CN105667198A - Heavy-color two-sided painting and drawing method thereof - Google Patents
Heavy-color two-sided painting and drawing method thereof Download PDFInfo
- Publication number
- CN105667198A CN105667198A CN201610211031.0A CN201610211031A CN105667198A CN 105667198 A CN105667198 A CN 105667198A CN 201610211031 A CN201610211031 A CN 201610211031A CN 105667198 A CN105667198 A CN 105667198A
- Authority
- CN
- China
- Prior art keywords
- color
- painting
- line
- paper
- heavy
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Pending
Links
Classifications
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44D—PAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
- B44D2/00—Special techniques in artistic painting or drawing, e.g. oil painting, water painting, pastel painting, relief painting
Abstract
The invention discloses a heavy-color two-sided painting and a drawing method thereof. The heavy-color two-sided painting comprises a piece of drawing paper, the front and the back of the drawing paper are folds with uniform texture, oil painting is drawn on the front, and the watercolor is drawn on the back; the drawing method comprises the following steps: (1) finishing an ink line draft on a piece of raw Chinese art paper; (2) reversing the ink line draft into the other surface to check whether the ink color uniformly penetrates the paper; (3) repeatedly kneading the ink line draft to manufacture the texture; (4) dividedly dyeing, performing the first coloring on the oil painting on the front of the ink line draft; (5) performing contrast treatment on the watercolor on the back of the ink line draft; (6) orderly finishing the coloring of other parts in reference to the steps (4) and (5); and (7) integrally regulating and further depicting. Through the adoption of a paper-kneading method, the uniform texture is obtained to meet the exquisite or rough requirement, the traditional Chinese painting material and the raw Chinese art paper two-sided painting method are combined to draw up the heavy-color painting with gorgeous color oil painting style, the whole painting is lifelike and the color is gorgeous, the brushwork is heavy, and the painting is high in art aesthetic feeling and ornamental value.
Description
Technical field
The present invention relates to drawing techniques field, particularly to the color double-faced picture of one weight and method for drafting thereof.
Background technology
China's heavy colored drawing is to absorb Chinese tradition traditional Chinese painting, Chinese folk art etc. on tradition traditional Chinese painting basis, and merge western modern art and grow the Chinese painting independent system of development further, and have more worldwide, application is all had, wide market in multiple fields such as the drafting of animation cartoon, mural painting and lacquer painting Art Designs. The main picture that oil painting is Western painting one of is planted, it is with drip-dry vegetable oil (Semen Lini oil, poppy seed oil, Semen Juglandis wet goods) filling colour, at painting canvas linen, cardboard or plank carry out the picture kind made, the core of Caulis et Folium Lini wet goods that diluent is volatile Oleum Terebinthinae and dryness used when drawing a picture, pigment accompanying by picture has stronger hardness, when picture is dried, gloss can be kept for a long time, covering power and properties of transparency by pigment more fully hereinafter show rendered object, rich color, match volume is strong.
For a long time, domestic and international Chinese painting has been used up the method for " raw rice paper one side is drawn a picture ", but uses Chinese painting material (the raw rice paper of China; Ink; Compound: pigment, traditional Chinese Painting, stone pigment; Brush pen) adopt " the raw new skill and technique of rice paper double-faced picture " to draw the Chinese heavy colored drawing works unmanned trial at present of painting style, it is a great difficult problem of Chinese art circle and industrial art circle. Now, the two perfect adaptation, through continuous exploration for many years, is completed use Chinese painting material and draws the ripe heavy colored drawing works that painting style color is splendid, promote greatly and the representability enriching Chinese painting and material thereof by present invention applicant.
Summary of the invention
It is an object of the present invention to provide a kind of use Chinese painting material (raw rice paper of China; Ink; Compound: pigment, traditional Chinese Painting, stone pigment; Brush pen) just can draw the color double-faced picture of weight of the painting style with unique decorated style and temperament and interest and lucid and lively magnificent color to solve the deficiency of prior art existence.
