JPH0760314B2 - Music signal generator - Google Patents

Description

DETAILED DESCRIPTION OF THE INVENTION [Industrial application] The present invention is to sample a sound signal input from the outside, store it in a memory, and then read the waveform sample data stored in this memory at an appropriate pitch. The present invention relates to a sampling-type tone signal generator that generates a tone signal by using a built-in sound source, and when performing pitch adjustment operations such as transposition, pitch adjustment is performed on both the sampling sound source and the built-in sound source together. It relates to the fact that it is possible to select whether to perform pitch adjustment with only the sampling sound source.

[Conventional technology]

Conventionally, sampling type electronic musical instruments include those disclosed in Japanese Patent Publication No. 61-33199 and Japanese Patent Publication No. 61-47435. In such a conventional sampling type electronic musical instrument, a sound signal from the outside is sampled and stored in a memory. The external sampling sound stored in the memory can be read out and sounded at an arbitrary pitch according to a key depression operation or the like. In that case, if the pitch of the external sampling sound stored in the memory does not correspond to the predetermined reference pitch, the pitch of the pressed key cannot be read accurately, so pitch adjustment with a relatively large width such as transposition. Must be added to the read sound of the memory. For that purpose, it is necessary to provide transposing means or pitch adjusting means in the sound source sequence of the sampling memory.

On the other hand, it is possible to provide a sound source series (built-in sound source) different from the sampling sound source inside the electronic musical instrument, but the transposing means or pitch adjusting means for the built-in sound source series is, of course, separate from that of the sampling sound source series. It is provided in. In that case, transposition or pitch adjustment of these two sound source sequences (since transposition is also a pitch adjustment in a broad sense,
(Hereinafter, the term "pitch adjustment" also includes transposition) must be performed separately.

[Problems to be Solved by the Invention]

Therefore, when trying to perform a common pitch adjustment for the built-in sound source series and the sampling sound source series, the pitch adjustment operation must be performed separately for each series, which is troublesome.

The present invention has been made in view of the above points, and when performing pitch adjustment operations such as transposition, pitch adjustment is performed both for the sampling sound source series and the internal sound source series, or only for the sampling sound source. It is an object of the present invention to provide a musical tone signal generator capable of selecting one of the above.

[Means for Solving the Problems]

The tone signal generator according to the present invention has a sound sampling means for sampling a sound signal input from the outside, and a storage means for storing waveform sample data corresponding to the sound signal sampled by the sound sampling means, The sampling sound source means for generating a tone signal based on the waveform sample data stored in the storage means, the built-in sound source means for generating a predetermined tone signal, the pitch adjusting operator means, the sampling sound source means and the built-in sound source means. A mode selecting means for selecting one of a first mode in which pitch adjustment is performed by both and a second mode in which pitch adjustment is performed only by the sampling sound source means, and the first mode is selected by this mode selecting means. When selected, the sampling sound source means and the sampling sound source means are operated according to the operation of the pitch adjusting operator means. When the second mode is selected by performing pitch adjustment by both of the stored sound source means, pitch adjustment control means for performing pitch adjustment only by the sampling sound source means in response to the operation of the pitch adjustment operator means. It is equipped with.

This is as shown in FIG. 1, where 1 is sound sampling means, 2 is storage means, 3 is sampling sound source means, 4 is internal sound source means, 5 is pitch adjusting operator means, and 6 is mode selection. Means, 7 is a pitch adjustment control means.

[Action]

When the first mode is selected by the mode selection means 6, both the sampling sound source means 3 and the built-in sound source means 4 perform pitch adjustment in response to the operation of the pitch adjustment operator means 5. On the other hand, when the second mode is selected, the pitch adjustment is performed only by the sampling sound source means 3 according to the operation of the pitch adjustment operator means 5. Since the pitch of the external sound stored in the sampling sound source means 3 is not limited to the reference pitch, only the sampling sound source means 3 is pitch-adjusted according to the operation of the pitch adjusting manipulator means 5 to perform the necessary transposition. The second mode is extremely effective. On the other hand, when performing transposition at the time of performance, it is preferable that the sampling tone generator 3 and the built-in tone generator 4 both perform the same amount of pitch adjustment (transposition), so it is optimal to select the first mode.

〔Example〕

An embodiment of the present invention will be described in detail below with reference to the accompanying drawings.

FIG. 2 shows a hardware configuration of an embodiment of an electronic musical instrument to which the musical tone signal generator according to the present invention is applied. In the electronic musical instrument of this embodiment, a CPU (central processing unit) 11,
Various operations and processes are controlled by a microcomputer unit including a program ROM (read only memory) 12 and data and working RAM (random access memory) 13. The keyboard 14 has a plurality of keys for designating the pitch of a musical tone.

The operation panel unit 15 is provided with various operators and selectors for controlling sampling of external or internal sound signals or for controlling musical sounds, and a microphone for inputting external sound signals. 16 are provided.

The allocation selector 17 is a manipulator for performing selection or setting for allocating the sampled sound to any of a plurality of performance parts. As an example, the performance part consists of three parts, "melody", "chord", and "bass". Classifying this into a normal range part and a bass range part by range, "melody" and "chord"
Part corresponds to the normal range part, and the "bass" part corresponds to the bass sound part. As an example, the allocation selector 17 has four push switches 17a,
17b, 17c and 17d, and the switches 17a to 17d correspond to the "melody", "chord", "bass" parts and "off", respectively. “Off” means that the sampled sound is not assigned to any performance part.

When the waveform sample data is stored in the data memory 28 in the tone generator unit 24, the record selector 18 stores a sound signal input from the outside (external sound sampling mode) or is a built-in sound source in this electronic musical instrument. This is for selecting whether to store the tone signal generated from the FM tone generator 25 (internal tone sampling mode). In the record selector 18, the internal sound sampling switch FMSMPL stores the tone signal generated by the FM tone generator 25, which is a built-in sound source, in the data memory.
The switch for selecting what should be stored in 28 (internal sound sampling mode), the switch for selecting external sound sampling switch EXSMPL to store the externally input sound signal in data memory 28 (external sound sampling mode), is there.

The sampling sound editing operator group 19 is an operator for performing the editing processing of the sampling sound recorded in the data memory 28. As an example of the editing processing contents of the sampled sound, the waveform sample data of a certain sound already stored in the memory 28 is overwritten with the waveform sample data of another sound without erasing the data. "Overwrite" processing, processing for setting and controlling the envelope to be added to the waveform sample data read from the memory 28, memory
Performs a performance by reading the waveform sample data of the sampled sound stored in 28 in the reverse direction. A "reverse" process, in which the waveform sample data stored in the memory 28 is read in the forward direction and then folded back in the reverse direction to perform the performance. There are various other processes such as a "U-turn" process, a "loop" process for repeatedly reading the waveform sample data stored in the memory 28, and the like. A detailed example of such a sampling sound editing process is shown in, for example, Japanese Patent Application No. 62-1209. In the present specification, such a sampling sound editing process will not be described in detail.

The tone color selector 20 is a built-in sound source in this electronic musical instrument, FM.
This is for selecting the tone color of the tone signal generated by the tone generator 25.

Automatic performance selector 21 uses automatic bass chord performance (ABC)
It includes switches 21a and 21b, an automatic rhythm selector 21c, and an automatic rhythm start / stop switch 21d. A
The BC-ON switch 21a is for turning on the automatic bass chord performance, and the ABC-OFF switch 21b is for turning off the automatic bass chord performance. Automatic rhythm selector
21c is for selecting the type of automatic rhythm. The automatic rhythm start / stop switch 21d is for controlling the start and stop of the automatic rhythm.

The adjustment operator group 22 is for adjusting the pitch or volume, and includes a pitch switch PS and a volume switch.
It includes VS, increase switch INC, decrease switch DEC, transposition up switch UPS, and transposition down switch DWS.
The pitch switch PS is for finely adjusting the pitch of the sampling sound read from the data memory 28. The volume switch VS is for adjusting the overall volume of the musical sound. The increase switch INC is for increasing the pitch adjustment amount or the volume adjustment amount. Decrease switch DE
C is for reducing the pitch adjustment amount or the volume adjustment amount. When the pitch switch PS is turned on, the mode is used in which the increase switch INC and the decrease switch DEC are used for adjusting the pitch of the sampled sound. In this case, as an example, pitch adjustment (tuning) can be performed in units of 1 cent within a range of ± 50 cents. On the other hand, when the volume switch VS is turned on, the increase switch INC and the decrease switch D
Switch to the mode used for adjusting the overall volume of the musical sound.

As a special function, there is a "reference tone pronunciation tuning function". This function is enabled when the increase switch INC or the decrease switch DEC is operated while holding down the pitch switch PS, and the sampling sound (data memory that is pitch adjusted according to the operation of the increase switch INC or the decrease switch DEC (data memory At the same time that the sound read out from 28) is pronounced at a predetermined reference pitch (for example, the pitch of the A4 pitch), the pitch of the tone of the same reference pitch (the pitch of the A4 pitch) is adjusted from the FM tone generator 25, which is a built-in sound source The sound is produced at a regular pitch that is not played, and compared with the sampled sound whose pitch is adjusted using the reference sound as a reference sound, and compared with the ear, it is useful for the pitch adjustment operation of the sampled sound.

Transposing up switch UPS and transposing down switch DWS
For example, the pitch of a musical tone is adjusted in semitone steps within a range of ± 1 octave, and the pitch is raised by operating the up switch UPS and lowered by operating the down switch DWS. When the transposition up switch UPS or the transposition down switch DWS is operated independently, pitch adjustment, that is, transposition of the entire musical instrument is performed. On the other hand, as a special function, it is possible to execute a “sampling sound transposing function” for performing pitch adjustment, that is, transposing only for sampling sounds.

