WO2009072093A2 - Flamenco percussion boxes - Google Patents
Flamenco percussion boxes Download PDFInfo
- Publication number
- WO2009072093A2 WO2009072093A2 PCT/IB2008/055643 IB2008055643W WO2009072093A2 WO 2009072093 A2 WO2009072093 A2 WO 2009072093A2 IB 2008055643 W IB2008055643 W IB 2008055643W WO 2009072093 A2 WO2009072093 A2 WO 2009072093A2
- Authority
- WO
- WIPO (PCT)
- Prior art keywords
- boxes
- flamenco
- percussion
- resonance
- box
- Prior art date
Links
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D13/00—Percussion musical instruments; Details or accessories therefor
- G10D13/01—General design of percussion musical instruments
- G10D13/02—Drums; Tambourines with drumheads
Definitions
- Ekiste currently has a great variety of percussion instruments created to reproduce certain sounds with which to make music. Many of them are born from the need to cover a certain frequency range (bass, treble), such as bongos, to play alone or to accompany, for example, congas. Both instruments share similar characteristics, such as the use of wood and leather for their manufacture, but each one provides a different frequency range so they complement each other perfectly.
- the flamenco cajón like other percussion instruments of different geometric shapes, has a very particular sound, thanks to the combination of wood and metals, such as guitar strings, curbs, bells, etc., but they are constituted by a only soundboard, which limits its frequency range.
- a musical instrument consisting of two wooden boxes of prismatic shape and of different sizes is proposed, joined collapse rally with each other, in which a percussion system consisting of metal rods attached to the face is integrated. top side or base of each box.
- the Flamenco Percussion Boxes are the result of inventiveness by combining, on the other hand, the acoustics and sonority of the flamenco box and, on the other hand, the aesthetics of the bongos and the Perfected Musical Instrument, with which to create a proper instrument for the flamenco, bringing new sounds that serve as accompaniment to the traditional drawer, as well as for solo execution. Description of the figures
- Figure 1 is a perspective of the Flemish boxes of perdition, formed by a set of two wooden boxes, henceforth sounding boxes.
- Figure 1.1 shows the treble resonance box.
- Figure 1.2 shows the bass resonance box.
- Figure 1.3 shows a fixed wood separator on one side of each soundboard.
- Figure 1.4 shows the resonance caps of both resonance boxes.
- Figure 1.5 shows the acoustic outlet holes in the face or bottom base of both sound boxes.
- Figure 1.6 shows one of the thymes that fix the resonance cover to each resonance box.
- Figure 2 shows the back or inner side of a resonance cover consisting of a thin wooden vibrating sheet with holes to be fixed to the soundboard and with metal lines attached by terminals.
- Figure 2.1 shows the terminals, practically attached to the resonance cover by means of threads and nut, which support the metal rods.
- Figure 2.2 shows the set of metal rods or piano strings held by the ends to the terminals.
- Figure 3 shows the back or inner side of a resonance lid consisting of a thin wooden vibrating sheet with holes to be fixed to the soundboard and with metal rods held by metallic angles.
- the Flamenco Percussion Boxes (1) are a set of two wooden resonance boxes joined, of equal height, but of square bases of different sizes, where the upper bases are the Resonance Caps (1.4)
- Metal rods and piano strings do not need to be tensioned, unlike guitar strings, but it is possible to replace them with thinner or thicker ones, controlling in this way the metallic timbre characteristic of wood and metal percussion Fitas rods They can be attached to the lid in two ways:
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Electrophonic Musical Instruments (AREA)
- Stringed Musical Instruments (AREA)
- Auxiliary Devices For Music (AREA)
Abstract
The invention relates to a box of high notes and a box of low notes, said boxes being the same height and laterally connected by a separator (13). The two boxes (11, 12) respectively have a square-shaped resonating cover (14) on the face or upper surface thereof, and preferably acoustic outlets (15) on the lower surface. The inner face of the resonating covers (14) is provided with metallic bars (22) connected to the covers by the ends (21) thereof or by means of perforated L-shaped pieces of metal.
