CN109878257A - Point type Tangka's drawing technique - Google Patents
Point type Tangka's drawing technique Download PDFInfo
- Publication number
- CN109878257A CN109878257A CN201810856925.4A CN201810856925A CN109878257A CN 109878257 A CN109878257 A CN 109878257A CN 201810856925 A CN201810856925 A CN 201810856925A CN 109878257 A CN109878257 A CN 109878257A
- Authority
- CN
- China
- Prior art keywords
- tangka
- painting canvas
- autumn
- drawing technique
- pigment
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Pending
Links
Landscapes
- Adornments (AREA)
Abstract
The present invention relates to autumn tying point formula Tangka's drawing techniques, it is characterised in that: includes at least following steps: step 1 stock;Step 2 handles painting canvas;Step 3 sketches the contours draft;Step 4 dyes hooking;Step 5 is widened the view mounting.The technique improves the visual effect of Tangka's art work and widens Tangka's world of art, improves the collection time of Tangka's gem of art, is widely applied to the fields such as ceramics, silk, decorative wall paper, screen, clothes, ornaments, wrist-watch.
Description
Technical field
The present invention relates to drawing technique more particularly to point type Tangka's drawing techniques.
Background technique
Tangka is a kind of graphics art form to show unique characteristics in Tibetan culture.With distinct national characteristic, strong
Religious undertones and unique artistic style, theme content are related to religion, history, politics, culture, social life, the science of Tibetan
The numerous areas such as technology can be rated as the encyclopedia of Tibetan.The faith and wisdom for agglomerating Tibetan people, recite the text in Tibet
Bright, history and development are entrusted to the care of Tibetan people and are had boundless love for snowy region local.The drafting of Tangka is extremely complex, and materials are extremely
Fastidious, pigment is all natural mine plant material, and bright color is gorgeous, prolonged not move back, and has strong snowy region style.It is overall to give people
Fine to portray, beautiful in colour, moulding is lively, unique style and be different from other drawing types.It not only gives art and enjoys
By, and make one to increase many knowledge.
Summary of the invention
The object of the present invention is to provide a kind of point type Tangka drawing technique, so as to improve Tangka's art work visual effect and
Widen Tangka's world of art, improve the collection time of Tangka's gem of art, be widely applied to ceramics, silk, decorative wall paper,
The fields such as screen, clothes, ornaments, wrist-watch.
The technical solution adopted by the present invention is that: point type Tangka's drawing technique, it is characterised in that: include at least following steps:
Step 1 stock;
Step 2 handles painting canvas;
Step 3 sketches the contours draft;
Step 4 dyes hooking;
Step 5 is widened the view mounting.
The step one specifically includes:
Step 1: preparing paintbrush, select the paintbrush of writing brush production;
Step 2: gold, silver, coral, pearl, malachite, cinnabar natural minerals pigment being selected to carry out formula test pigment.
The step two specifically includes:
Step 1: taut exhibition painting canvas
Select byssus as painting canvas cloth, painting canvas cloth requires surface smooth clean and tidy, stretches tight onto picture frame;Then by natural ox glue
It is evenly coated in painting canvas two sides, coats the painting canvas of ox glue after drying with regard to upper picture bottom;It is uniformly coated on the painting canvas two sides parched
The brewed juice reconciliation carclazyte powder of plant root, is plugged cloth cover pore, surface is smoothened;
Step 2: grinding painting canvas
Grinding painting canvas includes two procedures, and the first procedure is corase grinding, and the first procedure is fine grinding;Corase grinding polishing sequence be from
Top to bottm, from left to right;Polishing is once dried primary;Fine grinding is the finishing operation of painting canvas production, first for the ease of composition colouring
A small amount of ox glue is first called in cold water, is equably smeared in painting canvas front, is polished three to five times after drying with smooth porcelain.
