WO2009095991A2 - Numeral musical score - Google Patents

Numeral musical score Download PDF

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Publication number
WO2009095991A2
WO2009095991A2 PCT/JP2008/051271 JP2008051271W WO2009095991A2 WO 2009095991 A2 WO2009095991 A2 WO 2009095991A2 JP 2008051271 W JP2008051271 W JP 2008051271W WO 2009095991 A2 WO2009095991 A2 WO 2009095991A2
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score
area
beat
units
musical
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PCT/JP2008/051271
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French (fr)
Japanese (ja)
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Takaki Kagawa
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Takaki Kagawa
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Priority to PCT/JP2008/051271 priority Critical patent/WO2009095991A2/en
Priority to JP2009551342A priority patent/JPWO2009095991A1/en
Publication of WO2009095991A2 publication Critical patent/WO2009095991A2/en

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10GREPRESENTATION OF MUSIC; RECORDING MUSIC IN NOTATION FORM; ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR, e.g. SUPPORTS
    • G10G1/00Means for the representation of music

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  • the present invention relates to a numeric score as a score instead of a staff.
  • JP 2007-17920 A JP, 10-83182, A Conventionally, in musical instruments etc. with a comparatively narrow range, such as harmonica and shinobue, the thing using a numerical score as a score replaced with what is called a staff score is known.
  • the low range is indicated by Chinese numerals
  • the middle range is indicated by Arabic numerals
  • each range is differentiated.
  • an object of the present invention is to provide a numeric score that can easily distinguish a high sound range from a low sound range.
  • the numbered score according to claim 1 is a numbered score which is replaced with a numbered score using Arabic numerals or Chinese numerals corresponding to each predetermined scale, and described in a high-numbered numbered score.
  • the area and the musical score description area for bass are divided and displayed vertically, and each area is partitioned by a boundary line.
  • the numbered musical score according to claim 2 can be obtained by replacing each area with a musical notation symbol used in the staff notation system in combination with the numerical musical score and replacing it with a predetermined musical notation symbol. It is possible to deal with various musical scores.
  • each area is divided in half-beat units by a dividing line orthogonal to the boundary line, and the numerical score is displayed in half-beat units for each division.
  • the relationship between the scale and the beat number can be easily identified.
  • the musical score set in each area is one octave, and the same musical score is used for the same musical scale in a high musical range and a low musical range. Can be prevented, and the discrimination can be further improved.
  • the reference sound corresponding to the musical instrument is displayed with a preset reference note symbol in the bass numeral score description area, for example, the cylindrical sound as the reference sound is displayed.
  • the versatility can be improved by displaying “ ⁇ ”.
  • each area is divided in units of one beat by a dividing line orthogonal to the boundary line, and the numbered music is displayed adjacent to each other in units of half beats. Therefore, the relationship between the scale and the beat number can be easily identified.
  • each said area is divided
  • segmentation By displaying the musical score, it is possible to easily identify the relationship between the scale and the number of beats, and to improve the distinguishability between a short sound of a half beat and a long sound of a single beat. it can.
  • the delimiter can be improved in distinguishability by having a length or a thickness different between a half beat unit and a single beat unit.
  • the number score according to claim 9 is characterized in that the delimiter line is different from other delimiter lines in length or thickness as a delimiter line delimited by the beat unit of the musical composition. ) Can be recognized.
  • the numerical score according to claim 10 has a wide range of sounds by enclosing the number described in each area as a number in the scale of a higher or lower range than the range set in each area. It can be used as a number musical score for various musical instruments, and versatility can be improved.
  • the numerical score of the present invention it is possible to easily distinguish the high sound range and the low sound range and at the same time easily recognize the length of the sound.
  • FIG. 1 is an explanatory diagram showing an example of a numeric score of the present invention
  • FIG. 2 is an explanatory diagram showing the relationship between a finger position of a basic shinobue as an example of an Arabic numeral used in the numeric score of the present invention and a whistle score
  • FIG. 3 is an explanatory view showing the relationship between the finger hold position of a shinobue flute as an example of Arabic numerals used in the numerical score of the present invention and the whistle score
  • FIG. 4 is an explanatory view of the role of the numerical score of the present invention
  • FIG. 6 is an explanatory diagram of a list of notes of a flute corresponding to a musical notation used for the numerical score of the present invention
  • a numeral score 1 is a numeral score replaced by using Arabic numerals or Chinese numerals corresponding to each predetermined scale (see FIG. 2), and includes a high-pitched numeral score description area. 2 and the low-pitched musical notation description area 3 are divided into upper and lower parts, and the areas 2 and 3 are partitioned by a boundary line 4. In this embodiment, only one of Arabic numerals or Chinese numerals is used.
  • scale names such as de les mi fa fa so la si de, and, for example, in the case of the shinobue (basic pattern) shown in FIG.
