JPH0568435B2 - - Google Patents

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Publication number
JPH0568435B2
JPH0568435B2 JP60184918A JP18491885A JPH0568435B2 JP H0568435 B2 JPH0568435 B2 JP H0568435B2 JP 60184918 A JP60184918 A JP 60184918A JP 18491885 A JP18491885 A JP 18491885A JP H0568435 B2 JPH0568435 B2 JP H0568435B2
Authority
JP
Japan
Prior art keywords
pattern
coating
marble
paint
painting
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired - Lifetime
Application number
JP60184918A
Other languages
Japanese (ja)
Other versions
JPS6246984A (en
Inventor
Susumu Futakuchi
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to JP18491885A priority Critical patent/JPS6246984A/en
Publication of JPS6246984A publication Critical patent/JPS6246984A/en
Publication of JPH0568435B2 publication Critical patent/JPH0568435B2/ja
Granted legal-status Critical Current

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  • Application Of Or Painting With Fluid Materials (AREA)
  • Compositions Of Oxide Ceramics (AREA)

Description

【発明の詳細な説明】 〔産業上の利用分野〕 本発明は、従来の釉薬彩飾法では全く得ること
ができなかつた大理石模様風陶磁器の製法に関す
る。
DETAILED DESCRIPTION OF THE INVENTION [Industrial Field of Application] The present invention relates to a method for producing marble-patterned ceramics, which could not be obtained at all by conventional glaze decoration methods.

〔従来の技術〕[Conventional technology]

従来より陶磁器の彩飾技法の一つとして釉薬に
よる方法がある。そして、釉掛けの済んだ製品は
釉焼や本焼焼成を必要とする。
One of the traditional techniques for decorating ceramics is to use glaze. Products that have been glazed require glaze firing or final firing.

釉薬には低火釉又は弱火釉といつて800〜900℃
の火度で熔けるものと、高火釉又は強火釉といつ
て1200〜1300℃の高い火度でなくては熔けないも
のとがあるが、普通の陶磁器は全て高火釉を施
し、低火釉の掛かつているものは楽焼など特殊な
ものに限られている。
The glaze is called low heat glaze or low heat glaze and is heated to 800-900℃.
There are some types of ceramics that can be melted at a high heat temperature of 1,200 to 1,300 degrees Celsius, and others called high-fire glazes or strong-fire glazes that can only be melted at a high heat temperature of 1,200 to 1,300 degrees Celsius. Glazed items are limited to special items such as Raku ware.

従つて、絵付用に使用される顔料は、耐熱性の
ある無機顔料に限定され、今日、数多く開発され
ている有機顔料や染料を使用することは全く不可
能であつた。このため、従来の陶磁器において
は、有機顔料や染料等を使つた鮮明な着色及び合
成樹脂系接着剤や有機溶剤を使用した特殊な模様
付けはほとんど行なわれていなかつた。
Therefore, the pigments used for painting are limited to heat-resistant inorganic pigments, and it has been completely impossible to use the many organic pigments and dyes that have been developed today. For this reason, in conventional ceramics, vivid coloring using organic pigments or dyes, or special patterns using synthetic resin adhesives or organic solvents, have rarely been done.

また、陶磁器における同一絵柄製品の大量生産
は、転写紙の貼着法によつて行なわれているが、
これは、成形品の形状、例えば凹凸の多い形状又
は複雑な形状等によつて、使用が制限されること
が多かつた。
In addition, mass production of ceramic products with the same design is carried out by pasting transfer paper.
The use of this method is often limited due to the shape of the molded product, for example, a shape with many irregularities or a complicated shape.

更に、壷のような円筒形状の表面全面に転写紙
を巻き付けて貼着する場合は、継ぎ目を生じた
り、模様に連続性がなかつたりする。或いは、こ
の現象を避けて円筒形の一部にのみ転写絵付けを
行なうと、見る位置によつては絵柄が途切れ、製
品に表裏を生じさせ、却つて不都合となることが
多かつた。
Furthermore, if the transfer paper is wrapped around and attached to the entire surface of a cylindrical object such as a pot, seams may occur or the pattern may lack continuity. Alternatively, if transfer painting was performed only on a part of the cylinder to avoid this phenomenon, the pattern would be cut off depending on the viewing position, causing the product to be front and back, which was often a problem.