This "sampling sound transposition function" is a pitch switch PS
It is valid when the up switch UPS or the down switch DWS is operated while holding down. The reason why the pitch adjustment or transposition can be performed only on the sampled sound is that the pitch of the sound signal sampled from outside is not always the reference pitch (for example, the pitch of A4 pitch). This is because it is not possible to match it with the reference pitch.

The operation panel section 15 is also provided with an operator group 23 for setting and controlling various other musical tones.

The tone generator unit 24 includes an FM tone generator 25 as a built-in sound source, a sampling tone generator 26 including a data memory 28 for storing sampled digital waveform sample data, and a rhythm tone generator 27. In the tone generator section 24, when the external sound sampling mode is selected by the external sound sampling switch EXSMPL of the record selector 18, the microphone provided in the operation panel section 15 is selected.
A sound signal input from the outside via 16 is sampled and converted into digital waveform sample data, which is written in the data memory 28. Further, when the internal sound sampling mode is selected by the internal sound sampling switch FMSMPL of the record selector 18, a tone signal is generated from the FM tone generator 25 as a built-in sound source, and its digital waveform sample data is written in the data memory 28.
In the play mode, the tone signal is generated from the FM tone generator 25 in response to a key press on the keyboard 14, etc., and the waveform sample data in the data memory 28 is read out and the tone signal is sampled from the sampling tone generator 26 based on this. Occur. Also, a rhythm tone signal is generated from the rhythm tone generator 27 according to the selection state of the automatic performance selector 21. The tone signal generated from the tone generator section 24 is given to the sound system 29 and sounded.

The FM tone generator 25 as a built-in sound source synthesizes a musical tone signal by an FM (frequency modulation) method. On the other hand, the sampling tone generator 26 basically generates a musical tone signal by reading the waveform sample data stored in the data memory 28.

A timer 30 is also provided in the tone generator section 24. In the external sound sampling mode, when the external sound signal is not input for a certain period of time from the start of sampling in the external sound sampling mode, the timer 30 is for automatically switching the mode to the internal sound sampling mode so as to measure the certain period of time. It is a thing.

The data ROM 31 stores various kinds of data for tone formation / control. As an example, the data ROM 31 corresponds to the tone color parameters (F
The tone color parameter memory 31a, the rhythm pattern memory 31b, the chord pattern memory 31c, the bass pattern memory 31d, the sampling tone pattern memory 31e, etc.

The rhythm pattern memory 31b stores data of generation patterns of automatic rhythm sounds (percussion instrument sounds) for each rhythm selectable by the rhythm selector 21c.

The chord pattern memory 31c stores data of sounding patterns of automatic chord sounds (accompaniment chords) for each rhythm selectable by the rhythm selector 21c.

The bass pattern memory 31d stores the data of the pronunciation pattern of the automatic bass tone for each rhythm selectable by the rhythm selector 21c.

There is an "extra percussion function" as a special function, and the sampling sound pattern memory 31e is provided for that purpose. The "extra percussion function" is a function for designating a musical tone (sampling tone), a pitch, and a sounding timing pattern to be generated by the sampling tone generator 26 in correspondence with an automatic rhythm and causing the sounding. The sampling sound pattern memory 31e stores the pitch and sounding timing pattern data of the musical sound (sampling sound) to be generated by the sampling tone generator 26 for each rhythm selectable by the rhythm selector 21c.

The tempo clock generator 32 is for generating tempo clock pulses for automatic rhythm performance. This tempo clock pulse functions as an interrupt signal to the microcomputer section. On the side of the microcomputer, the tempo clock pulse is counted by the interrupt process and the beat timing is established. Each pattern data is read from the rhythm pattern memory 31b, the chord pattern memory 31c, the bass pattern memory 31d, and the sampling sound pattern memory 31e according to the time signature timing data, that is, the tempo clock count data.

In this embodiment, the "extract percussion function" is set by operating the switch 17c of the allocation selector 17 so that the sampling sound is allocated to the "bass" part, but by operating the ABC-OFF switch 21b. Enabled when the function is turned off. Originally, even if the sampled sound was assigned to the "bass" part, the sampled sound would not be sounded because the ABC function was turned off. However, this "extra percussion function" allows the sampled sound to be automatically generated according to the rhythm.

Key scanning and sound allocation processing for key depression / key release detection on the keyboard 14, scanning and other processing for operation detection of switches and the like in the operation panel unit 15, writing of sampling data in the tone generator unit 24, Various processes such as read control are executed by the microcomputer unit.

Of the processes executed by the microcomputer unit, an example of a flowchart of processes related to the present invention is shown in FIG. 5 and subsequent figures. An example of the data used in connection with this processing and the contents stored in the working RAM 13 is shown in FIG.

ALOCT is an allocation register, which stores data indicating a performance part to which a sampled sound is assigned. It stores "1" for the "melody" part, "2" for the "chord" part, "3" for the "bass" part, and "0" for the "off" part.

FMTONE is an FM tone color register and stores data indicating the tone color selected by the tone color selector 20.

RCODE is a rhythm register and stores data indicating the rhythm selected by the rhythm selector 21c.

RSTART is a rhythm start / stop register,
“1” is stored when the rhythm is on, and “0” is stored when the rhythm is off.

TPCTR is a tempo counter, which counts tempo clock pulses generated from the tempo clock generator 32 and registers the count value. This count value establishes the beat timing.

ABCRG is an ABC register, and stores "1" when the automatic bass chord performance is on and "0" when it is off.

SWST is an adjustment status register, which is "1" when the increase switch INC and the decrease switch DEC are used for adjusting the pitch of the sampling sound, and "0" when it is used for adjusting the overall volume. Memorize

PVAL is pitch adjustment value data, and indicates the pitch adjustment value of the sampling sound set according to the operation of the increase switch INC and the decrease switch DEC. As described above, as an example, pitch adjustment (tuning) can be performed in units of 1 cent within a range of ± 50 cents.

TPSVAL is sampling tone transposition value data
It shows the transposition value of the sampling sound set according to the operation of the UPS and the down switch DWS. As aforementioned,
As an example, pitch adjustment, that is, transposition can be performed in semitone units within a range of ± 1 octave.

TPFVAL is FM sound transposition value data, and indicates the transposition value of the FM sound (the sound generated by the FM tone generator 25) set according to the operation of the up UPS and the down switch DWS. Similar to the above, as an example, pitch adjustment, that is, transposition can be performed in semitone units within a range of ± 1 octave.

PKON is a reference tone pronunciation tuning mode register.When the "reference note pronunciation tuning function" is on, that is, when the pitch switch PS is held down and the increase switch INC or decrease switch DEC is operated, the reference tone is generated. Memorize "1" indicating that it is the sounding tuning mode, and "0" otherwise.

NKC is a new key code register, which stores the key code of the key newly pressed on the keyboard 14 and the key code of the newly released key.

Areas for registers or data as described above are provided in the data and working RAM 13. Also,
In the data and working RAM 13, FM tone generator 25 and sampling tone generator 26 (TG
Is an abbreviation for tone generator), and is a region of a sound allocation memory for storing a sound allocation state to each sound generation channel, and operation detection data of the sampling sound editing operator group 19 and other operator groups 23 in the operation panel unit 15. Area for storing data, other data and working area are provided.

As an example, the number of sound generation channels in the FM tone generator 25 is "6", and the number of sound generation channels in the sampling tone generator 26 is "4".

A detailed example of the tone generator section 24 is shown in FIG.

In the tone generator section 20 of FIG. 4, an interface 34 is provided in order to exchange data with the microcomputer section side via the data and address bus 33. The interface 34 includes a buffer register. The data given from the microcomputer section is sent through the interface 34 to the tone generator section.
It is input to a predetermined circuit in 24. The FM sampling command signal FMST output from the timer circuit 30 in the tone generator unit 24 is given to the microcomputer unit as an interrupt command via the data bus 33.

The main circuits in the tone generator section 24 will be briefly described.

The FM tone generator 25 as a built-in sound source synthesizes a musical tone signal by an FM (frequency modulation) method. It is possible to generate 6 tones simultaneously on 6 channels by FM system. Tone parameters of the tones of the tones to be generated by the FM tone generator 25 are given from the side of the microcomputer section, and these tone parameters are sent via the interface 34 to the FM tone generator.
The tone color of the musical tone signal input to the FM tone generator 25 is determined according to this tone color parameter.
Further, when it is decided in the microcomputer section that the tone is assigned to any channel in the FM tone generator 25, the channel number FCH indicating the channel to be assigned and the key code indicating the pitch of the musical tone assigned to the channel number FCH. The FKC and the key-on signal KON are given, the channel number FCH and the key-on signal KON are input to the FM tone generator 25 via the interface 34, and the key code FKC is further input to the FM tone generator 25 via the transpose circuit 35. It The FM tone generator 25 stores the key code FKC and the key-on signal KON corresponding to the tone generation channel designated by the channel number FCH, and starts generating a tone signal based on these. When ending the sounding, the channel number FCH and the key-off signal K indicating the channel to end the sounding from the microcomputer section via the interface 34.
OF is given. Based on this, the FM tone generator
In 25, the memory of the key-on signal KON in the sounding channel instructed by the channel number FCH is canceled,
The decay of the tone signal in the tone generation channel is started.

Via the interface 34 from the microcomputer section
The FM tone transposition value data TPFVAL is given to the transpose circuit 35. In the transpose circuit 35, the above key code FK
The value of C is increased or decreased in semitone units in accordance with the FM tone transposition value data TPFVAL. For example, when the key code FKC indicates the A4 tone and the FM tone transposition value data TPFVAL is +1, it is converted into the key code of the A # 4 tone which is a semitone and is output. Converted key code FKC * is transpose circuit 3
Input from 5 to FM tone generator 25.