  • an operation pattern number for outputting a pitch set for each instrument is included.
  • the high range (Kou) and low range (Lun) range is not limited to one octave unit, for example, and can be set according to each instrument.
  • symbols other than scales may use symbols other than Arabic numerals or Chinese numerals.
  • Arabic numerals and Chinese numerals may be mixed, it is preferable to use only one of them.
  • FIG. 3 exemplifies the relationship between the finger press positions of all patterns and the whistle as an example of Arabic numerals used in the numerical score of the present invention.
  • a musical note symbol ( ⁇ ) used in the notation system may be used as it is in combination with a numbered musical score, or a predetermined musical note symbol or alphabetic character (for example, b) ).
  • 2 and 3 are examples in the case of using the Yahata tone.
  • each area 2 and 3 is divided in half-beat units or single-beat units by dividing lines 5 and 6 orthogonal to the boundary line 4. It can be easily identified.
  • the separation lines 5 and 6 can improve the distinguishability of each time signature by making the length (or thickness) different between the half beat unit and the one beat unit.
  • note symbols (including rest symbols) adopted in the notation system are used as predetermined note symbols (for example, “ ⁇ ” and “ ⁇ ”). ”Etc.) or adopted and displayed as they are, it is possible to deal with various musical scores.
  • the "-(hyphen)" symbol means that the performance is extended by the half-beat of the number described before, and the numbers separated by the dividing lines 5 and 6
  • the number of beats continuously extended can be easily recognized by the number of hyphen symbols corresponding to.
  • two long parallel vertical lines straddling each of the areas 2 and 3 mean repetition, and in the case of defining the order of repetition of music No. 1 or No. 2, etc., alphanumeric symbols (for example, 1, 2..., A, B...) And an underline, and instructions can be displayed so as to be repeated in that order.
  • the numbers described in each of the areas 2 and 3 are used for the scales of the higher range (corrade) or lower range than the range (for example, 1 octave) set in each of the areas 2 and 3 (see FIG. 4).
  • the numbers described in each of the areas 2 and 3 are used for the scales of the higher range (corrade) or lower range than the range (for example, 1 octave) set in each of the areas 2 and 3 (see FIG. 4).
  • the enclosed frame (for example, ⁇ ) of the enclosed numbers can be distinguished from the dot display of a dotted symbol because it does not use a dot symbol as a range display, and dust or dirt adheres to the musical score. This can eliminate the confusingness.
  • the shape of the surrounding frame may be ⁇ as shown, but may be ⁇ , etc., and the high sound range may be distinguished as ⁇ and the low sound region as ⁇ .
  • the number and length (number of beats) of the finger number can be recognized instantly, and it is possible to perform while watching the musical score even if it is a performance of an unknown song, etc. without requiring skill. Is possible.
  • the same number is used for the bass (round) and treble (instep) without changing the numbers, and it is also compatible with the use of under-recognized symbols such as underlines and dots. Thus, the distinguishability can be further improved.
  • the half-beat unit is separated by the dividing lines 5 and 6.
  • a numbered score may be displayed adjacent to it, and if it includes “-(hyphen)” as a long clef, as shown in the lower part of FIG. It is possible to improve the distinguishability between a short sound of a unit and a long sound of a single beat.
  • the bar of the music is displayed at the top of the musical score (for example, four quarters) as well as the staff, and is separated by the beat of the musical beat.
  • the bar of the music is displayed at the top of the musical score (for example, four quarters) as well as the staff, and is separated by the beat of the musical beat.
  • the numbered musical score of the present invention is a short musical instrument that does not output a plurality of scales at the same time, such as a piano or guitar, and has a relatively small output range (for example, around 2 octaves), such as Shinobu flute. Especially useful for this.
  • the scale of Doremifasolaside is paraphrased by numbers from 1 to 8.
  • the height of the door (1) changes depending on the key (moving door).
  • the present invention it is possible to provide a numeric score that makes it easy to distinguish between a high sound range and a low sound range and to recognize a sound length.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Auxiliary Devices For Music (AREA)

Abstract

pct-art17.2apct-art17.2a

Description

数字楽譜Number sheet music
 本発明は、五線譜に代わる楽譜としての数字楽譜に関するものである。 The present invention relates to a numeric score as a score instead of a staff.
特開2007-17920号公報JP 2007-17920 A 特開平10-83182号公報 従来から、ハーモニカや篠笛等の比較的音域の狭い楽器等では、所謂五線譜に代わる楽譜として数字楽譜を用いたものが知られている。JP, 10-83182, A Conventionally, in musical instruments etc. with a comparatively narrow range, such as harmonica and shinobue, the thing using a numerical score as a score replaced with what is called a staff score is known.