一方、陶磁器の内側と外側の機能を比べてみる
と必ずしも同一ではない。茶碗、花瓶、壷などで
は、内側は外側よりも過酷な条件で使用されるこ
とが多く、耐熱性、耐水性、耐汚染性、耐摩耗性
等の性能は実用に耐え得ることが要求される。そ
れに対し外側は、専ら購買欲を誘うよう、模様、
絵付け等の装飾性が重要視され、或いは美術工芸
品としての価値判断がなされる。このため外側は
内側ほど実用的強度を必要としないことが多い。
また、皿や置物等は内側、外側共実用的強度より
も専ら外観上の装飾性を重要視することが多い。
On the other hand, if you compare the functions of the inside and outside of ceramics, they are not necessarily the same. The inside of tea bowls, vases, urns, etc. is often used under harsher conditions than the outside, and performances such as heat resistance, water resistance, stain resistance, and abrasion resistance are required to withstand practical use. . On the other hand, the outside is designed with patterns and patterns to attract the desire to purchase.
Emphasis is placed on decoration such as painting, or the value is judged as a work of art. For this reason, the outside often does not require as much practical strength as the inside.
In addition, for plates, ornaments, etc., emphasis is often placed on the decorative appearance rather than the practical strength of both the inside and outside.

このことから、従来は、茶碗、花瓶、壷などの
内側の誘掛け或いは皿等の外側の釉掛けは、彩飾
が非常に単純で、絵付け、模様付けはほとんど行
なわれず合理化されていることが多かつた。
From this, it can be seen that in the past, the decoration on the inside of teacups, vases, urns, etc., or on the outside of dishes, etc., was very simple in decoration, with little painting or patterning, and was streamlined. It was a lot.

本発明者等はこのような実情に鑑み、せめて陶
磁器の外側又は内側の一方の側の釉掛けやそれに
伴なう本焼工程だけでも合理化できないものかと
鋭意研究した結果、近年の塗料及び塗装技術の目
覚ましい発展とも相俟つて、例えば陶磁器の壷の
製作工程中、外側部分の釉薬及び本焼きに替えて
塗料により彩飾することに成功した。
In view of these circumstances, the inventors of the present invention conducted extensive research to see if it would be possible to streamline at least the glazing of one side of the outside or inside of ceramics, and the accompanying firing process. Coupled with the remarkable development of ceramic pots, for example, during the production process of ceramic pots, it was possible to decorate the outer part with paint instead of glaze or firing.

これにより工程及び作業内容が著しく簡単容易
となり、計り知れないコストダウンに成功したも
のであるが、同時に釉薬では全く表現できない彩
飾を新たに開発することができた。
This greatly simplified the process and the content of the work, resulting in an immeasurable cost reduction, but at the same time, it was also possible to develop a new type of decoration that could not be expressed using glaze.

〔発明の目的〕[Purpose of the invention]

本発明はそのうちの一つで、従来の釉薬彩飾法
では全く得ることができなかつた大理石模様風陶
磁器の製法を提供することを目的としている。
The present invention is one of them, and aims to provide a method for producing marble-patterned ceramics, which cannot be obtained at all using conventional glaze decoration methods.

〔発明の構成〕[Structure of the invention]

即ち本発明の製法は、陶磁器の一方の面に、 プライマー塗装後に特定色の部分的下塗りを
施し、 ランダムな曲面形状に抜孔されたマスキング
板を通して基礎模様塗装を施し、 全面に模様形成剤を薄く塗装し、 有機溶剤で部分的に叩き塗装することにより
大理石風に模様付けを施し、 この大理石風模様を固定させる塗装を施し、 仕上げ塗装後に80〜120℃、20〜50分間の強
制焼付けを施し冷却する、 ことを特徴としている。
That is, the manufacturing method of the present invention is to apply a partial undercoat of a specific color to one side of the ceramic after primer coating, apply a basic pattern coating through a masking board with holes punched in a randomly curved shape, and apply a thin layer of pattern forming agent to the entire surface. A marble-like pattern is applied by painting and partially dabbing with an organic solvent, and a coating is applied to fix this marble-like pattern. After the final coating, a forced baking is performed at 80 to 120 degrees Celsius for 20 to 50 minutes. It is characterized by cooling.

以下便宜上、上記の一方の面を外側部分とし
て、他方の面を内側部分として説明していく。
For convenience, one of the surfaces will be described as an outer portion and the other surface will be referred to as an inner portion.

