JP2009039942A - Treating method of yarn acted for pictures work - Google Patents

Treating method of yarn acted for pictures work Download PDF

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JP2009039942A
JP2009039942A JP2007207131A JP2007207131A JP2009039942A JP 2009039942 A JP2009039942 A JP 2009039942A JP 2007207131 A JP2007207131 A JP 2007207131A JP 2007207131 A JP2007207131 A JP 2007207131A JP 2009039942 A JP2009039942 A JP 2009039942A
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yarn
thread
painting
adhesive layer
canvas
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Shigeo Matsuoka
繁生 松岡
Noriyuki Yoshida
則幸 吉田
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Fujix Corp
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Fujix Corp
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Priority to JP2007207131A priority Critical patent/JP2009039942A/en
Priority to PCT/JP2007/073335 priority patent/WO2009019803A1/en
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    • BPERFORMING OPERATIONS; TRANSPORTING
    • B44DECORATIVE ARTS
    • B44CPRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C1/00Processes, not specifically provided for elsewhere, for producing decorative surface effects
    • B44C1/18Applying ornamental structures, e.g. shaped bodies consisting of plastic material
    • BPERFORMING OPERATIONS; TRANSPORTING
    • B44DECORATIVE ARTS
    • B44DPAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
    • B44D2/00Special techniques in artistic painting or drawing, e.g. oil painting, water painting, pastel painting, relief painting

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  • Yarns And Mechanical Finishing Of Yarns Or Ropes (AREA)
  • Decoration Of Textiles (AREA)

Abstract

<P>PROBLEM TO BE SOLVED: To provide a method of treating a yarn, in which in a picture making by pasting a yarn onto a picture canvas, the yarn prior to the pasting is treated to thereby realize unprecedented diversified expression. <P>SOLUTION: The method of treating a yarn for use in picture making is a method of treating yarn 7 to be pasted to surface adhesive layer 5 of picture canvas 1, comprising further twisting the yarn 7, or untwisting the yarn 7, or untwisting the yarn 7 in multiple wound form so as to take up a single yarn or double yarn, or cutting the yarn 7 into smithereens so as to realize cottonlike or powdery form, prior to the pasting to the surface adhesive layer 5. <P>COPYRIGHT: (C)2009,JPO&INPIT

Description

この発明は、絵画用カンバスの表面接着層に貼り付けられた糸により表現される絵画の制作に使用される貼り付け前の糸に、多彩な表現を可能とした処理方法を提供するものである。   The present invention provides a processing method that enables various expressions to be applied to a thread before being used for production of a picture expressed by a thread applied to a surface adhesive layer of a canvas for painting. .

従来、種々ある絵画の制作方法の1つとして糸を使用したものがあり、糸を使用した技法としては、刺繍糸を用いて布に縫い込むいわゆる刺繍というのが一般的に行われているものである。   Conventionally, there is a method of using a thread as one of various painting methods, and as a technique using a thread, what is commonly referred to as embroidery, which is sewn into a cloth using an embroidery thread, is generally performed. It is.

最近は、カンバスに着色された糸を接着して固定ゆくことで所定の図柄を表現していく手法が知られており、貼り付ける糸を複数色用意し、適宜選択してカンバスに貼り付けることで、カンバス上に絵画を表現することができる。   Recently, there is a known method of expressing a predetermined pattern by adhering and fixing colored threads on the canvas. Prepare multiple colors to be applied, select them appropriately, and attach them to the canvas. With this, painting can be expressed on the canvas.

これら糸をカンバスに貼り付けるものとして、例えば、絹糸を両面接着テープを用いてカンバスに貼り付けてゆく方法がある(例えば、特許文献1参照)。   As a method for attaching these yarns to a canvas, for example, there is a method of attaching silk yarn to a canvas using a double-sided adhesive tape (see, for example, Patent Document 1).

また、ベース材の表面に粘着材層を介して剥離紙が貼設され、剥離紙と粘着材層に切り込みが入れられており、剥離紙を切り込みに沿って切り離し、切り込まれた図柄に沿って糸を周囲から順に内側に巻くように接着して所定の図柄を表現することで、誰でも簡単に装飾体を仕上げられるようにしたものが知られている(例えば、特許文献2参照)。   In addition, release paper is affixed to the surface of the base material via an adhesive layer, and the release paper and the adhesive layer are cut, and the release paper is cut along the cut and along the cut pattern. It is known that anyone can easily finish a decorative body by expressing a predetermined pattern by adhering yarns so as to be wound inward in order from the periphery (see, for example, Patent Document 2).