 この際、音域に低音域と高音域の2階音以上の音を出すことが可能な場合、例えば、図9に示すように、ハーモニカ譜の場合には、高音域の音階の数字譜にドット記号を付して低音域との区別化を図っている。 At this time, if it is possible to produce a sound of the second or higher order of the low range and the high range in the range, for example, in the case of a harmonica notation as shown in FIG. A symbol is added to distinguish it from the low frequency range.
 また、図10に示すように、篠笛譜の場合には、低音域を漢数字で示し、中音域をアラビア数字で示し、各音域の区別化を図っている。 Also, as shown in FIG. 10, in the case of Shinobu flute, the low range is indicated by Chinese numerals, the middle range is indicated by Arabic numerals, and each range is differentiated.
 さらに、三味線等の三線譜の場合には、その各線(弦)に対応した上中下段(三段)に区分けした数字譜が提案されている(例えば、特許文献1参照)。 Furthermore, in the case of a three-line score such as a shamisen, a number score divided into upper, middle and lower levels (three levels) corresponding to each line (string) has been proposed (for example, see Patent Document 1).
 また、上段に音階用の数字譜を表示すると共に下段に和音記号を表示し、音階が高音の場合には各音階の段階を示すようにドット記号を付して各音域の区別化を図ったものも提案されている(例えば、特許文献2参照)。 In addition, a musical score for scales is displayed at the top and a chord symbol is displayed at the bottom, and when the scale is high, a dot symbol is added to indicate the stage of each scale to differentiate each range. The thing is also proposed (for example, refer patent document 2).
 ところで、上記の如く構成された数字楽譜にあっては、特に、初心者等にあっては低音域と高音域との区別化が図り難く、しかも、ドット記号は汚れの付着等によって紛らわしくなる等の問題が生じていた。 By the way, in the numerical score constructed as described above, especially for beginners, it is difficult to distinguish between the low range and the high range, and the dot symbol is confused due to adhesion of dirt, etc. There was a problem.
 また、三線譜等のように、段数が多くなると、この三段を一つのユニット譜として考えた場合に、楽曲によって複数段のユニットが表示されることから、その上下ユニットとの区別がわかり難くなるといった問題が生じていた。 In addition, when the number of steps increases, such as in a three-line score, when the three steps are considered as one unit score, multiple stages of units are displayed depending on the music, making it difficult to distinguish between the upper and lower units. The problem of becoming.
 本発明は、上記問題を解決するため、高音域と低音域との区別を容易とすることができる数字楽譜を提供することを目的とする。 In order to solve the above problems, an object of the present invention is to provide a numeric score that can easily distinguish a high sound range from a low sound range.
 その目的を達成するため、請求項1に記載の数字楽譜は、所定の音階毎に対応してアラビア数字又は漢数字を用いた数字譜で置き換え表示した数字楽譜であって、高音用数字譜記載エリアと低音用数字譜記載エリアとが上下に分割表示されると共に、該各エリアが境界線によって仕切られていることを特徴とする。 In order to achieve the object, the numbered score according to claim 1 is a numbered score which is replaced with a numbered score using Arabic numerals or Chinese numerals corresponding to each predetermined scale, and described in a high-numbered numbered score. The area and the musical score description area for bass are divided and displayed vertically, and each area is partitioned by a boundary line.
 請求項1に記載の数字楽譜にあっては、使用される数字は1種類であり、しかも、高音域と低音域とが上下に分割表示され且つ境界線によって仕切られていることから、視認性が向上され、各音域の区別化を容易に実現することができる。 In the number score according to claim 1, there is only one number used, and the high and low ranges are divided into upper and lower parts and separated by a boundary line. Thus, it is possible to easily distinguish each sound range.
 また、請求項2に記載の数字楽譜は、前記各エリアには、前記数字譜と併用して五線譜記載方式で採用される音符記号が所定の音符記号に置き換えて記載されていることにより、多様な楽譜への対応を可能とすることができる。 In addition, the numbered musical score according to claim 2 can be obtained by replacing each area with a musical notation symbol used in the staff notation system in combination with the numerical musical score and replacing it with a predetermined musical notation symbol. It is possible to deal with various musical scores.
 また、請求項3に記載の数字楽譜は、前記各エリアは、前記境界線と直交する区切線によって半拍単位で区切られ且つその各区切り毎に半拍単位で前記数字譜が表示されていることにより、音階と拍数との関係を容易に識別することができる。 Further, in the numeral score according to claim 3, each area is divided in half-beat units by a dividing line orthogonal to the boundary line, and the numerical score is displayed in half-beat units for each division. Thus, the relationship between the scale and the beat number can be easily identified.
 また、請求項4に記載の数字楽譜は、前記各エリアで設定された音域が1オクターブであり且つ高い音域と低い音域とで同じ音階には同じ数字譜を用いることにより、数字譜と音階との誤認を防止し得て、識別性をさらに向上することができる。 According to a fourth aspect of the present invention, the musical score set in each area is one octave, and the same musical score is used for the same musical scale in a high musical range and a low musical range. Can be prevented, and the discrimination can be further improved.