The FM tone generator 25 adds the digital musical tone signals generated in the respective channels, converts the signals into analog signals, and outputs analog musical tone signals. This analog musical tone signal is supplied to the sound system 29 and the "0" input of the selector 36.

A sound signal from the outside picked up by the microphone 16 of the operation panel unit 15 is input to the “1” input of the selector 36. This selector 36 should write the waveform sample data of the sound sampled from the outside or write the waveform sample data of the tone signal generated from the FM tone generator 25 which is the built-in sound source to the data memory 28 in the sampling tone generator 26. It is for making a choice.

Data memory 28 in sampling tone generator 26
When the waveform sample data of the sound sampled from the outside should be written, "1" is given from the microcomputer unit via the interface 34 as the external sound sampling signal EXSP. On the other hand, in the data memory 28 in the sampling tone generator 26, the built-in sound source FM
When the waveform sample data of the tone signal generated from the tone generator 25 is to be written, "1" is given as the internal tone sampling signal FMSP from the microcomputer section through the interface 34.

The flip-flop 37 inputs the external sound sampling signal EXSP to the set input S and inputs the internal sound sampling signal FMSP to the reset input R. The output Q of the flip-flop 37 is given to the control input of the selector 36. When the external sound sampling signal EXSP is “1”, the flip-flop 37
Output Q becomes "1", and the selector 36 selects the external sound signal from the microphone 16 added to the "1" input. On the other hand, when the internal sound sampling signal FMSP is "1", the output Q of the flip-flop 37 becomes "0", and the selector 36 selects the internal sound signal from the FM tone generator 25 added to the "0" input.

The sound signal selected by the selector 36 is digitally converted by the analog / digital converter 38. The digital-converted waveform sample data is given to the data input terminal DTIN of the data memory 28 in the sampling tone generator 26 via the gate 39. Further, the waveform sample data output from the analog / digital converter 38 is applied to the rising edge detection circuit 40, and the rising edge of the sound is detected. The trigger pulse TRG is output in response to the detection of the rising edge of the sound. The trigger pulse TRG is used as a signal for instructing the start timing of writing the waveform sample data to the data memory 28.

The external sound sampling signal EXSP and the internal sound sampling signal FMSP described above are input to the set input S of the flip-flop 42 via the OR circuit 41, and when sampling the external sound or the sound from the internal sound source in the data memory 28. The output Q of the flip-flop 42 is set to "1".
The output Q of the flip-flop 42 is given to the gate 39 as a sampling enable signal SPEN. Gate
39 opens when this sampling enable signal SPEN is "1", and inputs the waveform sample data of the sampling sound from the analog / digital converter 38 to the data input terminal DTIN of the data memory 28.

The sampling tone generator 26 generally includes a transpose circuit 43, a master clock generator 44, an address generator 45, a data memory 28 including a RAM, and an envelope giving circuit 46.

The address generator 45 generates a write address signal when writing a sampling sound in the data memory 28, and further generates a read address signal when reading a sampling sound from the data memory 28. The address signal generated by the address generator 45 is applied to the address input ADRS of the data memory 28.

The sampling tone generator 26 is capable of simultaneously generating four tone signals on four channels.
Therefore, the address generator 45 can generate address signals for four channels in a time division manner.

When writing the sampling sound to the data memory 28, the key code SKC of the pitch corresponding to the writing rate is given to the sampling tone generator 26 from the microcomputer section side through the interface 34 and addressed through the transpose circuit 43. Input to the generator 45. The pitch corresponding to the writing rate is usually a predetermined reference pitch (for example, the pitch of A4 pitch). At the same time, the channel number SCH designating the channel 1 is given to the sampling tone generator 26 from the side of the microcomputer via the interface 34 and input to the address generator 45. Further, the trigger pulse TRG output in response to the rising edge of the sampling sound is input from the rising edge detection circuit 40 to the address generator 45. In response to the input of the trigger pulse TRG, the address generator 45 starts to generate the write address signal which changes in the channel 1 according to the write rate of the reference pitch.

The trigger pulse TRG is also given to the set input of the flip-flop 48. The output signal of the flip-flop 48 set to “1” by the trigger pulse TRG is input to the AND circuit 49. The other input of the AND circuit 49 has a timing signal TC synchronized with the sampling enable signal SPEN from the flip-flop 42 and the time division timing of channel 1.
H1 is input. The output signal of the AND circuit 49 is given to the read / write control input W / R of the data memory 28. When the output signal of the AND circuit 49 is "1", the data memory 28 is in the write mode, and when it is "0". The read mode is set.
Therefore, at the time of writing, the data memory 28 is set to the write mode at the timing of the channel 1 where the write address signal is generated, and the selector 36, the analog / digital converter 38,
The waveform sample data of the sampling sound input to the data input terminal DTIN via the gate 39 is sequentially written to the address of the data memory 28 designated by the write address signal.

The write address range is determined according to the memory size of one sampling sound in the data memory 28, and the end address detection circuit 50 detects the final address in this write address range. That is, the write address signal generated from the address generator 45 is input to the end address detection circuit 50, and when it reaches the final address, "1" is output as the end detection signal END.

The end detection signal END is given to the address generator 45, and based on this, the generation of the write address signal ends. The end detection signal END is also given to the reset inputs R of the flip-flops 42 and 48, and based on this, the sampling enable signal SPEN is reset to "0" and the flip-flop 48 is reset to end the write mode.

When the write mode is completed, the output of the AND circuit 49 is always "0", and the data memory 28 is in the read mode.

The external sound sampling signal EXSP is given to the start trigger input ST of the timer 30, and when the external sound sampling mode is set, that is, the external sound sampling signal
When EXSP rises from "0" to "1", the time counting operation of timer 30 starts. A trigger pulse TRG is applied to the reset input R of the timer 30. The operating time of the timer 30 is, for example, about 10 seconds.
If TRG is given, timer 30 is reset and no output is made. On the other hand, 10 without trigger pulse TRG being applied
When the operation time of 2 seconds has elapsed, the output signal of timer 30 becomes "1".
This is given as an FM sampling command signal FMST via the data bus 33 to the microcomputer unit as an interrupt command. In the microcomputer section, when the FM sampling command signal FMST is given, the mode is switched to the internal sound sampling mode. In this way, when the external sound signal is not input for a fixed time from the start of sampling the external sound, the mode is automatically switched to the internal sound sampling mode. Due to this, even if the external sound sampling is once instructed due to some circumstances (for example, an operation error at the time of sampling the external sound, a malfunction of the microphone, forgetting to input the external sound, or an interruption of the external sound sampling operation). When the external sound signal is not sampled, the internal sound sampling mode is automatically selected, and the internal sound is sampled in the data memory 28. As a result, the sampling tone generator 26 can be used without any hindrance during performance.

The tone signal is generated from the sampling tone generator 26 according to the tone generation allocation in the microcomputer section. When it is decided in the microcomputer section that the tone is assigned to any channel in the sampling tone generator 26, the channel number SCH indicating the channel to be assigned and the key code SKC indicating the pitch of the musical tone to be assigned to the channel number SCH. , And the key-on signal SKON are given, the channel number SCH and the key-on signal SKON are input to the address generator 45 via the interface 34, and the key code SKC is further input to the address generation circuit 45 via the transpose circuit 43. . The address generator 45 stores the key code SKC and the key-on signal SKON corresponding to the sounding channel designated by the channel number SCH, and based on these, stores the key code SKC.
A read address signal that changes at a rate corresponding to the pitch of the SKC is generated at a time division timing corresponding to the channel designated by the channel number SCH.

Sampling tone transposition value data TPSVAL is given to the transpose circuit 43 from the microcomputer section through the interface 34. In the transpose circuit 43, the value of the above key code SKC is used as the sampling tone transposition value data TPSVAL.
It increases or decreases in semitone units according to. For example, when the key code SKC indicates A4 tone and the sampling tone transposition value data TPSVAL is +1, A # 4 on the semitone
It is converted into a sound key code and output. The converted key code SKC * is transferred from the transpose circuit 43 to the address generator 4
Entered in 5.

The pitch adjustment value data PVAL is given to the master clock generator 44 from the microcomputer section through the interface 34. The master clock generator 44 controls the frequency of the master clock pulse according to the pitch adjustment value data PVAL. The frequency-controlled master clock pulse is applied to the address generator 45, and the basic timing of the address signal generated by the address generator 45 is set according to the master clock pulse. Therefore, the pitch adjustment value data PV
By controlling the frequency of the master clock pulse according to AL, the change rate of the address signal determined according to the key code SKC * is subtly variably controlled, and pitch adjustment in cents can be performed. .

The sampling enable signal SPEN is input to the master clock generator 44, which prohibits controlling the frequency of the master clock pulse during sampling. This is because writing the sampled waveform sample data in the data memory 28
This is for performing at a constant rate corresponding to the regular pitch of (sound).

Further, various data SED for editing the sampling sound is given from the microcomputer section to the sampling tone generator 26 via the interface 34. These sampled sound editing data SED are input to the address generator 45 and the envelope giving circuit 46. Address generator
At 45, read address control can be performed according to the sampling tone sounding modes such as "reverse", "U-turn", and "loop" described above according to the sampling tone editing data SED. Further, in the envelope applying circuit 46,
Special envelope control for "echo" or the like can be performed according to the sampling sound editing data SED.

In the envelope giving circuit 46, the channel number SCH and the key-on signal SKON given via the interface 34 are given.
In response to this, a volume control envelope signal is generated corresponding to the channel designated by the channel number SCH, and a volume envelope is given to the waveform sample data of the channel read from the data memory 28. The waveform sample data to which the volume envelope has been added is added for all channels by the accumulator 51, then converted into an analog signal by the digital / analog converter 52, and given to the sound system 29.

