ES1067022U - Flamenco percussion boxes - Google Patents

Flamenco percussion boxes Download PDF

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Publication number
ES1067022U
ES1067022U ES200702426U ES200702426U ES1067022U ES 1067022 U ES1067022 U ES 1067022U ES 200702426 U ES200702426 U ES 200702426U ES 200702426 U ES200702426 U ES 200702426U ES 1067022 U ES1067022 U ES 1067022U
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Spain
Prior art keywords
boxes
percussion
flamenco
resonance
average
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ES200702426U
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ES1067022Y (en
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Oscar Santiago Llanes Cardona
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Individual
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Priority to ES200702426U priority Critical patent/ES1067022Y/en
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Priority to PCT/IB2008/055643 priority patent/WO2009072093A2/en
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Expired - Fee Related legal-status Critical Current

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D13/00Percussion musical instruments; Details or accessories therefor
    • G10D13/01General design of percussion musical instruments
    • G10D13/02Drums; Tambourines with drumheads

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Stringed Musical Instruments (AREA)
  • Electrophonic Musical Instruments (AREA)
  • Auxiliary Devices For Music (AREA)

Abstract

Flemish percussion boxes characterized in that it consists of a set consisting of two resonance boxes, preferably wooden, prismatic in shape, with a hollow body consisting of a treble box (Fig. 1.1) and a bass box (Fig. 1.2) . Both boxes are laterally attached to a separator (Fig. 1.3). They are of equal height. They contain on the upper face or base, the resonance cover with a square shape (Fig. 1.4) and on the lower face or base, preferably, are the acoustic outlet holes (Fig. 1.5). (Machine-translation by Google Translate, not legally binding)

Description

Cajas flamencas de percusión.Flamenco percussion boxes.

Sector de la técnicaTechnical sector

Este nuevo modelo fruto de la invención está comprendido dentro de los instrumentos musicales de percusión.This new model fruit of the invention is included within the percussion musical instruments.

Estado de la técnicaState of the art

Existe en la actualidad una gran variedad de instrumentos de percusión creados para reproducir determinados sonidos con los que hacer música. Muchos de ellos nacen de la necesidad de cubrir un determinado rango de frecuencia (graves, agudos), como pueden ser los bongos, para tocar solos o para acompañar, por ejemplo a las congas. Ambos instrumentos comparten similares características, como ser la utilización de madera y piel para su fabricación, pero cada uno aporta un diferente rango de frecuencia por lo que se complementan perfectamente.There is currently a wide variety of percussion instruments created to reproduce certain Sounds with which to make music. Many of them are born from the need to cover a certain frequency range (serious, treble), such as bongos, to play alone or to Accompany, for example, congas. Both instruments share similar characteristics, such as the use of wood and leather for its manufacture, but each one provides a different range of frequency so they complement each other perfectly.

El cajón flamenco al igual que otros instrumentos de percusión de diferentes formas geométricas, tienen un sonido muy particular gracias a la combinación de maderas y metales como ser cuerdas de guitarra - bordones, cascabeles, etc., pero están constituidos por una única caja de resonancia lo que limita su rango de frecuencia.The flamenco cajón as well as others percussion instruments of different geometric shapes, have a very particular sound thanks to the combination of woods and metals such as guitar strings - curbs, bells, etc., but they consist of a single soundboard which Limit your frequency range.

Aunque también encontramos instrumentos de percusión formados por un conjunto de dos caja de resonancia como ser los bongos o el Instrumento Musical Perfeccionado (Clasif. Principal: G10D13/00, N° de solicitud: U200401280), ninguno de estos incorporan elementos metálicos vibratorios como si lo hacen las Cajas Flamencas de Percusión.Although we also find instruments of percussion formed by a set of two soundboard as be the bongos or the Perfected Musical Instrument (Clasif. Main: G10D13 / 00, Application number: U200401280), none of these incorporate vibratory metal elements as if they do Flamenco Percussion Boxes.