The step three, sketching the contours draft includes:
Step 1: drafting composition and statue is measured
The composition of drafting of Tangka is the entire basis for drawing process, the step for be that will be drawn according to Tangka's " statue measurement warp "
The size, ratio, position for manufacturing picture do corresponding arrangement;
The skeleton of the works figure of buddha is first drawn by routing sketch and determines ratio, then draws clothes, pearl and jade necklace, coronet and musical instruments used in a Buddhist or Taoist mass,
Scenery with hills and waters, auspicious cloud, flowers, plants and trees, birds and beasts house are finally drawn again.
The step four, dyeing hooking include:
Step 1: Tangka's coloring
According to the rough draft composition of step 3, point type coloring carried out comprehensively to Tangka, sequencing is successively sky, ground, still life,
Followed by finery, finally colouring is facial;In order to change each site color depth, point type processing is carried out to various colors, by
Shallowly enter depth, by bright to secretly, enhances the three-dimensional sense and the sense of reality of works;
Step 2: repeating the step 1 in step 4, point type dyes repeatedly, until reaching the visual effect of picture person anticipation;
Step 3: Tangka's hooking
The muscle, dress ornament, the scenery with hills and waters of background, vegetation, auspicious cloud of personage are depicted with tapering pen tip;Proof gold is ground into fine powder
End, Jia Shui and glue are mixed well, and paint is sketched the contours on painting canvas, then are polished with hard jewel nib.
The step five, mounting of widening the view include:
Step 1: Tangka widens the view
Step 2: mounting
The mounting of Tangka is divided into two kinds: selection concealed mounting or frame mounting.
The development pigment of the step one selects gold, silver, coral, pearl, malachite, cinnabar natural minerals, by grinding
Grinds, in the ratio of 5:3:2 by natural mineral powder, water and natural ox glue conditioned pigment, then it is assorted not with basic pigment allotment
Same pigment.
Step 1 in the step one prepares paintbrush, is writing brush unidirectional array, successively makes 1-10 groups and fixes side by side
On penholder, every group of pen hair quantity is 6, and 1# pen hair length is 10mm, and 2# -10# pen hair length is 5mm.
The invention has the advantages that the present invention is stocked up by step 1;Step 2 handles painting canvas;Step 3 sketches the contours draft;Step
Rapid four dyeing hooking, step 5 are widened the view mounting.Step 1 in step 1 prepares paintbrush, is writing brush unidirectional array, successively makes
1-10 groups are fixed on penholder side by side, and every group of pen hair quantity is 6, and 1# pen hair length is 10mm, and 2#-10# pen hair length is
5mm.Five steps have merged the drawing technique skill of the big drawing group of traditional Tangka four, increase new skill coloring, so that original work
More treasure and reserve value.Make original work more true simultaneously and rich in three-dimensional sense.It can be widely applied to ceramics, silk
The fields such as silk fabric, decorative wall paper, screen, clothes, ornaments, wrist-watch.
Specific embodiment
The present invention is specifically described combined with specific embodiments below.
Embodiment 1
Point type Tangka's drawing technique, it is characterised in that: include at least following steps:
Step 1 stock;
Step 2 handles painting canvas;
Step 3 sketches the contours draft;
Step 4 dyes hooking;
Step 5 is widened the view mounting.
Embodiment 2
Point type Tangka's drawing technique, it is characterised in that: include at least following steps:
Step 1 stock
Step 1: preparing paintbrush, select first-class writing brush production paintbrush;
Step 2: developing pigment and select gold, silver, coral, pearl, malachite, cinnabar natural minerals pigment.
Step 2 handles painting canvas
Step 1: taut exhibition painting canvas
What painting canvas cloth was selected is slightly thick byssus, it is desirable that surface is smooth clean and tidy, stretches tight onto picture frame.Then by Sichuan-Tibet plateau day
Right ox glue is coated in painting canvas two sides, and the uniformity coefficient of gluing determines the colouring quality of Tangka's picture color pigment.Coat ox glue
Painting canvas can go up picture bottom after drying.It is uniformly coated on the painting canvas two sides parched by Sichuan-Tibet plateau growing plants root
Brewed juice reconciliation carclazyte powder, is plugged cloth cover pore, surface is smoothened.
