WO2014068154A1 - Procédé de mixage en édition audionumérique et effets obtenus avec ledit mixage - Google Patents

Procédé de mixage en édition audionumérique et effets obtenus avec ledit mixage Download PDF

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Publication number
WO2014068154A1
WO2014068154A1 PCT/ES2013/000243 ES2013000243W WO2014068154A1 WO 2014068154 A1 WO2014068154 A1 WO 2014068154A1 ES 2013000243 W ES2013000243 W ES 2013000243W WO 2014068154 A1 WO2014068154 A1 WO 2014068154A1
Authority
WO
WIPO (PCT)
Prior art keywords
track
musical
recording
take
point
Prior art date
Application number
PCT/ES2013/000243
Other languages
English (en)
Spanish (es)
Inventor
Francisco Javier BLANCO RODRíGUEZ
Original Assignee
Blanco Rodríguez Francisco Javier
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Blanco Rodríguez Francisco Javier filed Critical Blanco Rodríguez Francisco Javier
Publication of WO2014068154A1 publication Critical patent/WO2014068154A1/fr

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Classifications

    • G—PHYSICS
    • G11—INFORMATION STORAGE
    • G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
    • G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
    • G11B27/02—Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
    • G11B27/031—Electronic editing of digitised analogue information signals, e.g. audio or video signals
    • G11B27/034—Electronic editing of digitised analogue information signals, e.g. audio or video signals on discs
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04H—BROADCAST COMMUNICATION
    • H04H60/00—Arrangements for broadcast applications with a direct linking to broadcast information or broadcast space-time; Broadcast-related systems
    • H04H60/02—Arrangements for generating broadcast information; Arrangements for generating broadcast-related information with a direct linking to broadcast information or to broadcast space-time; Arrangements for simultaneous generation of broadcast information and broadcast-related information
    • H04H60/04—Studio equipment; Interconnection of studios

Definitions

  • the present invention relates to a method of mixing in the edition of musical works of digital technology and to the musical effects obtained through said method and constitutes an alternative within the conventional technique in this type of mixtures.
  • a particular advantage of the present invention is that it allows to broaden and refine the concept of music with more body.
  • the superposition of digital audio tracks allows applying a technique that until now had never been applied and that is the object of the present invention. It is about superimposing on the track of the digital recording a second track of the same recording, having an interval of time with this second recording of at least one attosecond, being able to do this in the parts where you want to produce the musical effect object of this invention.
  • This not only allows for unprecedented flexibility, but the addition of the second track on the first allows obtaining almost perfect results compared to analog techniques.
  • the invention constitutes a new way of perceiving music by the consumer.
  • Complete a musical work with the proper criteria of this invention and with the musical arrangements that are achieved is a step forward for music, this method proposed in this invention comes to enrich musical works and the world of music.
  • document ES 2178329 T3 refers to a method of the content of audio tracks of an information carrier, said information carrier having a plurality of audio tracks that are synchronized with each other and have each recorded in the same audio information. which must be combined selectively with the audio information recorded in other such tracks, and data from text that define the audio contents of said tracks; said method comprising the steps of reproducing the content of said information support and removing said text data and said audio information from it, graphically presenting to a user a menu derived from said text data to inform said user of the information of said information.
  • audio that is available to be combined allow said user to introduce the way of combining the audio information available on the basis of the menu options displayed, and combine the selected audio information according to the introductions made by the user including the phase inversion of the audio information to carry out a cancellation of audio information in at least one of said tracks.
  • This previous patent deals with a method by which the user is given the possibility to select tracks and thus be able to hear the track containing the recording of a specific instrument at his / her choice.
  • ES 224987 A1 discloses a method for recording audio data on a data carrier, said audio data being a digitized audio signal consisting of at least one audio track in a known format and said tracks being constituted by a number determined of samples of known size, which has the purpose of allowing the reproduction and / or manipulation of the tracks. From said data support, from independently, in real time and without loss of quality with respect to the quality given by the format of said tracks comprising recording a data field consisting of a structure of digitized information formed by blocks of data, as many as number of samples and ordered following the numbering of said samples, and each of the data blocks being formed by the grouping of all the samples, which correspond to the same order number for each of the tracks.
  • This patent refers to the process of recording and grouping audio data in general, without the particularity offered by the proposed invention.
  • the method of mixing in digital audio edition object of this invention consists of the following stages
  • the first musical take of track 1 is set in motion and you start with the musical taking of track 2 from any point of track 1 to any other point of track 2, recording the same take by 2 tracks together with a time interval between the two tracks that goes from an attosecond until the final time of the song, cutting in the parts, in which you want to create this musical effect.
  • the waiting time between a point of the track 1 and the point of the track 2 to record will depend on the effect that you want to give according to the rhythm and the speed of the song, that is, according to the musical work required, and the pieces of that song that we want to take the normal effect or the effect object of this invention, influencing all the musical factors even with their most insignificant details when doing with this method the mixtures, such as instrumentation, tempo, rhythm or speed.
  • the voice can be recorded in the first musical take or track 1, and then do the remix with this method, or do the remix with this method and then record the voice, and thus finish the recording with the musical effect object of this invention, being able to create this same effect with the own voice at the same time as the music where it is wanted, and also, only the superposition of the track of the voice with its same track, resulting in a predicted but vocal effect and remixing with the musical track, as well as with instrumental and non-instrumental sounds, either from the point to any other point of the song when it is finished, applying this method and creating a new recording track, also considering itself the object of this invention.
  • the musical effects object of this invention consist of those obtained in the final recording of the musical work when applying this method.
  • the first musical take of track 1 is set in motion and you start with the musical taking of track 2 from any point of track 1 to any other point of track 2, recording the same take by 2 tracks together with a time interval between the two tracks that goes from an attosecond until the final time of the song, cutting in the parts, in which you want to create this musical effect.
  • the voice can be recorded in the first musical take or track 1, and then do the remix with this method, or do the remix with this method and then record the voice, and thus finish the recording with the musical effect object of this invention, being able to create this same effect with the own voice at the same time as the music where it is wanted, and also, only the superposition of the track of the voice with its same track, resulting in a predicted but vocal effect and remixing with the musical track, as well as with instrumental and non-instrumental sounds, either from the point to any other point of the song when it is finished, applied this method and creating a new recording track, considering itself also object of this invention.
  • the musical effects object of this invention consist of those obtained in the final recording of the musical work when applying this method.

