CN102765265A - Method for applying Thangka on cloth by utilizing screen printing - Google Patents
Method for applying Thangka on cloth by utilizing screen printing Download PDFInfo
- Publication number
- CN102765265A CN102765265A CN2011101162264A CN201110116226A CN102765265A CN 102765265 A CN102765265 A CN 102765265A CN 2011101162264 A CN2011101162264 A CN 2011101162264A CN 201110116226 A CN201110116226 A CN 201110116226A CN 102765265 A CN102765265 A CN 102765265A
- Authority
- CN
- China
- Prior art keywords
- cloth
- tangka
- pattern
- thangka
- applying
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Pending
Links
Landscapes
- Coloring (AREA)
Abstract
The invention discloses a method for applying Thangka on cloth by utilizing screen printing, and is characterized by comprising the following steps: (1) selecting a pattern to be produced; (2) carrying out hand drawing and color separation on sulfuric acid paper by a carbon brush or black ink with high concentration or carrying out color separation on a computer through a special software; (3) printing on a gauze net drying screen of 100 meshes and a smooth cloth by utilizing ink or a mineral material; and (4) drying the cloth printed with the pattern. The invention provides the method for applying the Thangka on the cloth by utilizing screen printing, and the method is capable of realizing digitalized production of a product with long composite drawing time through an industrial production assembly line, ensuring picture quality uniformity, shortening working time, and being matched with multiple patterns.
Description
Technical field
The present invention relates to a kind ofly adopt serigraphy that Tangka is applied in the method on the cloth.
Background technology
Tangka is Tibetan language (Thangka), also is Tang's loud, high-pitched sound, is the spool drawing in Tibet, and it is existing to reach the history in more than 1400 year, and Tangka's content of painting is the figure of buddha and Tibetan history, landscape.The technique of painting is simple, straight-forward style of writing and paints with exact delineation and enriched colours that the people who draws Tangka will not leave behind a good reputation on drawing, it is drawn and puts on display the place mainly is temple and palace.Tangka is one of handicraft famous in the traditional handicrafts of Tibet always, liked by Tibetan people and domestic and international personage.From ancient times to the present all obtain the extensive attention of each side.Particularly after the democratic reform of Tibet; Country and the government of the Tibet Autonomous Region in Lhasa, Rikaze, Changdu, the Shannan Prefecture invests and newly established a plurality of industrial arts factories; Tangka's self-employed worker occurred dealing exclusively on eight wide streets and other places, Tangka has already had beyond example flourish.Past has been moved towards market from monastery with through hall as a kind of Tangka of religious article, becomes a kind of handicraft, tourist souvenir and collectibles.One of famous handicraft in the traditional handicrafts is liked by Tibetan people and personage both at home and abroad deeply.From ancient times to the present all obtain the extensive attention of each side.Particularly after the democratic reform of Tibet; Country and the government of the Tibet Autonomous Region in Lhasa, Rikaze, Changdu, the Shannan Prefecture invests and newly established a plurality of industrial arts factories; Tangka's self-employed worker occurred dealing exclusively on eight wide streets and other places, Tangka has already had beyond example flourish.Past has been moved towards market from monastery with through hall as a kind of Tangka of religious article, becomes a kind of handicraft, tourist souvenir and collectibles.
Tangka is the encyclopedia that merges Buddhism spirit, traditional technology and individual creativity power.The visitor of Han nationality buys Tangka and appreciates collection as the distinctive art work of Tibetan; People from Tibetan buy Tangka then majority be with its thing as a kind of faith worship of religious spirit.Tangka is called " scroll painting ", " cloth picture " again; Be a kind of graphics art that Tibetan rises SontzenGampo period, how on cloth cover, draw a picture, also draw a picture at paper; Also have fabric Tangka such as embroidery, picture-weaving in silk, weaving done in fine silks and gold thread by the tapestry method and applique, even knit valuables such as jewelry, spun gold.
Tangka is as the peculiar a kind of form of painting of Tibetan Buddhist, and the history in existing more than 1,000 year has distinct national characteristic and unique artistic style so far, has very high artistic value, is the treasure of Chinese national painting.Tangka's pattern drafting stroke is meticulous, color is beautiful, moulding is lively, content is extensive, almost embraces a wide spectrum of ideas, and form is of a great variety, and kind and quality are a splendid legacy.Used pigment is all taken from precious mineral and the natural plants in the Nature, goes through centuries even more than one thousand years, and picture is still splendid, magnificent as new.Draw Tangka's pigment and process by the mineral of pure natural, bright in luster, sustain its quality through age.
