JPS63197408A - Production of hanging scroll - Google Patents

Abstract

(57) [Summary] This bulletin contains application data before electronic filing, so abstract data is not recorded.

Description

[Detailed Description of the Invention] [Object of the Invention] An object of the present invention is to provide a monori Tsurushara hanging scroll with a width of 1 m or more and a detailed pattern.

[Industrial application field]

The present invention is used to reproduce sophisticated calligraphy and paintings such as Uchara.

[Conventional technology]

The designs of pattern-woven fabrics woven by a jacquard loom become more elaborate and detailed as the number of jacquard needles per unit weaving width increases.

However, there is a certain limit to the number of Jacquard needles that can be attached to each loom.

Therefore, there is a limit of 5 to increase the number of jacquard needles per unit weaving width, and the weaving width of so-called pattern-woven fabrics with so-called all-pattern patterns in which the design is not continuous in the weaving width direction is also limited in relation to the number of jacquard needles. ■To be done.

For this reason, conventionally, the weaving width of patterned fabrics in which patterns are elaborately woven as shown in photographs has been limited to 50 to 60 cL11, and it has been considered practically impossible to manufacture patterned fabrics with wider widths than that.

However, one way to obtain a wide pattern-woven fabric with a width of 1 m or more is to weave a plurality of pattern-woven fabrics in which the pattern is divided vertically into several equal parts, and then stitch the weft threads one by one at the edge of the selvage. . However, because the stitching is done by hand, this technique cannot be applied to intricately woven patterned fabrics such as photo-woven fabrics.

For this reason, it was completely unthinkable to reproduce the design of the wide Jureira that hangs on the left and right sides of the main image of worship in the main hall of a temple as a pattern-woven fabric.

[Problem to be solved by the invention]

We weave multiple pattern-woven fabrics with a wide pattern vertically divided into several equal parts.
I attempted to join them by gluing the designs against each other at the edges of the edges, but there was a difference in the surface gloss of the fabric on the left and right sides of the seam, and I was unable to achieve a smooth finish.

Therefore, we conducted intensive research on the material, weaving structure, weaving density, pattern composition and color scheme of the pattern-woven fabric, the material and thickness (basis weight) of the lining paper, the method of adhering the lining paper, etc., and finally completed the present invention. .

[Structure of the Invention] The shaft of the crested Tatami Reragake according to the present invention is made of dark colored filament yarn as the ground warp and ground weft, metal foil thread as the picture weft, warp density of 180 threads/cm or more, and the shaft is driven. Density 40/c-
As described above, cut the selvage edges of multiple satin woven fabrics at continuous locations of their patterns, line them up with the same weaving direction, butt the patterns of the cut selvage edges, and then cut the selvedges at continuous locations of the patterns. It is constructed by lining it several times with multiple sheets of thin paper.

[Means to solve the problem]

In the present invention, the following measures are taken to eliminate gloss spots between the edges of the ears to be joined.

(ll) The plain weave part of the patterned fabric is composed of satin weave using dark-colored filament yarns.

<2) Metal foil thread is used for the picture weft.

(3) Ultra-fine yarns are used for the ground warp, ground weft, and picture weft, and the warp density and stitching density are extremely high.

(4) The weaving directions of the patterned fabrics on the left and right edges of the seam are aligned in the same direction.

(5) Thin paper is used for the backing paper.

(6) The lining paper is lined several times.

〔Example〕

Make a sketch of the tatami Reira with actual dimensions of 1600m x 1600m. The pattern composition of this sketch is such that the plain area 11 occupies an area more than twice as large as the picture pattern area 12 along the two dividing lines that vertically divide it into thirds.

This sketch is photographed on a super-large film with actual dimensions of 900 fl x 900 m and developed.

Next, using a separately prepared ultra-large film as a screen (projection surface), the previously developed film is enlarged to an actual size of 5000 m x 5000 m and projected onto the screen for photographing.

Next, a composition paper was placed on top of this 5ooo crane x 5000m sized film, and light was applied from below the film to create a composition of an actual size 5000+n x 5000m crane, which was then vertically divided into thirds and the divided pattern The number of jacquard stitches is 1300 for each figure, and the pattern paper is made with a weaving width of 600 cranes and a fabric weight of 2.
44. Three types of patterned fabric 1 of 3 g/rd are woven according to the following specifications.

■ Dark blue filament thread of real silk with a thickness of 21/2 is used as ground warp thread 2.

■ A dark blue filament yarn of genuine silk with a thickness of 21/4 piece is used as the ground weft 3.

■ Picture weft 4 of pure gold leaf thread with a width of 0.3 m (90 cuts)
shall be.

■ Ground warp 2 and ground weft 3 are ten-ply satin weave, ground warp 2 and picture weft 4 are three-ply satin weave (Fig. 1), and picture weft 4 (pure gold leaf thread) is embossed with Hikihaku. It is assumed that the weft 4 is above the ground I thread 3 and is below the ground warp 2 (Figure 2).

■ The warp density is 13,000/60am, and the ground weft is 3
The total driving density of 4 and picture weft is 5000/100c
Make it m.