Description
CAJAS EIAMENCAS DEFtHCIMÓN DEFINITION BOXES
Sectorde la técnica Su campo de aplicación está comprendido dentro de los instrumentos music alesde perc usió n.Sector of the technique Its field of application is comprised within the music alesde perc usió n instruments.
EMa do de la técnicaEMa do of the technique
Ekiste en la actualidad una gran variedad de instrumentos de percusión creados para reproducir determinados sonidos con los que hacer música. Muchos de ellos nacen de la necesidad de cubrir un determinado rango de frecuencia (graves, agudos), como pueden serio los bongos, para tocar solo o para acompañar, por ejemplo, a las congas. Ambos instrumentos comparten similares características, como puede serla utilización de madera y piel para su fabricación, pero cada uno aporta un diferente rango de frecuencia porlo que se complementan perfectamente.Ekiste currently has a great variety of percussion instruments created to reproduce certain sounds with which to make music. Many of them are born from the need to cover a certain frequency range (bass, treble), such as bongos, to play alone or to accompany, for example, congas. Both instruments share similar characteristics, such as the use of wood and leather for their manufacture, but each one provides a different frequency range so they complement each other perfectly.
El cajón flamenco, al igual que otros instrumentos de percusión de diferentes formas geométricas, tiene un sonido muy particular, gracias a la combinación de madera y metales, como pueden ser cuerdas de guitarra, bordones, cascabeles, etc., pero están constituidos por una única caja de resonancia, lo que limita su rango de frecuencia.The flamenco cajón, like other percussion instruments of different geometric shapes, has a very particular sound, thanks to the combination of wood and metals, such as guitar strings, curbs, bells, etc., but they are constituted by a only soundboard, which limits its frequency range.
Aunque también encontramos instrumentos de percusión formados porun conjunto de dos cajas de resonancia como pueden ser los bongos o el Instrumento Musical Perfeccionado (Clasif. Principal: G10D13/00 ns de solicitud U 200401280), ninguno de estos incorporan elementos metálicos vibratorios, como si lo hacen las Cajas Flamencas de Percusión. Objeto de la invenciónAlthough we also find percussion instruments formed by a set of two resonance boxes such as bongos or the Perfected Musical Instrument (Main Classification: G10D13 / 00 n s of application U 200401280), none of these incorporate vibratory metal elements, as if they do the Flamenco Percussion Boxes. Object of the invention
De acuerdo con la invención, se propone un instrumento musical constituido por dos cajas de madera de forma prismática y de diferentes tamaños, unidas c o late raímente entre sí, en las que se integra un sistema de percusión consistente en varillas metálicas adosadas a la cara- lado o base superiorde cada caja.
Las Cajas Flamencas de Percusión son fruto de la inventiva al combinar, poruña parte, la acústica y la sonoridad del cajón flamenco y, por otra parte, la estética de los bongos y el Instrumento Musical Perfeccionad o, conelfϊnde crear un instrume nto propio para el flamenco, aportando nuevos sonidos que sirvan de acompañamiento al tradicional cajón, así como también para su ejecución en solitario. Descripción de las figurasIn accordance with the invention, a musical instrument consisting of two wooden boxes of prismatic shape and of different sizes is proposed, joined collapse rally with each other, in which a percussion system consisting of metal rods attached to the face is integrated. top side or base of each box. The Flamenco Percussion Boxes are the result of inventiveness by combining, on the other hand, the acoustics and sonority of the flamenco box and, on the other hand, the aesthetics of the bongos and the Perfected Musical Instrument, with which to create a proper instrument for the flamenco, bringing new sounds that serve as accompaniment to the traditional drawer, as well as for solo execution. Description of the figures
La figura 1 es una perspectiva de las cajas flamencas de perdición, formado por un conjunto de dos cajas de madera, en adelante cajas de resonancia.Figure 1 is a perspective of the Flemish boxes of perdition, formed by a set of two wooden boxes, henceforth sounding boxes.