When ending the sounding, a channel number SCH and a key-off signal SKOF indicating the channel to end the sounding are given from the microcomputer section through the interface 34. Based on this, the envelope giving circuit 46 starts decaying the volume control envelope signal in the channel designated by the channel number SCH.

To the rhythm tone generator 27, a sounding timing signal is given from the micro-computer unit via the interface 34 at the sounding timing of each rhythm sound (percussion instrument sound). The rhythm tone generator 27 generates a sound signal of a rhythm sound (percussion instrument sound) to which a sounding timing signal is given, and gives it to the sound system 29.

Next, various operations of this electronic musical instrument will be described with reference to the flowcharts of FIG. 5 and thereafter.

In the main routine shown in FIG. 5, first of all,
The data and the contents of various registers in the working RAM 13 are initialized.

In the "allocation selector scan process",
The state of each switch 17a to 17d of the allocation selector 17 is scanned, and a predetermined process is executed according to the switch turned on. Here, when it detects that one of the switches 17a to 17d has changed from off to on, that switch
The switch-on event routine of FIGS. 6 (a) to 6 (d) is executed according to 17a to 17d.

In the “record selector scanning process”, the state of each switch of the record selector 18 is scanned, and a predetermined process is executed according to the turned-on switch. Here, when it is detected that the external sound sampling switch EXSMPL has changed from OFF to ON, the EXSMPL ON event routine of FIG. 7 is executed. When it is detected that the internal sound sampling switch FMSMPL has changed from OFF to ON, the FMSMPL ON event routine of FIG. 8 is executed.
When the FM sampling command signal FMST is given, the FMSTPL interrupt routine shown in FIG.
Performs the same processing as the on-event routine.

In the "tone color selector scan process", the state of the tone color selector 20 is scanned, and a predetermined process is executed according to the tone color selection operation. Here, when it is detected that an operation of selecting any timbre is performed, the timbre selection event routine of FIG. 9 is executed.

In the "automatic performance selector scan process", the operation state of the automatic performance selector 21 is detected, and a predetermined process is executed according to the detection. Here, when it is detected that the ABC-ON switch 21a has changed from OFF to ON, the ABC-ON event routine of FIG. 10A is executed. Also, A
When it is detected that the BC-OFF switch 21b has changed from OFF to ON, the ABC-OFF event routine of FIG. 10 (b) is executed. When it is detected that the automatic rhythm selector 21c selects any rhythm, the rhythm selection event routine of FIG. 11 is executed.
When it is detected that the automatic rhythm start / stop switch 21d has changed from off to on, the rhythm start / stop event routine of FIG. 12 is executed.

In the "adjustment operator scanning process", the operation state of the adjustment operator group 22 is detected, and a predetermined process is executed according to the detection. Here, when it is detected that the pitch switch PS has changed from OFF to ON, the pitch switch ON event routine of FIG. 13 is executed. On the contrary, when it is detected that the pitch switch PS is changed from on to off, the pitch switch off event routine of FIG. 14 is executed. When it is detected that the volume switch VS has changed from OFF to ON, the volume switch ON event routine of FIG. 15 is executed. When it is detected that the increase switch INC has changed from OFF to ON, the increase switch ON event routine of FIG. 16 is executed. On the contrary, when it is detected that the increment switch INC has changed from ON to OFF, the increment switch OFF event routine of FIG. 17 is executed. When it is detected that the decrease switch DEC has changed from off to on, a decrease switch on event routine (not shown) similar to FIG. 16 is executed to detect that the decrease switch DEc has changed from on to off. At this time, a decrease switch-off event routine (not shown) similar to that shown in FIG. 17 is executed. When it is detected that the transposition up switch UPS has changed from off to on, the transposition up switch on event routine of FIG. 18 is executed. When it is detected that the transposing down switch DWS has changed from off to on, a transposing down switch on event routine (not shown) similar to that of FIG. 18 is executed.

In the "sampling sound editing operator scanning process", the operation state of each operator of the sampling sound editing operator group 19 is detected and scanned, and predetermined processing is executed according to the detected editing operation content. Based on the processing here, the above-described sampled sound editing data SED is generated and sent to the tone generator unit 24.

In the “other operator scanning process”, the operation state of each operator of the operator group 23 for other musical tone setting / control in the operation panel unit 15 is detected and scanned, and a predetermined process is performed according to the detected operation content. Run.

In the "key depression detection / pronunciation assignment process", a key depression and key release on the keyboard 14 are detected, a process of allocating the generation of a musical tone corresponding to the key depression to an appropriate tone generation channel, and a process based on key release detection are executed. . Here, when a new key depression is detected, the new key on event routine of FIG. 19 is executed, and when a new key release is detected, the new key off event routine of FIG. 20 is executed.

When a tempo clock signal is given from the tempo clock generator 32 during execution of the main routine, the tempo clock interrupt routine of FIG. 21 is executed.

Allocation of sampling sounds The performer can operate the allocation selector 17 to allocate sampling sounds to desired performance parts.

When allocating to the "melody" part, the switch 17a of the allocation selector 17 is turned on. Then,
The melody switch on event routine of FIG. 6 (a) is executed, and in the allocation register ALOCT,
Data "1" indicating that the data is assigned to the "melody" part is stored.

When allocating to the "code" part, the switch 17b of the allocation selector 17 is turned on. Then, the code switch-on event routine of FIG. 6 (b) is executed, and the data "2" indicating that it has been allocated to the "code" part is stored in the allocation register ALOCT.

When allocating to the "base" part, the switch 17c of the allocation selector 17 is turned on. Then, the base switch on event routine of FIG. 6 (c) is executed, and the data "3" indicating that the part is assigned to the "base" is stored in the allocation register ALOCT.

If you do not assign the sampled sound to any part,
The switch 17d of the allocation selector 17 is turned on.
Then, the off-switch-on event routine of FIG. 6 (d) is executed, and the data "0" indicating that it is not allocated to any part is stored in the allocation register ALOCT.

Sampling of External Sound To sample a sound signal input from the outside in the data memory 28 in the tone generator 24, the external sound sampling switch EXSMPL of the record selector 18 is turned on. Then, the EXSMPL on-event routine of FIG. 7 is executed. Here, first, a key code of a desired reference pitch (for example, a pitch of A4 pitch) is sent to the sampling tone generator 26 as the key code SKC, and
Data indicating the channel 1 is transmitted as the channel number SCH (step 60). Next, the external sound sampling signal EXSP is sent to the tone generator section 24 as a sampling start command (step 61).

As a result, in the tone generator 24 of FIG. 4, the selector 36 selects the external sound signal from the microphone 16, and the sampling enable signal SPEN becomes “1” to open the gate 39 and select by the selector 36. The generated external sound signal is input to the data input terminal DTIN of the data memory 28. Further, the address generator 45 is set to generate a write address signal of a predetermined reference pitch (A4 pitch) corresponding to the pitch of the A4 pitch on the channel 1. In addition, a timer is generated according to the external sound sampling signal EXSP. 30 starts.

In this state, if an external sound signal is input from the microphone 16 before the operating time of the timer 30 has elapsed, the rising edge detection circuit 40 outputs a trigger pulse TRG in response to the rising edge of the external sound signal. In response to this trigger pulse TRG, the address generator 45 starts to generate the write address signal at the rate corresponding to the reference pitch (A4) in channel 1.
Further, the data memory 28 is set to the write mode at the time division timing of channel 1, and the waveform sample data of the external sound signal input to the data input terminal DTIN via the gate 39 is written to the address specified by the write address signal. . On the other hand, the trigger pulse TRG causes timer 3
0 is reset before the operating time expires.

Sampling from a built-in sound source When it is desired to sample the tone signal generated from the FM tone generator 25, which is a built-in sound source, in the data memory 28 in the tone generator section 24, the internal sound sampling switch FMSMPL of the record selector 18 is turned on. Then, the FMSMPL on-event routine of FIG. 8 is executed. Here, first, a key code of a predetermined reference pitch (A4 tone) is sent as a key code SKC to the sampling tone generator 26, and data for instructing channel 1 is sent as a channel number SCH (step 6).
2).

Next, it is checked whether the content of the allocation register ALOCT is "3" indicating the "base" part (step
63).

If the sampled sound is not assigned to the "bass" part, that is, if it is assigned to the normal range part of "melody" or "chord", go to step 64,
Send a key code of a predetermined reference pitch (A4 tone) as a key code FKC to the FM tone generator 25, and
Data that indicates an arbitrary channel is sent as the channel number FCH.

On the other hand, if the sampled sound is assigned to the "bass" part, go to step 65 and use the FM tone generator 25 as a key code FKC that is one pitch lower than the predetermined reference pitch (A3 pitch). The key code is sent, and the data for designating an arbitrary channel is sent as the channel number FCH.

Next, the internal sound sampling signal FMSP is sent to the tone generator 24 as a sampling start command (step 66). Next, the key-on signal KON is transmitted corresponding to the channel of the channel number FCH.

As a result, when the sampled sound is assigned to the parts in the normal range of “melody” or “chord”, the FM tone generator 25 shown in FIG. 4 outputs a musical tone signal having a predetermined reference pitch (A4 tone). Occur. On the other hand, if the sampled sound is assigned to the “bass” part,
The FM tone generator 25 shown in FIG. 4 generates a musical tone signal having a pitch (A3 tone) which is one octave lower than a predetermined reference pitch. Further, the selector 36 selects the tone signal generated from the FM tone generator 25 in accordance with "1" of the internal tone sampling signal FMSP. And gate 39
Is opened and the tone signal from the FM tone generator 25 selected by the selector 36 is input to the data input terminal of the data memory 28.
Fill in the DTIN. The address generator 45 also generates a write address signal at a rate corresponding to a predetermined reference pitch (pitch of A4 pitch) on channel 1. Thus, the musical tone signal generated from the FM tone generator 25 is stored in the data memory.
Written on 28.