また、写真等を倣って糸による絵画を得るために、特許文献1のようなカンバスの粘着層の上面に例えば写真を原図として貼り付け、原図に現れた同一色の集合した部分のみカッターで切り取り、そこに現れた接着面に原図の色と類似する糸を貼っていくことで、写真などの原図に忠実に絵画を仕上げる手法もある。
特開平8−183300号公報(請求項1、図1) 特許第2760390号公報(段落0018、図1)
In addition, in order to obtain a picture with a thread by copying a photograph or the like, for example, a photograph is pasted as an original on the upper surface of the adhesive layer of a canvas as in Patent Document 1, and only the gathered portions of the same color appearing in the original are cut out with a cutter. There is also a technique to finish the painting faithfully to the original drawing such as a photograph by sticking a thread similar to the color of the original drawing on the adhesive surface that appears there.
JP-A-8-183300 (Claim 1, FIG. 1) Japanese Patent No. 2760390 (paragraph 0018, FIG. 1)

ところで、従来の布地に刺繍を行う手法の場合は、糸が布地表面の縫い目の間を往復して、それが集合して絵柄を表現するもので、表現方法が単純であった。   By the way, in the case of a conventional technique for embroidering a cloth, the thread reciprocates between the seams on the surface of the cloth and gathers together to express the pattern, and the expression method is simple.

一方、刺繍を用いずにカンバスに糸を貼り付ける特許文献1の手法の場合、刺繍のように布地表面の縫い目の往復のみならず、糸を自由な形状で貼り付けることができるが、糸はそのまま何も手を加えずに貼り付けるため、表現が単調になりがちで細やかな部分の表現に限界があった。   On the other hand, in the method of Patent Document 1 in which a thread is pasted on a canvas without using embroidery, not only reciprocation of the seam on the surface of the fabric as in embroidery, the thread can be pasted in a free shape. Because it is pasted without any changes, the expression tends to be monotonous and there is a limit to the expression of delicate parts.

また、特許文献2の手法の場合、剥離紙を切り込みに沿って切り離し、その部分に糸を周囲から順に内側に巻くように接着することで、誰でも簡単に装飾体を仕上げられるのであるが、各切り込み部分が単一色の糸で埋められてイラスト風の絵画となってしまい、やはり表現が単調になりがちで細やかな部分の表現に限界があった。   Moreover, in the case of the technique of Patent Document 2, anyone can easily finish the decorative body by separating the release paper along the incision and adhering the thread so that the yarn is wound inwardly from the periphery. Each incision was filled with a single-colored thread, resulting in an illustration-like painting, and the expression tends to be monotonous, and there was a limit to the expression of delicate parts.

また、粘着層の上面に写真を貼り付け、写真に現れた同一色の集合した部分のみカッターで切り取り、現れた接着面に写真の色と類似する糸を貼っていく手法は、特許文献2のような既製の切り込みが入れられたものよりも原図の選択肢も多く、写真に合わせて細かな部分毎に糸の貼り付け作業が可能であるが、糸を貼るだけでは写真を手本にしても表現しきれない限度があり、また用意する糸の色にも限界があり、糸を使った絵画において、これら写真様絵画を得るためには、従来に無い多彩な表現方法が必要であり、新しい技法が望まれていた。   In addition, a method of pasting a photograph on the upper surface of the adhesive layer, cutting out only a gathered portion of the same color appearing in the photograph with a cutter, and pasting a thread similar to the color of the photograph on the appearing adhesive surface is disclosed in Patent Document 2. There are more choices of the original drawing than those with pre-made cuts like this, and it is possible to apply a thread to each fine part according to the photo, but just by sticking the thread, the picture can be used as a model There are limits that cannot be expressed, and there are limits to the color of the thread that is prepared. In order to obtain these photo-like paintings in paintings using threads, a variety of new ways of expression are required. A technique was desired.

そこでこの発明の課題は、絵画用カンバスに糸を貼り付けて行う絵画の制作において、貼り付け前の糸に処理を行うことで、従来にない多彩な表現が可能になるような糸の処理方法を提供することにある。   Therefore, an object of the present invention is to provide a thread processing method that enables various expressions that are not possible in the past by processing the thread before pasting in the production of a picture by pasting the thread on the canvas for painting. Is to provide.