La figura 1.1 muestra la caja de resonancia de agudos.Figure 1.1 shows the treble resonance box.
La figura 1.2 muestra la caja de resonancia de graves.Figure 1.2 shows the bass resonance box.
La figura 1.3 muestra un separador de madera fijo a un lateral de cada caja de resonancia. La figura 1.4 muestra las tapas de resonancia de ambas cajas de resonancia.Figure 1.3 shows a fixed wood separator on one side of each soundboard. Figure 1.4 shows the resonance caps of both resonance boxes.
La figura 1.5 muestra los orificios de salida acústica en al cara o base inferiorde ambas cajas de resonancia.Figure 1.5 shows the acoustic outlet holes in the face or bottom base of both sound boxes.
La figura 1.6 muestra uno de los tomillos que fijan de forma regulable la tapa de resonancia a cada caja de resonancia.Figure 1.6 shows one of the thymes that fix the resonance cover to each resonance box.
La figura 2 muestra el dorso o cara interna de una tapa de resonancia consistente en una fina lámina vibratoria de madera con orificios para poder ser fijada a la caja de resonancia y con va rulas meta lie as sujetas por termina les.Figure 2 shows the back or inner side of a resonance cover consisting of a thin wooden vibrating sheet with holes to be fixed to the soundboard and with metal lines attached by terminals.
La figura 2.1 muestra los terminales, fijados de forma practicable a la tapa de resonancia mediante tomillos pasantes y tuerca, que sirven de sostén a las varillas metálicas.Figure 2.1 shows the terminals, practically attached to the resonance cover by means of threads and nut, which support the metal rods.
La figura 2.2 muestra elconjunto de varillas metálicas o cuerdas de piano sostenidasporlos extremos a los terminales.Figure 2.2 shows the set of metal rods or piano strings held by the ends to the terminals.
La figura 3 muestra el dorso o cara interna de una tapa de resonancia consistente en una fina lámina vibratoria de madera con orificios para poder ser fijada a la caja de resonancia y con varillas metálicas sujetas por ángulos me tálic o s pe rfo rado s.
Descripción detallada de la invenciónFigure 3 shows the back or inner side of a resonance lid consisting of a thin wooden vibrating sheet with holes to be fixed to the soundboard and with metal rods held by metallic angles. Detailed description of the invention
Para conseguir un sonido que se complemente con eldelCajón Flamenco se ha empleado un sistema que utiliza varillas metálicas adosadas a finas planchas cuadradas de madera, vibratorias y practicables, que serán las tapas de las cajasde resonancia.To achieve a sound that complements the Flamenco Drawer, a system has been used that uses metal rods attached to thin square wooden plates, vibrating and practicable, which will be the tops of the sound boxes.
Las Cajas Flamencas de Percusión (1) son un conjunto de dos cajas de resonancia de madera unidas, de igual altura, pero de bases cuadradas de diferente tamaño, donde las bases supe rio res son lasTapasde Resonancia (1.4)The Flamenco Percussion Boxes (1) are a set of two wooden resonance boxes joined, of equal height, but of square bases of different sizes, where the upper bases are the Resonance Caps (1.4)
FJstas "Tapas" son de características diferentes alresto de la caja, son más delgadas, están ligeramente arqueadas y llevan adosadas en el doiso o cara interna, varillas metálicas preferentemente cuerdas de piano o cuerdas de guitarra (2.2. y 3.2)F "These" Tapas "are of different characteristics other than the case, are thinner, are slightly arched and are attached on the inside or inside, metal rods preferably piano strings or guitar strings (2.2. And 3.2)
Al golpearla tapa superior, ésta vibra y también lo hacen las varillas o cuerdas de piano que en ellas van adosadas, produciéndose un sonido típico y único que recuerda al del Cajón Flamenco. FMa vibración producida por el golpe de manosy/o dedos se puede re guiarme diante tomillos (1.6) que fijan más o menosla arqueada tapa a la caja de resonancia.When hitting the top cover, it vibrates and so do the piano rods or strings that are attached there, producing a typical and unique sound reminiscent of the Flamenco Cajón. The vibration produced by the blow of hands and / or fingers can be guided by thymes (1.6) that fix more or less arched cover to the soundboard.