Along with new material, the appearance of new technology means, Tangka is developed again and barbola, embroidery, picture-weaving in silk, weaving done in fine silks and gold thread by the tapestry method Tangka and printing color Tangka etc. on drawing Tangka's basis.So strictly speaking, Tangka's art is not only again a graphics art.Method of producing that these are new and method have been enriched traditional Tangka's art.Their method of producing and method and drawing Tangka have very big difference, but on Tangka's content, layout and dimension scale thereof, then consistent with drawing Tangka, all to meet traditional classical theory standard.Barbola Tangka wherein: barbola is named again and clips and pastes, appliques.It is with each color satin, cuts out various personages, flowers, booth platform, building etc., sticks on a kind of creative method on the fabric.It originally is the preparation method of a kind of dress and personal adornment on ground in coming from, and the characteristics of this technology are to increase the color change and the third dimension of works.After this kind technology is imported the Tibetan area into, be used to Tangka's making, develop into a kind of new Tangka's class.Barbola Tangka's making, the development through long-term becomes better and approaching perfection day by day.The most famous with area, Qinghai Taer Monastery, be called as one of the art " three is exhausted " at this temple.The 11th Panchen Lama Erdeni of Culture Palace of the Nationalities collection presents " 10th Panchen Lama great master is as Tangka " to the People's Central Government respectfully, just can be rated as the masterpiece among the barbola Tangka.Embroidery Tangka: embroidery Tangka uses various silk threads, on satin face, embroiders.Anglicanum is of long standing and well established at the Central Plains and the southern area of China, is that the four famous embroideries of representative is famous in the world with the Suzhou embroidery.It is said that the anglicanum in Tibet is to be imported into by Mongolian area, anglicanum is imported Tibetan areas such as Tibet into, also is used to Tangka and makes, and forms special a kind of embroidery Tangka.It generally is plain embroidery that Tangka embroiders.Embroidery Tangka's main feature is that color and luster is bright and beautiful, the transition nature, and works are given the sensation of people's one integrated mass." Padma Sambhava's picture " that 10th Panchen Lama great master presents respectfully to the People's Central Government is embroidery Tangka's superior fine piece of writing.Picture-weaving in silk, weaving done in fine silks and gold thread by the tapestry method Tangka: picture-weaving in silk is to be made with warp of the same colour (being mostly plain color) the different colored parallel that interweaves.Weaving done in fine silks and gold thread by the tapestry method is that distinctive will the drawing of China transplanted the special warfare on silk goods, and picture-weaving in silk is " longitude and latitude interweaves ", and weaving done in fine silks and gold thread by the tapestry method is " staplings stimulates the menstrual flow ".These two kinds of technologies are used for Tangka makes, and develops into picture-weaving in silk and weaving done in fine silks and gold thread by the tapestry method Tangka.Picture-weaving in silk and weaving done in fine silks and gold thread by the tapestry method Tangka are of close texture, and decorative pattern is exquisite, and color is lucid and lively, rich very strong artistic appeal.Mostly the picture-weaving in silk in Tibet and weaving done in fine silks and gold thread by the tapestry method Tangka are customized interiorly, are many with the Ming Dynasty.Because of these two kinds of Tangka's production quantities are few, so retention is few.
Summary of the invention
The cloth that will be printed on pattern is at last dried.The invention provides a kind of can be with the numberization production of commercial production streamline, guarantee the picture quality uniformity, the employing serigraphy that is combined with multiple pattern in addition is applied in the method on the cloth with Tangka.
Be to realize above-mentioned purpose, the technical scheme that the present invention adopted is: a kind ofly adopt serigraphy that Tangka is applied in the method on the cloth, it is characterized in that the step of this method is following:
(1) the selected pattern that needs making;
(2) carry out the Freehandhand-drawing color separation or use the special-purpose software color separation on computers at template with carbon paintbrush or the high black ink of concentration;
(3) shine on half tone and the level and smooth cloth at 100 purpose grenadines with printing ink and mineral material afterwards and undertake the printing of;
The cloth that (4) will be printed on pattern is at last dried.
More excellent, described mineral material is that pearl essence or glitter powder, pearlite slurry, aluminum paste, silver powder, copper bronze, luminescent powder, reflective powder, chameleon, temperature become powder or the like.
More excellent, described cloth can be dark cloth or white cloth.