Objeto de la invenciónObject of the invention

De acuerdo con la invención se propone un instrumento musical constituido por dos cajas de madera de forma prismática y de diferentes tamaños, unidas colateralmente entre si, en las que se integra un sistema de percusión consistente en varillas metálicas adosadas a la cara - lado o base superior de cada caja.According to the invention, a musical instrument consisting of two wooden boxes of form prismatic and of different sizes, collaterally joined together, in which a percussion system consisting of metal rods attached to the face - side or upper base of each box.

Las Cajas Flamencas de Percusión son fruto de la inventiva al combinar por una parte la acústica y la sonoridad del cajón flamenco y por otra parte, la estética de los bongos y el Instrumento Musical Perfeccionado, con el fin de crear un instrumento propio para el flamenco, aportando nuevos sonidos que sirvan de acompañamiento al tradicional cajón como también para su ejecución en solitario.Flamenco Percussion Boxes are the result of inventive by combining on the one hand the acoustics and the loudness of the flamenco cajón and on the other hand, the aesthetics of the bongos and the Perfected Musical Instrument, in order to create a own instrument for flamenco, bringing new sounds that serve as an accompaniment to the traditional drawer as well as for your solo execution.

Descripción de las figurasDescription of the figures

La figura 1. es una perspectiva de las cajas flamencas de percusión, formado por un conjunto de dos cajas de madera, en adelante cajas de resonancia.Figure 1. is a perspective of the boxes percussion flamenco, formed by a set of two boxes of wood, henceforth sound boxes.

La figura 1.1 muestra la caja de resonancia de agudos.Figure 1.1 shows the soundboard of acute

La figura 1.2 muestra la caja de resonancia de graves.Figure 1.2 shows the soundboard of serious.

La figura 1.3 muestra un separador de madera fijo a un lateral de cada caja de resonancia.Figure 1.3 shows a wooden separator fixed to one side of each soundboard.

La figura 1.4 muestra las tapas de resonancia de ambas cajas de resonancia.Figure 1.4 shows the resonance caps of Both sound boxes.

La figura 1.5 muestra los orificios de salida acústica en la cara o base inferior de ambas cajas de resonanciaFigure 1.5 shows the exit holes acoustics on the face or lower base of both boxes of resonance

La figura 1.6 muestra uno de los tornillos que fijan de forma regulable las tapa de resonancia a cada caja de resonancia.Figure 1.6 shows one of the screws that fix the resonance cover to each box of resonance.

La figura 2. muestra el dorso o cara interna de una tapa de resonancia consistente en una fina lámina vibratoria de madera con orificios para poder ser fijada a la caja de resonancia y con varillas metálicas sujetas por terminales.Figure 2. shows the back or inner side of a resonance cover consisting of a thin vibrating sheet of wood with holes to be attached to the soundboard and with metal rods held by terminals.

La figura 2.1 muestra los terminales, fijados de forma practicable a la tapa de resonancia mediante tornillos pasantes y tuerca, que sirven de sostén a las varillas metálicas.Figure 2.1 shows the terminals, set of practicable way to the resonance cover using screws threads and nut, which support the rods metallic

La figura 2.2 muestra el conjunto de varillas metálicas o cuerdas de piano sostenidas por los extremos a los terminales.Figure 2.2 shows the rod assembly metallic or piano strings held by the ends to the terminals

La figura 3. muestra el dorso o cara interna de una tapa de resonancia consistente en una fina lámina vibratoria de madera con orificios para poder ser fijada a la caja de resonancia y con varillas metálicas sujetas por ángulos metálicos perforados.Figure 3. shows the back or inner side of a resonance cover consisting of a thin vibrating sheet of wood with holes to be attached to the soundboard and with metal rods held by metal angles perforated

La figura 3.1 muestra los ángulos metálicos perforados, pegados a la tapa de resonancia de forma estanca, que sirven de sostén a las varillas metálicas.Figure 3.1 shows the metal angles perforated, glued to the resonance lid tightly, which They support metal rods.