Las varillas metálicas y cuerdas de piano no necesitan ser tensadas, a diferencia de las cuerdas de guitarra, pero si es posible sustituirlas por otras más finas o más gruesas, controlando de ésta manera el timbre metálico característico de la percusión de madera y metaL Fitas varillas pueden ir sujetas a la tapa de dos formas:Metal rods and piano strings do not need to be tensioned, unlike guitar strings, but it is possible to replace them with thinner or thicker ones, controlling in this way the metallic timbre characteristic of wood and metal percussion Fitas rods They can be attached to the lid in two ways:
1. Mediante terminales similares a los usados en electricidad y estos fijados a la tapa superior/caja interioro dorso mediante tomillos y tuercas (2.1) 2. Mediante ángulos metálicos perforados, en forma de L, pegados a la tapa superior/cara interioro dorso (3.1.)1. Using terminals similar to those used in electricity and these fixed to the top cover / inner box or back by means of screws and nuts (2.1) 2. Through perforated metal angles, L-shaped, glued to the top cover / inner side or back ( 3.1.)
Ambas cajas, una para graves (1.2) y otra para agudos (1.1) van unidas por tomillo s o tuercas. Y entre ambas va unseparadorde madera (1.3)Both boxes, one for bass (1.2) and one for treble (1.1) are joined by thyme s or nuts. And between them is a wooden separator (1.3)
Fh la cara o base inferior de cada caja se han practicado orificios de salida acústica (1.5).Fh the bottom or bottom of each box has been made acoustic outlet holes (1.5).
FMe nuevo instrumento da la posibilidad de ser ejecutado con dedos y/o manos.
Porsufácüelaborac ion, dado que su fabricación puede hacerse de fomia totalmente artesanalpero susceptible de aplicación industrial, es que reivindico.
The new instrument gives the possibility of being executed with fingers and / or hands. Porsufácüelaborac ion ion, since its manufacture can be made entirely by hand but capable of industrial application, is what I claim.
Claims
1.- Cajas flamencas de percusión caracterizadas porque consta de un conjunto formado por dos cajas de resonancia, preferentemente de madera, de forma prismática, con cuerpo hueco consistentes en una caja de agudos ( Fig. I- 1 ) y otra de graves ( Fig. 1.2 ). Ambas cajas están unidas lateralmente^ un separador ( Fig: 1.3 ). Son de igual altura. Contienen en la caía o base superior, la tapa de resonancia con forma cuadrada ( Fig; 1:4) y en la cara o base inferior preferentemente, están los orificios desalída acústica ( Fig. L5 X1.- Flamenco percussion boxes characterized in that it consists of a set consisting of two resonance boxes, preferably wooden, prismatic, with a hollow body consisting of a treble box (Fig. I-1) and a bass box (Fig. 1.2). Both boxes are joined laterally ^ a separator (Fig: 1.3). They are of equal height. They contain at the top or bottom, the resonance lid with a square shape (Fig; 1: 4) and preferably at the lower face or base, there are the acoustic exit holes (Fig. L5 X
2.- Cajas flamencas de percusión, según reivindicación 1. caracterizadas porque la caja de agudos tiene medidas, tanto de base superior como inferior, comprendidas en una media de 180 mmx l8O mm +/- 25 mm y una altura inedia comprendida én 200 mm +/- 25 mm. 2.- Flamenco percussion boxes, according to claim 1. characterized in that the treble box has measures, both upper and lower base, comprised in an average of 180 mm x l8O mm +/- 25 mm and an average height of 200 mm +/- 25 mm.