 また、請求項5に記載の数字楽譜は、前記低音用数字譜記載エリアには、楽器に対応した基準音を、予め設定した基準音記号で表示することにより、例えば、基準音としての筒音を「◎」で表示するなど、汎用性を向上することができる。 Further, in the numeral score according to claim 5, the reference sound corresponding to the musical instrument is displayed with a preset reference note symbol in the bass numeral score description area, for example, the cylindrical sound as the reference sound is displayed. The versatility can be improved by displaying “◎”.
 また、請求項6に記載の数字楽譜は、前記各エリアは、前記境界線と直交する区切線によって一拍単位で区切られ且つその各区切り毎に半拍単位で前記数字譜が隣接表示されていることにより、音階と拍数との関係を容易に識別することができる。 The number score according to claim 6, wherein each area is divided in units of one beat by a dividing line orthogonal to the boundary line, and the numbered music is displayed adjacent to each other in units of half beats. Therefore, the relationship between the scale and the beat number can be easily identified.
 さらに、請求項7に記載の数字楽譜は、前記各エリアは、前記境界線と直交する区切線によって半拍単位又は一拍単位で区切られ且つその各区切り毎に半拍単位又は一拍単位で前記数字譜が表示されていることにより、音階と拍数との関係を容易に識別することができ、しかも、半拍単位の短音と一拍単位の長音との識別性を向上することができる。 Furthermore, the number score of Claim 7 WHEREIN: Each said area is divided | segmented by the half-beat unit or the 1-beat unit by the dividing line orthogonal to the said boundary line, and the half-beat unit or the 1-beat unit for every each division | segmentation By displaying the musical score, it is possible to easily identify the relationship between the scale and the number of beats, and to improve the distinguishability between a short sound of a half beat and a long sound of a single beat. it can.
 また、請求項8に記載の数字楽譜は、前記区切線は、半拍単位と一拍単位とで長さ又は太さが異なることにより、識別性を向上することができる。 Further, in the numeral score according to claim 8, the delimiter can be improved in distinguishability by having a length or a thickness different between a half beat unit and a single beat unit.
 また、請求項9に記載の数字楽譜は、前記区切線は、楽曲の拍子の拍数単位で区切る小節線として他の区切線とで長さ又は太さが異なることにより、楽曲の拍子(小節)を認識することができる。 In addition, the number score according to claim 9 is characterized in that the delimiter line is different from other delimiter lines in length or thickness as a delimiter line delimited by the beat unit of the musical composition. ) Can be recognized.
 さらに、請求項10に記載の数字楽譜は、前記各エリアで設定された音域よりも高い音域又は低い音域の音階には、各エリアに記載された数字を囲み数字とすることにより、音域の広い多様な楽器用の数字楽譜として使用することができ、汎用性を向上することができる。 Furthermore, the numerical score according to claim 10 has a wide range of sounds by enclosing the number described in each area as a number in the scale of a higher or lower range than the range set in each area. It can be used as a number musical score for various musical instruments, and versatility can be improved.
 本発明の数字楽譜によれば、高音域と低音域とを容易に区別することができると同時に音の長さを容易に認識することができる。 According to the numerical score of the present invention, it is possible to easily distinguish the high sound range and the low sound range and at the same time easily recognize the length of the sound.
本発明の数字楽譜の一例を示す説明図である。It is explanatory drawing which shows an example of the numerical score of this invention. 本発明の数字楽譜に用いられるアラビア数字の一例としての基本の篠笛の指押さえ位置と笛譜との関係を示す説明図である。It is explanatory drawing which shows the relationship between the finger hold position of the basic shinobue as an example of the Arabic numerals used for the numerical score of this invention, and a flute. 本発明の数字楽譜に用いられるアラビア数字の一例としての篠笛の指押さえ位置と笛譜との関係を示す説明図である。It is explanatory drawing which shows the relationship between the finger hold position of the Shinobu as an example of the Arabic numerals used for the numerical score of this invention, and a flute. 本発明の数字楽譜の役割の説明図である。It is explanatory drawing of the role of the numerical score of this invention. 本発明の数字楽譜に用いられる五線譜対応の笛譜の音符一覧の説明図である。It is explanatory drawing of the note list of the flute staff corresponding to the staff score used for the numerical score of this invention. 本発明の数字楽譜に用いられる五線譜対応の笛譜の休符一覧の説明図である。It is explanatory drawing of the rest list | wrist of the flute corresponding to the staff score used for the numerical score of this invention. 本発明の数字楽譜の他例を示す説明図である。It is explanatory drawing which shows the other example of the numerical score of this invention. 本発明の数字楽譜のさらに他例を示す説明図である。It is explanatory drawing which shows the other example of the numerical score of this invention. 従来の数字楽譜としてのハーモニカ譜の説明図である。It is explanatory drawing of the harmonica score as a conventional number score. 従来の数字楽譜としての篠笛譜の説明図である。It is explanatory drawing of the Shinobu flute as a conventional number score.