Next, three pieces of patterned fabric with divided designs 1.1', 1
” on a transparent acrylic board with the design side facing down, and while examining the design from the bottom of the transparent acrylic board, apply water to eliminate distortions and wrinkles in the design, and apply thin paper tape to the edges with thin ice. Temporarily fasten with glue and cut the selvage edges at the continuous points of those designs.After air drying, divide the weaving direction in the same direction and arrange them lengthwise, and these cut selvage edges 5, 5', 5'
and 5' are butted together according to the pattern, water is applied again to eliminate distortions and wrinkles in the pattern, and the edges of the butt are covered with continuous thin washi paper 6 (thin Mino paper) (basis weight 77g/rrr).
3 times, repeat the lining process by pasting on 6' thin Japanese paper 3 times to form a 4M lining. Lined with thin thin paper tape (thin Mino paper) with a width of 7 cranes connecting the butt edges of the ripple weave fabric, actual size 1800 m x 1
A 800n long Tatami Rera 8 is made. The total basis weight of the four sheets of thin Japanese paper used for lining was 309 g/rd.

In this way, the pattern surface is smooth like the surface of a transparent plate, and 1
With an 800fi wide loom! ! ! Like a woven fabric, there are no shiny spots on the left and right sides of the seams, and you can obtain a divinely beautiful tatami chara made of genuine silk and gold leaf.

(Function) In the present invention, the plain texture portion 11, which occupies most of the patterned fabric 1, is composed of dark-colored filament threads 2, so that the overall patterned fabric has little luster.

Since the pictorial texture portion 12 visible to the eye is composed of the shimmering combined pressure foil threads 4, the luster of the plain texture portion 11 is relatively faded.

Since the weaving density is high and filament yarns are used for the ground warp 2 and the ground weft 3, the diffused reflection on the plain texture portion 11 is effectively averaged out.

Since the weaving directions are aligned on the left and right sides of the seam border 5, there is no difference in gloss due to the so-called "weaving pattern".

The patterned fabrics 1' and 1'', which have been woven separately, are joined together via a lining paper, and since the lining paper 6 is thin paper, it sticks closely to the patterned fabric so as to bite into the gaps between the weaves. At this time, the patterned fabric is turned over onto a flat substrate, the selvedges are butted together, and the backing is done by covering the back side of the patterned fabric with tissue paper. The process is repeated several times after waiting for 1', 1''
Even if there is a slight difference t in thickness between the edges 5' and 5'', the surface of the edges to be joined will be smooth and smooth along the surface of the substrate, and the difference t in the thickness of the edges will be It does not appear as a step on the surface.

〔Effect of the invention〕

According to the present invention described above, the thickness difference t of the fabric at the seam
There are no steps or glossy spots due to ``weaving'', and the width is 2.
A wide tatami chara 8 having an appearance as if it were made from a single piece of patterned fabric woven on a wide loom with a width of m or more is obtained.

[Practice of the invention! Type 3] The above actions and effects can be further enhanced by implementing the present invention in the following manner.

(1) In the plain weave section 11, the picture weft 4 is made to be above the ground weft 3 and below the ground warp 2.

In other words, in the plain fabric part 11 made of satin weave, most of the weft threads are covered under the ground warp threads 2, but in this case, the picture weft threads 4 are placed above the ground weft threads 3 and are placed on the surface side of the patterned fabric. By bringing them close together, the metallic luster of the picture weft 4 appears slightly on the surface through the gap covered by the ground warp 2, and the luster of the ground warp 2 becomes relatively inconspicuous due to the glitter.

(2) Use Japanese paper for the backing paper 6. That is, by using Japanese paper with excellent tear strength, the lining paper is made extremely thin, thereby increasing the degree of adhesion between the lining paper 6 and the patterned fabric 1.
Seams are reinforced.

(3) By adding a dispersion (for example, clay), which is made up of fine inorganic particles and a water-soluble adhesive, to the washi paper and forming the paper, the backed tatami chara is given a MW feel and finished with a solid and calming feel. I can do it.

(4) Line the seam with narrow tissue paper tape along the edge of the ear. That is, this prevents fraying at the cut portion of the selvage 5 of the patterned fabric, and facilitates pattern matching by temporary fixing.

(5) Joining of the patterned fabric The pattern of the patterned fabric is configured so that the plain textured portion 11 occupies an area twice or more of the illustrated textured portion 12 in the length direction of the patterned fabric. That is, by reducing the number of image texture portions 12 where differences in gloss tend to appear, gloss spots at seams are prevented.

[Brief explanation of the drawing]

Figure 1 is a weaving structure diagram seen from the front side of the pattern-woven fabric, Figure 2 is a cross-sectional view at the boundary between the plain texture part and the painted texture part of the pattern-woven fabric, and Figure 3 is the joint part of the pattern-woven fabric of Tatami Rera. FIG.

Claims (1)

[Claims] A plurality of satin-woven fabrics in which dark-colored filament yarns are used as ground warp 2 and ground weft 3, metal foil thread is used as picture weft 4, warp density is 180 threads/cm or more, and stitching density is 40 threads/cm or more. 1, 1', 1', cut the edges 5, 5', 5'' at the continuous parts of those designs, align them with the weaving direction,
Match the patterns of the cut edges of the ears, and make several layers of thin paper 6, 6', 6''... so as to cover the butt points of the edges of the ears 5, 5', 5''. A method for manufacturing a hanging scroll with a patterned woven Tsurunchara, which is characterized by being lined.