上記のような課題を解決するため、請求項1の発明は、絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、糸に更に撚りを加える構成を採用した絵画制作に使用される糸の処理方法である。   In order to solve the above-mentioned problems, the invention of claim 1 is a method for processing a yarn to be attached to a surface adhesive layer of a canvas for painting, and is used for painting that employs a structure in which twist is further added to the yarn. This is a processing method for the yarn to be processed.

撚りが加えられた糸に更に撚りを加えると、糸の撚りがより強くなることで糸が細くなり、糸本来の色が濃くなり、例えば硬いもの等の表現に適した処理方法となる。   When twist is further added to the yarn that has been twisted, the twist of the yarn becomes stronger, the yarn becomes thinner, the original color of the yarn becomes darker, and for example, a processing method suitable for expressing hard materials and the like.

ここで、絵画用カンバスの表面接着層とは、糸を接着保持することでカンバス表面に糸を固定するもので、固定された糸の集合体によりにより絵画様表現が行われる。   Here, the surface adhesive layer of the canvas for painting is to fix the yarn to the canvas surface by adhering and holding the yarn, and the painting-like expression is performed by the aggregate of the fixed yarn.

なお、表面接着層を透視可能な透明又は半透明とし、その下層に写真等の絵柄が形成された絵柄形成面としておけば、透視可能な接着層を介して下の絵柄形成面の絵柄(写真等)に倣って本発明の処理を行った糸を貼り付けるようにして多彩な表現が可能となる。   If the surface adhesive layer is transparent or semi-transparent so that it can be seen through and the pattern forming surface is formed with a pattern such as a photograph underneath, the pattern on the lower pattern forming surface (photo) Etc.), a variety of expressions can be made by pasting the thread that has been processed according to the present invention.

透視可能な接着層としては、透明又は半透明の接着剤を塗布したり、シート状の透明又は半透明な両面接着シートを用いて形成される。   The transparent adhesive layer is formed by applying a transparent or translucent adhesive or using a sheet-like transparent or translucent double-sided adhesive sheet.

請求項2の発明は、絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、糸の撚りを戻して緩める構成を採用した絵画制作に使用される糸の処理方法である。   The invention of claim 2 is a method for processing a yarn to be attached to a surface adhesive layer of a canvas for painting, and is a method for processing a yarn used in painting production that employs a structure in which the yarn is untwisted and loosened.

撚りが加えられている糸の撚りを戻して緩めることで、糸全体が太くなり嵩高感が出るので、柔らかなもの等の表現に適した糸の処理方法となる。   When the twisted yarn is untwisted and loosened, the entire yarn becomes thicker and bulky, resulting in a yarn processing method suitable for expressing soft items.

請求項3の発明は、絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、合糸された糸の撚りを戻して、糸を単糸又は複糸で取り出す構成を採用した絵画制作に使用される糸の処理方法である。   The invention of claim 3 is a method for processing a yarn to be affixed to the surface adhesive layer of a painting canvas, wherein the twisted yarn is unwound and the yarn is taken out as a single yarn or a double yarn. It is a thread processing method used for painting.

撚りが加えられた単糸を1本取り、2本取りにして使用することにより、遠近感を作り出すことに適している。また、取り出した単糸は以前の撚られていた癖が波状に付いているので、その形状を活かした表現に利用できる糸の処理方法である。   It is suitable for creating a sense of perspective by taking one single twisted yarn and using it in two. Also, since the single yarn taken out has a wrinkled wrinkle that was twisted before, it is a yarn processing method that can be used for expression utilizing the shape.

請求項4の発明は、絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、糸を微塵切りにして綿状又は粉状にする構成を採用した絵画制作に使用される糸の処理方法である。   The invention of claim 4 is a method of processing a yarn to be attached to the surface adhesive layer of a canvas for painting, and is used for painting production adopting a structure in which the yarn is cut finely into cotton or powder. It is a processing method.

糸を微塵切りにすることで、糸全体が綿状や粉状になり、その微塵切りの程度により雲や水、波や風の表現等に適した処理方法である。   By finely cutting the yarn, the entire yarn becomes cottony or powdery, and this processing method is suitable for expressing clouds, water, waves and winds depending on the degree of fine dusting.

請求項1の糸の処理方法によれば、撚りを加えることで糸本来の色が濃く表現できるので例えば硬いもの等の表現に適した処理方法となると共に、同一の糸を用いても撚りを調整することで濃度を変化させて、表現の幅を広げることができるようになる。   According to the yarn processing method of claim 1, since the original color of the yarn can be expressed deeply by adding twist, it becomes a processing method suitable for expressing, for example, a hard material, and twisting is possible even if the same yarn is used. By adjusting, the density can be changed and the range of expression can be expanded.