La figura 3.2 muestra el conjunto de varillas metálicas o cuerdas de piano sostenidas mediante ángulos metálicos perforados.Figure 3.2 shows the rod assembly metal or piano strings supported by metal angles perforated

Descripción detallada de la invenciónDetailed description of the invention

Para conseguir un sonido que se complemente con el del Cajón Flamenco he inventado un sistema que utiliza varillas metálicas adosadas a finas planchas cuadradas de madera, vibratorias y practicables que serán las tapas de las cajas de resonancia.To get a sound that complements with that of the Flamenco Cajón I invented a system that uses rods metal attached to thin square wooden planks, vibratory and practicable that will be the covers of the boxes of resonance.

Las Cajas Flamencas de percusión (1) son un conjunto de dos cajas de resonancia de madera unidas, de iguales altura pero de bases cuadradas de diferentes tamaño, donde las bases superiores son las Tapas de Resonancia (1.4).Flamenco percussion boxes (1) are a set of two wooden resonance boxes joined, of equal height but square bases of different sizes, where upper bases are the Resonance Caps (1.4).

Estas "Tapas" son de características diferentes al resto de la caja, son más delgadas, están ligeramente arqueadas y llevan adosadas en el dorso o cara interna, varillas metálicas preferentemente cuerdas de piano o cuerdas de guitarra (2.2 y 3.2).These "Tapas" are characteristic different from the rest of the box, they are thinner, they are slightly arched and have attached on the back or inner side, rods metallic preferably piano strings or guitar strings (2.2 and 3.2).

Al golpear la tapa superior, ésta vibra y también lo hacen las varillas o cuerdas de piano que en ellas van adosadas, produciéndose un sonido típico y único que recuerda al del Cajón Flamenco. Esta vibración producida por el golpe de manos y/o dedos se puede regular mediante tornillos (1.6) que fijan más o menos la arqueada tapa a la caja de resonancia.When you hit the top cover, it vibrates and so do the rods or piano strings that go in them attached, producing a typical and unique sound reminiscent of of the Flamenco Cajón. This vibration produced by the blow of hands and / or fingers can be adjusted by screws (1.6) that fix more or minus the arched lid to the soundboard.

Las varillas metálicas y cuerdas de piano no necesitan ser tensadas a diferencia de las cuerdas de guitarra, pero si es posible sustituirlas por otras más finas o más gruesas, controlando de ésta manera el timbre metálico característico de la percusión de madera y metal. Estas varilla pueden ir sujetas a la tapa de dos formas:Metal rods and piano strings do not they need to be tensioned unlike guitar strings, but if it is possible to replace them with thinner or thicker ones, controlling in this way the metallic bell characteristic of the wood and metal percussion. These rod may be subject to the lid in two ways:

1.- Mediante terminales similares a los usados en electricidad y estos fijados a la tapa superior/cara interior o dorso mediante tornillos y tuercas (2.1).1.- Through terminals similar to those used in electricity and these fixed to the top cover / inner face or back by screws and nuts (2.1).

2.- Mediante ángulos metálicos perforados, en forma de L, pegados a la tapa superior/cara interior o dorso (3.1).2.- Through perforated metal angles, in L-shaped, glued to the top cover / inner face or back (3.1).

Ambas cajas, una para graves (1.2) y otra para agudos (1.1) van unidas por tornillos y tuercas. Y entre ambas va un separador de madera (1.3).Both boxes, one for bass (1.2) and one for Treble (1.1) are joined by screws and nuts. And between them it goes a wooden separator (1.3).

En la cara o base inferior de cada caja se han practicado orificios de salida acústica (1.5).In the face or bottom base of each box have practiced acoustic exit holes (1.5).

Este nuevo instrumento da la posibilidad de ser ejecutado con dedos y/o manos.This new instrument gives the possibility of being executed with fingers and / or hands.

Por su fácil elaboración, dado que su fabricación puede hacerse de forma totalmente artesanal pero susceptible de aplicación industrial, es que reivindico.For its easy elaboration, since its manufacturing can be done entirely by hand but susceptible of industrial application, is that I claim.