In this way, the pitch of the tone signal from the built-in sound source to be sampled in the data memory 28 is assigned to the "bass" part and to the normal range part.
When assigned to the "base" part, it is one octave lower. Then, at the time of reading, the pitch of the waveform sample data read from the data memory 28 at the same reading rate is set to the normal range part in the case of the musical tone signal corresponding to the waveform sample data assigned to the bass sound part. The pitch becomes one octave lower than that of the tone signal corresponding to the allocated waveform sample data. For example, when reading at the pitch rate of A4 notes, the musical tone signal corresponding to the waveform sample data assigned to the normal range part has the same A4 pitch, but the waveform sample assigned to the bass part The tone signal corresponding to the data has a pitch of A3 tone which is lower than that by one octave. Therefore, for example, even if the keyboard 14 allows only pitch designation up to a minimum of C3 notes, the tone signal corresponding to the waveform sample data assigned to the bass note part by the C3 note pitch designation is the C2 note pitch. Even if the keyboard 14 and the address generator 45 are relatively simple configurations corresponding to a relatively narrow range, they will be generated at high pitches and will be used as bass parts with a sufficiently low range when reading and playing. It becomes possible to pronounce the assigned internal sampling sound.

Automatic sampling from the built-in sound source When sampling the external sound, if the external sound signal is not input from the microphone 16 or the rising edge of the external sound signal is not detected by the rising edge detection circuit 40, the rising edge of the timer 30 Since the trigger pulse TRG is not output from the detection circuit 40, the FM sampling command signal FMST is generated from the timer 30 at the end of the operation time of the timer 30. In response to this, the same processing as the FMSMPL on-event routine of FIG. 8 is executed as the FMST interrupt routine. Therefore, the tone signal generated from the FM tone generator 25 is processed in the data memory by the same processing as described above.
Written on 28. In this way, when the external sound signal is not input for a fixed time from the start of sampling the external sound, the mode is automatically switched to the internal sound sampling mode. Due to this, even if the external sound sampling is once instructed due to some circumstances (for example, an operation error during the external sound sampling, a malfunction of the microphone, forgetting to input the external sound, or an interruption of the external sound sampling operation). If the external sound signal is not sampled, the mode is automatically switched to the internal sound sampling mode, and the musical sound signal generated from the FM tone generator 25 is sampled in the data memory 28.

FM tone color selection The tone color of the tone signal generated by the FM tone generator 25 is selected by the tone color selector 20. When a desired tone color is selected by the tone color selector 20, the tone color selection event routine of FIG. 9 is executed. Here, first, the code signal indicating the selected tone color is input to the FM tone color register FMTONE.
Resist (step 68). Next, FM tone register
The tone color parameter corresponding to the tone color code registered in FMTONE is read from the tone color parameter memory 31a in the data ROM 31 and sent to the FM tone generator 25 (step 69). This allows the FM tone generator 25
The tone color of the tone signal generated in step 1 is set to the tone color selected by the tone color selector 20.

ABC selection ABC-ON switch 21a for automatic bass chord performance
Turn on. When the ABC-ON switch 21a changes from off to on, the ABC-ON event routine of FIG. 10 (a) is executed. In this routine, the contents of ABC register ABCRG are set to "1".

When not playing the automatic bass chord, turn on the ABC-OFF switch 21b. When the ABC-OFF switch 21b changes from off to on, the ABC-OFF event routine of FIG. 10 (b) is executed. In this routine, the contents of ABC register ABCRG are reset to "0".

Selection of Automatic Rhythm and Start / Stop When an operation for selecting a desired rhythm is performed by the automatic rhythm selector 21c, a rhythm selection event routine shown in FIG. 11 is executed. Here, the code signal indicating the selected rhythm is registered in the rhythm register RCODE.

To start or stop the automatic rhythm performance, turn on the automatic rhythm start / stop switch 21d. Then, the rhythm start / stop event routine of FIG. 12 is executed. Here, the contents of the rhythm start / stop register RSTART are inverted. When the content of the rhythm start / stop register RSTART is "1", it indicates the start of the automatic rhythm performance, and when it is "0", it indicates the stop of the automatic rhythm performance. Therefore, every time the automatic rhythm start / stop switch 21d is turned on, the start and stop of the automatic rhythm performance are switched.

To adjust the pitch of the sampled sound When the increase switch INC and the decrease switch DEC are used to adjust the pitch of the sampled sound, first turn on the pitch switch PS. Then, the pitch switch on event routine of FIG. 13 is executed. Here, the content of the adjustment status register SWST is set to "1". When the content of the adjustment status register SWST is set to "1", it indicates that the increase switch INC and the decrease switch DEC are used for adjusting the pitch of the sampling sound.

On the contrary, if the increase switch INC and the decrease switch DEC are used for overall volume adjustment, the volume switch VS
Turn on. In this case, the volume switch ON event routine in Fig. 15 is executed and the adjustment status register SW
The contents of ST are reset to "0", indicating that the increase switch INC and the decrease switch DEC are being used to adjust the overall volume.

When the increment switch INC is turned on, the increment switch on event routine of FIG. 16 is executed. Here, first
It is checked whether the content of the adjustment status register SWST is "1" (step 70). If it is "1", that is, if the pitch of the sampling sound is to be adjusted, the process goes to step 71, and the pitch adjustment value data PVAL is incremented by 1. Next, this pitch adjustment value data PV
AL is sent to the sampling tone generator 26 (step 72). Next, it is checked whether the pitch switch PS is continuously turned on (step 73), and if it is not turned on, the process returns. Thus, increase switch INC 1
The pitch adjustment value data PVAL is incremented by 1 in response to each ON operation.

When the decrease switch DEC is turned on, a decrease switch on event routine (not shown) is executed. This decrease switch-on event routine is a routine that executes almost the same processing as the increase switch-on event routine of FIG. 16, except that the decrease switch-on event routine decreases the pitch adjustment value data PVAL by one. That is the point. In this way, the pitch adjustment value data PVAL is decreased by 1 in response to one ON operation of the decrease switch DEC.

Pitch adjustment value data set to the desired value in this way
PVAL is input to the master clock generator 44 of the sampling tone generator 26 of FIG. 4, and as described above, the pitch of the tone signal generated at is finely adjusted in units of 1 cent.

When adjusting the overall volume, the adjustment status register SW
Since the content of ST is "0", step 70 in FIG. 16 is NO, and the process goes to step 77 to perform a process of increasing the overall volume adjustment value by 1.

Reference tone pronunciation tuning function While the pitch tone is being sampled with the sampling tone generator 26, the FM tone generator 25 can be used to hear the reference tone and the pitch-adjusted sampled sound. To perform the "reference note pronunciation tuning function", the pitch switch PS is held down while the increase switch INC or the decrease switch DEC is operated.

In this case, for example, if the increase switch INC is turned on while the pitch switch PS is being held down, step 7 in FIG.
When 3 is YES, go to step 74. Here, a key code of a predetermined reference pitch (A4 tone) is sent as a key code FKC to the FM tone generator 25, and data indicating an arbitrary channel is sent as a channel number FCH, and at the same time, this channel is sent. The key-on signal KON is sent in response to.

Next, a key code of a predetermined reference pitch (A4 tone) is sent as a key code SKC to the sampling tone generator 26, and data designating an arbitrary channel is sent as a channel number SCH, and at the same time, this channel is sent. Key-on signal SKON is sent in response to
75).

Next, the content of the reference tone sounding tuning mode register PKON is set to "1" (step 76) to indicate that it is in the reference tone sounding tuning mode.

As a result, the FM tone generator 25 of FIG. 4 generates a musical tone signal having a predetermined reference pitch (A4 tone), which is sounded via the sound system 29. At the same time, the fourth
The sampling tone generator 26 shown in the figure also generates a musical tone signal of a sampling sound at a predetermined reference pitch (A4 tone),
This is pronounced via the sound system 29. However,
The pitch of the tone signal generated from the sampling tone generator 26 is the pitch adjusted (tuned) according to the pitch adjustment value data PVAL. In this way, the sampled sound during pitch adjustment and the reference sound of the regular pitch can be heard and compared.

Even when the decrease switch DEC is turned on while continuing to hold the pitch switch PS, the same process as steps 74 to 76 in FIG. 16 is executed by the decrease switch on event routine (not shown).

The sampled sound during pitch adjustment and the standard pitch tone are
Sounded only when the increase switch INC or the decrease switch DEC is turned on.

When the increase switch INC that has been turned on is turned off, the increase switch off event routine of FIG. 17 is executed. Here, it is checked whether the contents of the adjustment state register SWST and the reference tone sounding tuning mode register PKON are "1" (steps 78 and 79), and if so, the channel being sounded by the FM tone generator 25 is checked. The key-off signal KOF is transmitted in response to the above, and the key-off signal SKOF is also transmitted to the sampling tone generator 26 in response to the sounding channel (step 80). This allows
The reference tone being sounded by the FM tone generator 25 and the sampling tone being pitch-adjusted being sounded by the sampling tone generator 26 are stopped.

Even if the decrease switch DEC that was on is turned off, the 17th decrease switch off event routine
The same process as steps 78 to 80 in FIG. 16 is executed.

Further, the reference sound and the sampled sound being sounded can be ended even when the pitch switch PS is turned off. When the pitch switch PS changes from on to off, the pitch switch off event routine of FIG. 14 is executed. Here, it is checked whether the contents of the adjustment state register SWST and the reference tone sounding tuning mode register PKON are "1" (steps 81 and 82), and if so, the contents of the reference tone sounding tuning mode register PKON are set to "1". Reset to 0 "(step 83), and send the key-off signal KOF to the FM tone generator 25 in response to the sounding channel.
At the same time, the key-off signal SKOF is sent to the sampling tone generator 26 corresponding to the sounding channel (step 84). This allows the FM tone generator
The reference tone being sounded at 25 and the sampling tone being pitch-adjusted being sounded at the sampling tone generator 26 are terminated.