次に、請求項2の糸の処理方法によれば、糸全体が太くなり嵩高感が出るので柔らかなもの等の表現に適したものになると共に、同一の糸を用いても糸の撚りの解き程度を調整することで糸全体の嵩を変化させて、表現の幅を広げることができるようになる。   Next, according to the yarn processing method of claim 2, the entire yarn becomes thick and bulky, so that it is suitable for expressing soft items and the like, and even when the same yarn is used, the yarn is twisted. By adjusting the degree of unwinding, it is possible to change the overall volume of the yarn and widen the range of expression.

次に、請求項3の糸の処理方法によれば、撚りが加えられた単糸を1本取り、2本取りにしてから貼り付けることにより、種々の表情が得られることになり、これらの糸の取り出し本数を順次変化させて行くことで遠近感を作り出すことに適している。   Next, according to the yarn processing method of claim 3, various expressions can be obtained by taking one twisted single yarn and pasting it after taking two. It is suitable for creating a sense of perspective by sequentially changing the number of yarns taken out.

また、取り出した単糸は以前の撚られていた癖が波状に付いているので、その形状を活かした表現に利用することもできる。   In addition, the single yarn that has been taken out has wrinkles on the previously twisted folds, so that it can also be used for expressions that take advantage of its shape.

次に、請求項4の糸の処理方法によれば、糸本来の表情ではなく綿状となり、雲や水、波や風の表現等に適した処理方法となると共に、微塵切りにした各色の糸を絵の具のように混ぜ合わせることにより、際限なく色々な色を作り出すことができる。   Next, according to the yarn processing method of claim 4, it becomes a cotton instead of the original expression of the yarn, which is suitable for the expression of clouds, water, waves, winds, etc. By mixing yarns like paint, you can create a variety of colors.

また、微塵切りの程度を更に進めて粉状にすると接着時には殆ど絵の具を塗っている感覚で細かな箇所を描くことができるようになる。   Further, if the degree of fine dust cutting is further advanced to form a powder, it becomes possible to draw a fine portion as if almost painting was applied at the time of bonding.

以上、請求項1乃至4の処理方法を加えた糸を、無加工の糸と共に用いることで、絵の具を用いた絵画と同等の表現手段が得られると共に、糸本来が持つ艶や輝きをも利用することで、絵の具やその他の手法を超えた絵画の表現手段が得られることになる。   As described above, by using the yarn added with the processing method of claims 1 to 4 together with an unprocessed yarn, an expression means equivalent to a painting using a paint can be obtained, and also the gloss and brightness inherent in the yarn can be used. By doing so, you will be able to obtain a means of painting that goes beyond paint and other techniques.

図1は、この発明の糸の処理方法が行われた糸を貼って絵画作成を行うための絵画用カンバス1の断面図であり、板状のベース材2の上に、接着層3、下絵紙4、透視可能な接着層5、カバーシート6の順に積層された状態となっている。   FIG. 1 is a cross-sectional view of a painting canvas 1 for creating a painting by applying a yarn subjected to the yarn processing method of the present invention. An adhesive layer 3 and a sketch are provided on a plate-like base material 2. The paper 4, the see-through adhesive layer 5, and the cover sheet 6 are stacked in this order.

ベース材2は、板状体で、その材料は特に限定されるものではなく、発泡ポリスチレン、厚紙、布、木、金属、プラスチック等やこれらの組み合わせが挙げられ、その厚みは特に限定されず、また若干の曲がりを許容して復元する程度の柔軟性があってもよい。   The base material 2 is a plate-like body, and the material is not particularly limited, and examples thereof include expanded polystyrene, cardboard, cloth, wood, metal, plastic, and combinations thereof, and the thickness is not particularly limited. Moreover, there may be a degree of flexibility that allows a slight bend and restores.

接着層3は、このベース材2のほぼ全面を覆うように設けられ、接着剤を塗布して形成しても、シート状の両面接着シートを貼り付けることにより構成したものでもよい。   The adhesive layer 3 is provided so as to cover almost the entire surface of the base material 2, and may be formed by applying an adhesive or by attaching a sheet-like double-sided adhesive sheet.

