JPWO2009095991A1 - Number sheet music - Google Patents

Abstract

Provided is a numerical score that can easily distinguish a high sound range from a low sound range. A numeral score 1 replaced with Arabic numerals or Chinese numerals corresponding to each predetermined scale, and a high-pitched musical notation description area 2 and a low-pitched musical score description area 3 are divided and displayed in an up and down direction, Each area 2 and 3 is partitioned by a boundary line 4. In each of the areas 2 and 3, note codes used in the notation system in combination with a numerical score are replaced with predetermined note codes. In addition, the musical score is displayed in half-beat units by a dividing line orthogonal to the boundary line 4, and the numbered musical notation is displayed in half-beat units for each division.

Description

  The present invention relates to a numeric score as a score instead of a staff.

JP 2007-17920 A JP, 10-83182, A Conventionally, in musical instruments etc. with a comparatively narrow range, such as harmonica and Shinobu, the thing using a numerical score as a score replaced with what is called a staff score is known.

  At this time, if it is possible to produce a sound of the second or higher order of the low range and the high range in the range, for example, in the case of a harmonica notation as shown in FIG. A symbol is added to distinguish it from the low frequency range.

  Also, as shown in FIG. 10, in the case of Shinobu flute, the low pitch range is indicated by Chinese numerals, the middle pitch range is indicated by Arabic numerals, and each range is differentiated.

  Furthermore, in the case of a three-line score such as a shamisen, a number score divided into upper, middle and lower levels (three levels) corresponding to each line (string) has been proposed (for example, see Patent Document 1).

  In addition, a musical score for scales is displayed at the top and a chord symbol is displayed at the bottom, and when the scale is high, a dot symbol is added to indicate the stage of each scale to differentiate each range. The thing is also proposed (for example, refer patent document 2).

  By the way, in the numerical score constructed as described above, especially for beginners, it is difficult to distinguish between the low range and the high range, and the dot symbol is confused due to adhesion of dirt, etc. There was a problem.

  In addition, when the number of steps increases, such as in a three-line score, when the three steps are considered as one unit score, multiple stages of units are displayed depending on the music, making it difficult to distinguish between the upper and lower units. The problem of becoming.

  In order to solve the above problems, an object of the present invention is to provide a numeric score that can easily distinguish a high sound range from a low sound range.

  In order to achieve the object, the numbered score according to claim 1 is a numbered score which is replaced with a numbered score using Arabic numerals or Chinese numerals corresponding to each predetermined scale, and described in a high-numbered numbered score. The area and the musical score description area for bass are divided and displayed vertically, and each area is partitioned by a boundary line.

  In the number score according to claim 1, there is only one number used, and the high and low ranges are divided into upper and lower parts and separated by a boundary line. Thus, it is possible to easily distinguish each sound range.

  In addition, the numbered musical score according to claim 2 can be obtained by replacing each area with a musical notation symbol used in the staff notation system in combination with the numerical musical score and replacing it with a predetermined musical notation symbol. It is possible to deal with various musical scores.

  Further, in the numeral score according to claim 3, each area is divided in half-beat units by a dividing line orthogonal to the boundary line, and the numerical score is displayed in half-beat units for each division. Thus, the relationship between the scale and the beat number can be easily identified.

  According to a fourth aspect of the present invention, the musical score set in each area is one octave, and the same musical score is used for the same musical scale in a high musical range and a low musical range. Can be prevented, and the discrimination can be further improved.

  Further, in the numeral score according to claim 5, the reference sound corresponding to the musical instrument is displayed with a preset reference note symbol in the bass numeral score description area, for example, the cylindrical sound as the reference sound is displayed. The versatility can be improved by displaying “◎”.

  The number score according to claim 6, wherein each area is divided in units of one beat by a dividing line orthogonal to the boundary line, and the numbered music is displayed adjacent to each other in units of half beats. Therefore, the relationship between the scale and the beat number can be easily identified.