Transposing the entire instrument To adjust the pitch of the entire instrument in semitone steps, that is, transpose, operate the transposition up switch UPS or transposition down switch DWS independently. For example, if the transposition up switch UPS is turned on, the transposition up switch on event routine of FIG. 18 is executed. Here, first, it is checked whether the pitch switch PS is turned on at the same time (step 85), and if it is not turned on, the procedure goes to step 86, where both the values of the sampling tone transposition value data TPSVAL and the FM tone transposition value data TPFVAL are set. Each increase by 1. Next, the sampling tone transposed value data TPSVAL is sent to the sampling tone generator 26, and the FM tone generator 25
FM transpose value data TPFVAL is sent to (step
87).

If the transposition down switch DWS is independently turned on, a transposition down switch on event routine (not shown) is executed. This transposition down switch on event routine is a routine that executes almost the same processing as the transposition up switch on event routine of FIG. 18. The difference is that in this transposition down switch on event routine, the sampling tone transposition value data TPSVAL or This is the point where the FM tone transposition value data TPFVAL is decremented by 1.

In this way, the sampling sound transposition value data TPSVAL and FM are generated in response to one ON operation of the transposition up switch UPS alone.
The tone transposition value data TPFVAL is incremented by 1, and the sampling tone transposition value data TPSVAL and the FM tone transposition value data TPFVAL are decremented by 1 in response to one ON operation of the transposition down switch DWS alone.

The sampling tone transposition value data TPSVAL and FM tone transposition value data TPFVAL set to the desired values in this way are
The sampling tone generator 26 in the figure is input to the transpose circuit 43 and the transpose circuit 35 of the FM tone generator 25, respectively, and as described above, adjusts the pitch of the tone signal generated by each tone generator 25, 26 in semitone steps. To do.

Sampling tone transposing function When performing pitch adjustment in semitone steps, that is, transposing only the sampling tone generator 26, the up switch UPS or the down switch DWS is operated while pressing the pitch switch PS. For example, if you turn on the transposition up switch UPS while pressing the pitch switch PS,
The transposition up switch on event routine of FIG. 18 is executed. In step 85, it is checked whether the pitch switches PS are turned on at the same time. If they are turned on, the process goes to step 88, and the sampling tone transposition value data TPSVAL is incremented by one. Next, the sampling tone generator 26
Sampling tone transposition value data TPSVAL is sent to (step 89).

If the up switch UPS or the down switch DWS is turned on while pressing the pitch switch PS, a transposition down switch on event routine (not shown) is executed and
Processing similar to that of steps 88 to 89 in FIG. 18 is executed, and the sampling tone transposition value data TPSVAL is decremented by 1.

The sampling tone transposition value data TPSVAL set to the desired value in this way is input to the transpose circuit 43 of the sampling tone generator 26 of FIG. 4, and as described above, the musical tone signal generated by the sampling tone generator 26. Adjust the pitch of in semitone steps.

The reason why the pitch adjustment, that is, transposition, can be performed only for the sampled sound by the "sampling sound transposing function" is that the pitch of the sound signal sampled from the outside is not always the reference pitch of the writing rate ( This is because it is not necessarily the same as (A4 tone), so that it can be adjusted to the reference pitch when reading.

When playing on the keyboard When playing on the keyboard, depending on the selected state of the automatic bass chord performance and the assigned state of the sampled sound to the playing part,
The keyboard 14 is disassembled into two key ranges (upper key range UK and lower key range LK), and the FM tone generator 25 and the sampling tone generator 26 are used separately for the performance parts. The following table shows an example of the mode. In the table, the vertical axis is the selection state of automatic bass chord performance (ABC), and the horizontal axis is the content of the allocation register ALOCT, that is, the state of allocation of the sampled sounds to the performance parts. FM / TG is an abbreviation for FM tone generator 25, and SM / TG is an abbreviation for sampling tone generator 26. 6CH,
The number of channels used, such as 4CH, 3CH, and 1CH, is the number of channels that can be sounded simultaneously, and CH is an abbreviation for channel. As an example of how to read the table, for example, when ABC is ON and the sampling sound is assigned to the melody part, "UK: SM TG (4CH)""LK:Code; FM TG (3CH)"
"Base; FM / TG (1CH)". This is because the pressed key in the upper range of the UK is assigned to one of the four channels of the sampling tone generator 26, and a chord sound and a bass sound are generated according to the pressed key in the lower range LK.
It is shown that the tone is assigned to any one of the three channels of the tone generator 25, and the bass tone is assigned to the one channel of the FM tone generator 25.

As another example, if ABC is OFF and the sampled sound is assigned to the bass part, "All keys: FM / T
G (6CH) (SM / TG for extra percussion) ". This is equivalent to pressing keys in the entire keyboard 14 range.
It is shown that the tone is assigned to any of the 6 channels of the FM tone generator 25, and that the sampling tone generator 26 is used for the "extra percussion function".

The pronunciation assignment process for assigning the pronunciation of the pressed key on the keyboard 14 to any channel is performed according to the table of Table 1 above.
This is realized by executing the New Key-on event routine shown in FIG.

When a new key is pressed on the keyboard 14, the new key on event routine of FIG. 19 is executed. Here, first
The key code of the new pressed key is the new key code register
Register with NKC (step 90). In the next step 91, it is checked whether the contents of the ABC register ABCRG are "0".

If ABC is OFF, go to step 92 to see what the contents of allocation register ALOCT are. When ALOCT is "0" or "3", that is, when the sampled sound is assigned to the "bass" part or not assigned to any part, the process goes to step 93. Here, the allocation process corresponding to the intersection of “ABC = OFF” and “Sampling sound allocation = On” in Table 1 above or “ABC = OFF” and “Sampling sound allocation = Base”
Allocation processing corresponding to the intersection of is performed. That is, the processing of assigning the pressed keys of the entire keyboard 14 to the FM tone generator 25 is performed. In detail, the tone generation corresponding to the new key code register NCK is assigned to any of the 6 channels of the FM tone generator 25, and the FM tone generator 25 uses the key code of the new key code register NKC as the key code FKC. At the same time, the channel number FCH of the assigned channel and the key-on signal KON corresponding to this channel are sent to the FM tone generator 25.

If ALOCT is "1", that is, if the sampled sound is assigned to the "Melody" part, go to step 94. Here, it is checked whether the key code of the new key code register NKC belongs to the upper key range UK. If so, go to step 95 and enter the New Key Code Register
Sampling tone generator 2 performs the process of assigning the pronunciation of the musical tone corresponding to NKC to any of the four channels of sampling tone generator 26, and uses the key code of the new key code register NKC as key code SKC.
At the same time, the channel number SCH of the assigned channel and the key-on signal SKON corresponding to this channel are sent to the sampling tone generator 26. In this way, when allocating the sampled sound to the "Melody" part, the musical tone signal corresponding to the pressed key in the upper key range UK is assigned to one of the channels of the sampling tone generator 26 and sounded. On the other hand, the pressed key is the lower key range LK
If NO in step 94, the process goes from step NO to step 93 to assign the pronunciation of the key depression sound to the FM tone generator 25. The process here corresponds to the process of allocating the intersection of “ABC = OFF” and “Sampling sound allocation = melody” in Table 1 above.

If ALOCT is “2”, that is, if the sampled sound is assigned to the “chord” part, go to step 96. Here, it is checked whether the key code of the new key code register NKC belongs to the lower key range LK. If so, go to step 95 and perform the same processing as described above.
Otherwise, go to step 93 and perform the same processing as described above. In this way, when assigning the sampled sound to the “chord” part, the tone signal corresponding to the pressed key in the lower key range LK is assigned to any channel of the sampling tone generator 26 and sounded, and the pressed key in the upper key range UK is generated. The tone signal corresponding to is assigned to the FM tone generator 25 and sounded. The process here corresponds to the process of assigning the intersection of "ABC = OFF" and "Sampling tone assignment = chord" in Table 1 above.

If ABC is ON, the routine proceeds from NO in step 91 to step 97 to check whether the key code of the new key code register NKC belongs to the lower key range LK. If so, go to the routine after step 98 to form an automatic bass sound and an automatic chord sound based on the pressed keys belonging to this lower key range LK,
Perform a predetermined pronunciation assignment process. If the key code of the new key code register NKC belongs to the upper key range UK, the routine goes to step 99 and thereafter to perform a predetermined sound assignment process for the new pressed key belonging to this upper key range UK.

In step 98, the key code of the bass sound and the chord sound are formed based on all the pressed keys belonging to the lower key range LK.
For example, a bass tone forms one key code and a chord tone forms three key codes. Next, in step 100, the contents of the allocation register ALOCT are checked.

When ALOCT is "0" or "1", that is, when the sampled sound is assigned to the "melody" part or not assigned to any part, the process goes to step 101. Here, FM the bass sound formed in the previous step 98
Assign a tone to one channel of the tone generator 25,
The chord sound is assigned to the three channels of the FM tone generator 25, and the assigned key codes of the bass tone and the chord sound are sent to the FM tone generator 25 as key codes FKC, respectively, and at the same time, the assigned channels are decided. Channel number FCH to FM tone generator 2
Send to 5. The process here is the same as in the above table 1 "ABC = O
LK at the intersection of “N” and “allocation of sampling sound = off” or “allocation of sampling sound = melody”
Corresponds to the allocation process related to.