下絵紙4は、接着層3によりベース材2に貼り付けられており、透視可能な接着層5側が重ねられる表面側が、下絵となる絵画、写真、イラスト、又はデザイン画などの模様がカラーで現された絵柄形成面となり、この表現方法は印刷によるのが一般的であるが、写真印画紙に現像により写真が現されたものや、その他周知技術により模様が描かれたものであってもよい。   The sketch paper 4 is affixed to the base material 2 by the adhesive layer 3, and the surface side on which the transparent adhesive layer 5 side is superimposed has a pattern such as a picture, photograph, illustration, or design picture that is a sketch as a color. This expression method is generally based on printing, but it may be a photographic printing paper on which a photograph is developed by development or a pattern drawn by other well-known techniques. .

なお、下絵が描かれた下絵紙4をベース材2に接着層3を介して接着固定することでベース材2の上面側に絵柄形成面を形成したが、ベース材2の材質によっては、ベース材2の上面に直接下絵を印刷等により描いて絵柄形成面を形成するようにしてもよい。   Note that a pattern forming surface is formed on the upper surface side of the base material 2 by adhering and fixing the sketch paper 4 on which the sketch is drawn to the base material 2 via the adhesive layer 3, but depending on the material of the base material 2, The pattern forming surface may be formed by drawing a sketch directly on the upper surface of the material 2 by printing or the like.

接着層5は、接着層3と同様に両面に接着効果を有するものであるが、下絵紙4の表面に現された模様を反対側から視認できるように、全体が透明或いは半透明のもので透視可能なものであり、例えば、透明・半透明な接着剤を塗布して形成したり、透明な両面接着シートを貼り付けることにより構成したものが用いられる。   The adhesive layer 5 has an adhesive effect on both sides in the same manner as the adhesive layer 3, but is entirely transparent or translucent so that the pattern shown on the surface of the sketch paper 4 can be seen from the opposite side. It is possible to see through, for example, one formed by applying a transparent / semi-transparent adhesive or pasting a transparent double-sided adhesive sheet.

カバーシート6は、可撓性を有する材質からなり、透視可能な接着層5に対して接着し、比較的小さな力でこの接着層5から剥がすことができ、また、接着層5に何度でも再接着させることが可能で、例えば各種合成樹脂製フィルム、又は紙や布の表面に合成樹脂膜を形成したものが挙げられ、素材自体が接着層5に対して着脱自在であるものを用いる他、表面に離型処理を施して接着層に対して着脱自在としてもよい。   The cover sheet 6 is made of a flexible material, adheres to the see-through adhesive layer 5 and can be peeled off from the adhesive layer 5 with a relatively small force. For example, various synthetic resin films, or those formed with a synthetic resin film on the surface of paper or cloth can be used, and the material itself can be attached to and detached from the adhesive layer 5. Further, the surface may be subjected to a mold release treatment so as to be removable from the adhesive layer.

このカバーシート6の色は特に限定されないが、透明であれば糸を貼り付ける作業途中の仕上がり具合がカバーシート6を剥がすことなく確認することができる。   The color of the cover sheet 6 is not particularly limited. However, if the cover sheet 6 is transparent, it is possible to confirm the finished condition during the operation of attaching the yarn without removing the cover sheet 6.

この発明に係る処理方法糸を貼り付ける絵画用カンバス1は上記のような構造であり、次に、図2乃至図4で、絵画の制作状況を示す。   The painting canvas 1 to which the processing method yarn according to the present invention is applied has the above-described structure. Next, FIGS. 2 to 4 show the production status of the painting.

まず、カバーシート6を接着層5から剥がし、この接着層5の表面に、透視された下絵紙4に描かれた絵柄8に倣って選んだ糸7を貼り付けてゆく(図2、図4)。   First, the cover sheet 6 is peeled off from the adhesive layer 5, and the thread 7 selected according to the pattern 8 drawn on the transparent sketch paper 4 is pasted on the surface of the adhesive layer 5 (FIGS. 2 and 4). ).

糸7としては、着色された糸であれば特に限定されないが、絵画として使用する際のその表面光沢の美しさから絹糸を用いるのが好ましく、また、透視可能な接着層5を通じて視認される下絵紙4の絵柄8の色彩に応じた色彩の糸7を貼り付けて絵画的表現を求めるので、例えば12〜24色程度を色彩の糸を用意しておくことが好ましい。   The thread 7 is not particularly limited as long as it is a colored thread, but it is preferable to use silk thread because of its beautiful surface gloss when used as a picture, and a rough sketch visually recognized through the transparent adhesive layer 5. Since the thread 7 of the color according to the color of the pattern 8 on the paper 4 is pasted to obtain a pictorial expression, it is preferable to prepare thread of color of about 12 to 24 colors, for example.