符号の説明Explanation of symbols
 1…数字楽譜
 2…高音用数字譜記載エリア
 3…低音用数字譜記載エリア
 4…境界線
 5…区切線(半拍用)
 6…区切線(一拍用)
 7…小節線(区切線)
1 ... Numeral score 2 ... Numerical score entry area for treble 3 ... Numerical score entry area for bass 4 ... Boundary line 5 ... Division line (for half beat)
6 ... Dividing line (for one beat)
7 ... Bar lines (separator lines)
 次に、本発明の数字楽譜に係る実施の形態を図面に基づいて説明する。
図1は本発明の数字楽譜の一例を示す説明図、図2は本発明の数字楽譜に用いられるアラビア数字の一例としての基本の篠笛の指押さえ位置と笛譜との関係を示す説明図、図3は本発明の数字楽譜に用いられるアラビア数字の一例としての篠笛の指押さえ位置と笛譜との関係を示す説明図、図4は本発明の数字楽譜の役割の説明図、図5は本発明の数字楽譜に用いられる五線譜対応の笛譜の音符一覧の説明図、図6は本発明の数字楽譜に用いられる五線譜対応の笛譜の休符一覧の説明図である。
Next, an embodiment according to the numeral score of the present invention will be described with reference to the drawings.
FIG. 1 is an explanatory diagram showing an example of a numeric score of the present invention, and FIG. 2 is an explanatory diagram showing the relationship between a finger position of a basic shinobue as an example of an Arabic numeral used in the numeric score of the present invention and a whistle score. FIG. 3 is an explanatory view showing the relationship between the finger hold position of a shinobue flute as an example of Arabic numerals used in the numerical score of the present invention and the whistle score, FIG. 4 is an explanatory view of the role of the numerical score of the present invention, and FIG. FIG. 6 is an explanatory diagram of a list of notes of a flute corresponding to a musical notation used for the numerical score of the present invention, and FIG.
 図1に示すように、本発明の数字楽譜1は、所定の音階毎(図2参照)に対応してアラビア数字又は漢数字を用いて置き換えた数字楽譜であって、高音用数字譜記載エリア2と低音用数字譜記載エリア3とが上下に分割表示されると共に、各エリア2,3が境界線4によって仕切られている。尚、本実施の形態ではアラビア数字又は漢数字の何れか一方のみを用いている。 As shown in FIG. 1, a numeral score 1 according to the present invention is a numeral score replaced by using Arabic numerals or Chinese numerals corresponding to each predetermined scale (see FIG. 2), and includes a high-pitched numeral score description area. 2 and the low-pitched musical notation description area 3 are divided into upper and lower parts, and the areas 2 and 3 are partitioned by a boundary line 4. In this embodiment, only one of Arabic numerals or Chinese numerals is used.
 従って、各音階を示すために使用される数字(アラビア数字)は1種類のみであり、しかも、高音域と低音域とが境界線4によって仕切られた状態で上下に分割表示されていることから、視認性が向上され、各音域の区別化を容易に実現することができる。 Accordingly, only one type of numeral (Arabic numerals) is used to indicate each scale, and the high and low ranges are divided and displayed in a vertically divided manner with a boundary line 4. Visibility is improved and differentiation of each sound range can be easily realized.
 尚、ここでの音階に対応した数字とは、ド・レ・ミ・ファ・ソ・ラ・シ・ドといった音階名や、例えば、図2に示す篠笛の場合(基本パターン)等のように、その楽器毎に設定された音程を出力する操作パターン番号等を含むものとする。 Note that the numbers corresponding to the scales here are scale names such as de les mi fa fa so la si de, and, for example, in the case of the shinobue (basic pattern) shown in FIG. In addition, an operation pattern number for outputting a pitch set for each instrument is included.
 また、高音域(甲音)・低音(呂音)域の音域は、例えば、1オクターブ単位等に限定されず、各楽器に応じて設定することが可能である。 Also, the high range (Kou) and low range (Lun) range is not limited to one octave unit, for example, and can be set according to each instrument.
 尚、音階以外についてはアラビア数字又は漢数字以外の記号を用いてもよい。また、アラビア数字と漢数字を混合させてもよいが、いずれかのみを用いることが好ましい。 It should be noted that symbols other than scales may use symbols other than Arabic numerals or Chinese numerals. Moreover, although Arabic numerals and Chinese numerals may be mixed, it is preferable to use only one of them.