Step 2: grinding painting canvas
It grinds painting canvas and needs two procedures, i.e. corase grinding and fine grinding.Corase grinding for several times before this, the sequence of polishing always from top to bottom,
From left to right, polishing will dry once every time.Fine grinding is the finishing operation of painting canvas production, for the ease of composition colouring, first
A small amount of ox glue is called in cold water, is equably smeared in painting canvas front, is polished three to five times after drying with smooth porcelain.
Step 3 sketches the contours draft
Step 1: drafting composition and statue is measured
The composition of drafting of Tangka is the entire basis for drawing process, the step for be according to Tangka " statue measurement warp ", will
The size, ratio, position for drawing statue have done corresponding arrangement.
The skeleton of the design works figure of buddha is first drawn by routing sketch and determines ratio, then draws clothes, pearl and jade necklace, coronet and method
Device etc. finally draws scenery with hills and waters, auspicious cloud, flowers, plants and trees, birds and beasts house etc. again.The drafting of the figure of buddha has stringent module.
Step 4 dyes hooking
Step 1: Tangka's coloring
Point type coloring carried out comprehensively to Tangka according to rough draft composition before, sequencing is successively sky, ground, still life, so
After be finery, face will paint to the end.In order to change each site color depth, various colors is carried out at point type
Reason from the superficial to the deep by bright to secretly, enhances the three-dimensional sense and the sense of reality of works.
Step 2: repeating step 1, point type dyes repeatedly, until reaching the visual effect of picture person anticipation.
Step 3: Tangka's hooking
Hooking is most important process in Tangka's manufacturing process, hooking be with tapering pen tip depict the muscle of personage, dress ornament,
Scenery with hills and waters, vegetation, auspicious cloud of background etc..The hook gold thread of Tangka is that proof gold is ground into fine powder, and Jia Shui and glue are mixed well, paint, hook
It strangles on painting canvas, then is polished with hard jewel nib, so that it is shone, whole picture Tangka will become splendid, bright and glittering.
Step 5 is widened the view mounting
Step 1: Tangka widens the view
It is last procedure drawn, widening the view is also the apt word added to clinch the point of whole picture works.Gently one, assign Tangka's portrait romantic charm
Anima.
Step 2: mounting
The mounting of Tangka is divided into two kinds: one is concealed mounting, another kind is frame mounting.
In step 1, works are drawn with unconventional tool, it is therefore intended that it is intended to form special stereovision by picture person,
Reach vision optimum efficiency, the unconventional tool is special paintbrush.
The development pigment of step 1, the natural minerals for selecting gold, silver, coral, pearl, malachite, cinnabar etc. precious pass through
It pulverizes, deploys colors by natural mineral powder+water+natural ox glue conditioned pigment, then with basic pigment in the ratio of 5:3:2
Different pigment are used for original work.These natural materials ensure that drawn Tangka is bright in colour, dazzling.
Point type Tangka drawing technique is used on ceramics, product can be applied to household china etc..
Point type Tangka drawing technique is used on silk, products application is in decoration screen, dress ornament etc..
Point type Tangka drawing technique is used on ornaments, products application is in ornaments, wrist-watch etc..
Embodiment 3
Point type Tangka's drawing technique, it is characterised in that: include at least following steps:
Step 1 stock:
It specifically includes:
Step 1: preparing paintbrush, select the paintbrush of writing brush production;
Paintbrush specifically is prepared, is writing brush unidirectional array, 1-10 groups is successively made and is fixed on penholder side by side, every group of pen hair quantity
It is 6,1# pen hair length is 10mm, and 2# -10# pen hair length is 5mm.
Step 2: gold, silver, coral, pearl, malachite, cinnabar natural minerals pigment being selected to carry out formula test pigment.