Another object of the present invention provides the method for drafting of the color double-faced picture of weight.
The present invention is achieved through the following technical solutions goal of the invention:
The color double-faced picture of weight, including drawing paper, the obverse and reverse of described drawing paper is the uniform fold face of skin texture after rubbing, and is decorated with oil painting in described front, is decorated with watercolor at described reverse side.
Further, described drawing paper is made a living rice paper, is of a size of 100 × 100cm.
The method for drafting of the color double-faced picture of weight as above, comprises the steps:
(1) on raw rice paper, line of ink marker original text is completed with brush pen and ink;
(2) by the line of ink marker original text in described step (1) in turn, check that whether saturating the mass colour paper of the line of ink marker is uniform;
(3) line of ink marker original text in described step (2) is rubbed one, work and make skin texture, repeatedly rub pressure, until the skin texture of described raw rice paper is uniform, then flatten raw rice paper to draw a picture;
(4) dividing dye, it is determined that good picture key colour, adopt the dry technique of painting to use hybrid pigment to paint in oils to carry out first pass painted in line of ink marker original text front that described step (3) processed.
(5) line of ink marker original text back side in step (4) adopts wet technique of painting ink and pigment color draw watercolor to make to set off by contrast process;
(6) with reference to described step (4) and step (5) be sequentially completed in picture other parts painted;
(7) works that described step (6) is completed carry out integrated regulation and portray further, complete the making of described heavy color double-faced picture.
Further, described step (2) if in the pastel region of wired mass colour, in the front replotting of line of ink marker original text, the vestige of heavy pen need to not occur during replotting, the saturating paper of the line of ink marker simultaneously making whole line of ink marker original text is uniform,
Further, in described step (1), line of ink marker original text needs before completing to choose on a described raw rice paper and goes out line drawing first draft with pencil drawing, separately take a raw rice paper to be placed in above described line drawing first draft, described the positive original text of line drawing, then on the positive original text of line drawing, sketch the contours the line of ink marker complete described line of ink marker original text.
Further, in described step (4), hybrid pigment is one or more in pigment, Chinese painting color or stone pigment.
Further, in described step (4), the painted brush pen of first pass adopts the dry technique of painting to use pigment to add stone pigment and describe.
Further, described step (4) needs to vacate the style of calligraphy characterized by hollow strokes region produced because rubbing after first pass is painted, the region needing dyeing all can not be covered with pigment, thus, the style of calligraphy characterized by hollow strokes region naturally vacated when carrying out setting off by contrast process from the negative can ensure that the color at the back side can be impregnated into front.
Further, setting off by contrast in described step (5) processes the principle that need to follow color passage, watercolors need to keep certain concentration, the amount of water of ink to lack, if watercolors are too rare, treat that color can shoal after having done, do not have the effect seted off by contrast, and the ink very strong water yield of power of impregnation is unsuitable too much.
Further, pigment color in described step (5) is added with wine or the ethanol of the high number of degrees, pigment color is any one or several in large red, peony, deep conspicuous color, large red, vermilion, Chinese red, crocus, middle yellow or lemon yellow, adding Mo Tiaoshen during color burn makes colour stable calm, and the addition of wine or ethanol can strengthen the power of impregnation of pigment color.
