CN101417583B

CN101417583B - Drawing method by using container instead of pen

Info

Publication number: CN101417583B
Application number: CN2008101348721A
Authority: CN
Inventors: 席新民
Original assignee: Individual
Current assignee: Individual
Priority date: 2008-08-05
Filing date: 2008-08-05
Publication date: 2011-11-23
Anticipated expiration: 2028-08-05
Also published as: CN101417583A

Abstract

The invention relates to the field of Chinese painting, in particular to a painting method of using a container for replacing a brush pen, which resolves the problem that both time and labor are consumed in painting, with the cause that an artist paints piece by piece and draws stroke by stroke, particularly when creating a huge work, the artist also needs to splash step by step by using a brush pen even in splash-ink painting. The invention provides a painting method of using the container for replacing the brush pen, which uses the container for containing a pigment for splashing instead of using the brush pen. The painting method can splash and pains a plurality of paintings simultaneously, and the paintings painted are lively and flexible, natural and ingenious. The method includes the following steps: untreated Xuan paper is spread; the untreated Xuan paper is saturated in liquid; the container is selected according to needed ink or paint amount, the capacity of the container is 1.1-10 times of the liquid; the liquid ink or the pigment in the container is splashed in the paper; and the paintings after splashing-ink are dried naturally until the moisture content is 50-2 percent, the painting paper layer is uncovered, and each piece is dried separately.

Description

Drawing method by using container instead of pen

Technical field

The present invention relates to the traditional Chinese painting world of art, relate to a kind of drawing method by using container instead of pen.

Background technology

Chinese painting art is with a long history, origin stream is long, through thousands of years enrich constantly, reform and develop, based on Han nationality, the artist who comprises ethnic group and craftsman teacher, created and had distinct national style and varied and colorful form gimmick, formed the drawing langue of unique China meaning, in the Orient so that all have consequence and influence in world's art.

The history of Chinese painting can be traced back to Neolithic age ancient painted pottery decorative pattern of primitive society and cliff painting the earliest, though original pictorial skill is inmature, but grasped preliminary modeling ability, also can grab the notes principal character to sound forms such as animal, plants, in order to the faith of expressing ancients, hope and for the beautifying and decorating of life.

The pre-Qin days, drawing had record in some ancient books, and as the historical personage in Zhou Dynasty palace, courtyart, the mausoleum ancestral temple, Warring states' lacquerware, bronze ware decorative pattern, the unearthed painting on silk of Chu state etc. have all reached higher level.Qin Han imperial court is the centralism big country that Chinese early history is set up, has vast territory, and the national power prosperity, China and foreign countries' artistic exchange is being linked up in the Silk Road, and graphics art develops on an unprecedented scale with flourishing.Especially the wind of Han dynasty lavish funeral in vogue, its mural painting in tombe chamber and portrait brick stone relief and the painting on silk that is buried with the dead, vividly moulded reality, historical, the mythical personage is vivid, has dynamic, episodic is obtaining significant achievement aspect the life that reflects reality.Its painting style often daring is grand, and the style of brushwork flows, and is existing rough bold and unconstrained, has fine and closely woven magnificently again, and abundant in content rich assorted, form is colourful.

The war in period of the Wei Jin Northern and Southern Dynasties is frequent, people's livelihood sufferings, but drawing has still been obtained bigger development, and suffering provides the soil of propagating to Buddhism, and the Buddhism fine arts rise as a vigorous news force.As Xinjiang Ke Zier rock cave, the Gansu Maijishan Grottoes, mural painting in a large amount of this has all been preserved in the Mo kao grotto at Dunhuang in period, and artistic attainments are high.Because hobby and the participation of the upper class to painting thing, except the craftsman, also emerge the well-known artist of high society of a collection of literate breeding, as turn round and look at happy etc.This, metaphysics was popular in period, and the scholar advocates elegant unconventional, drew works such as the history theory of painting and began to occur, and landscape painting, flower-and-bird painting begin rudiment, and the drawing in this period is paid attention to the portrayal of the state of mind and the performance of makings, is that the drawing of subject matter is popular day by day with literature.

Unification of the motherland during Tang of Sui, society is relatively stable, economy is relatively more flourishing, foreign exchanges are active, injected new machine fortune to graphics art, though aspect figure painting in the Buddhism mural painting Western Regions painting style still popular, but people such as Wu Daozi, all Fang has the works of the distinct Central Plains painting style has accounted for absolute predominance, national style order benefit is ripe, and Zhan Ziqian, Li Sixun, Wang Wei, landscape painting, the flower-and-bird painting of opening people such as heming with invisible stitches are carefully and neatly gorgeous, have obtained higher achievement.After five generations two Song, Chinese painting art is further ripe complete one, a period of great prosperity occurred, imperial court is provided with studio, the extension mechanism establishment is attracted the talent, and is awarded with post and rank, the imperial palace drawing is in fashion for a time, the scholars also regards drawing refined thing as and has proposed distinct aesthetical standard, so the artist comes forth in large number, fine piece of writing appears, and also having formed the only system of a cover in theory and on the creation, prosperity situation wonderful, the bull development has all appearred enriching in its content, form, skill and technique.