この作業時、端から糸7を貼る作業を行う部分に合わせて順次カバーシート6を剥がしてゆくようにすれば、未制作部分の接着層5はカバーシート6により保護されたままになり、作業者の手や衣服などに接着して作業が煩わしくなるといったことがない。   At this time, if the cover sheet 6 is peeled off sequentially in accordance with the part where the thread 7 is pasted from the end, the adhesive layer 5 of the unfinished part remains protected by the cover sheet 6, It does not become troublesome because it adheres to a person's hand or clothes.

糸貼り作業を中断する際は、再度カバーシート6を接着層5に貼り戻すことにより、接着層5の接着面を常に保護状態に維持することができる(図3)。   When interrupting the yarn pasting operation, the adhesive sheet of the adhesive layer 5 can always be maintained in a protected state by attaching the cover sheet 6 back to the adhesive layer 5 again (FIG. 3).

上記のように、糸7は無加工でそのまま貼り付けても良いが、下絵紙4が写真の場合、12〜24色程度の糸7をそのまま貼り付けるだけでは表現仕切れないので、これらの糸7に対して貼り付け前に予め以下のような技法による処理を行うことで、多彩な表現が可能となる。   As described above, the thread 7 may be applied as it is without processing. However, when the sketch paper 4 is a photograph, the expression 7 cannot be divided by simply attaching the thread 7 of about 12 to 24 colors. A variety of expressions can be made by performing processing in advance according to the following technique before pasting.

図5は、絵画用キャンパス1に本発明の処理方法を施した糸7(絹糸)を貼り付けて完成した絵画の写真であり、以下、本発明に係る処理方法の各技法について説明する。   FIG. 5 is a picture of a painting completed by attaching the thread 7 (silk thread) subjected to the processing method of the present invention to the painting campus 1, and each technique of the processing method according to the present invention will be described below.

(加撚技法)
撚られた糸7に更に撚りを加えてから接着層5に貼り付ける技法であり、糸7の撚りが強くなるため糸7が細くなり、結果として色が濃くなることになる。
(Twisting technique)
This is a technique in which the twisted yarn 7 is further twisted and then attached to the adhesive layer 5. The twist of the yarn 7 becomes strong, so that the yarn 7 becomes thin, and as a result, the color becomes dark.

この技法は、撚りの強弱により糸7の色の濃度調整を行うことができ、同一色の糸7で種々の濃度を出すことができ、特に色の濃度が濃くなる方向での処理であり、硬いものの表現に適している。   This technique can adjust the color density of the yarn 7 by twisting strength, and can produce various densities with the yarn 7 of the same color, particularly in the direction of increasing the color density, Suitable for expressing hard objects.

図6中、図示矢印で示す楕円内が加撚技法による処理を施した絹糸を建物の一部に用いた例であり、他の部分よりも濃い色を表現するのに適している。   In FIG. 6, the inside of the ellipse indicated by the illustrated arrow is an example in which silk thread that has been processed by the twisting technique is used for a part of a building, and is suitable for expressing a darker color than other parts.

(解撚技法)
糸7の撚りを戻してから接着層5に貼り付ける技法であり、糸7の撚りが弱くなるため糸7の嵩が高くなり、柔らかな糸7となる。
(Untwisting technique)
This is a technique in which the yarn 7 is untwisted and then attached to the adhesive layer 5. The yarn 7 is weakly twisted, so that the yarn 7 becomes bulky and becomes a soft yarn 7.

この技法は、撚りの戻しにより糸7の嵩(体積)調整を行うことができ、同一糸7で種々の嵩を出すことができ、特に嵩高さにより糸7が柔らかな表情となり、例えば、空の雲等の柔らかなもの等の表現に適している。   In this technique, the volume (volume) of the yarn 7 can be adjusted by untwisting, and various volumes can be produced with the same yarn 7. Particularly, the yarn 7 has a soft expression due to its bulkiness. Suitable for expressing soft objects such as clouds.

図7及び図8中、図示矢印で示す枠内が解撚技法による処理を施した絹糸を用いた例を示しており、図7はその柔らかな表現を利用して雲の一部に利用したもので、図8は糸の残った撚りを木の枝と葉の表現に利用したものである。   In FIGS. 7 and 8, the frame indicated by the arrow in the figure shows an example using silk thread that has been processed by the untwisting technique, and FIG. 7 is used for a part of the cloud using its soft expression. FIG. 8 is a diagram in which the remaining twist of the yarn is used to represent the branches and leaves of the tree.

