paper made of the tomb is performed (S305). By using colored lacquer, it is not necessary to paint several times when lacquer is applied, and it is not necessary to paint along the tomb line, so it is easy to work and shorten the process time.

Thereafter, in step S307 is coated with gold foil, and finish by coloring in step S309 implements the flower painting technique according to the present invention to the craft. According to the present invention, after the opening operation S307 is performed, the coloring operation S309 may be performed to increase the clarity of gold foil and colors as shown in FIGS. 4A and 4B.

As described above, the method of cutting and painting the crafts according to the present invention is a simplified manufacturing process that is significantly different from that of the conventional Buddha carving and carving method through steps S301 to S309, and an organic combination between each manufacturing process. The painting techniques of Hwahwa, which can be found in ancient tomb murals such as Goguryeo and Baekje, can be embodied in crafts.

As described above, in the detailed description of the present invention, specific embodiments have been described, but various modifications may be made without departing from the scope of the present invention. Therefore, the scope of the present invention should not be limited to the described embodiments, but should be determined not only by the scope of the following claims, but also by those equivalent to the scope of the claims.

As described above, the present invention has the effect of increasing the clarity of the gold leaf and color while giving a three-dimensional effect on the surface of the craft.

In addition, the present invention can use the hanji and charcoal without the seam at all, the artisan can be opened and painted, has the effect of moisture-proof and antibacterial, has the effect of blocking vein.

In addition, the present invention has the effect of embodying the flower painting technique that can be seen only in mound wall, monochromatic, etc. by performing the coloring work after the opening work.

In addition, the present invention has the advantage that the craft produced by attaching the hanji to the craft, and performing the mounds, carving and coloring on it has a softness and calm feeling peculiar to the hanji.

In addition, the present invention has the effect that as the time passes, the craft has a more durable durability by adapting to external environmental factors.

Claims (3)

delete In the carving and painting method of the craftwork, Attaching hanji to the craftsmanship with charcoal powder mixed with charcoal powder; Raising the mounds along the pattern to be embossed on the paper; Coating a colored lacquer on the hanji with the tombs; Coating gold on the portion of the tomb; And Coloring on the hanji; Carving and painting method of the craft, characterized in that consisting of. The method of claim 2, The solid solution used in the tomb is Buddhist monk's carving and painting method, characterized in that the mixture of stone powder, gelatin, glutinous rice paste and charcoal powder in a predetermined ratio.

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