陶磁器の塗装彩飾前の外側部分は、素焼焼成若
くは締焼焼成又は簡単に釉掛けして釉焼されたも
の、或いは釉掛け後本焼工程を経たものであつて
もよい。陶磁器の内側部分は、釉掛けされておれ
ば、生掛け、楽焼き、釉焼き又は本焼焼成を問わ
ない。
The outer part of the ceramic before being painted and decorated may be bisque fired, closed fired, simply glazed and glazed, or subjected to a final firing process after glazing. As long as the inner part of the ceramic is glazed, it does not matter whether it is raw, raku-yaki, glaze-yaki, or honyaki-fired.

次に、素焼き若くは釉焼き又は本焼状態の外側
面に上記構成のように塗料により所定の彩飾を施
すわけであるが、塗料の種類としては、例えばラ
ツカー類(セルロース誘導体塗料)、合成樹脂塗
料(特にポリウレタン樹脂塗料など)、或いは顔
料を含まない透明な塗料(ワニス、クリヤー等)
又は顔料を含む着色塗料(エナメル、ペイント
等)など、陶磁器の用途・形状等に応じて適宜選
定することができる。
Next, the outside surface of the unglazed, glazed, or final fired state is decorated with paint as described above.The types of paint include, for example, lacquer (cellulose derivative paint), synthetic resin, etc. Paints (especially polyurethane resin paints, etc.) or transparent paints that do not contain pigments (varnishes, clears, etc.)
Alternatively, a coloring paint containing a pigment (enamel, paint, etc.) can be selected as appropriate depending on the use and shape of the ceramic.

塗装(塗膜形成)方法としては、刷毛塗り、ス
プレー塗装、静電塗装、フローコーテイング、浸
漬塗り、ローラー塗り、粉体塗装など、やはり用
途・形状によつて適宜使い分けられる。
As for the coating (coating film formation) method, brush coating, spray coating, electrostatic coating, flow coating, dip coating, roller coating, powder coating, etc. can be used as appropriate depending on the purpose and shape.

また塗膜を硬化させる方法としては、反応熱又
は加熱による方法(溶剤蒸発、酸化重合反応、熱
縮合反応、熱融合反応などによる)、或いは紫外
線や電子線などのエネルギー線を用いた光重合法
など、塗料の種類、陶磁器の用途・形状によつて
いずれでもよい。特に後者の場合は、反応が短時
間に進行し硬質塗膜となるので、この方法の可能
な塗料はできるだけ採用した方がよい。尚、塗装
作業は手作業でも塗装ロボツトによる自動塗装で
もいずれも可能である。
The coating film can be cured using reaction heat or heating (solvent evaporation, oxidative polymerization reaction, thermal condensation reaction, thermal fusion reaction, etc.), or photopolymerization using energy rays such as ultraviolet rays or electron beams. Depending on the type of paint and the purpose and shape of the ceramic, any of these may be used. Particularly in the latter case, the reaction proceeds in a short period of time, resulting in a hard coating film, so it is better to use coatings that can be processed by this method as much as possible. Incidentally, the painting work can be done either manually or automatically by a painting robot.

塗装工程については、塗装面には既に簡単な釉
掛けがなされていることが多いので、先ず素地ご
しらえ(素地調整)としてプライマーを施す必要
がある。次いで、下塗り以降上記した本発明が実
施される。
Regarding the painting process, since the painted surface often already has a simple glaze applied to it, it is necessary to first apply a primer to prepare the surface. Next, the above-described present invention is carried out after undercoating.

プライマーの次に行なう下塗りは全面塗装では
なく、特定色の塗料による部分的下絵付け(模様
付け)である。天然の大理石をみると、ところど
ころにアイボリ又はグリーン系統の比較的はつき
りとした層が認められることから、先ず、それに
似せた下絵付けを施すわけである。塗料は付着性
が良く速乾性のあるラツカー又はポリウレタン樹
脂塗料が好ましい。
The undercoat that follows the primer is not a full-scale painting, but a partial underpainting (patterning) using a specific color of paint. If you look at natural marble, you will notice that there are relatively sharp layers of ivory or green in some places, so the first step is to apply an underpainting to resemble it. The paint is preferably a lacquer or polyurethane resin paint that has good adhesion and quick drying properties.