 尚、図3に本発明の数字楽譜に用いられるアラビア数字の一例として、篠笛の場合における全パターンの指押さえ位置と笛譜との関係を例示する。この際、例えば、半音下げるといった場合、数字譜と併用して(添えて)五線譜記載方式で採用される音符記号(♭)をそのまま用いても良いし、所定の音符記号或いは英字(例えば、b)に置き換えて記載することができる。尚、図2及び図3は、八笨調子を使用した場合の例である。 FIG. 3 exemplifies the relationship between the finger press positions of all patterns and the whistle as an example of Arabic numerals used in the numerical score of the present invention. In this case, for example, when lowering a semitone, a musical note symbol (♭) used in the notation system may be used as it is in combination with a numbered musical score, or a predetermined musical note symbol or alphabetic character (for example, b) ). 2 and 3 are examples in the case of using the Yahata tone.
 また、各エリア2,3は、図4に示すように、境界線4と直交する区切線5,6によって半拍単位又は一拍単位で区切られていることにより、音階と拍子との関係を容易に識別することができる。 Further, as shown in FIG. 4, each area 2 and 3 is divided in half-beat units or single-beat units by dividing lines 5 and 6 orthogonal to the boundary line 4. It can be easily identified.
 この際、区切線5,6は、半拍単位と一拍単位とで長さ(又は太さ)を異ならせることにより、各拍子の識別性を向上することができる。 At this time, the separation lines 5 and 6 can improve the distinguishability of each time signature by making the length (or thickness) different between the half beat unit and the one beat unit.
 さらに、各エリア2,3には、図5及び図6に示すように、五線譜記載方式で採用される音符記号(休符記号を含む)を所定の音符記号(例えば、「●」や「▲」等)に置き換え又はそのまま採用して表示することにより、多様な楽譜への対応を可能とすることができる。 Further, in each of the areas 2 and 3, as shown in FIG. 5 and FIG. 6, note symbols (including rest symbols) adopted in the notation system are used as predetermined note symbols (for example, “●” and “▲”). ”Etc.) or adopted and displayed as they are, it is possible to deal with various musical scores.
 具体的には(図4参照)、「-(ハイフン)」記号はその前に記載された数字の音階半拍分だけ延ばして演奏することを意味し、区切線5,6で区切られた数に対応するハイフン記号の数によって連続して延ばす拍数を容易に認識することができる。また、各エリア2,3に跨る長い2本の平行な縦線は、繰り返すことを意味し、楽曲の1番や2番等で繰り返す順番等を規定する場合には、英数字記号(例えば、1,2…やA,B…)とアンダーラインとで区切ってその順番に繰り返すように指示表示することも可能である。 Specifically (see Fig. 4), the "-(hyphen)" symbol means that the performance is extended by the half-beat of the number described before, and the numbers separated by the dividing lines 5 and 6 The number of beats continuously extended can be easily recognized by the number of hyphen symbols corresponding to. In addition, two long parallel vertical lines straddling each of the areas 2 and 3 mean repetition, and in the case of defining the order of repetition of music No. 1 or No. 2, etc., alphanumeric symbols (for example, 1, 2..., A, B...) And an underline, and instructions can be displayed so as to be repeated in that order.
 尚、その他として、4分休符や休み等を記号化して設定することができるばかりでなく、図示はしないが、五線譜記号として公知のアクセント記号(その音階だけ強く)や、フェルマータ(長く伸ばす)、トリル(その音階と一つ上の音階とを交互に早く繰り返す)、前打音(装飾音)、スラー(一連の音階をなめらかに)、ブレス(息継ぎ)、ナチュラル(もとの音に戻る)等、その楽器固有の記号を含め、各種設定・表示することができる。 In addition, not only is it possible to symbolize and set quarter rests, rests, etc., but not shown, accent marks known as stave symbols (stronger only the scale) and fermatas (extend longer) , Trill (it repeats the scale and the scale above one another quickly), front percussion (decoration), slur (smooth a series of scales), breath (breathing), natural (returns to the original sound) ), Etc., including various symbols unique to the instrument.
 また、各エリア2,3で設定された音域(例えば、1オクターブ)よりも高い音域(大甲音)又は低い音域の音階には(図4参照)、各エリア2,3に記載された数字を囲み数字とすることにより、音域の広い多様な楽器用の数字楽譜として使用することができ、汎用性を向上することができる。 In addition, the numbers described in each of the areas 2 and 3 are used for the scales of the higher range (corrade) or lower range than the range (for example, 1 octave) set in each of the areas 2 and 3 (see FIG. 4). By using as an encircling number, it can be used as a numerical score for a wide variety of musical instruments with a wide range, and versatility can be improved.