3.- Cajas flamencas de percusión, segάn reivindicación 1. caracterizadas porque la caja de graves tiene medidas, tanto de base superior como inferior, comprendidas en una media de 220 mm x 220 mm +/- 25 mm y una altura media comprendida en 200 mm +/- 25 mm.3.- Flamenco percussion boxes, according to claim 1. characterized in that the bass box has measures, both upper and lower base, comprised in an average of 220 mm x 220 mm +/- 25 mm and an average height of 200 mm +/- 25 mm.
4.-. Cajas flamencas de percusión, según reivindicación 1. caracterizadas porque las caras o bases superiores son las tapas de resonancia y consisten en unas finas laminas vibratorias de unos 4 mm +/- 2 mm de grosor preferentemente de madera, ligeramente arqueadas y sujetas a las cajas de resonancia mediante tomillos.4.-. Flamenco percussion boxes, according to claim 1. characterized in that the faces or upper bases are the resonance caps and consist of thin vibratory sheets of about 4 mm +/- 2 mm thick, preferably of wood, slightly arched and attached to the boxes of resonance by means of thymes.
5.- .Cajas flamencas de percusión, según reivindicación 4. caracterizadas porque las tapas de resonancia llevan convenientemente adosadas en la cara interna - interior ó dorso, una media de 5 +/- 4 varillas metálicas de 1.5 mm +/- 1.0 mm de diámetro, preferentemente de acero.5.-. Flamenco percussion boxes, according to claim 4. characterized in that the resonance caps are conveniently attached on the inner-inner or back side, an average of 5 +/- 4 metal rods of 1.5 mm +/- 1.0 mm diameter, preferably steel.
6.- Cajas flamencas de percusión, según reivindicacíóa 5. caracterizadas por la utilización de varillas metálicas ( Fig. 2.2 ), sostenidas por terminales ( Fig.2.1 ), sujetos a la lamina vibratoria de forma practicable - removible mediante tomillo pasante . y tuerca,6.- Flamenco percussion boxes, according to claim 5. characterized by the use of metal rods (Fig. 2.2), supported by terminals (Fig.2.1), subject to the vibratory sheet in a practicable way - removable by means of a through thyme. and nut,
7.- Cajas flamencas de percusión, según reivindicación 5. caracterizadas por la utilización de varillas metálicas ( Fig. 3.2 ), sostenidas por piezas de metal perforado en forma de L ( Fig. 3.1 ), sujetos a la lamina vibratoria de forma practicable - removible mediante tornillos pasantes y tuerca ó pegadas de formaperperua - estanca. 7.- Flamenco percussion boxes, according to claim 5. characterized by the use of metal rods (Fig. 3.2), supported by pieces of perforated metal in the form of L (Fig. 3.1), subject to the vibratory sheet practically - removable by means of through screws and nut or glued perperua - watertight.
8.- Cajas-flamencas de percusión según reivindicación 1. caracterizadas pβF8.- Flamenco percussion boxes according to claim 1. characterized pβF
INCORPORATED BY REFERENCE (RUUE 20.6) utilizar cuerdas de guitarra o bordones sensibles a Ia vibración de la lapa de resonancia, adosados a la caja de resonancia mediante listón de madera, poleas y tomillo tensor, colocado justo y por debajo de la lamina, vibratoria a la distancia y tensión adecuada.INCORPORATED BY REFERENCE (RUUE 20.6) use guitar strings or curbs sensitive to the vibration of the resonance bar, attached to the soundboard by means of a wooden strip, pulleys and tensioning thyme, placed just and below the lamina, vibrating at the distance and adequate tension.