The invention have the advantages that
(1) do not use oil colour only with traditional Chinese painting material (the raw rice paper of China; Ink; Compound: pigment, traditional Chinese Painting, stone pigment; Brush pen) heavy colored drawing with the splendid painting style of color just can be drawn in conjunction with the two-sided technique of painting;
(2) method rubbing paper is adopted to obtain the requirement that uniform skin texture is fine and smooth with satisfied drawing or slightly mad, raw rice paper is after rubbing, become more soft, use brush pen to draw a picture in conjunction with two-sided, ultimately form that color the same as oil painting representability be splendid and style of writing is full of thick and heavy and tension force, aestheticism style weight coloured silk works;
(3) Chinese painting material is used will to merge with skill and technique theoretical for the Chinese and Western drawing colors such as oil painting skill, Watercolor Technique, traditional Chinese Painting Chinese realistic painting, mural painting skin texture, the tone of oil painting and light sensation and expressionist emotional color etc. are incorporated among the painting skill of heavy colored drawing, great aesthetic and sight;
(4) painting subject matter contents diversification, is suitable for the multiple subject matters such as birds and flowers, personage and landscape, and is applicable to multiple fields such as the drafting of animation cartoon, mural painting and lacquer painting Art Design.
Accompanying drawing explanation
Fig. 1 is that the embodiment of the present invention 1 is called that the picture of " new dragon-boat tune " black and white after treatment is drawn;
Fig. 2 is that the embodiment of the present invention 2 is called that the picture of " the three of south of the Five Ridges gold " black and white after treatment is drawn;
Fig. 3 is that the embodiment of the present invention 3 is called that the picture of " autumn happiness " black and white after treatment is drawn;
Fig. 4 is that the embodiment of the present invention 4 is called that the picture of " Flos Lilii viriduli with beautiful swan " black and white after treatment is drawn;
Fig. 5 is that the embodiment of the present invention 5 is called that the picture of " Flos Lilii viriduli language green apple " black and white after treatment is drawn;
Detailed description of the invention
Below in conjunction with accompanying drawing, embodiments of the present invention are described in further detail.
Embodiment 1
As it is shown in figure 1, the present embodiment is the color double-faced picture of weight of personage's works " new dragon-boat tune ", adopting the raw rice paper of 100 × 100cm, the obverse and reverse of drawing paper is the uniform fold face of skin texture, and oil painting is decorated with in front, and reverse side is decorated with watercolor, is completed by following steps:
(1) choose and a described raw rice paper goes out line drawing first draft with pencil drawing, separately take a raw rice paper and be placed in above described line drawing first draft, described the positive original text of line drawing, then on the positive original text of line drawing, sketch the contours the line of ink marker with brush pen and ink complete line of ink marker original text;
(2) by the line of ink marker original text in described step (1) in turn, the mass colour whether thoroughly paper of the line of ink marker is checked uniformly, if the region that wired mass colour is pastel, need in the front replotting of line of ink marker original text;
(3) line of ink marker original text in described step (2) is rubbed one, work and make skin texture, repeatedly rub pressure, until the skin texture of described raw rice paper is uniform, then flatten raw rice paper to draw a picture;
(4) dye is divided, determine picture key colour, adopt in line of ink marker original text front that step (3) processed the dry technique of painting to make pigment add stone pigment and paint in oils that to carry out first pass painted, getting hold of the tone of picture, color is saturated, wants nature with pen, due to the raw rice paper surface irregularity after rubbing, meeting nature vacates the style of calligraphy characterized by hollow strokes effect of some paper, it is impossible to the style of calligraphy characterized by hollow strokes region that these are needed dyeing all covers by color, and during to ensure to draw from the back side, color can ooze through next; Need the black rendered directly can render in front.
(5) line of ink marker original text back side in step (4) adopting wet technique of painting ink and pigment color draw watercolor to make to set off by contrast process, pigment color is large red, peony, deep conspicuous color, large red, vermilion, Chinese red or crocus; Set off by contrast and process the principle that need to follow color passage, in order to avoid watercolors are too rare, treat that color can shoal after having done and do not have the effect seted off by contrast, watercolors need to keep certain concentration, ink to lack because of power of impregnation its amount of water strong, can add the wine of certain altitude number or ethanol to strengthen the power of impregnation of pigment color in pigment color.