 この際、この囲み数字の囲み枠(例えば、○)は、音域表示としてドット記号を用いていないことから、付点記号のドット表示と区別することができるうえ、譜面にごみや汚れ等が付着した場合の紛らわしさを解消することができる。尚、囲み枠の形状は、図示の如く○でも良いが、□等でも良く、高い音域を○、低い音域を□というように、区別しても良い。 In this case, the enclosed frame (for example, ○) of the enclosed numbers can be distinguished from the dot display of a dotted symbol because it does not use a dot symbol as a range display, and dust or dirt adheres to the musical score. This can eliminate the confusingness. The shape of the surrounding frame may be ○ as shown, but may be □, etc., and the high sound range may be distinguished as ◯ and the low sound region as □.
 また、基準音としての筒音を「◎」記号で表示したり、五線譜の音符記号に変えて、独自の「●」「▲」で休符を表示するなど、簡素な独自記号を採用したことにより、幅広い楽曲への対応も可能となるばかりでなく、太いアンダーラインと組み合わせて休符記号を併記することで、より一層、識別性を向上することができる。 In addition, by adopting simple original symbols such as displaying the cylindrical sound as the reference sound with the “◎” symbol, or displaying a rest with the original “●” and “▲” instead of the note symbol on the staff. In addition to being able to deal with a wide range of music, it is possible to further improve discrimination by combining a thick underline with a rest symbol.
 このように、指番号の数字と長さ(拍数)とを瞬時に認識することができ、しかも、熟練を要することなく、知らない曲目等の演奏であっても譜面を見ながら演奏することが可能となる。 In this way, the number and length (number of beats) of the finger number can be recognized instantly, and it is possible to perform while watching the musical score even if it is a performance of an unknown song, etc. without requiring skill. Is possible.
 即ち、楽器を演奏する際に必要な条件である「どの音程」で「どのくらいの長さ」であるのかを縦横の線4,5,6で瞬時に認識することができる。 That is, it is possible to instantly recognize “how much pitch” and “how long” that are necessary conditions for playing the musical instrument from the vertical and horizontal lines 4, 5, and 6.
 また、低音(呂音)と高音(甲音)とを数字を変えることなく同じ数字(表示)を採用し、しかも、アンダーラインやドット等の誤認識し易い記号は用いないことと相俟って、識別性をさらに向上することができる。 Also, the same number (display) is used for the bass (round) and treble (instep) without changing the numbers, and it is also compatible with the use of under-recognized symbols such as underlines and dots. Thus, the distinguishability can be further improved.
 さらに、上記実施の形態では、半拍単位で区切線5,6によって区切ったものを示したが、図7の上段に示すように、半拍単位の区切線5を廃止して半拍単位の数字譜を隣接して表示しても良いし、長音記号としての「-(ハイフン)」を含む場合、図7の下段に示すように、一拍単位の数字譜で表示することにより、半拍単位の短音と一拍単位の長音との識別性を向上することができる。 Furthermore, in the above-described embodiment, the half-beat unit is separated by the dividing lines 5 and 6. However, as shown in the upper part of FIG. A numbered score may be displayed adjacent to it, and if it includes “-(hyphen)” as a long clef, as shown in the lower part of FIG. It is possible to improve the distinguishability between a short sound of a unit and a long sound of a single beat.
 また、図7及び図8に示すように、楽曲の拍子(例えば、4分の4拍子)を五線譜と同様に数字譜の先頭に表示すると共に、楽曲の拍子の拍数単位で区切る小節線7として区切線5,6とは長さ又は太さを異ならせて表示することにより、楽曲の拍子(小節)を認識することができ、より一層識別性を向上することができる。 Also, as shown in FIG. 7 and FIG. 8, the bar of the music is displayed at the top of the musical score (for example, four quarters) as well as the staff, and is separated by the beat of the musical beat. By displaying them with different lengths or thicknesses from the dividing lines 5 and 6, it is possible to recognize the time signature (measure) of the music and to further improve the distinguishability.
 ところで、上記実施の形態では、篠笛譜として説明したが、ハーモニカ譜・大正琴譜・二胡譜等、各種音符としての数字楽譜に適用することができる。 By the way, in the above-described embodiment, it has been described as a Shinobu flute, but it can be applied to numerical musical scores such as harmonica, Taisho koto, and erhu.
 また、本発明の数字譜は、篠笛譜のように、出力可能な音域が比較的少なく(例えば、2オクターブ付近)、且つピアノやギター等のように同時に複数の音階を出力しない短音楽器に対して特に有用である。 In addition, the numbered musical score of the present invention is a short musical instrument that does not output a plurality of scales at the same time, such as a piano or guitar, and has a relatively small output range (for example, around 2 octaves), such as Shinobu flute. Especially useful for this.
 本発明では、例えば、ドレミファソラシドの音階を1から8までの数字で言い換えたものである。ド(1)の高さは調によって変わる(移動ド)。どの調であるかは、楽譜の冒頭に例えば、「1=C」のようにド(1)の高さを指定することで示すことも可能である。 In the present invention, for example, the scale of Doremifasolaside is paraphrased by numbers from 1 to 8. The height of the door (1) changes depending on the key (moving door). The key can be indicated by specifying the height of do (1) at the beginning of the score, for example, “1 = C”.