When ALOCT is “2”, that is, when the sampling sound is assigned to the “chord” part, the process goes to step 102. In this example, the bass sound formed in the previous step 98 is assigned to one channel of the FM tone generator 25, and the assigned key code of the bass sound is used as the key code FKC.
The tone number is sent to the tone generator 25, and at the same time, the channel number FCH of the assigned channel is sent to the FM tone generator 25. Next, in step 103, the process of assigning the three chord sounds formed in the previous step 98 to the three channels of the sampling tone generator 26 is performed.
The SKC is sent to the sampling tone generator 26, respectively, and at the same time, the channel number SCH of each channel for which allocation is determined is sent to the sampling tone generator 26. The process here is performed at the intersection of “ABC = ON” and “Sampling sound allocation = chord” in Table 1 above.
This corresponds to the allocation process for LK.

If ALOCT is “3”, that is, if the sampled sound is assigned to the “bass” part, go to step 104. Here, the process of assigning the three chord sounds formed in the previous step 98 to the three channels of the FM tone generator 25 is performed, and the assigned chord key codes are sent to the FM tone generator 25 as key codes FKC, respectively. At the same time, the channel number FCH of each channel for which allocation is determined is sent to the FM tone generator 25. Next, in step 105, the bass tone formed in the previous step 98 is assigned to one channel of the sampling tone generator 26, and the assigned bass tone key code is sent to the sampling tone generator 26 as a key code SKC. At the same time, the channel number SCH of the assigned channel is sent to the sampling tone generator 26. The processing here is “ABC = ON” and “Sampling sound allocation = bass” in Table 1 above.
This corresponds to the allocation process for LK at the intersection of.

New key code register NKC key code is in upper range UK
If so, go to step 99 and check what the contents of the allocation register ALOCT are.

If ALOCT is “0”, that is, if the sampled sound is not assigned to any part, go to step 106. Here, the process of assigning the pronunciation of the musical tone corresponding to the new key code register NKC to one of the two channels of the FM tone generator 25 is performed, and the key code of the new key code register NKC is set as the key code FKC to the FM tone generator 25. At the same time, the channel number FCH of the assigned channel and the key-on signal KON corresponding to this channel are sent to the FM tone generator 25. The processing here is “ABC = ON” in Table 1 above.
And at the intersection of “allocation of sampling sound = off”
Corresponds to the UK allocation process.

If ALOCT is “1”, that is, if the sampled sound is assigned to the “Melody” part, go to step 107. Here, the process of assigning the pronunciation of the musical tone corresponding to the new key code register NKC to any of the four channels of the sampling tone generator 26 is performed, and the key code of the new key code register NKC is assigned to the key code S.
Send it to the sampling tone generator 26 as KC,
At the same time, the channel number of the assigned channel
The key-on signal SKON is sent to the sampling tone generator 26 corresponding to SCH and this channel. In this way, when assigning the sampled sound to the "Melody" part, the tone signal corresponding to the upper key or the UK pressed key is assigned to any channel of the sampling tone generator 26 and sounded. The processing here is the same as in "AB" in Table 1 above.
This corresponds to the UK allocation process at the intersection of “C = ON” and “Sampling sound allocation = Melody”.

When ALOCT is “2”, that is, when the sampling sound is assigned to the “chord” part, the process goes to step 108. Here, the process of assigning the pronunciation of the musical tone corresponding to the new key code register NKC to any of the five channels of the FM tone generator 25 is performed, and the key code of the new key code register NKC is set as the key code FKC to the FM tone generator 25. At the same time, the channel number FCH of the assigned channel and the key-on signal KON corresponding to this channel are sent to the FM tone generator 25. The processing here is “ABC = ON” in Table 1 above.
It corresponds to the UK allocation process at the intersection of “Sampling sound allocation = chord”.

If ALOCT is “3”, that is, if the sampled sound is divided into “bass” parts and shaken, go to step 109. Here, the processing of assigning the pronunciation of the musical tone corresponding to the new key code register NKC to any of the three channels of the FM tone generator 25 is performed, and the key code of the new key code register NKC is set as the key code FKC to the FM tone generator 25. At the same time, the channel number FCH of the assigned channel and the key-on signal KON corresponding to this channel are sent to the FM tone generator 25. The processing here is “ABC = ON” in Table 1 above.
This corresponds to the UK allocation process at the intersection of “Sampling sound allocation = bass”.

When playing on the keyboard,
Based on the key depression on the keyboard 14, a music signal is generated by the FM tone generator 25 and the sampling tone generator 26, and is sounded via the sound system 29.

When the key that has been pressed on the keyboard 14 is released, the new key off event routine of FIG. 20 is executed. Here, first, the key code of the newly released key is registered in the new key code register NKC (step 11).
0). In the next step 111, it is checked whether the content of the ABC register ABCRG is "0".

If ABC is OFF, go to step 112, compare the key code of the sound assigned to each channel of the FM tone generator 25 and sampling tone generator 26 with the key code of the new key code register NKC, and release a new key. The channel to which the generated key is assigned to sound is detected. Then, the key-off signal KOF or SKOF is transmitted corresponding to the detected channel.

If ABC is ON, the routine proceeds to step 113, where it is checked whether the key code of the new key code register NKC belongs to the upper key range UK. If so, go to step 112 and perform the same processing as above. Otherwise, the key code of the new key code register NKC, that is, the newly released key is the key pressed in the lower key range LK to specify the automatic bass tone and the automatic chord tone. Since the process at the time of the key is not performed (the key release is not involved in the creation of the automatic accompaniment sound), the process goes to the return.

When the tempo clock pulse is generated from the automatic accompaniment tempo clock generator 32, the tempo clock interrupt routine of FIG. 21 is executed. Here, first, rhythm start /
It is checked whether the content of the stop register RSTART is "1" (step 114), and only when the automatic rhythm is moving, the process proceeds to the next step 115, and the content of the tempo counter TPCTR is incremented by 1. At the next step 116, the rhythm pattern data of the rhythm selected according to the rhythm code registered in the rhythm register RCODE is changed according to the tempo clock count data of the tempo counter TPCTR.
It is read from the rhythm pattern memory 31b and sent to the rhythm tone generator 27. Rhythm tone generator
In 27, a rhythm sound signal (percussion instrument sound signal) is generated according to the given rhythm pattern data.

At the next step 117, the contents of the ABC register ABCRG is “0”.
Then, it is checked whether the content of the allocation register ALOCT is "3", that is, whether the automatic bass chord playing function is turned off although the sampling sound is assigned to the "bass" part. If NO, step 11
Go to 8 and check if the contents of ABC register ABCRG is "1". If the automatic bass chord playing function is on, go to step 119 and set the chord pattern data and bass pattern data of the rhythm selected according to the rhythm code registered in the rhythm register RCODE to the tempo clock count data of the tempo counter TPCTR. In accordance with the above, it is read from the code pattern memory 31c and the base pattern memory 31d. Then, it sends to the FM tone generator 25 and the sampling tone generator 26 as a key-on signal KON or SKON corresponding to the channel to which the automatic chord tone and the automatic bass tone are assigned. Thus, in the FM tone generator 25 and the sampling tone generator 26, the musical tone signals of the automatic chord tone and the automatic bass tone are generated at the sounding timing instructed by the chord pattern and the bass pattern according to the selected rhythm.

Extra percussion function If the automatic bass chord playing function is turned off, even though the sampled sound is assigned to the “bass” part, step 117 in FIG. 21 is YES, and the procedure goes to step 120. Processing for the extra percussion function is performed. Here, the sampled sound pattern data of the rhythm selected according to the rhythm code registered in the rhythm register RCODE is set to the tempo counter TP.
It is read from the sampling sound pattern memory 31e according to the tempo clock count data of the CTR. This sampled sound pattern data specifies the pitch of the sampled sound to be generated with a key code, and is generated at the timing when the sampled sound should be generated. Then, according to the sampling sound pattern data read from the sampling sound pattern memory 31e,
Key code SKC indicating the pitch of the sampled sound to be generated
And the key-on signal SKON, the channel number SC that specifies the specified channel of the sampling tone generator 26.
It is sent to the sampling tone generator 26 together with H (this can be any channel).

Thus, the sampling tone generator 26 generates a musical tone signal having a pitch and a sounding timing according to the sampling tone pattern data read from the sampling tone pattern memory 31e. Therefore, originally, even if the sampled sound is assigned to the “bass” part, the sampled sound will not be sounded due to the ABC function being turned off.However, with this “extra percussion function”, sampling will be performed according to the rhythm. Sounds can be generated automatically.

An example of a sampled sound pattern by the "extra percussion function" is as follows: A3 pitched sampled sound is produced at the bass drum sounding timing, or A4 pitched sampled sound is produced at the snare drum sounding timing, or , Another sampled sound whose pitch changes appropriately at the appropriate rhythm sound generation timing,
Etc.

Modified Example In the above embodiment, regarding the automatic bass tone and the automatic chord tone, step 11 of the tempo clock interrupt routine is performed.
In 9, only the sounding timing is controlled according to the pattern, and the pitch at each sounding timing is not controlled depending on the pattern. However, it is of course possible to control the pitch at each sounding timing of the automatic bass tone and the automatic chord tone according to the pattern, as in the commonly known walking bass and arpeggio. In that case, for example, from step 98 in FIG.
The formation of the automatic bass tone and the automatic chord tone and the assignment of the tone generation similar to the process of 105 may be performed at step 119 in the tempo clock interrupt routine of FIG.