模様形成剤は、染料と顔料とを例えばテレピン
油で薄くのばして調整したもので、溶媒に対して
可溶性の着色剤(例えば染料)と不溶性の着色剤
(例えば顔料)とを含む特殊塗料である。そして
次のアルコール溶剤に対する染料と顔料の正反対
の挙動が本発明に係る大理石模様を形成するに至
るのである。
A pattern-forming agent is prepared by spreading a dye and a pigment thinly with, for example, turpentine oil, and is a special paint containing a colorant that is soluble in a solvent (e.g., dye) and a colorant that is insoluble in a solvent (e.g., pigment). . The opposite behavior of the dye and pigment with respect to the alcohol solvent leads to the formation of the marble pattern according to the present invention.

叩き塗装はアルコール等の有機溶剤による。こ
のとき有機溶剤は毛細管現象のように放射状に浸
み出るが、上記顔料も同時に放射状に弾かれるよ
うにして周縁に流れ寄るため、大理石風の線模様
が明確に形成される。
Brush painting is done using organic solvents such as alcohol. At this time, the organic solvent oozes out radially like a capillary phenomenon, but at the same time, the pigment is also radially repelled and flows toward the periphery, so that a clear marble-like line pattern is formed.

このように形成された大理石模様を下地(基
礎)模様塗装面への固着により固定させるわけで
あるが、例えばクリヤラツカーを表面より吹付塗
装することにより、その固着を行なうことができ
る。
The marble pattern thus formed is fixed by adhering to the base (base) pattern-coated surface, and can be fixed, for example, by spray painting a clear lacquer from the surface.

上塗りは仕上がりを美しくするために吹付塗装
が好ましい。上塗り塗料としては、一般に耐候
性、耐水性、耐塩水性、褪色性、耐衝撃性、硬度
等が要求されることから、例えばウレタン系、ア
クリル系、エポキシ系、アルキツド系、不飽和ポ
リエステル系樹脂塗料が好ましく、またこれらの
樹脂塗料は紫外線や電子線を用いた塗膜硬化法が
開発されているので、短時間に高硬度の塗膜を形
成することができる。尚、塗り後の仕上げ工程
は、釉薬の場合と異なり不要であることが多い。
Spray painting is preferable for the top coat to give a beautiful finish. As a top coat, weather resistance, water resistance, salt water resistance, fading resistance, impact resistance, hardness, etc. are generally required, so for example, urethane-based, acrylic-based, epoxy-based, alkyd-based, and unsaturated polyester resin paints are used. is preferable, and since a coating film curing method using ultraviolet rays or electron beams has been developed for these resin coatings, a highly hard coating film can be formed in a short time. Note that a finishing step after coating is often unnecessary, unlike in the case of glazes.

〔実施例〕〔Example〕

以下、本発明の実施例を説明する。 Examples of the present invention will be described below.

粘土にて壷を成形し、乾燥後、素焼きし、壷の
内側外側とも簡単に釉掛け後、本焼きした。
The pot was molded from clay, dried, unglazed, then glazed on both the inside and outside, and then fired.

次いで上絵付け前のこの壷をロクロ盤上に載
せ、外側全面へラツカープライマーを施し、充分
乾燥させた。
Next, this vase before overpainting was placed on a potter's wheel, a lacquer primer was applied to the entire outside surface, and the jar was thoroughly dried.

次にアイボリー色のラツカーを外側面の一部に
下塗りとして部分的に吹付塗装した。これは全体
の大理石模様中に部分的に自然石の色彩りを持た
せるための工夫である。従つてこの部分的下塗り
は緑色や赤色系統であつてもよい。
Next, ivory-colored Lutzker was partially spray-painted as an undercoat on some of the outer surfaces. This is an ingenuity to give the color of natural stone to some parts of the overall marble pattern. Therefore, this partial undercoat may be of green or red color.

これにグレイまたはブラウン色系統の塗料をラ
ンダムな曲面形状に抜孔されたマスキング板を通
して吹付塗装し、下地的な所定の模様付けを施し
た。
This was then spray-painted with gray or brown paint through a masking plate with holes punched in a randomly curved shape to create a predetermined pattern as a base.

この模様付け後に、ダークブラウンとブルー色
の塗料を混合して成る模様形成剤を表面側より全
面に薄く塗装した。
After this patterning, a pattern forming agent made of a mixture of dark brown and blue paint was applied in a thin layer over the entire surface starting from the surface side.