The development pigment selects gold, silver, coral, pearl, malachite, cinnabar natural minerals to press by pulverizing
The ratio of 5:3:2 deploys assorted different pigment by natural mineral powder, water and natural ox glue conditioned pigment, then with basic pigment.
Step 2 handles painting canvas:
It specifically includes:
Step 1: taut exhibition painting canvas
Select byssus as painting canvas cloth, painting canvas cloth requires surface smooth clean and tidy, stretches tight onto picture frame;Then by natural ox glue
It is evenly coated in painting canvas two sides, coats the painting canvas of ox glue after drying with regard to upper picture bottom;It is uniformly coated on the painting canvas two sides parched
The brewed juice reconciliation carclazyte powder of plant root, is plugged cloth cover pore, surface is smoothened;
Step 2: grinding painting canvas
Grinding painting canvas includes two procedures, and the first procedure is corase grinding, and the first procedure is fine grinding;Corase grinding polishing sequence be from
Top to bottm, from left to right;Polishing is once dried primary;Fine grinding is the finishing operation of painting canvas production, first for the ease of composition colouring
A small amount of ox glue is first called in cold water, is equably smeared in painting canvas front, is polished three to five times after drying with smooth porcelain.
Step 3 sketches the contours draft:
It specifically includes:
Step 1: drafting composition and statue is measured
The composition of drafting of Tangka is the entire basis for drawing process, the step for be that will be drawn according to Tangka's " statue measurement warp "
The size, ratio, position for manufacturing picture do corresponding arrangement;
The skeleton of the works figure of buddha is first drawn by routing sketch and determines ratio, then draws clothes, pearl and jade necklace, coronet and musical instruments used in a Buddhist or Taoist mass,
Scenery with hills and waters, auspicious cloud, flowers, plants and trees, birds and beasts house are finally drawn again.
Step 4 dyes hooking:
It specifically includes:
Step 1: Tangka's coloring
According to the rough draft composition of step 3, point type coloring carried out comprehensively to Tangka, sequencing is successively sky, ground, still life,
Followed by finery, finally colouring is facial;In order to change each site color depth, point type processing is carried out to various colors, by
Shallowly enter depth, by bright to secretly, enhances the three-dimensional sense and the sense of reality of works;
Step 2: repeating the step 1 in step 4, point type dyes repeatedly, until reaching the visual effect of picture person anticipation;
Step 3: Tangka's hooking
The muscle, dress ornament, the scenery with hills and waters of background, vegetation, auspicious cloud of personage are depicted with tapering pen tip;Proof gold is ground into fine powder
End, Jia Shui and glue are mixed well, and paint is sketched the contours on painting canvas, then are polished with hard jewel nib.
Step 5 is widened the view mounting.
It specifically includes:
Step 1: Tangka widens the view
Step 2: mounting
The mounting of Tangka is divided into two kinds: selection concealed mounting or frame mounting.
The present invention has merged the drawing technique skill of the big drawing group of traditional Tangka four, in addition innovation coloring gimmick, so that creation
Works are more true and rich in three-dimensional sense.It can be widely applied to ceramics, silk, decorative wall paper, screen, clothes, ornaments, wrist-watch etc.
Field.
One embodiment of the present of invention is illustrated above, but content is only the preferred embodiment of the present invention,
It should not be considered as limiting the scope of the invention.Any changes and modifications in accordance with the scope of the present application,
It should still be within the scope of the patent of the present invention.
Claims (8)
1. autumn tying point formula Tangka's drawing technique, it is characterised in that: include at least following steps:
Step 1 stock;
Step 2 handles painting canvas;
Step 3 sketches the contours draft;
Step 4 dyes hooking;
Step 5 is widened the view mounting.
2. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: the step one is specific
Include:
Step 1: preparing paintbrush, select the paintbrush of writing brush production;
Step 2: gold, silver, coral, pearl, malachite, cinnabar natural minerals pigment being selected to carry out formula test pigment.
3. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: the step two is specific
Include:
Step 1: taut exhibition painting canvas
Select byssus as painting canvas cloth, painting canvas cloth requires surface smooth clean and tidy, stretches tight onto picture frame;Then by natural ox glue
It is evenly coated in painting canvas two sides, coats the painting canvas of ox glue after drying with regard to upper picture bottom;It is uniformly coated on the painting canvas two sides parched
The brewed juice reconciliation carclazyte powder of plant root, is plugged cloth cover pore, surface is smoothened;
Step 2: grinding painting canvas
Grinding painting canvas includes two procedures, and the first procedure is corase grinding, and the first procedure is fine grinding;Corase grinding polishing sequence be from
Top to bottm, from left to right;Polishing is once dried primary;Fine grinding is the finishing operation of painting canvas production, first for the ease of composition colouring
A small amount of ox glue is first called in cold water, is equably smeared in painting canvas front, is polished three to five times after drying with smooth porcelain.
4. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: the step three hooks
Strangling draft includes:
Step 1: drafting composition and statue is measured
The composition of drafting of Tangka is the entire basis for drawing process, the step for be that will be drawn according to Tangka's " statue measurement warp "
The size, ratio, position for manufacturing picture do corresponding arrangement;
The skeleton of the works figure of buddha is first drawn by routing sketch and determines ratio, then draws clothes, pearl and jade necklace, coronet and musical instruments used in a Buddhist or Taoist mass,
Scenery with hills and waters, auspicious cloud, flowers, plants and trees, birds and beasts house are finally drawn again.
5. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: the step four, dye
Color hooking includes:
Step 1: Tangka's coloring
According to the rough draft composition of step 3, point type coloring carried out comprehensively to Tangka, sequencing is successively sky, ground, still life,
Followed by finery, finally colouring is facial;In order to change each site color depth, point type processing is carried out to various colors, by
Shallowly enter depth, by bright to secretly, enhances the three-dimensional sense and the sense of reality of works;
Step 2: repeating the step 1 in step 4, point type dyes repeatedly, until reaching the visual effect of picture person anticipation;
Step 3: Tangka's hooking
The muscle, dress ornament, the scenery with hills and waters of background, vegetation, auspicious cloud of personage are depicted with tapering pen tip;Proof gold is ground into fine powder
End, Jia Shui and glue are mixed well, and paint is sketched the contours on painting canvas, then are polished with hard jewel nib.
6. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: the step five is opened
Eye mounting include:
Step 1: Tangka widens the view
Step 2: mounting
The mounting of Tangka is divided into two kinds: selection concealed mounting or frame mounting.
7. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: the step one is ground
Pigment processed selects gold, silver, coral, pearl, malachite, cinnabar natural minerals, by pulverizing, in the ratio of 5:3:2 by day
Right mineral powder, water and natural ox glue conditioned pigment, then assorted different pigment are deployed with basic pigment.