  Furthermore, the number score of Claim 7 WHEREIN: Each said area is divided | segmented by the half-beat unit or the 1-beat unit by the dividing line orthogonal to the said boundary line, and the half-beat unit or the 1-beat unit for every each division | segmentation By displaying the musical score, it is possible to easily identify the relationship between the scale and the number of beats, and to improve the distinguishability between a short sound of a half beat and a long sound of a single beat. it can.

  In addition, the number score according to claim 8 can improve the discriminability because the dividing line is different in length or thickness between a half beat unit and a single beat unit.

  In addition, the number score according to claim 9 is characterized in that the delimiter line is different from other delimiter lines in length or thickness as a delimiter line delimited by the beat unit of the musical composition. ) Can be recognized.

  Furthermore, the numerical score according to claim 10 has a wide range of sounds by enclosing the number described in each area as a number in the scale of a higher or lower range than the range set in each area. It can be used as a number musical score for various musical instruments, and versatility can be improved.

  According to the numeral score of the present invention, it is possible to easily distinguish the high sound range and the low sound range and at the same time easily recognize the length of the sound.

It is explanatory drawing which shows an example of the numerical score of this invention. It is explanatory drawing which shows the relationship between the finger hold position of the basic shinobue as an example of the Arabic numerals used for the numerical score of this invention, and a flute. It is explanatory drawing which shows the relationship between the finger hold position of the Shinobu as an example of the Arabic numerals used for the numerical score of this invention, and a flute. It is explanatory drawing of the role of the numerical score of this invention. It is explanatory drawing of the note list of the flute staff corresponding to the staff score used for the numerical score of this invention. It is explanatory drawing of the rest list | wrist of the flute corresponding to the staff score used for the numerical score of this invention. It is explanatory drawing which shows the other example of the numerical score of this invention. It is explanatory drawing which shows the other example of the numerical score of this invention. It is explanatory drawing of the harmonica score as a conventional number score. It is explanatory drawing of the Shinobu flute as a conventional number score.

Explanation of symbols

1 ... Numeral score 2 ... Numerical score entry area for treble 3 ... Numerical score entry area for bass 4 ... Boundary line 5 ... Division line (for half beat)
6 ... Dividing line (for one beat)
7 ... Bar lines (separator lines)

Next, an embodiment according to the numeral score of the present invention will be described with reference to the drawings.
FIG. 1 is an explanatory diagram showing an example of a numeric score of the present invention, and FIG. 2 is an explanatory diagram showing the relationship between a finger position of a basic shinobue as an example of an Arabic numeral used in the numeric score of the present invention and a whistle score. FIG. 3 is an explanatory view showing the relationship between the finger hold position of a shinobue flute as an example of Arabic numerals used in the numerical score of the present invention and the whistle score, FIG. 4 is an explanatory view of the role of the numerical score of the present invention, and FIG. FIG. 6 is an explanatory view of a list of whistle notes corresponding to a staff score used for the numbered musical score of the present invention, and FIG.

  As shown in FIG. 1, a numeral score 1 according to the present invention is a numeral score replaced by using Arabic numerals or Chinese numerals corresponding to each predetermined scale (see FIG. 2), and includes a high-pitched numeral score description area. 2 and the low-pitched musical notation description area 3 are divided into upper and lower parts, and the areas 2 and 3 are partitioned by a boundary line 4. In this embodiment, only one of Arabic numerals or Chinese numerals is used.

  Accordingly, only one type of numeral (Arabic numerals) is used to indicate each scale, and the high and low ranges are divided and displayed in a vertically divided manner with a boundary line 4. Visibility is improved and differentiation of each sound range can be easily realized.

  Note that the numbers corresponding to the scales here are scale names such as de les mi fa fa so la si de, and, for example, in the case of the shinobue (basic pattern) shown in FIG. In addition, an operation pattern number for outputting a pitch set for each instrument is included.