そしてアルコールを充分に含浸させた軟かい布
で上記模様形成面のところどころを軽く叩いた。
このとき、布から浸み出たアルコール分と共に軽
打部の塗料が拡散するように染め出し、アルコー
ルの蒸発と共に塗料の拡散が止まつた。このとき
の塗料の拡散模様は、丁度、大理石模様を呈して
いた。
Then, the pattern-forming surface was lightly dabbed here and there with a soft cloth sufficiently impregnated with alcohol.
At this time, the paint on the dabbed area began to diffuse along with the alcohol seeping out of the cloth, and as the alcohol evaporated, the paint stopped spreading. The diffusion pattern of the paint at this time was exactly like a marble pattern.

この状態に直ちに送風機にて乾燥させ、乾燥後
はこの大理石模様が手で触れても剥がれないよう
にクリヤラツカーの塗装にて固着させた。その
後、塗装面保護のためにポリウレタン樹脂塗料に
て仕上げ塗装を施し、乾燥後熱風炉にて100℃、
40分間の焼付けを行なつた。
In this state, it was immediately dried with an air blower, and after drying, the marble pattern was fixed with a clear lacquer coating so that it would not peel off even if touched by hand. After that, a final coat of polyurethane resin paint was applied to protect the painted surface, and after drying, it was heated in a hot air oven at 100℃.
Baking was carried out for 40 minutes.

このようにして製作された壷は、従来の釉掛け
法では到底得られない独特の大理石様彩飾とな
り、また簡単な設備で短時間に量産できた。然も
硬化された塗膜層は、耐久性、耐熱性、耐水性、
耐汚染性、耐候性、耐衝撃強度、耐摩耗強度、光
沢、硬度などの物性において、実用上何ら支障が
なかつた。
The vases produced in this way had a unique marble-like decoration that could not be obtained using conventional glazing methods, and could be mass-produced in a short time using simple equipment. However, the cured coating layer has durability, heat resistance, water resistance,
There were no practical problems in terms of physical properties such as stain resistance, weather resistance, impact strength, abrasion strength, gloss, and hardness.

〔発明の効果〕 本発明に係る大理石模様は、従来の釉掛け法
では到底得られない彩飾である。特に、有機溶
剤を浸み込ませた布で模様形成剤と下地模様
(基礎模様)とを大理石模様風に変化させてゆ
く抜法、及び模様形成剤の如き染料と顔料とい
う異質の着色剤を混合し均一に塗布し次いで有
機溶剤をもつてその溶解の差を利用して大理石
模様を描かせる技法などは釉掛けでは到底不可
能である。
[Effects of the Invention] The marble pattern according to the present invention is a decorative decoration that cannot be obtained by conventional glazing methods. In particular, a method of changing a pattern-forming agent and a base pattern (basic pattern) into a marble pattern using cloth impregnated with an organic solvent, and a method that uses different coloring agents such as dyes and pigments like pattern-forming agents. The technique of mixing, applying uniformly, and then applying an organic solvent to create a marble pattern by taking advantage of the difference in solubility is simply impossible with glazing.

吹付塗装された下塗り又は下絵付けを速乾さ
せ、その上に更に別の塗料で吹付塗装を重ね、
それを繰り返し、次第に所望の模様や絵付けを
完成させていく技法は、速乾性の塗料と、塗布
時に既に透明な塗料であつてこそ可能である。
Let the spray-painted undercoat or underpainting dry quickly, and then apply another layer of spray paint on top of it.
The technique of repeating this process and gradually completing the desired pattern or painting is only possible with quick-drying paint and paint that is already transparent at the time of application.

本発明は非常に高級な大理石のイメージを与
える彩飾にも拘わらず、作業は熟練を要さず、
且つ品質管理が容易で、不良品の発生を最小限
に止どめることができる。
Despite the decoration that gives the image of very high-quality marble, the present invention does not require any skill to work.
In addition, quality control is easy and the occurrence of defective products can be minimized.

これは、釉薬は本焼きを経て初めてその着色
及び彩飾状態を確認できるのに対して、本発明
は塗装作業中に表われる着色及び大理石模様を
そのまゝ最終製品の模様として確認しながら作
業することができるからで、これにより、従来
のように本焼きした結果全製品が彩飾ミスであ
つたということは決して起こらない。
This is because while the coloring and decorative state of glazes can only be confirmed after firing, in the present invention, the coloring and marble patterns that appear during the painting process are confirmed as they are as the patterns of the final product. Because of this, it never happens that all the products are decorated with mistakes as a result of final firing as in the past.