Drawing is developed to unit, bright, clear, and painting has obtained outstanding development.On subject matter, landscape painting, flower-and-bird painting have occupied absolute status.Painting emphasizes to express subjective mood, " do not ask likeness in form ", " nothing is asked in generation ", do not ingratiate with popular esthetic requirement, borrow drawing, show not busy feelings refined interests or tastes to show elegance, advocate " Shi Zaohua ", " Fa Xinyuan ", emphasize that moral standing draws the unification of product, and emphasis with pen and ink temperament and interest and poem, book, be printed on machine and combine together, formed unique graphical patterns, emerged in large numbers numerous outstanding artist, drawing group, and countless works of excellence.

And to the late Qing Dynasty, the rise and the appearance of marine drawing group and Ling Nan School afterwards are that traditional Chinese painting has occurred new look again on the basis of drawing exotic culture.Wu Changshuo and the appearance of neat white stone afterwards make free sketching the new situation occur.To modern age, because Xu Beihong, large quantities of artists that study abroad such as Lin Fengmian occur, and have further merged the Chinese and Western art, make Chinese painting begin a brand-new epoch, especially magnify and do its painting style, successively once changed several times, go through exploration during old age, in the time of 57 years old, sprinkle the colour painting method from wound, be on the basis of the scribbling sketch technique of painting that succession the Tang Dynasty king is in harmony, rub coloured light relation into the West Europe drawing, and a kind of landscape painting pen and ink skill and technique that development is come out.Valuable point is the traditional characteristics that the variation of skill and technique can keep Chinese painting all the time, creates the artistic conception that a kind of half abstract grisaille painting is handed over brightness.

Chinese painting is Sinitic important component part, is rooted among the soil of national culture.It does not stick to the appearance likeness in form merely, more emphasizes alike in spirit.It is a special material with writing brush, ink, rice paper, construction unique perspective theory, courageously and freely break the space-time restriction, summary power and imagination with height, this outstanding skill and means, not only make the unique artistic daring and resolution of Chinese traditional painting, and used for reference absorption by world's modern art day by day.But from ancient times to the present, the artist all is pictures of one one width of cloth when drawing a picture, and painting stroke by stroke, especially artist are when the jumbo works of creation, even the scribbling sketch technique of painting also will sprinkle picture stroke by stroke with writing brush, and time-consuming but also effort not only.

Chinese painting of the prior art all needs to use writing brush, and very high to the demand of writing brush, from the selection of hair, to the technology of system pen, the regulation of comparison strictness is arranged all to a system people's handicraft.Because writing brush is to be made by animal origin, be difficult to permanent preservation, and loss is fast, expends height.

Summary of the invention

In order to solve the picture that the artist is one one width of cloth when drawing a picture, painting stroke by stroke, especially the artist is when the jumbo works of creation, even the scribbling sketch technique of painting also will sprinkle picture stroke by stroke with writing brush, the problem of not only time-consuming but also effort, the invention provides a kind ofly without writing brush but sprinkle the drawing method by using container instead of pen of picture with container carrying pigment, this method can be sprinkled several paintings of picture simultaneously, and the paintings of making are vividly flexible, nature, ingenious.

Drawing method by using container instead of pen comprises the steps:

1). shop paper or cloth;

2). with the paper saturated with liquid;

3). behind the think of as required the amount of China ink or pigment choose container, the volume of container be liquid 1.1-10 doubly;

4). liquid ink in the container or pigment are sprinkled on drawing paper;

5). the paintings that sprinkle good China ink dry in the shade naturally, when water content is 50-2%, open the drawing paper layer, and each is opened and dries separately.

The described paper rice paper of making a living, cloth are the cloth of white, as cotton, and linen, silk etc.

Described liquid comprises water, or the aqueous solution, and the solute of the described aqueous solution is a salt, milk, any or multiple in the acetic acid; The concentration of the described aqueous solution is 2-15%.

The amount of China ink or pigment is as required: volume be 1 cubic centimetre paper to need China ink or pigment be 0.01-1ml, preferred 0.02-0.5.

Described container is any container that can carrying liquid, as meal basin, bowl or plate, bottle etc.

Described pigment is water-soluble pigment, and any pigment that can make the aqueous solution may be used to the method, as Chinese painting color, and poster colour pigment, coloring earth, moist colours, gouache pigment etc.

More particularly drawing method by using container instead of pen comprises the steps:

1, getting 2-8 opens living rice paper and tiles on the floor of cleaning or console table;

2, water or the aqueous solution are splashed giving birth on the rice paper, soak into to soaking into but the degree of flow liquid body not;

3, after the design as required the amount of China ink or pigment choose container, the volume of container be liquid 2-5 doubly;

4, according to the position in the design liquid ink in the container or pigment are sprinkled on drawing paper, the scribbling sketch amount is that volume is that to need China ink or pigment be 0.05-0.2ml for 1 cubic centimetre paper

5, the paintings that sprinkle good China ink dry in the shade naturally, when water content is 30-5%, open the drawing paper layer, and each is opened and dries separately.