Landscapes

  • Engineering & Computer Science (AREA)
  • Multimedia (AREA)
  • Signal Processing (AREA)
  • Management Or Editing Of Information On Record Carriers (AREA)
  • Signal Processing For Digital Recording And Reproducing (AREA)

Abstract

L'invention concerne un procédé de mixage en édition audionumérique et les effets obtenus avec ledit mixage. Ledit procédé comprend les étapes suivantes: une prise musicale d'un thème ou d'une chanson est créée, ladite prise musicale est placée sur une piste d'enregistrement 1 et sur une autre piste d'enregistrement, piste 2, est placée la même prise musicale, la première prise musicale de la piste 1 est mise en marche et on commence avec la prise musicale de la piste 2 depuis un point quelconque de la piste 1 jusqu'à un autre point quelconque de la piste 2 en enregistrant la même prise sur les 2 pistes conjointes avec un intervalle de temps entre les deux pistes qui va d'une attoseconde à la fin de la chanson, en coupant au niveau des parties au niveau desquelles on souhaite créer cet effet musical de musique ou de musique avec voix.
PCT/ES2013/000243 2012-11-05 2013-11-04 Procédé de mixage en édition audionumérique et effets obtenus avec ledit mixage WO2014068154A1 (fr)

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
ES201201093A ES2465748B1 (es) 2012-11-05 2012-11-05 Método de mezcla en edición audio digital
ESP201201093 2012-11-05

Publications (1)

Publication Number Publication Date
WO2014068154A1 true WO2014068154A1 (fr) 2014-05-08

Family

ID=50626538

Family Applications (1)

Application Number Title Priority Date Filing Date
PCT/ES2013/000243 WO2014068154A1 (fr) 2012-11-05 2013-11-04 Procédé de mixage en édition audionumérique et effets obtenus avec ledit mixage

Country Status (2)

Country Link
ES (1) ES2465748B1 (fr)
WO (1) WO2014068154A1 (fr)

Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
ES2100317T3 (es) * 1991-10-29 1997-06-16 Thomson Csf Procedimiento de lectura de informaciones registradas y sistema de lectura.
ES2163915T3 (es) * 1993-10-29 2002-02-01 Time Warner Entertainm Co Lp Metodo para controlar la reproduccion del contenido de las pistas de audio de un soporte de informacion.
ES2249987A1 (es) * 2004-07-02 2006-04-01 Fabio A. Rivas Quesada Metodo de grabacion, reproduccion y manipulacion de datos de audios en un soporte de datos.
ES2369364T3 (es) * 2004-05-17 2011-11-29 Technicolor S.P.A. Detección de inconsistencias entre una pista de sonido de referencia y una de multiformato.

Patent Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
ES2100317T3 (es) * 1991-10-29 1997-06-16 Thomson Csf Procedimiento de lectura de informaciones registradas y sistema de lectura.
ES2163915T3 (es) * 1993-10-29 2002-02-01 Time Warner Entertainm Co Lp Metodo para controlar la reproduccion del contenido de las pistas de audio de un soporte de informacion.
ES2369364T3 (es) * 2004-05-17 2011-11-29 Technicolor S.P.A. Detección de inconsistencias entre una pista de sonido de referencia y una de multiformato.
ES2249987A1 (es) * 2004-07-02 2006-04-01 Fabio A. Rivas Quesada Metodo de grabacion, reproduccion y manipulacion de datos de audios en un soporte de datos.

Also Published As

Publication number Publication date
ES2465748B1 (es) 2015-04-06
ES2465748A1 (es) 2014-06-06

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