In the above embodiment, the FM tone generator which is the built-in sound source
Generated from the FM tone generator 25 when the waveform sample data of the musical tone signal generated from 25 is written in the data memory as a sampling sound, when the sampling sound is allocated to the normal range part and the bass sound part. By varying the pitch of the tone signal, the tone range of the read control circuit can be made narrower than the tone range of the sampled tone when the sampled tone is generated and sounded, which simplifies the circuit configuration. ing. However, the same purpose can be achieved by changing the writing rate of the data memory 28 in the above two cases without changing the pitch of the tone signal generated from the FM tone generator 25. In that case, for example, when assigning the sampled sound to the normal range part, that is, the "melody" or "chord" part, specify the reference writing rate (rate corresponding to the pitch of the A4 pitch which is the reference pitch), When allocating to the "bass" part, the writing rate (A5 note rate) higher than the reference writing rate by a predetermined pitch (for example, one octave) is designated. The FM tone generator 25 is configured to generate a tone signal with the same reference pitch (for example, A4 tone) in both cases. For that purpose, for example, the processes of steps 62, 64, and 65 in FIG. 8 are changed as follows. That is, in step 62, the key code of the reference pitch (A4 tone) is sent as the key code FKC to the predetermined channel of the FM tone generator 25, and in step 64 (when the sampling tone is assigned to the normal tone range part), the sampling tone The key pitch of the reference pitch (A4 tone) is sent as the key code SKC to the channel 1 of the generator 26, and step 65
Then (when allocating the sampled sound to the bass part), change it so that the key code SKC is sent to channel 1 of the sampling tone generator 26 as a key code one pitch above the reference pitch (A5 pitch). Good. Then, when the sampled sound is assigned to the bass part, for example, when the reading is performed according to the key code SKC of the A3 sound at the time of reading, the sampling tone generator 26 generates a musical sound signal of the A3 sound that is one octave lower than that. It

A similar purpose is the FM tone generator 25, which is a built-in sound source.
It is also possible to achieve by combining both the control of the pitch generated from the sound source and the control of the writing rate in the sampling tone generator 26.

In addition, regardless of which control method is adopted, the pitch of the musical tone signal written in the data memory 28 of the sampling tone generator 26 is different depending on whether the sampled sound is assigned to the normal range part or the bass sound part. The pitch difference is not limited to 1 octave, but may be 2 octaves or more, or another predetermined pitch.

Further, in the above embodiment, the built-in sound source means synthesizes the tone signal by the FM method, but the invention is not limited to this, and any tone generation method may be used as the built-in sound source means.

Further, in the above embodiment, the writing rate when sampling the external tone signal or the tone signal from the built-in sound source to the sampling tone generator is automatically set to a constant reference pitch (A4 tone). However,
This may be set arbitrarily by the performer by a pitch designation operation using a keyboard or the like.

In the example of Fig. 4, the FM tone generator that is the built-in sound source
Although the analog tone signal generated from 25 is analog-to-digital converted and sampled in the data memory 28, it is not limited to this, and the digital tone signal before the digital tone conversion inside the FM tone generator 25 is performed. May be taken out and input to the data memory 28. On the contrary, FM tone generator
It is also possible to pick up the musical tone signal generated from 25 through the sound system 29 and pick it up by the microphone 16 and input it to the data memory 28 by the route from the microphone 16.

In the above-described embodiment, the bass sound part is automatically played as the automatic bass sound in the automatic bass chord performance, but the present invention is not limited to these, and the bass sound part may be manually played. Alternatively, for example, a key depression sound in a predetermined bass keyboard or a keyboard range is generated as a musical sound of a bass tone part.

The various operators on the operation panel unit 15 are not limited to push button switches, and may be of any shape and operation type. Further, a display device for displaying the current operation state of each operator may be provided together.

Further, although various kinds of processing are performed by software processing using a microcomputer in the above-described embodiment, they may be performed using dedicated hardware circuits.

In the external sound sampling mode, when the input of the sound signal from the outside has not been for a certain time or more, when automatically switching to the internal sound sampling mode, the operating time of the timer 30 for measuring the certain time is the above-mentioned embodiment. Although it is 10 seconds, it is not limited to this and may be set appropriately. Alternatively, the timer circuit may not be provided as a hardware circuit as in this embodiment, and the time may be measured by a software timer interrupt process.

In the above embodiment, the pitch adjustment (tuning) of the sampling sound is performed by controlling the generation frequency of the master clock generator 44 of the sampling tone generator 26. High adjustment may be performed. The pitch fine adjustment amount is 1
The unit is not limited to cent, and may be appropriate.

Regarding the idea of "reference tone pronunciation tuning function",
It is not essential that the sound to be pitch-adjusted is a sampling sound. In short, when the pitch adjustment (tuning) operation is performed, the musical tone of the sound source currently being adjusted in pitch is produced with the pitch adjusted at a predetermined pitch, and at the same time, the pitch is not adjusted. It suffices if the musical tone of the reference pitch of is produced.
In that case, the same tone generator circuit is used for two channels in a time-sharing manner, one channel produces a tone with a specified pitch, and the other channel produces a tone with a reference pitch at a regular pitch. You may do it. Further, the musical tone of the reference pitch to be sounded at the regular pitch and the musical tone of the predetermined pitch to be sounded in the pitch-adjusted state do not necessarily have to be the same pitch (sound name). The octave may be different depending on the note name.

In the above embodiment, the “reference tone pronunciation tuning function” is
It becomes effective by turning on the increase switch INC or the decrease switch DEC while pressing the pitch switch PS.
The present invention is not limited to this, and the "reference tone pronunciation tuning function" may be activated by any operation method. For example, when the pitch switch PS is turned on after the increase switch INC or the decrease switch DEC is turned on, the “reference tone sounding tuning function” may be enabled. Further, the musical tone of the reference pitch and the musical tone of the predetermined pitch which are generated in a pitch-adjusted state do not necessarily have to be pronounced at the same time, and may be produced alternately. . Further, while the pitch switch PS is being pressed, a sound of the reference pitch may be generated, and when the pitch switch PS is released, the sound of only the pitch-adjusted sound may be maintained. Further, the pitch switch PS, the increase switch INC, and the decrease switch DEC may not be used, but other dedicated switches may be used.

In the above embodiment, the pitch adjustment in semitones for transposing is
Although the transpose circuits 35 and 43 change the location of the key code, it goes without saying that other methods may be used.

In FIG. 4, the sampling enable signal SPEN is input to the master clock generator 44 so that the pitch fine adjustment of the sampling tone generator 26 cannot be performed in the sampling mode, and the writing rate is the standard pitch (A4 tone). I try to make it on the pitch. On the other hand, the transpose circuits 35 and 43 are not so designed that the transposing operation is prohibited by the sampling enable signal SPEN. However, the transpose circuits 35 and 43 may also be prohibited from transposing operation when writing a sampling sound by the sampling enable signal SPEN.

Further, in the above-described embodiment, by turning on the up switch UPS or the down switch DWS while pressing the pitch switch PS, the transposing operation of only the sampling sound is performed, but the present invention is not limited to this, and other appropriate operating methods are used. The transposing operation of only the sampling sound may be enabled. Also, pitch switch PS and up switch
Instead of using the UPS and the down switch DWS, other dedicated switches may be used.

In the above embodiment, the "extra percussion function",
In other words, the function that automatically sounds the sampled sound with the pitch and sounding timing pattern according to the rhythm will work when the automatic bass chord performance is off and the sampled sound is assigned to the "bass" part. ing. However, the present invention is not limited to this, and this function may be activated according to an arbitrary condition or mode or switch operation. Further, while the sampled sound is being automatically generated according to this function, the sampled sound may be simultaneously generated by the player's operation on the keyboard or the like.

[Advantages of the Invention] As described above, according to the present invention, when transposing or other pitch adjustment operations, the pitch adjustment is performed together on both the sampling sound source series and the internal sound source series, or only on the sampling sound source. Since it can be selected whether or not to perform, it has an excellent effect that it is optimal for pitch adjustment of the sampling sound source alone and also optimal for common pitch adjustment of both series during performance. Further, since the pitch adjusting operator is shared by both systems, the configuration becomes simple.

[Brief description of drawings]

FIG. 1 is a functional block diagram showing an outline of a musical tone signal generating apparatus according to the present invention, and FIG. 2 is a hardware configuration diagram showing an embodiment of an electronic musical instrument to which the musical tone signal generating apparatus according to the present invention is applied. 2 is a diagram showing an example of a memory map of data and working memory in the microcomputer unit of FIG. 2, FIG. 4 is a block diagram showing a detailed example of the tone generator unit of FIG. 2, and FIGS. FIG. 5 is a flowchart showing an example of a program executed in the microcomputer unit of FIG. 2, FIG. 5 being a main routine, and FIGS.
FIG. 21 shows various event routines executed in the main routine, and FIG. 21 shows tempo clock interrupt routines. 1 ... Sound sampling means, 2 ... Storage means, 3 ... Sampling sound source means, 4 ... Built-in sound source means, 5 ... Pitch adjustment operator means, 6 ... Mode selection means, 7 ... Pitch adjustment control means , 14 …… keyboard, 15 …… operation panel section, 16
...... Microphone, 17 …… Allocation selector,
18 …… Record selector, 20 …… Tone selector, 21 ……
Automatic performance selector, 22 …… Adjusting controls, 24 …… Tone generator, 25 …… FM tone generator, 26 ……
Sampling tone generator, 28 ... Data memory.

Claims (1)

[Claims] 1. A sound sampling means for sampling a sound signal input from the outside, and a storage means for storing waveform sample data corresponding to the sound signal sampled by the sound sampling means. Sampling sound source means for generating a musical tone signal based on the sampled waveform data, a built-in sound source means for generating a predetermined musical tone signal, a pitch adjusting manipulator means, and pitch adjustment by both the sampling sound source means and the internal sound source means. Mode selecting means for selecting one of a first mode to be performed and a second mode to perform pitch adjustment only with the sampling sound source means; and when the first mode is selected by this mode selecting means, Both the sampling sound source means and the built-in sound source means are operated according to the operation of the pitch adjusting operator means. Pitch adjustment is performed, and when the second mode is selected, a tone signal generation means including pitch adjustment control means for performing pitch adjustment only by the sampling sound source means in response to operation of the pitch adjustment operator means. apparatus.