INCORPORATED BY REFERENCE (RULE 20.6) INCORPORATED BY REFERENCE (RULE 20.6)
Applications Claiming Priority (2)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| ES200702426U ES1067022Y (en) | 2007-11-23 | 2007-11-23 | FLAMENCO PERCUSSION BOXES |
| ESU200702426 | 2007-11-23 |
Publications (3)
| Publication Number | Publication Date |
|---|---|
| WO2009072093A2 true WO2009072093A2 (en) | 2009-06-11 |
| WO2009072093A3 WO2009072093A3 (en) | 2009-08-20 |
| WO2009072093A9 WO2009072093A9 (en) | 2010-01-14 |
Family
ID=39248002
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| PCT/IB2008/055643 WO2009072093A2 (en) | 2007-11-23 | 2008-11-20 | Flamenco percussion boxes |
Country Status (2)
| Country | Link |
|---|---|
| ES (1) | ES1067022Y (en) |
| WO (1) | WO2009072093A2 (en) |
Cited By (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| ITGE20100137A1 (en) * | 2010-12-17 | 2012-06-18 | Gregorio Pier Paolo De | FIXING MECHANISM FOR MUSICAL INSTRUMENT WITH PARTICULARLY PERCUSSION FOR FLAMENCO, CARIBBEAN MUSIC, AFRO-PERUVIANA AND ETHNIC MUSIC. |
| WO2013026502A3 (en) * | 2010-12-17 | 2013-04-18 | De Gregorio Pier Paolo | Fastening mechanism for musical percussion instrument, particularly suitable for flamenco, caribbean, afro-peruvian and ethnic music |
| ITGE20110129A1 (en) * | 2011-11-15 | 2013-05-16 | Gregorio Pier Paolo De | FIXING MECHANISM FOR FRONT PANEL, TO BE APPLIED TO MUSICAL INSTRUMENT WITH PERCUSSION, GENERALLY KNOWN AS CAJON |
Citations (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| GB2334366A (en) * | 1998-02-16 | 1999-08-18 | Christopher Daniel Mccartney | Drum |
| ES1047905U (en) * | 2000-10-03 | 2001-06-01 | Perez Manuel Vicente Cortes | Musical percussion instrument. (Machine-translation by Google Translate, not legally binding) |
| ES1057678U (en) * | 2004-05-28 | 2004-09-01 | Roberto Astudillo Berrio | Improved musical instrument. (Machine-translation by Google Translate, not legally binding) |
| DE202006012202U1 (en) * | 2006-08-09 | 2006-09-28 | Priel, Gerhard | Cajon, has holder to fix snare rug segments in interior of housing, such that rug segments lie in inner side of wall segments at preset angle of incidence, where rug segments consist of springs whose lower ends are fixed on bar in holder |
| DE202006015511U1 (en) * | 2006-10-10 | 2006-11-30 | Roland Meinl Musikinstrumente Gmbh & Co. Kg | Cajon comprises cuboid case with playing surface and wires tensioned underneath to which insulating elements are attached at lower and upper ends and tensioning parts on wires to adjust their tension |
| DE202006018304U1 (en) * | 2006-12-02 | 2007-02-01 | Priel, Gerhard | Cajon drum has sound objects partly consisting of wood, plastic or carbon which are in contact with inner side of wall |
-
2007
- 2007-11-23 ES ES200702426U patent/ES1067022Y/en not_active Expired - Fee Related
-
2008
- 2008-11-20 WO PCT/IB2008/055643 patent/WO2009072093A2/en active Application Filing
Patent Citations (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| GB2334366A (en) * | 1998-02-16 | 1999-08-18 | Christopher Daniel Mccartney | Drum |
| ES1047905U (en) * | 2000-10-03 | 2001-06-01 | Perez Manuel Vicente Cortes | Musical percussion instrument. (Machine-translation by Google Translate, not legally binding) |
| ES1057678U (en) * | 2004-05-28 | 2004-09-01 | Roberto Astudillo Berrio | Improved musical instrument. (Machine-translation by Google Translate, not legally binding) |
| DE202006012202U1 (en) * | 2006-08-09 | 2006-09-28 | Priel, Gerhard | Cajon, has holder to fix snare rug segments in interior of housing, such that rug segments lie in inner side of wall segments at preset angle of incidence, where rug segments consist of springs whose lower ends are fixed on bar in holder |