  Further, the high-frequency range (step sound) and low-frequency range (round sound) range are not limited to one octave unit, for example, and can be set according to each instrument.

  In addition to symbols other than the scale, symbols other than Arabic numerals or Chinese numerals may be used. Moreover, although Arabic numerals and Chinese numerals may be mixed, it is preferable to use only one of them.

  FIG. 3 exemplifies the relationship between the finger press positions of all patterns and the whistle as an example of Arabic numerals used in the numeral score of the present invention. In this case, for example, when lowering a semitone, a musical note symbol (♭) used in the notation system may be used as it is in combination with a numbered musical score, or a predetermined musical note symbol or alphabetic character (for example, b) ). 2 and 3 are examples in the case of using the Yahata tone.

  Further, as shown in FIG. 4, each area 2 and 3 is divided in half-beat units or single-beat units by dividing lines 5 and 6 orthogonal to the boundary line 4. It can be easily identified.

  In this case, the dividing lines 5 and 6 can improve the distinguishability of each time signature by making the length (or thickness) different between the half beat unit and the one beat unit.

  Further, in each of the areas 2 and 3, as shown in FIG. 5 and FIG. 6, note symbols (including rest symbols) adopted in the notation system are used as predetermined note symbols (for example, “●” and “▲”). ”) Or the like, or can be used as it is, and can be used for various musical scores.

  Specifically (see FIG. 4), the symbol “-(hyphen)” means that the musical performance is extended by the half-beat of the number described before, and the number divided by the dividing lines 5 and 6 The number of beats continuously extended can be easily recognized by the number of hyphen symbols corresponding to. In addition, two long parallel vertical lines straddling each of the areas 2 and 3 mean repetition, and in the case of defining the order of repetition of music No. 1 or No. 2, etc., alphanumeric symbols (for example, 1, 2..., A, B...) And an underline, and an instruction display can be made to repeat in that order.

  In addition, not only is it possible to symbolize and set quarter rests, rests, etc., but not shown, accent marks known as stave symbols (stronger only the scale) and fermatas (extend longer) , Trill (it repeats the scale and the scale above one another quickly), front percussion (decoration), slur (smooth a series of scales), breath (breathing), natural (returns to the original sound) ), Etc., including various symbols unique to the instrument.

  In addition, the numbers described in each of the areas 2 and 3 are used for the scales of the higher range (corrade) or lower range than the range (for example, 1 octave) set in each of the areas 2 and 3 (see FIG. 4). By using as an encircling number, it can be used as a numerical score for a wide variety of musical instruments with a wide range, and versatility can be improved.

  In this case, the enclosed frame (for example, ○) of the enclosed numbers can be distinguished from the dot display of a dotted symbol because it does not use a dot symbol as a range display, and dust or dirt adheres to the musical score. This can eliminate the confusingness. The shape of the surrounding frame may be ○ as shown, but may be □, etc., and the high sound range may be distinguished as ◯ and the low sound region as □.

  In addition, by adopting simple original symbols such as displaying the cylindrical sound as the reference sound with the “◎” symbol, or displaying a rest with the original “●” and “▲” instead of the note symbol on the staff. In addition to being able to deal with a wide range of music, it is possible to further improve discrimination by combining a thick underline with a rest symbol.

  In this way, the number and length (number of beats) of the finger number can be recognized instantly, and it is possible to perform while watching the musical score even if it is a performance of an unknown song, etc. without requiring skill. Is possible.

  That is, it is possible to instantly recognize “how much pitch” and “how long” that are necessary conditions for playing the musical instrument by the vertical and horizontal lines 4, 5, and 6.

  Also, the same number (display) is used for the bass (round) and treble (instep) without changing the numbers, and it is also compatible with the use of under-recognized symbols such as underlines and dots. Thus, the distinguishability can be further improved.