Claims (8)

1. Cajas flamencas de percusión caracterizadas porque consta de un conjunto formado por dos cajas de resonancia, preferentemente de madera, de forma prismática, con cuerpo hueco consistentes en una caja de agudos (Fig. 1.1) y otra de graves (Fig. 1.2). Ambas cajas están unidas lateralmente a un separador (Fig. 1.3). Son de igual altura. Contienen en la cara o base superior, la tapa de resonancia con forma cuadrada (Fig. 1.4) y en la cara o base inferior preferentemente, están los orificios de salida acústica (Fig. 1.5).1. Flamenco percussion boxes characterized in that it consists of a set consisting of two resonance boxes, preferably wooden, prismatic, with a hollow body consisting of a box of treble (Fig. 1.1) and another of bass (Fig. 1.2) . Both boxes are attached laterally to a separator (Fig. 1.3). They are of equal height. They contain on the upper face or base, the resonance cover with a square shape (Fig. 1.4) and preferably on the lower face or base, there are the acoustic outlet holes (Fig. 1.5). 2. Cajas flamencas de percusión, según reivindicación 1, caracterizadas porque la caja de agudos tiene medidas, tanto de base superior como inferior, comprendidas en una media de 180 mm x 180 mm +/- 25 mm y una altura media comprendida en 200 mm +/- 25 mm.2. Flamenco percussion boxes, according to claim 1, characterized in that the treble box has measures, both upper and lower base, comprised in an average of 180 mm x 180 mm +/- 25 mm and an average height of 200 mm +/- 25 mm. 3. Cajas flamencas de percusión, según reivindicación 1, caracterizadas porque la caja de graves tiene medidas, tanto de base superior como inferior, comprendidas en una media de 220 mm x 220 mm +/- 25 mm y una altura media comprendida en 200 mm +/- 25 mm.3. Flamenco percussion boxes, according to claim 1, characterized in that the bass box has measures, both upper and lower base, comprised in an average of 220 mm x 220 mm +/- 25 mm and an average height of 200 mm +/- 25 mm. 4. Cajas flamencas de percusión, según reivindicación 1, caracterizadas porque las caras o bases superiores son las tapas de resonancia y consisten en unas finas laminas vibratorias de unos 4 mm +/- 2 mm de grosor preferentemente de madera, ligeramente arqueadas y sujetas a las cajas de resonancia mediante tornillos.4. Flamenco percussion boxes, according to claim 1, characterized in that the faces or upper bases are the resonance caps and consist of thin vibrating sheets of about 4 mm +/- 2 mm thick, preferably of wood, slightly arched and subject to the sound boxes by screws. 5. Cajas flamencas de percusión, según reivindicación 4, caracterizadas porque las tapas de resonancia llevan convenientemente adosadas en la cara interna - interior ó dorso, una media de 5 +/- 4 varillas metálicas de 1.5 mm +/- 1.0 mm de diámetro, preferentemente de acero.5. Flamenco percussion boxes, according to claim 4, characterized in that the resonance caps are conveniently attached on the inner-inner or back side, an average of 5 +/- 4 metal rods of 1.5 mm +/- 1.0 mm in diameter, preferably steel. 6. Cajas flamencas de percusión, según reivindicación 5, caracterizadas por la utilización de varillas metálicas (Fig. 2.2), sostenidas por terminales (Fig. 2.1), sujetos a la lamina vibratoria de forma practicable - removible mediante tornillo pasante y tuerca.6. Flamenco percussion boxes, according to claim 5, characterized by the use of metal rods (Fig. 2.2), supported by terminals (Fig. 2.1), subject to the vibratory sheet practically removable by means of a through screw and nut. 7. Cajas flamencas de percusión, según reivindicación 5, caracterizadas por la utilización de varillas metálicas (Fig. 3.2), sostenidas por piezas de metal perforado en forma de L (Fig. 3.1), sujetos a la lamina vibratoria de forma practicable - removible mediante tornillos pasantes y tuerca ó pegadas de forma perpetua - estanca.7. Flamenco percussion boxes, according to claim 5, characterized by the use of metal rods (Fig. 3.2), supported by pieces of perforated metal in the form of L (Fig. 3.1), subject to the vibratory sheet practically removable. by means of through screws and nut or glued perpetually - tightly. 8. Cajas flamencas de percusión según reivindicación 1, caracterizadas por utilizar cuerdas de guitarra o bordones sensibles a la vibración de la tapa de resonancia, adosados a la caja de resonancia mediante listón de madera, poleas y tornillo tensor, colocado justo y por debajo de la lamina vibratoria a la distancia y tensión adecuada.8. Flamenco percussion boxes according to claim 1, characterized by using guitar strings or curbs sensitive to the vibration of the resonance cover, attached to the soundboard by means of a wooden strip, pulleys and tension screw, placed just below the vibrating blade at the distance and adequate tension.
ES200702426U 2007-11-23 2007-11-23 FLAMENCO PERCUSSION BOXES Expired - Fee Related ES1067022Y (en)