After adopting technique scheme,, printing ink and mineral material undertake the printing of because shining on half tone and the level and smooth cloth at 100 purpose grenadines, thus can often clean, and rapid wear is not mashed, is combined with the half tone etching cloth of multiple pattern in addition; Because the textile fabric printed material is not contain PVC heat, have solid printing ink characteristics, and the holding time of environmental protection charcoal is long again.
The specific embodiment
Do further detailed explanation in the face of the present invention down.
A kind ofly adopt serigraphy that Tangka is applied in the method on the cloth, it is characterized in that the step of this method is following: the pattern of (1) selected needs making; (2) carry out the Freehandhand-drawing color separation or use the special-purpose software color separation on computers at template with carbon paintbrush or the high black ink of concentration; (3) shine on half tone and the level and smooth cloth at 100 purpose grenadines with printing ink and mineral material afterwards and undertake the printing of; The cloth that (4) will be printed on pattern is at last dried; Described mineral material is that pearl essence or glitter powder, pearlite slurry, aluminum paste, silver powder, copper bronze, luminescent powder, reflective powder, chameleon, temperature become powder or the like, and described cloth can be dark cloth or white cloth.
Adopt printing ink and mineral material to shine on half tone and the level and smooth cloth and undertake the printing of at 100 purpose grenadines, thus can often clean, and rapid wear is not mashed, is combined with the half tone etching cloth of multiple pattern in addition; Because the textile fabric printed material is not contain PVC heat, have solid printing ink characteristics again, and environmental protection, the holding time is long.
Above-described only is that the present invention adopts serigraphy Tangka to be applied in the preferred implementation of the method on the cloth; Should be understood that; For the person of ordinary skill of the art; Under the prerequisite that does not break away from the invention design, can also make some distortion and improvement, these all belong to protection scope of the present invention.
Claims (3)
1. one kind is adopted serigraphy that Tangka is applied in the method on the cloth, it is characterized in that the step of this method is following:
(1) the selected pattern that needs making;
(2) carry out the Freehandhand-drawing color separation or use the special-purpose software color separation on computers at template with carbon paintbrush or the high black ink of concentration;
(3) shine on half tone and the level and smooth cloth at 100 purpose grenadines with printing ink or mineral material afterwards and undertake the printing of;
The cloth that (4) will be printed on pattern is at last dried.
2. employing serigraphy according to claim 1 is applied in the method on the cloth with Tangka, it is characterized in that described mineral material is a pearl essence.
3. employing serigraphy according to claim 1 is applied in the method on the cloth with Tangka, it is characterized in that described cloth can be dark cloth or white cloth.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
CN2011101162264A CN102765265A (en) | 2011-05-03 | 2011-05-03 | Method for applying Thangka on cloth by utilizing screen printing |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
CN2011101162264A CN102765265A (en) | 2011-05-03 | 2011-05-03 | Method for applying Thangka on cloth by utilizing screen printing |
Publications (1)
Publication Number | Publication Date |
---|---|
CN102765265A true CN102765265A (en) | 2012-11-07 |
Family
ID=47092927
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
CN2011101162264A Pending CN102765265A (en) | 2011-05-03 | 2011-05-03 | Method for applying Thangka on cloth by utilizing screen printing |
Country Status (1)
Country | Link |
---|---|
CN (1) | CN102765265A (en) |
Cited By (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN103753992A (en) * | 2014-01-25 | 2014-04-30 | 繁昌县朱氏印务有限责任公司 | Printing process for sulfuric acid paper |
CN104773001A (en) * | 2015-04-02 | 2015-07-15 | 杭州昌帘盟纺织品有限公司 | Preparation process of bronze printing and digital positioning printing-combined pattern fabric |
CN105398232A (en) * | 2015-12-10 | 2016-03-16 | 中山市恒辉印花有限公司 | Digital air brush printing production system for flocked cloth |