  Furthermore, in the above-described embodiment, the half-beat unit is separated by the dividing lines 5 and 6. However, as shown in the upper part of FIG. A numerical score may be displayed adjacently, or if it includes “-(hyphen)” as a long sound symbol, as shown in the lower part of FIG. It is possible to improve the distinguishability between a short sound of a unit and a long sound of a single beat.

  Also, as shown in FIG. 7 and FIG. 8, the bar of the music is displayed at the top of the musical score (for example, four quarters) as well as the staff, and is separated by the beat of the musical beat. By displaying them with different lengths or thicknesses from the dividing lines 5 and 6, it is possible to recognize the time signature (measure) of the music and to further improve the distinguishability.

  By the way, in the above-described embodiment, it has been described as a shinobue score, but it can be applied to a numerical score as various notes such as a harmonica score, a Taisho koto score, and an erhu score.

  In addition, the numbered musical score of the present invention is a short musical instrument that does not output a plurality of scales at the same time, such as a piano or guitar, and has a relatively small output range (for example, around 2 octaves), such as Shinobu flute. Especially useful for this.

  In the present invention, for example, the scale of Doremifasolaside is rephrased by numbers from 1 to 8. The height of the door (1) changes depending on the key (moving door). The key can be indicated by specifying the height of do (1) at the beginning of the score, for example, “1 = C”.

  Advantages over the staff are that, in principle, “transposition” is easy and that no special paper such as staff is required.

  According to the present invention, it is possible to provide a numeric score that makes it easy to distinguish between a high sound range and a low sound range and to recognize a sound length.

The present invention relates to a numeric score as a score instead of a staff.

JP 2007-17920 A JP, 10-83182, A Conventionally, in musical instruments etc. with a comparatively narrow sound range, such as harmonica and Shinobu, etc., what used a numerical musical score as a musical score instead of what is called a staff score is known.

At this time, if it is possible to produce a sound of the second or higher order of the low range and the high range in the range, for example, in the case of a harmonica notation as shown in FIG. A symbol is added to distinguish it from the low frequency range.

Also, as shown in FIG. 10, in the case of Shinobu flute, the low pitch range is indicated by Chinese numerals, the middle pitch range is indicated by Arabic numerals, and each range is differentiated.

Furthermore, in the case of a three-line score such as a shamisen, a number score divided into upper, middle and lower levels (three levels) corresponding to each line (string) has been proposed (for example, see Patent Document 1).

In addition, a musical score for scales is displayed at the top and a chord symbol is displayed at the bottom, and when the scale is high, a dot symbol is added to indicate the stage of each scale to differentiate each range. The thing is also proposed (for example, refer patent document 2).

By the way, in the numerical score constructed as described above, especially for beginners, it is difficult to distinguish between the low range and the high range, and the dot symbol is confused due to adhesion of dirt, etc. There was a problem.

In addition, when the number of steps increases, such as in a three-line score, when the three steps are considered as one unit score, multiple stages of units are displayed depending on the music, making it difficult to distinguish between the upper and lower units. The problem of becoming.

In order to solve the above-described problem, an object of the present invention is to provide a number score that can easily distinguish between a high sound range and a low sound range.

In order to achieve the object, the numerical musical score according to claim 1 is a numerical musical score which is replaced with a numerical musical score using Arabic numerals or Chinese numerals corresponding to each predetermined scale, and is described in a numerical musical score for treble. The area and the musical score description area for bass are divided and displayed vertically, and each area is partitioned by a boundary line.

In the musical score according to claim 1, there is only one number used, and the high and low ranges are divided into upper and lower parts and separated by a boundary line. Thus, it is possible to easily distinguish each sound range.

In addition, the musical score according to claim 2 can be variously recorded in each area by replacing the musical notation symbols used in the staff notation system with predetermined musical notation symbols in combination with the numerical musical notation. It is possible to deal with various musical scores.