Priority Applications (2)

Application Number Priority Date Filing Date Title
ES200702426U ES1067022Y (en) 2007-11-23 2007-11-23 FLAMENCO PERCUSSION BOXES
PCT/IB2008/055643 WO2009072093A2 (en) 2007-11-23 2008-11-20 Flamenco percussion boxes

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
ES200702426U ES1067022Y (en) 2007-11-23 2007-11-23 FLAMENCO PERCUSSION BOXES

Publications (2)

Publication Number Publication Date
ES1067022U true ES1067022U (en) 2008-04-16
ES1067022Y ES1067022Y (en) 2008-07-16

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Family Applications (1)

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ES200702426U Expired - Fee Related ES1067022Y (en) 2007-11-23 2007-11-23 FLAMENCO PERCUSSION BOXES

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WO (1) WO2009072093A2 (en)

Families Citing this family (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
IT1403572B1 (en) * 2010-12-17 2013-10-31 Gregorio De FIXING MECHANISM FOR MUSICAL INSTRUMENT WITH PARTICULARLY PERCUSSION FOR FLAMENCO, CARIBBEAN MUSIC, AFRO-PERUVIANA AND ETHNIC MUSIC.
WO2013026502A2 (en) * 2010-12-17 2013-02-28 De Gregorio Pier Paolo Fastening mechanism for musical percussion instrument, particularly suitable for flamenco, caribbean, afro-peruvian and ethnic music
ITGE20110129A1 (en) * 2011-11-15 2013-05-16 Gregorio Pier Paolo De FIXING MECHANISM FOR FRONT PANEL, TO BE APPLIED TO MUSICAL INSTRUMENT WITH PERCUSSION, GENERALLY KNOWN AS CAJON

Family Cites Families (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
GB2334366B (en) * 1998-02-16 2002-04-10 Christopher Daniel Mccartney Drum
ES1047905Y (en) * 2000-10-03 2001-11-01 Perez Manuel Vicente Cortes MUSICAL INSTRUMENT OF PERCUSSION.
ES1057678Y (en) * 2004-05-28 2004-12-16 Berrio Roberto Astudillo PERFECTED MUSICAL INSTRUMENT.
DE202006012202U1 (en) * 2006-08-09 2006-09-28 Priel, Gerhard Cajon, has holder to fix snare rug segments in interior of housing, such that rug segments lie in inner side of wall segments at preset angle of incidence, where rug segments consist of springs whose lower ends are fixed on bar in holder
DE202006015511U1 (en) * 2006-10-10 2006-11-30 Roland Meinl Musikinstrumente Gmbh & Co. Kg Cajon comprises cuboid case with playing surface and wires tensioned underneath to which insulating elements are attached at lower and upper ends and tensioning parts on wires to adjust their tension
DE202006018304U1 (en) * 2006-12-02 2007-02-01 Priel, Gerhard Cajon drum has sound objects partly consisting of wood, plastic or carbon which are in contact with inner side of wall

Also Published As

Publication number Publication date
WO2009072093A9 (en) 2010-01-14
ES1067022Y (en) 2008-07-16
WO2009072093A2 (en) 2009-06-11
WO2009072093A3 (en) 2009-08-20

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