CN109171131A (en) * | 2018-10-08 | 2019-01-11 | 保定市千古意饰品设计有限公司 | A kind of Tangka's pendant and preparation method thereof |
CN109551911A (en) * | 2019-01-24 | 2019-04-02 | 河南省防伪保密印刷公司(河南省邮电印刷厂) | Method for printing screen based on natural mineral powder |
Citations (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN1951708A (en) * | 2005-10-19 | 2007-04-25 | 龚品忠 | Print production technology |
-
2011
- 2011-05-03 CN CN2011101162264A patent/CN102765265A/en active Pending
Patent Citations (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN1951708A (en) * | 2005-10-19 | 2007-04-25 | 龚品忠 | Print production technology |
Non-Patent Citations (2)
Title |
---|
王保友: "丝网印刷制作版画技法", 《网印工业》, no. 199704, 31 August 1997 (1997-08-31), pages 23 - 25 * |
王汉洲: "丝网版画的印刷", 《丝网印刷》, no. 200502, 28 February 2005 (2005-02-28), pages 13 - 15 * |
Cited By (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN103753992A (en) * | 2014-01-25 | 2014-04-30 | 繁昌县朱氏印务有限责任公司 | Printing process for sulfuric acid paper |
CN104773001A (en) * | 2015-04-02 | 2015-07-15 | 杭州昌帘盟纺织品有限公司 | Preparation process of bronze printing and digital positioning printing-combined pattern fabric |
CN105398232A (en) * | 2015-12-10 | 2016-03-16 | 中山市恒辉印花有限公司 | Digital air brush printing production system for flocked cloth |
CN109171131A (en) * | 2018-10-08 | 2019-01-11 | 保定市千古意饰品设计有限公司 | A kind of Tangka's pendant and preparation method thereof |
CN109551911A (en) * | 2019-01-24 | 2019-04-02 | 河南省防伪保密印刷公司(河南省邮电印刷厂) | Method for printing screen based on natural mineral powder |
Similar Documents
Publication | Publication Date | Title |
---|---|---|
CN102765265A (en) | Method for applying Thangka on cloth by utilizing screen printing | |
Wang | Inheritance and innovation of embroidery in modern design | |
CN202742960U (en) | Crystal picture | |
Chen et al. | Analysis on the Visual Characteristics of the Traditional Patterns of Guangxin Paper Cutting | |
CN109878257A (en) | Point type Tangka's drawing technique | |
Rongjia | On the Aesthetic Characteristics of Traditional Folk Art | |
CN101195967A (en) | Hand-drawing dyeing method for facing material | |
Yin | Research on Smart Teaching Method of Fashion Innovation and Development of Creation Aesthetics in Lingnan Nine Intangible Cultural Heritage | |
CN214927634U (en) | Highly reflective fabric and wallpaper combining digital art and hand-painting carving embroidery | |
Ju | The Research on the Origin and Communication of Blue and Green Colors in Chinese Blue and Green Landscape Painting | |
Yan | Analysis of the Development History and Cultural Value of the Chinese Panjin Embroidery Technique | |
Posrithong et al. | Artistic Relations between Indian Textiles for Thai Market and Bencharong Ware | |
Chudi-Duru | Textile Painting: Exploration of Uli Symbolic Motif Painting of the Igbo on Dyed Canvas using Acrylic as a Medium in Contemporary Textile Art | |
Lin | Study on Cultural Inheritance and Aesthetic Value of Class System of Dress in Qing Dynasty | |
Ulzen-Appiah | A review of symbolism in indigenous West African textiles | |
Song et al. | Design Expression of “Chinese-style” Costumes in the Context of Globalization | |
Yang et al. | Gene Extraction of Nanjing Yunjin Culture and Its Application in Fashion Design | |
Ayuswantana | Kawung, Tumpal and Ceplikan Motif as Visual Identities of Puppets of Wayang Jekdong in East Java Province | |
Hyun et al. | Aesthetic characteristics of traditional Korean patterns expressed on contemporary fashion design-from 1990 to 2005 | |
Yan et al. | A Study on the Characteristics and the Meaning of the'baoxianghua'Patterns in the Dun Huang Murals, China | |
Iftikhar et al. | Historical and Contemporary Development of Textile Design | |
Wu et al. | From the Silk Road to the World: Historical Changes and Influence of Guangdong Embroidery's Export Embroideries | |
Jueming et al. | Making Calligrapher’s Tools | |
Zapolska | BUDDHIST MOTIFS IN CHINESE TEXTILE DECORATIONS at the end of the Qing dynasty (1644–1911) | |
Ji et al. | The Application of Traditional Bian Embroidery in Modern Fashion Design |
Legal Events
Date | Code | Title | Description |
---|---|---|---|
C06 | Publication | ||
PB01 | Publication | ||
C10 | Entry into substantive examination | ||
SE01 | Entry into force of request for substantive examination | ||
C02 | Deemed withdrawal of patent application after publication (patent law 2001) | ||
WD01 | Invention patent application deemed withdrawn after publication |
Application publication date: 20121107 |