The numbered musical score according to claim 3, wherein each area is divided in half-beat units by a dividing line orthogonal to the boundary line, and the numbered music is displayed in half-beat units for each division. Thus, the relationship between the scale and the beat number can be easily identified.

In addition, according to the musical score of claim 4, the musical score set in each area is 1 octave, and the same musical score is used for the same musical scale in a high musical range and a low musical range. Can be prevented, and the discrimination can be further improved.

In addition, the number score according to claim 5 displays the reference sound corresponding to the musical instrument in the reference number notation area for the bass as a reference sound symbol set in advance, for example, the cylindrical sound as the reference sound. The versatility can be improved by displaying “◎”.

The numbered musical score according to claim 6, wherein each area is divided in units of one beat by a dividing line orthogonal to the boundary line, and the numbered music is displayed adjacent to each other in units of half beats. Therefore, the relationship between the scale and the beat number can be easily identified.

Further, in the numbered musical score according to claim 7, each area is divided in half beat units or single beat units by a dividing line orthogonal to the boundary line, and in each half break unit or single beat unit. By displaying the musical score, it is possible to easily identify the relationship between the scale and the number of beats, and to improve the distinguishability between a short sound of a half beat and a long sound of a single beat. it can.

Moreover, the number score of Claim 8 WHEREIN: The said division | segmentation line can improve discriminability, when length or thickness differs in a half-beat unit and a 1-beat unit.

The number score according to claim 9 is characterized in that the dividing line is different in length or thickness from other dividing lines as a measure line that is divided in units of the number of beats of the musical piece. ) Can be recognized.

Furthermore, the musical score according to claim 10 has a wide range of sounds by enclosing the numbers described in each area as numbers in the scales of higher or lower range than the range set in each area. It can be used as a number score for various musical instruments, and versatility can be improved.

According to the musical score of the present invention, it is possible to easily distinguish a high sound range and a low sound range and at the same time easily recognize the length of a sound.

It is explanatory drawing which shows an example of the number score of this invention. It is explanatory drawing which shows the relationship between the finger hold position of the basic shinobue as an example of the Arabic numerals used for the numerical score of this invention, and a whistle. It is explanatory drawing which shows the relationship between the finger hold position of the Shinobu as an example of the Arabic numerals used for the numerical score of this invention, and a whistle. It is explanatory drawing of the role of the numerical score of this invention. It is explanatory drawing of the note list of the whistle score corresponding to the staff score used for the numerical score of this invention. It is explanatory drawing of the rest list of the flute corresponding to the staff score used for the numerical score of this invention. It is explanatory drawing which shows the other example of the numerical score of this invention. It is explanatory drawing which shows the other example of the numerical score of this invention. It is explanatory drawing of the harmonica score as a conventional number score. It is explanatory drawing of the shinobue score as a conventional number score.

1 ... Numerical score 2 ... Numerical score writing area 3 for high notes 3Numerical score writing area 4 for low notes 4 ... Boundary line 5 ... Separation line (for half beat)
6 ... Dividing line (for one beat)
7 ... Bar lines (separator lines)

Next, an embodiment according to the musical score of the present invention will be described with reference to the drawings.
FIG. 1 is an explanatory diagram showing an example of a numeric score of the present invention, FIG. 2 is an explanatory diagram showing a relationship between a finger position of a basic shinobue as an example of an Arabic numeral used in the numeric score of the present invention and a whistle score, FIG. 3 is an explanatory diagram showing the relationship between the finger hold position of a shinobue flute as an example of Arabic numerals used in the numerical musical score of the present invention and the whistle score, FIG. 4 is an explanatory diagram of the role of the numerical musical score of the present invention, and FIG. FIG. 6 is an explanatory view of a list of musical notes of a flute score corresponding to a staff notation used for the numbered musical score of the present invention, and FIG.