(単糸技法)
合糸された糸7の撚りを戻して、糸を単糸又は複糸で取り出す技法であり、単糸を1本、又は2本以上の複糸で取り出すことで、種々の表情が得られることになる。
(Single yarn technique)
It is a technique to untwist the combined yarn 7 and take out the yarn as a single yarn or a double yarn. Various expressions can be obtained by taking out a single yarn or two or more double yarns. become.

この技法は、糸の取り出し本数を順次変化させて行くことで遠近感を作り出すことに適していると共に、取り出した単糸は以前の撚られていた癖が波状に付いているので、その形状を活かした表現、例えば波の表現に利用することができる。   This technique is suitable for creating a sense of perspective by sequentially changing the number of yarns to be taken out, and the single yarn that has been taken out is wavy with the previously twisted wrinkles. It can be used to make full use of expressions such as waves.

図9乃至図11中、図示矢印で示す楕円内が単糸技法による処理を施した絹糸を用いた例を示しており、図9はその波状の外観を建物の屋根の表現に利用したものであり、図10はその波状の外観を水の波の表現に利用したものである。   In FIG. 9 to FIG. 11, the inside of the ellipse indicated by the arrow in the figure shows an example using silk thread processed by the single yarn technique, and FIG. 9 uses the wavy appearance for the expression of the roof of the building. Yes, FIG. 10 uses the wavy appearance for the expression of water waves.

また、図11は、種々の色彩の色の絹糸を併せて用いつつ、他の表現(解撚技法の糸、又は絹糸そのままを貼り付ける)を用いた糸と併用することにより、樹木が集まった草むらの多彩な表現に利用したものである。   In addition, FIG. 11 shows that trees were gathered by using silk yarns of various colors in combination with yarns using other expressions (untwisted yarn or silk yarn as it is). It was used for various expressions of grass.

(起綿技法)
糸7を微塵切りにして綿状にする技法であり、その微塵切りの程度により雲や水、波や風の表現等に適している。
(Causing technique)
This is a technique for finely cutting the thread 7 into a cotton-like shape, and is suitable for expressing clouds, water, waves and winds depending on the degree of fine dust cutting.

微塵切りの手段としては、ハサミを用いて糸7を細かく切る等をすればよく、微塵切りにした各色の糸7を絵の具のように混ぜ合わせることにより、際限なく色々な色を作り出すことができる。   As a means for fine dust cutting, it is only necessary to finely cut the thread 7 using scissors, and various colors can be created infinitely by mixing the fine colored thread 7 like paint. .

また、微塵切りの程度を更に進めて、糸7をより細かな粉状にすることで、接着時には殆ど絵の具を塗っている感覚で細かな箇所を描くことができるようになる。   Further, by further advancing the degree of fine dust cutting and making the thread 7 into a finer powder, it is possible to draw a fine part as if almost applying paint at the time of bonding.

図12及び図13中、図示矢印で示す枠内が起綿技法による処理を施した絹糸を用いた例を示しており、微塵切りにした絹糸の色を適宜混ぜ合わせることにより、図12のように色のトーンを連続的に変化させた表現としたり、また図13のように色を層状に変化させることで水面の遠近感や反射似よる影等、絵の具と同等の表現をすることができる。   In FIGS. 12 and 13, the inside of the frame indicated by the arrows in the figure shows an example using silk thread that has been treated by the raising technique, and by appropriately mixing the color of the finely cut silk thread, as shown in FIG. By changing the color tone continuously, or by changing the color in layers as shown in FIG. 13, it is possible to achieve the same expression as the paint, such as the perspective of the water surface and shadows that resemble the reflection. .

