JP7076409B2 - Music learning sheet - Google Patents

Description

The present invention relates to music learning sheets, music education, and the like.

Scales can be represented using staff, clefs, key signatures, and notes. (Fig. 1) Key signatures are not used for C major and A minor. (Fig. 2) With keyboard instruments, you can understand the relationship between whole notes (long 2 degrees) and semitones (short 2 degrees) by arranging white keys and black keys. No distinction between white and black keys, the pitch between two adjacent keys is a semitone, no distinction between white and black keys, and the pitch between the first and last keys of three consecutive keys. It is a semitone (Fig. 3). In the major scale, the relationship between each note is from the first note to the whole tone-whole tone-half tone-whole tone-whole tone-whole tone-half tone (Fig. 4). Semitone-Semitone (Fig. 5). As for the accidental, the accidental (flat) is lowered by a semitone, and the accidental (sharp) is raised by a semitone. The accidental used for the key signature is one tonality, and the two are not mixed.
Usually, each note of the scale has the same notation for both the floor name and the note name.

Japanese Unexamined Patent Publication No. 2010-217851

"Basics of Music" by Yasushi Akutagawa Iwanami Shinsho

Even if the scale is represented by a staff paper, the notes will rise, but the relationship between each note (full or semitone) is difficult to understand. It is difficult for beginners to understand what the constituent notes of the scale will be when the tonic moves and the tonality changes, and which note will have an accidental. In the prior art, there is a board in which the scale is replaced with numbers, symbols, marks, etc., but the regularity of the scale cannot be visually understood immediately.

According to the present invention, there is provided a music learning sheet in which each note in one octave of a scale is graphed to show the pitch, the difference between a whole tone and a semitone can be visually understood, and the composition of the scale can be easily understood.

You can clearly see the composition of the scale regardless of the tonality. In tonality using a key signature, the sound with an accidental can be clearly seen.

Two-tonal scale without key signature 24-tonal scale using key signature Relationship between whole and semitones by keyboard diagram Major scale composition Composition of natural minor scale, harmony minor scale, and tuned minor scale When A major is taken up in the sheet of the present invention When A minor is taken up in the sheet of the present invention Sheet in major key of the present invention (before entry) Sheet in minor of the present invention (before entry)

FIG. 6 shows the music learning sheet 100 in A major according to the embodiment of the present invention. Referring to Fig. 6, each note of one octave of the scale is stacked in the order of pitch and shown by a staircase, and the floor name 1 in alphabetical notation is displayed inside each step of the staircase. The height of the 4th step of the stairs (between the 3rd and 4th notes) and the 8th step of the stairs (while returning to the sound one octave above the 7th and 1st notes) are halved, and the floor name It is illustrated that there is a half note 2 between Mi and Fa and between Si and Do.

Key signature 3 is written in the upper left, and it is shown here that the key signature is attached to the three notes in A major. Enter the tonic 4 la at the top of the first step of the stairs, and enter the note name 5 in the same order as the floor names (Rashid Remi Fasora). Although there is a semitone between Shi and Do, the step is high, so add a pound sign to Do to make it a semitone higher 6. Since the semitone between Mi and Fa is a semitone with a pound sign, do not add a pound sign to the letter. Although there is a semitone between Mi and Fa, the step is high, so add a pound symbol to Fa to make it a semitone higher 6. Between La and Si, the pound is attached to the fa in all sounds, so the pound is also attached to the so. 6. Since there is a semitone between Si and Do, the sharp sign is attached to So, so it returns to the tonic La as it is. As a result, Sharp has reached the three notes of do, fa, and so in the scale.
Clefs, key signatures, tonality names, tonics, and note names can be repeatedly written or erased according to the instrument used and the key.

The scale is represented by stairs, and the steps are represented by changing the height of all notes and semitones, so the composition of the scale can be clearly understood visually. You can also enter the tonality and key signature, so you can see where to put the accidental according to the height of the stairs, regardless of the key.
Since the floor name is written on each row, it can be seen that there is a semitone between the adjacent Mi-Fa and Si-Do. By making the character notation of the note name different, it becomes easier to understand the components of the scale regardless of the pitch name (fixed do) or the note name (moving do).

FIG. 7 shows a music learning sheet 100 in A minor according to an embodiment of the present invention. Each note of one octave of the scale is stacked in the order of pitch and shown by the stairs, and the floor name 1 in alphabetical notation is displayed inside each step of the stairs. The height of the 3rd step of the stairs (between the 2nd and 3rd sounds) and the 6th step of the stairs (between the 5th and 6th sounds) is halved, and between the floor names Si and Do, It is illustrated that there is a half note between Mi and Fa.
The key signature is written in the upper left, and the key signature is not attached in A minor. Enter the tonic La on the first step of the stairs, and enter it in the same order as the floor name (Rashid Remi Fasora).
In the harmony minor scale, the 7th note is raised by a semitone, and it becomes a pound sign. It can be visually understood that the pitches of the 6th and 7th notes are increased pitches. In addition to that, the 6th note of the tuned minor scale is raised by a semitone and becomes a pound sign.

The shape of the graph is not limited to stairs as long as each note of one octave is shown by the change in pitch and the difference between whole and semitones can be visually recognized.

The position of the key signature on the music learning sheet is not limited as long as it does not overlap with the place where the scale is displayed.

FIG. 8 shows the music learning sheet 100 of the major sheet (before entry) of the present invention. FIG. 9 shows the music learning sheet 100 of the minor sheet (before entry) of the present invention. The staff part indicating the key signature, major or minor scale, major or minor, and floor name are printed on the music learning sheet. The key signature can be repeatedly entered in the staff, and the tonality is displayed by entering the tonic before the major and minor.

The music learning sheets of FIGS. 6 to 9 are examples for explaining the present invention in an easy-to-understand manner, and various modifications can be made.

1st floor name

2 semitones

3 key signature

4 Tonic

5 note name

6 Sounds with accidentals 100 Music learning sheet

Claims (1)

It is a music learning sheet for music education that shows the pitch difference by graphing each note of one octave of the scale, stacking each note of one octave one step at a time in pitch order, and showing it on a staircase.
In a place that does not overlap with the stairs, a blank for entering the tonality name and a staff for entering the key signature are provided.
When the scale is a natural minor scale, each note in the minor scale is displayed as LaSiDoReMiFaSoLa on each step of the stairs in the music learning sheet.
Raise the height of the 7th note by a semitone step to display the harmonic minor scale with the first dashed line.
A music learning sheet in which the height of the step of the sixth note is raised by a step of a semitone in addition to the first broken line, and the tune minor scale is displayed by the second broken line.

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