As shown in FIG. 1, a numerical score 1 of the present invention is a numerical score replaced by using Arabic numerals or Chinese numerals corresponding to each predetermined scale (see FIG. 2), and includes a high-pitched musical score description area. 2 and the low-pitched musical notation description area 3 are divided into upper and lower parts, and the areas 2 and 3 are partitioned by a boundary line 4. In this embodiment, only one of Arabic numerals or Chinese numerals is used.

Accordingly, only one type of numeral (Arabic numerals) is used to indicate each scale, and the high and low ranges are divided and displayed in a vertically divided manner with a boundary line 4. Visibility is improved and differentiation of each sound range can be easily realized.

Note that the numbers corresponding to the scales here are scale names such as de les mi fa fa so la si de, and, for example, in the case of the shinobue (basic pattern) shown in FIG. In addition, an operation pattern number for outputting a pitch set for each instrument is included.

Further, the high-frequency range (step sound) and low-frequency range (round sound) range are not limited to one octave unit, for example, and can be set according to each instrument.

In addition to symbols other than the scale, symbols other than Arabic numerals or Chinese numerals may be used. Moreover, although Arabic numerals and Chinese numerals may be mixed, it is preferable to use only one of them.

FIG. 3 exemplifies the relationship between the finger press positions of all patterns and the whistle as an example of the Arabic numerals used in the numerical score of the present invention. In this case, for example, when lowering a semitone, a musical note symbol (♭) used in the notation system may be used as it is in combination with a numbered musical score, or a predetermined musical note symbol or alphabetic character (for example, b) ). 2 and 3 are examples in the case of using the Yahata tone.

Further, as shown in FIG. 4, each area 2 and 3 is divided in half-beat units or single-beat units by dividing lines 5 and 6 orthogonal to the boundary line 4. It can be easily identified.

In this case, the dividing lines 5 and 6 can improve the distinguishability of each time signature by making the length (or thickness) different between the half beat unit and the one beat unit.

Further, in each of the areas 2 and 3, as shown in FIG. 5 and FIG. 6, note symbols (including rest symbols) adopted in the notation system are used as predetermined note symbols (for example, “●” and “▲”). ”) Or the like, or can be used as it is, and can be used for various musical scores.

Specifically (see FIG. 4), the symbol “-(hyphen)” means that the musical performance is extended by the half-beat of the number described before, and the number divided by the dividing lines 5 and 6 The number of beats continuously extended can be easily recognized by the number of hyphen symbols corresponding to. In addition, two long parallel vertical lines straddling each of the areas 2 and 3 mean repetition, and in the case of defining the order of repetition of music No. 1 or No. 2, etc., alphanumeric symbols (for example, 1, 2..., A, B...) And an underline, and an instruction display can be made to repeat in that order.

In addition to the above, not only can a quarter rest, rest, etc. be symbolized and set, but not shown, a well-known accent symbol as a staff notation (stronger only the scale) or Fermata (extends longer) , Trill (it repeats the scale and the scale above one another quickly), pre-percussion (decoration), slur (smooth a series of scales), breath (breathing), natural (returns to the original sound) ), Etc., including various symbols unique to the instrument.

In addition, the numbers described in each of the areas 2 and 3 are used for the scales of the higher range (corrade) or lower range than the range (for example, 1 octave) set in each of the areas 2 and 3 (see FIG. 4). By using as the enclosing number, it can be used as a musical score for a variety of musical instruments with a wide sound range, and versatility can be improved.

In this case, the enclosed frame (for example, ○) of the enclosed numbers can be distinguished from the dot display of a dotted symbol because it does not use a dot symbol as a range display, and dust or dirt adheres to the musical score. This can eliminate the confusingness. The shape of the surrounding frame may be ○ as shown, but may be □, etc., and the high sound range may be distinguished as ◯ and the low sound region as □.

In addition, by adopting simple original symbols such as displaying the cylindrical sound as the reference sound with the “◎” symbol, or displaying a rest with the original “●” and “▲” instead of the note symbol on the staff. In addition to being able to deal with a wide range of music, it is possible to further improve discrimination by combining a thick underline with a rest symbol.