The beneficial effect of drawing method by using container instead of pen of the present invention is:

1. this technique of painting adopts on the overlapping moistening living rice paper of multilayer scribbling sketch or color to draw a picture, can draw the same paintings of several width of cloth simultaneously, and, owing to the strong permeability of moistening living rice paper, can make the mass colour unanimity of levels, and pattern is vividly flexible, nature, ingenious, for Chinese painting history and world's history of painting have been filled up a blank, abundant and developed Chinese painting and world's graphics art, be the contribution greatly since at all times.Drawing method by using container instead of pen has essence different with other techniques of painting, and China ink is mad dripping marvellous solely exhausted with color, has increased natural sense, is the world today painting circles original creation techniques of painting.

2. artists use this technique of painting not only to save time but also laborsaving.

With the jumbo paintings of brush drawing, size pen makes it inconvenience, and too time-consuming, effort, too tired is too used this technique of painting, save time not only but also laborsaving, more increased natural sense, can draw jumbo landscape painting, and several the paintings that draw simultaneously are (when making, several jumbo living rice paper or cloth sign indicating number get up, can once be drawn as), and the Production Time shortening, time saving and energy saving.

The landscape painting of description of drawings: Fig. 1 for drawing with the technique of painting of the present invention.

The specific embodiment

With China ink or several required colors of tone, be placed in the meal basin that differs in size, bowl, the plate, sprinkle heart on the jumbo living rice paper that the water mark is arranged and conceive good jumbo picture sprinkling, present secondary mad dripping, a marvellous solely exhausted outstanding work.

As make a collection of landscape painting, get 6 living rice paper earlier and on the floor of cleaning or console table, tile; 5 meters * 1.2 meters of drawing paper.

Water do not splashed giving birth on the rice paper, but not the degree of flow liquid body to soaking into;

The design paintings sprinkle high mountain with thick ink on hand, and massif is stacked, and the massif middle part sprinkles with cyan; Massifs far away slightly sprinkle massif with the intermediate concentration China ink, and massif is sprinkled with the light color China ink in a distant place, and layer back upper place, mountain is the sun.After the design as required the amount of China ink or pigment choose container, choose basin, cup, lunch box, bottle is a container.

According to the position in the design liquid ink in the container or pigment are sprinkled on drawing paper, 175ml is placed in the basin with thick ink (commercially available prepared Chinese ink), contains with lunch box and gets, and sprinkles low wide and up narrow massif shape from the paper bottom, paper is positioned at the dead ahead of human body when sprinkling system, sprinkles with the miter angle degree; Get indigo Chinese painting color 35ml with the cup Sheng, add 115ml water, be mixed with blue solution, sprinkle built in massif shape middle part; The water that remaining 75ml prepared Chinese ink in the lunch box is added equivalent, sprinkle the system massif sprinkle the massif of making at thick ink after, and on the massif of the bold and vigorous system of thick ink, shake to sprinkle and make trees, with the water that adds 2 times in the remaining 50ml ink, with after sprinkling the massif that makes, sprinkle system distant mountain or cloud.

The scribbling sketch amount is 1cm for volume ³Paper to need China ink or pigment be 0.02-0.2ml because scribbling sketch is not to describe accurately, with the China ink amount

Modulate red Chinese painting color, be stained with a flat cup end, be imprinted on picture and do the upper right side and do the Chaoyang or the setting sun.

The paintings that sprinkle good China ink dry in the shade naturally, when water content is 30-5%, open the drawing paper layer, and each is opened and dries separately.

On the paintings that dry, carry word, affix one's seal, draw flying bird or bat in blank space.

According to the prior art mounting or trim and get final product.

Used prepared Chinese ink be one pavilion painting and calligraphy prepared Chinese ink, 500ml adorn specification, or the prepared Chinese ink of other producers of same concentrations and development are black.

Claims

1. drawing method by using container instead of pen is characterized in that: comprise the steps:

1) getting 2-8 opens living rice paper and tiles on the floor of cleaning or console table;

2) aqueous solution is splashed giving birth on the rice paper, soak into to soaking into but the degree of flow liquid body not; The solute of the described aqueous solution is a salt, milk, and any or multiple in the acetic acid, the concentration of the described aqueous solution is 2-15%;

3) after the design as required the amount of liquid ink or pigment choose container, the volume of container be liquid ink or pigment 2-5 doubly; Described container is meal basin, bowl, plate or bottle;

4) according to the position in the design liquid ink in the container or pigment are sprinkled and giving birth on the rice paper, the amount of sprinkling liquid ink or pigment is that volume is that to need liquid ink or pigment be 0.5-5ml for 1 cubic centimetre paper;

5) paintings that sprinkle good China ink or pigment dry in the shade naturally, when water content is 30-5%, open living rice paper layer, and each is opened and dries separately.