8. autumn tying point formula Tangka's drawing technique method according to claim 1, it is characterised in that: in the step one
Step 1 prepares paintbrush, is writing brush unidirectional array, successively makes 1-10 groups and is fixed on penholder side by side, and every group of pen hair quantity is 6
Root, 1# pen hair length are 10mm, and 2# -10# pen hair length is 5mm.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
CN201810856925.4A CN109878257A (en) | 2018-07-31 | 2018-07-31 | Point type Tangka's drawing technique |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
CN201810856925.4A CN109878257A (en) | 2018-07-31 | 2018-07-31 | Point type Tangka's drawing technique |
Publications (1)
Publication Number | Publication Date |
---|---|
CN109878257A true CN109878257A (en) | 2019-06-14 |
Family
ID=66924819
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
CN201810856925.4A Pending CN109878257A (en) | 2018-07-31 | 2018-07-31 | Point type Tangka's drawing technique |
Country Status (1)
Country | Link |
---|---|
CN (1) | CN109878257A (en) |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN110406309A (en) * | 2019-08-27 | 2019-11-05 | 泉州市赛雄文化发展有限公司 | A kind of method for drafting that Tangka draws |
Citations (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN101927657A (en) * | 2009-08-21 | 2010-12-29 | 潘军 | Wire inlay Thangka and manufacturing method thereof |
RU2415029C1 (en) * | 2009-09-18 | 2011-03-27 | Антон Алексеевич АНТОНОВ | Method to develop art panel with image of fresco type (versions) |
CN104494357A (en) * | 2014-12-03 | 2015-04-08 | 代日旦 | Manufacturing method for thangka |
-
2018
- 2018-07-31 CN CN201810856925.4A patent/CN109878257A/en active Pending
Patent Citations (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN101927657A (en) * | 2009-08-21 | 2010-12-29 | 潘军 | Wire inlay Thangka and manufacturing method thereof |
RU2415029C1 (en) * | 2009-09-18 | 2011-03-27 | Антон Алексеевич АНТОНОВ | Method to develop art panel with image of fresco type (versions) |
CN104494357A (en) * | 2014-12-03 | 2015-04-08 | 代日旦 | Manufacturing method for thangka |
Non-Patent Citations (2)
Title |
---|
RK588: "藏族的"百科全书"——唐卡是如何画出来的", 《360DOC个人图书馆》 * |
不易齋: "解密唐卡!复杂细腻的工艺造就跨越千年的宗教神采", 《360DOC个人图书馆》 * |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN110406309A (en) * | 2019-08-27 | 2019-11-05 | 泉州市赛雄文化发展有限公司 | A kind of method for drafting that Tangka draws |
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Yunus | Malaysian batik: Reinventing a tradition | |
Yates | Textiles: a handbook for designers | |
CN109878257A (en) | Point type Tangka's drawing technique | |
CN102765265A (en) | Method for applying Thangka on cloth by utilizing screen printing | |
CN105667198A (en) | Heavy-color two-sided painting and drawing method thereof | |
CN104494357A (en) | Manufacturing method for thangka | |
Monnas | Silk textiles in the paintings of Bernardo Daddi, Andrea di Cione and their followers | |
CN202742960U (en) | Crystal picture | |
Jacobs | The art of colour | |
CN101941352B (en) | Method for preparing paint with curious and magic patterns | |
Betts et al. | Dressed in Tin | |
Bonifant | Art and survival: A look at Textiles in the Gambia | |
CN108454301A (en) | Middle grey hair lacquer painting | |
Havell | THE INDUSTRIES OF MADRAS. | |
Kosek | The heyday of pastels in the Eighteenth Century | |
CN103373163A (en) | Crystal picture and manufacturing method thereof | |
Hodge | Indonesian batik design: Transmitter of culture | |
Tan | Research on the Application of Blue and White Porcelain Patterns in Modern Womenswear Design | |
Shah et al. | INDIAN CHINTZ-CRAFT IDENTIFICATION AS AN EXQUISITE HAND-PAINTED TRADITIONAL TEXTILE | |
Abdin | Effectiveness Of the Printing Design in Supporting the Artistic Values of the Textile Bag | |
Gibbs | Colors and Techniques of Eighteenth-Century Chinese Wallpaper: Blair House as Case Study | |
Lin | Lacquer Decoration Technology in Bag Design | |
Mancoff | How Art is Made: The Craft Behind the Masterpieces | |
Pathak | Pashmina | |
Thy | Folk art at the crossroads of tradition and modernity: a study of Patta painting in Orissa |
Legal Events
Date | Code | Title | Description |
---|---|---|---|
PB01 | Publication | ||
PB01 | Publication | ||
SE01 | Entry into force of request for substantive examination | ||
SE01 | Entry into force of request for substantive examination | ||
RJ01 | Rejection of invention patent application after publication | ||
RJ01 | Rejection of invention patent application after publication |
Application publication date: 20190614 |