(6) personage's clothing section is drawn with reference to described step (4) and step (5), personage's head and hand tone substantially is carefully drawn again from front, make to set off by contrast process by the respective faces color lump form and aspect Similar colour of some deeply respectively by the back side of picture again after dry with color, after head and hand face color anyway are dry, it is further continued for deeply having portrayed;
(7) works that described step (6) is completed carry out integrated regulation and portray further, complete heavy colored drawing works " new dragon-boat tune ".
Embodiment 2
As shown in Figure 2, the present embodiment is the color double-faced picture of weight of birds and flowers works " the three of south of the Five Ridges gold ", the same raw rice paper adopting 100 × 100cm, drawing step and embodiment 1 are distinctive in that the back side of picture adopts ink and ink to add large red, peony, deep conspicuous color, large red, vermilion, Chinese red, crocus, middle yellow and lemon yellow respectively and makees to set off by contrast process, then draw background again.Other step and embodiment 1 are identical, same use Chinese painting material, adopt and rub paper, the two-sided method drawn a picture, the tone of oil painting and light sensation are incorporated among heavy colored drawing, ultimately form that color the same as oil painting representability be splendid and style of writing is full of thick and heavy with tension force style.
Embodiment 3
As shown in Figure 3, the present embodiment is the color double-faced picture of weight of personage's works " autumn happiness ", the same raw rice paper adopting 100 × 100cm, drawing step is identical with embodiment 1, same use Chinese painting material, adopting and rub paper, the two-sided method drawn a picture, paintings ultimately form completing after that the color the same with oil painting representability be splendid and style of writing is full of the heavily coloured silk works of thick and heavy style.
Embodiment 4
As shown in Figure 4, the present embodiment is the color double-faced picture of weight of personage's works " Flos Lilii viriduli and beautiful swan ", sample adopts the raw rice paper of 100 × 100cm, drawing step is identical with embodiment 1, same use Chinese painting material, adopting and rub paper, the two-sided method drawn a picture, paintings ultimately form completing after that the color the same with oil painting representability be splendid and style of writing is full of the heavily coloured silk works of thick and heavy style.
Embodiment 5
As shown in Figure 5, the present embodiment is the color double-faced picture of weight of birds and flowers works " Flos Lilii viriduli language green apple ", sample adopts the raw rice paper of 100 × 100cm, drawing step is identical with embodiment 2, same use Chinese painting material, adopting and rub paper, the two-sided method drawn a picture, paintings ultimately form completing after that the color the same with oil painting representability be splendid and style of writing is full of the heavily coloured silk works of thick and heavy style.
Above-described is only some embodiments of the present invention. For the person of ordinary skill of the art, without departing from the concept of the premise of the invention, it is also possible to making some deformation and improvement, these broadly fall into protection scope of the present invention.
Claims (10)
1. the color double-faced picture of weight, it is characterised in that: including drawing paper, the obverse and reverse of described drawing paper is the uniform fold face of skin texture after rubbing, and is decorated with oil painting in described front, is decorated with watercolor at described reverse side.
2. heavy color double-faced picture according to claim 1, it is characterised in that: described drawing paper is made a living rice paper, is of a size of 100 × 100cm.
3. the method for drafting of heavy color double-faced picture according to claim 2, it is characterised in that comprise the steps:
(1) on raw rice paper, line of ink marker original text is completed with brush pen and ink;
(2) by the line of ink marker original text in described step (1) in turn, check that whether saturating the mass colour paper of the line of ink marker is uniform;
(3) line of ink marker original text in described step (2) is rubbed one, work and make skin texture, repeatedly rub pressure, until the skin texture of described raw rice paper is uniform, then flatten raw rice paper to draw a picture;
(4) dividing dye, it is determined that good picture key colour, adopt the dry technique of painting to use hybrid pigment to paint in oils to carry out first pass painted in line of ink marker original text front that described step (3) processed.