In this way, the number and length (number of beats) of the finger number can be recognized instantly, and it is possible to perform while watching the musical score even if it is a performance of an unknown song, etc. without requiring skill. Is possible.

That is, it is possible to instantly recognize “how much pitch” and “how long” that are necessary conditions for playing the musical instrument by the vertical and horizontal lines 4, 5, and 6.

Also, the same number (display) is used for the bass (round) and treble (instep) without changing the numbers, and it is also compatible with the use of under-recognized symbols such as underlines and dots. Thus, the distinguishability can be further improved.

Furthermore, in the above-described embodiment, the half-beat unit is separated by the dividing lines 5 and 6. However, as shown in the upper part of FIG. A numerical score may be displayed adjacently, or if it includes “-(hyphen)” as a long sound symbol, as shown in the lower part of FIG. It is possible to improve the distinguishability between a short sound of a unit and a long sound of a single beat.

Also, as shown in FIG. 7 and FIG. 8, the bar of the music is displayed at the top of the musical score (for example, four quarters) as well as the musical score, and is divided into beats of the beat of the music. By displaying them with different lengths or thicknesses from the dividing lines 5 and 6, it is possible to recognize the time signature (measure) of the music and to further improve the discriminability.

By the way, in the above-mentioned embodiment, although it explained as Shinobu flute, it can be applied to numerical musical score as various musical notes such as harmonica, Taisho koto, and erhu.

In addition, the numbered musical score of the present invention is a short musical instrument that has a relatively small output range (for example, around 2 octaves), such as a shinobue, and does not output a plurality of scales simultaneously, such as a piano or a guitar. Especially useful for this.

In the present invention, for example, the scale of Doremifasolaside is rephrased by numbers from 1 to 8. The height of the door (1) changes depending on the key (moving door). The key can be indicated by specifying the height of do (1) at the beginning of the score, for example, “1 = C”.

Advantages over the staff are that, in principle, “transposition” is easy and that no special paper such as staff is required.

ADVANTAGE OF THE INVENTION According to this invention, the number score which can distinguish the high sound range and a low sound range and the recognition of the length of a sound can be provided easily.

Claims (10)

It is a numeric score that is displayed by replacing it with a numbered score using Arabic numerals or Chinese numerals corresponding to each predetermined scale,
A numerical musical score including a high-pitched musical score description area and a low-pitched musical score description area divided into upper and lower parts, and each area divided by a boundary line.   The number according to claim 1, wherein in each area, a note symbol used in a staff notation system in combination with the numeral notation is described as it is or replaced with a predetermined note symbol or an alphabetic character. Musical score.   The numerical score according to claim 1 or 2, wherein a numeral written in each area is used as a surrounding numeral for a musical scale in a higher or lower musical range than that set in each area.   3. The numerical score according to claim 1, wherein the range set in each area is one octave, and the same musical score is used for the same scale in a high range and a low range.   5. The numeral score according to claim 1, wherein a reference sound corresponding to a musical instrument is displayed with a preset reference sound symbol in the bass score description area.   6. Each area is divided in half-beat units by a dividing line orthogonal to the boundary line, and the musical score is displayed in half-beat units for each division. Numbered musical score described in any of the above.   Each of the areas is divided in units of one beat by a dividing line orthogonal to the boundary line, and the numbered music is adjacently displayed in units of half beats for each division. 5. Numbered musical score according to any one of 5.   Each area is divided in half-beat units or single-beat units by a dividing line orthogonal to the boundary line, and the numbered music is displayed in half-beat units or single-beat units for each division. The numerical score according to any one of claims 1 to 5.   The number score according to any one of claims 6 to 8, wherein the dividing line is different in length or thickness in half-beat units and one-beat units. The number score according to claim 9, wherein the dividing line is different in length or thickness from other dividing lines as a bar line that is divided in units of the number of beats of the music.

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