仕上げの焼付けが釉掛けの場合よりかなり低
温かつ短時間(80〜120℃、20〜40分)で済む
ので、下塗りや上塗りに釉掛けでは到底使用で
きない有機顔料や染料等を多種多様に採用する
ことがでる。
The finishing process is completed at a much lower temperature and in a shorter time (80 to 120 degrees Celsius, 20 to 40 minutes) than in the case of glazing, so a wide variety of organic pigments and dyes that cannot be used with glazing are used in the undercoat and topcoat. Something happens.

従来の転写絵付け方法と異なり、いかなる複
雑な曲面を有する成形品であつても、本発明製
法は自在な彩飾が可能であり、然も模様は画一
でなく、一個一個が変化している。
Unlike conventional transfer painting methods, the manufacturing method of the present invention allows for free decoration of molded products with any complex curved surface, and the pattern is not uniform, but changes one by one. .

転写紙の如き成形品の半面だけに彩飾という
ことはない。また、貼りあわせ目や継ぎ目を生
じることは決してなく、所望の全ての面に同等
に本発明製法による彩飾が可能である。
It is not the case that only one side of a molded product, such as transfer paper, is decorated with color. In addition, there are no seams or seams, and all desired surfaces can be equally decorated using the manufacturing method of the present invention.

本発明製法により大理石の高級品イメージを
もつた茶碗、コーヒカツプ、皿、タイル等の陶
磁器製品を比較的安価に提供することができる
ので、新たな購買欲の向上を期待することがで
きる。
By the manufacturing method of the present invention, it is possible to provide ceramic products such as tea bowls, coffee cups, plates, tiles, etc., which have the image of luxury marble products, at a relatively low cost, so it is expected that a new increase in purchasing desire will be achieved.

Claims (1)

【特許請求の範囲】 1 陶磁器の一方の面に、 プライマー塗装後に特定色の部分的下塗りを
施し、 ランダムな曲面形状に抜孔されたマスキング
板を通して基礎模様塗装を施し、 全面に模様形成剤を薄く塗装し、 有機溶剤で部分的に叩き塗装することにより
大理石風に模様付けを施し、 この大理石風模様を固定させる塗装を施し、 仕上げ塗装後に80〜120℃、20〜50分間の強
制焼付けを施し冷却する、 ことを特徴とする大理石模様風陶磁器の製法。
[Claims] 1. Apply a partial undercoat of a specific color to one side of the ceramic after primer coating, apply a basic pattern coating through a masking plate with holes punched in a randomly curved shape, and apply a thin pattern forming agent to the entire surface. A marble-like pattern is applied by painting and partially buffing with an organic solvent. A coating is applied to fix this marble-like pattern. After the final coating, a forced baking is performed at 80 to 120 degrees Celsius for 20 to 50 minutes. A method for producing marble-patterned ceramics characterized by cooling.
JP18491885A 1985-08-22 1985-08-22 Marble-like porcelain and manufacture Granted JPS6246984A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP18491885A JPS6246984A (en) 1985-08-22 1985-08-22 Marble-like porcelain and manufacture

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP18491885A JPS6246984A (en) 1985-08-22 1985-08-22 Marble-like porcelain and manufacture

Publications (2)

Publication Number Publication Date
JPS6246984A JPS6246984A (en) 1987-02-28
JPH0568435B2 true JPH0568435B2 (en) 1993-09-28

Family

ID=16161607

Family Applications (1)

Application Number Title Priority Date Filing Date
JP18491885A Granted JPS6246984A (en) 1985-08-22 1985-08-22 Marble-like porcelain and manufacture

Country Status (1)

Country Link
JP (1) JPS6246984A (en)

Citations (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS5282823A (en) * 1975-12-29 1977-07-11 Takeshige Kensou Yuugen Method of making marble figure on wall surface* floor surface* etc*
JPS59148626A (en) * 1983-02-14 1984-08-25 Matsushita Electric Works Ltd Patterned molding material made of polyester resin

Patent Citations (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS5282823A (en) * 1975-12-29 1977-07-11 Takeshige Kensou Yuugen Method of making marble figure on wall surface* floor surface* etc*
JPS59148626A (en) * 1983-02-14 1984-08-25 Matsushita Electric Works Ltd Patterned molding material made of polyester resin

Also Published As

Publication number Publication date
JPS6246984A (en) 1987-02-28

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