(5) line of ink marker original text back side in step (4) adopts wet technique of painting ink and pigment color draw watercolor to make to set off by contrast process;
(6) with reference to described step (4) and step (5) be sequentially completed in picture other parts painted;
(7) works that described step (6) is completed carry out integrated regulation and portray further, complete the making of described heavy color double-faced picture.
4. the method for drafting of heavy color double-faced picture according to claim 3, it is characterised in that:
Described step (2) if in the pastel region of wired mass colour, need in the front replotting of line of ink marker original text.
5. the method for drafting of heavy color double-faced picture according to claim 3, it is characterized in that: in described step (1), line of ink marker original text needs before completing to choose on a described raw rice paper and goes out line drawing first draft with pencil drawing, separately take a raw rice paper and be placed in above described line drawing first draft, describe the positive original text of line drawing, then on the positive original text of line drawing, sketched the contours the line of ink marker complete described line of ink marker original text.
6. the method for drafting of heavy color double-faced picture according to claim 3, it is characterised in that: in described step (4), hybrid pigment is one or more in pigment, Chinese painting color or stone pigment.
7. the method for drafting of heavy color double-faced picture according to claim 6, it is characterised in that: in described step (4), the painted brush pen of first pass adopts the dry technique of painting to use pigment to add stone pigment to describe.
8. the method for drafting of heavy color double-faced picture according to claim 3, it is characterised in that: described step (4) needs to vacate the style of calligraphy characterized by hollow strokes region produced because rubbing after first pass is painted, it is impossible to the region needing dyeing is all covered with pigment.
9. the method for drafting of heavy color double-faced picture according to claim 3, it is characterised in that: setting off by contrast in described step (5) processes the principle that need to follow color passage, and watercolors need to keep certain concentration, and the amount of water of ink to lack.
10. the method for drafting of heavy color double-faced picture according to claim 3, it is characterized in that: be added with wine or the ethanol of the high number of degrees in the pigment color in described step (5), pigment color is any one or several in large red, peony, deep conspicuous color, large red, vermilion, Chinese red or crocus.
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| CN201610211031.0A CN105667198A (en) | 2016-04-05 | 2016-04-05 | Heavy-color two-sided painting and drawing method thereof |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| CN201610211031.0A CN105667198A (en) | 2016-04-05 | 2016-04-05 | Heavy-color two-sided painting and drawing method thereof |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| CN105667198A true CN105667198A (en) | 2016-06-15 |
Family
ID=56308416
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| CN201610211031.0A Pending CN105667198A (en) | 2016-04-05 | 2016-04-05 | Heavy-color two-sided painting and drawing method thereof |
Country Status (1)
| Country | Link |
|---|---|
| CN (1) | CN105667198A (en) |
Cited By (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN108416836A (en) * | 2018-02-06 | 2018-08-17 | 上海滚滚文化传播有限公司 | It is a kind of to render the caricature production method for turning two dimensional surface by three-dimensional modeling |
| CN112140796A (en) * | 2020-10-21 | 2020-12-29 | 陆双有 | Method for making rice paper heavy-color lotus art picture |
| CN115534571A (en) * | 2022-09-27 | 2022-12-30 | 李文峰 | Novel silk net drawing method |
Citations (5)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JPH10193899A (en) * | 1997-01-13 | 1998-07-28 | Michihiro Kihara | Restoring method for japanese paper painting and calligraphic work and the like |
| CN2467336Y (en) * | 2001-02-23 | 2001-12-26 | 奚流 | Dyeing drawing |