| DE202006015511U1 (en) * | 2006-10-10 | 2006-11-30 | Roland Meinl Musikinstrumente Gmbh & Co. Kg | Cajon comprises cuboid case with playing surface and wires tensioned underneath to which insulating elements are attached at lower and upper ends and tensioning parts on wires to adjust their tension |
| DE202006018304U1 (en) * | 2006-12-02 | 2007-02-01 | Priel, Gerhard | Cajon drum has sound objects partly consisting of wood, plastic or carbon which are in contact with inner side of wall |
Cited By (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| ITGE20100137A1 (en) * | 2010-12-17 | 2012-06-18 | Gregorio Pier Paolo De | FIXING MECHANISM FOR MUSICAL INSTRUMENT WITH PARTICULARLY PERCUSSION FOR FLAMENCO, CARIBBEAN MUSIC, AFRO-PERUVIANA AND ETHNIC MUSIC. |
| WO2013026502A3 (en) * | 2010-12-17 | 2013-04-18 | De Gregorio Pier Paolo | Fastening mechanism for musical percussion instrument, particularly suitable for flamenco, caribbean, afro-peruvian and ethnic music |
| ITGE20110129A1 (en) * | 2011-11-15 | 2013-05-16 | Gregorio Pier Paolo De | FIXING MECHANISM FOR FRONT PANEL, TO BE APPLIED TO MUSICAL INSTRUMENT WITH PERCUSSION, GENERALLY KNOWN AS CAJON |
Also Published As
| Publication number | Publication date |
|---|---|
| WO2009072093A3 (en) | 2009-08-20 |
| ES1067022U (en) | 2008-04-16 |
| ES1067022Y (en) | 2008-07-16 |
| WO2009072093A9 (en) | 2010-01-14 |
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Rossing | Science of percussion instruments | |
| GB2462503A (en) | Percussion instrument in the form of a cuboid drum with a plurality of striking faces of different thicknesses | |
| US7579532B2 (en) | String musical instrument | |
| CN107004400B (en) | Musical instrument for preventing vibration of player's body | |
| JP2020507820A (en) | Small drum kit | |
| US7166788B2 (en) | Stringed musical instrument | |
| JP2007534018A (en) | Acoustic guitar sound board | |
| WO2009072093A2 (en) | Flamenco percussion boxes | |
| Rossing | Acoustics of percussion instruments: Recent progress | |
| US8067685B2 (en) | Stringed instrument utilizing sympathetic vibrations | |
| Gough | Science and the Stradivarius | |
| US20170316770A1 (en) | Electroacoustic bouzouki with perforated vessel | |
| US9472170B2 (en) | Guitar | |
| US10311837B1 (en) | Enhanced string instrument | |
| US20140144307A1 (en) | Guitar | |
| US20190012994A1 (en) | Cajon | |
| CN102592572B (en) | String instrument sounding like cattle | |
| US546174A (en) | Metallophone-zither | |
| US8878038B1 (en) | Adjustable percussion mounting | |
| Hamdan et al. | Marimba Instrument construction from kayu malam wood (Diospyros maingayi) | |
| US529893A (en) | Island | |
| RU121394U1 (en) | SHOCK MUSICAL INSTRUMENT | |
| JP2012159832A (en) | Saddle, bridge, fret, and nut of string instrument | |
| US3405589A (en) | Tuning fork | |
| WO2023041824A1 (en) | Flamenco cajon |
Legal Events
| Date | Code | Title | Description |
|---|---|---|---|
| 121 | Ep: the epo has been informed by wipo that ep was designated in this application |
Ref document number: 08858199 Country of ref document: EP Kind code of ref document: A2 |
|
| NENP | Non-entry into the national phase in: |
Ref country code: DE |
|
| 32PN | Ep: public notification in the ep bulletin as address of the adressee cannot be established |
Free format text: NOTING OF LOSS OF RIGHTS PURSUANT TO RULE 112(1) EPC |
|
| 122 | Ep: pct application non-entry in european phase |
Ref document number: 08858199 Country of ref document: EP Kind code of ref document: A2 |