 五線譜にくらべた場合の長所は、原理的に「移調」が容易であること、五線紙など専用の用紙を必要としないことも挙げられる。 The advantages over the staff are that, in principle, “transposition” is easy, and that no special paper such as staff is required.
 本発明によれば、高音域と低音域との区別及び音の長さの認識が容易な数字楽譜を提供することができる。 According to the present invention, it is possible to provide a numeric score that makes it easy to distinguish between a high sound range and a low sound range and to recognize a sound length.

Claims (10)

  1.  所定の音階毎に対応してアラビア数字又は漢数字を用いた数字譜で置き換え表示した数字楽譜であって、
     高音用数字譜記載エリアと低音用数字譜記載エリアとが上下に分割表示されると共に、該各エリアが境界線によって仕切られていることを特徴とする数字楽譜。
    It is a numeric score that is displayed by replacing it with a numbered score using Arabic numerals or Chinese numerals corresponding to each predetermined scale,
    A numerical musical score including a high-pitched musical score description area and a low-pitched musical score description area divided into upper and lower parts, and each area is partitioned by a boundary line.
  2.  前記各エリアには、前記数字譜と併用して五線譜記載方式で採用される音符記号がそのまま又は所定の音符記号或いは英字に置き換えて記載されていることを特徴とする請求項1に記載の数字楽譜。 2. The number according to claim 1, wherein in each area, a note symbol used in a staff notation system in combination with the numeral score is written as it is or replaced with a predetermined note symbol or alphabet. Musical score.
  3.  前記各エリアで設定された音域よりも高い音域又は低い音域の音階には、各エリアに記載された数字を囲み数字とすることを特徴とする請求項1又は請求項2に記載の数字楽譜。 The numerical score according to claim 1 or 2, wherein a number in each area is enclosed by a number in a range higher or lower than the range set in each area.
  4.  前記各エリアで設定された音域が1オクターブであり且つ高い音域と低い音域とで同じ音階には同じ数字譜を用いることを特徴とする請求項1又は請求項2に記載の数字楽譜。 3. The numerical score according to claim 1, wherein the range set in each area is one octave, and the same musical score is used for the same scale in a high range and a low range.
  5.  前記低音用数字譜記載エリアには、楽器に対応した基準音を、予め設定した基準音記号で表示することを特徴とする請求項1乃至請求項4の何れかに記載の数字楽譜。 5. The numerical score according to any one of claims 1 to 4, wherein a reference sound corresponding to a musical instrument is displayed in a reference note symbol set in advance in the bass number score description area.
  6.  前記各エリアは、前記境界線と直交する区切線によって半拍単位で区切られ且つその各区切り毎に半拍単位で前記数字譜が表示されていることを特徴とする請求項1乃至請求項5の何れかに記載の数字楽譜。 6. Each area is divided in half-beat units by a dividing line orthogonal to the boundary line, and the musical score is displayed in half-beat units for each division. Numbered musical score described in any of the above.
  7.  前記各エリアは、前記境界線と直交する区切線によって一拍単位で区切られ且つその各区切り毎に半拍単位で前記数字譜が隣接表示されていることを特徴とする請求項1乃至請求項5の何れかに記載の数字楽譜。 Each of the areas is divided in units of one beat by a dividing line orthogonal to the boundary line, and the numbered music is adjacently displayed in units of half beats for each division. 5. Numbered musical score according to any one of 5.
  8.  前記各エリアは、前記境界線と直交する区切線によって半拍単位又は一拍単位で区切られ且つその各区切り毎に半拍単位又は一拍単位で前記数字譜が表示されていることを特徴とする請求項1乃至請求項5の何れかに記載の数字楽譜。 Each area is divided in half-beat units or single-beat units by a dividing line orthogonal to the boundary line, and the numbered music is displayed in half-beat units or single-beat units for each division. The numerical score according to any one of claims 1 to 5.
  9.  前記区切線は、半拍単位と一拍単位とで長さ又は太さが異なることを特徴とする請求項6乃至請求項8の何れかに記載の数字楽譜。 The number score according to any one of claims 6 to 8, wherein the dividing line is different in length or thickness in half-beat units and one-beat units.
  10. 前記区切線は、楽曲の拍子の拍数単位で区切る小節線として他の区切線とで長さ又は太さが異なることを特徴とする請求項9に記載の数字楽譜。 The number score according to claim 9, wherein the dividing line is different in length or thickness from another dividing line as a bar line that is divided in units of the number of beats of the music.
PCT/JP2008/051271 2008-01-29 2008-01-29 Numeral musical score WO2009095991A2 (en)

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