この発明の処理方法を施した糸を用いる絵画用カンバスの一実施形態を示す断面図である。It is sectional drawing which shows one Embodiment of the canvas for pictures using the thread | yarn which performed the processing method of this invention. この発明の処理方法を施した糸を用いた絵画の制作過程を示す一部拡大断面図である。It is a partially expanded sectional view which shows the production process of the picture using the thread | yarn which performed the processing method of this invention. この発明の処理方法を施した糸を用いた絵画の制作過程を示す一部拡大断面図である。It is a partially expanded sectional view which shows the production process of the picture using the thread | yarn which performed the processing method of this invention. この発明の処理方法を施した糸を用いた絵画の制作過程を示す斜視図である。It is a perspective view which shows the production process of the painting using the thread | yarn which performed the processing method of this invention. この発明の処理方法を施した糸を用いた絵画の正面図である。It is a front view of the picture using the thread | yarn which performed the processing method of this invention. この発明の加撚技法を施した糸を用いた絵画の部分拡大正面図である。It is the elements on larger scale of the painting using the thread | yarn which gave the twisting technique of this invention. この発明の解撚技法を施した糸を用いた絵画の部分拡大正面図である。It is a partial enlarged front view of the picture using the thread | yarn which gave the untwisting technique of this invention. この発明の解撚技法を施した糸を用いた絵画の部分拡大正面図である。It is a partial enlarged front view of the picture using the thread | yarn which gave the untwisting technique of this invention. この発明の単糸技法を施した糸を用いた絵画の部分拡大正面図である。It is a partial enlarged front view of the picture using the thread | yarn which performed the single yarn technique of this invention. この発明の単糸技法を施した糸を用いた絵画の部分拡大正面図である。It is a partial enlarged front view of the picture using the thread | yarn which performed the single yarn technique of this invention. この発明の単糸技法を施した糸を用いた絵画の部分拡大正面図である。It is a partial enlarged front view of the picture using the thread | yarn which performed the single yarn technique of this invention. この発明の起綿技法を施した糸を用いた絵画の部分拡大正面図である。It is the elements on larger scale of the painting using the thread | yarn which performed the raising technique of this invention. この発明の起綿技法を施した糸を用いた絵画の部分拡大正面図である。It is the elements on larger scale of the painting using the thread | yarn which performed the raising technique of this invention.

符号の説明Explanation of symbols

1 絵画用カンバス
2 ベース材
3 接着層
4 下絵紙
5 接着層
6 カバーシート
7 糸
8 絵柄
DESCRIPTION OF SYMBOLS 1 Canvas for painting 2 Base material 3 Adhesive layer 4 Underlay paper 5 Adhesive layer 6 Cover sheet 7 Thread 8 Picture

Claims (4)

絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、糸に更に撚りを加えることを特徴とする絵画制作に使用される糸の処理方法。   A method for processing a yarn to be applied to a surface of an canvas for painting, wherein the yarn is further twisted. 絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、糸の撚りを戻して緩めることを特徴とする絵画制作に使用される糸の処理方法。   A method for processing a yarn to be applied to a surface of an canvas for painting, wherein the yarn is untwisted and loosened, and used for painting. 絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、合糸された糸の撚りを戻して、糸を単糸又は複糸で取り出すことを特徴とする絵画制作に使用される糸の処理方法。   A method for processing a yarn to be attached to a surface adhesive layer of a canvas for painting, which is used for painting, characterized by untwisting the combined yarn and taking out the yarn as a single yarn or a double yarn Yarn processing method. 絵画用カンバスの表面接着層に貼り付けられる糸の処理方法であって、糸を微塵切りにして綿状又は粉状にすることを特徴とする絵画制作に使用される糸の処理方法。   A method for processing a yarn to be attached to a surface adhesive layer of a canvas for painting, wherein the yarn is finely cut into a cotton or powder form.
JP2007207131A 2007-08-08 2007-08-08 Treating method of yarn acted for pictures work Pending JP2009039942A (en)

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Cited By (1)

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Publication number Priority date Publication date Assignee Title
CN104097450A (en) * 2014-06-26 2014-10-15 江苏农林职业技术学院 Making method of shadow ink paper

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CN101585285B (en) * 2009-06-18 2010-11-17 袁洪滨 Method for making floss silk picture

Citations (3)

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Publication number Priority date Publication date Assignee Title
JPS5340356A (en) * 1976-09-22 1978-04-12 Ito Akira Method of producing manual handicraft arts by labeling
JPS61110599A (en) * 1984-11-02 1986-05-28 斉藤 寛 Method of forming picture pattern
JPH10168691A (en) * 1996-12-13 1998-06-23 Seigo Iseto Yarn for weaving figured fabric and figured fabric

Patent Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS5340356A (en) * 1976-09-22 1978-04-12 Ito Akira Method of producing manual handicraft arts by labeling
JPS61110599A (en) * 1984-11-02 1986-05-28 斉藤 寛 Method of forming picture pattern
JPH10168691A (en) * 1996-12-13 1998-06-23 Seigo Iseto Yarn for weaving figured fabric and figured fabric

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN104097450A (en) * 2014-06-26 2014-10-15 江苏农林职业技术学院 Making method of shadow ink paper

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