| CN1367096A (en) * | 2002-02-28 | 2002-09-04 | 牛兆瑞 | Preparation method of mural painting combining engraving and painting with exact delineation and enriched colours |
| CN101338527A (en) * | 2008-06-20 | 2009-01-07 | 深圳市福田区岗厦小学 | Method for making paper batik and products produced thereby |
| CN103332059A (en) * | 2013-06-28 | 2013-10-02 | 莆田市集友艺术框业有限公司 | Production method of oil painting with third dimension on surface |
-
2016
- 2016-04-05 CN CN201610211031.0A patent/CN105667198A/en active Pending
Patent Citations (5)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JPH10193899A (en) * | 1997-01-13 | 1998-07-28 | Michihiro Kihara | Restoring method for japanese paper painting and calligraphic work and the like |
| CN2467336Y (en) * | 2001-02-23 | 2001-12-26 | 奚流 | Dyeing drawing |
| CN1367096A (en) * | 2002-02-28 | 2002-09-04 | 牛兆瑞 | Preparation method of mural painting combining engraving and painting with exact delineation and enriched colours |
| CN101338527A (en) * | 2008-06-20 | 2009-01-07 | 深圳市福田区岗厦小学 | Method for making paper batik and products produced thereby |
| CN103332059A (en) * | 2013-06-28 | 2013-10-02 | 莆田市集友艺术框业有限公司 | Production method of oil painting with third dimension on surface |
Non-Patent Citations (1)
| Title |
|---|
| 昃伟: "《中国现代重彩画技法》", 31 January 2014 * |
Cited By (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN108416836A (en) * | 2018-02-06 | 2018-08-17 | 上海滚滚文化传播有限公司 | It is a kind of to render the caricature production method for turning two dimensional surface by three-dimensional modeling |
| CN112140796A (en) * | 2020-10-21 | 2020-12-29 | 陆双有 | Method for making rice paper heavy-color lotus art picture |
| CN115534571A (en) * | 2022-09-27 | 2022-12-30 | 李文峰 | Novel silk net drawing method |
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| CN105667198A (en) | Heavy-color two-sided painting and drawing method thereof | |
| CN105040299A (en) | Three-dimensional ou embroidery processing technology | |
| CN102514441A (en) | Method for drawing Chinese paintings | |
| Liang | Analysis of the integration of Chinese painting techniques in watercolor painting | |
| CN101417583B (en) | Drawing method by using container instead of pen | |
| Khwansuwan | Batik patterns in the South of Thailand | |
| CN103182896B (en) | Painting and calligraphy product and preparation method thereof opened up by imitative upright stone tablet | |
| CN103223814B (en) | Paper clay craft Chinese painting and producing method thereof | |
| CN109878257A (en) | Point type Tangka's drawing technique | |
| CN201482203U (en) | Color lump canvas board with numeric identifiers | |
| Dzramedo et al. | Representation of screen marbling techniques with reactive and vat dyes combination on textiles and fashion design products for the Ghanaian market | |
| CN102602232B (en) | Five-color wash painting and drawing technique therefor | |
| CN105398282B (en) | The compound folded preparation method of positive and negative abnormity of painting on silk | |
| CN101823402A (en) | Color artistic picture drawn on stone material and preparation method thereof | |
| Li et al. | Design of dig-art imitating batik pattern | |
| Xin | Analysis and Application of Watercolor Techniques | |
| CN105730131A (en) | Colorful fingerprint painting | |
| Gang | Brief analysis of oil painting techniques-takes the" tree" as an example | |
| Ravi | Colour culture and identity: Influence of colours on kerala mural art | |
| CN106945448A (en) | Rope word horizontal inscribed board and rope calligraphy and painting | |
| Wen | The application of Chinese ink painting in the modern clothing | |
| CN101117076B (en) | Method for painting by carbon powder | |
| CN101941352A (en) | Method for preparing paint with curious and magic patterns | |
| CN101391556A (en) | Production method of steel mesh picture | |
| Liang et al. | Research on the color representation of Dunhuang mural art |
Legal Events
| Date | Code | Title | Description |
|---|---|---|---|
| C06 | Publication | ||
| PB01 | Publication | ||
| C10 | Entry into substantive examination | ||
| SE01 | Entry into force of request for substantive examination | ||
| RJ01 | Rejection of invention patent application after publication | ||
| RJ01 | Rejection of invention patent application after publication |
Application publication date: 20160615 |