WO2006029562A1 - Technique de production permettant de simuler la peinture a l'huile artistique - Google Patents

Technique de production permettant de simuler la peinture a l'huile artistique Download PDF

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Publication number
WO2006029562A1
WO2006029562A1 PCT/CN2005/001326 CN2005001326W WO2006029562A1 WO 2006029562 A1 WO2006029562 A1 WO 2006029562A1 CN 2005001326 W CN2005001326 W CN 2005001326W WO 2006029562 A1 WO2006029562 A1 WO 2006029562A1
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WO
WIPO (PCT)
Prior art keywords
picture
hard material
color
oil
production process
Prior art date
Application number
PCT/CN2005/001326
Other languages
English (en)
Chinese (zh)
Inventor
Xunong Zhang
Original Assignee
Xunong Zhang
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Xunong Zhang filed Critical Xunong Zhang
Publication of WO2006029562A1 publication Critical patent/WO2006029562A1/fr

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Classifications

    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44D—PAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
    • B44D2/00—Special techniques in artistic painting or drawing, e.g. oil painting, water painting, pastel painting, relief painting

Definitions

  • the invention relates to a simulated oil painting processing technology, in particular to a novel production process of a simulated oil painting product.
  • oil painting art works are loved by people because of its vivid color and strong artistic expression, but the high price makes it a representative of aristocratic art, and it is difficult to face the vast majority of the masses. Therefore, there have been various low-priced crafts derived from oil paintings, but there are some disadvantages in this type of products: 1 Due to the color decay during printing and the monotony and rigidness of the decoration process, the charm of oil painting art is completely lost. 2 The production and processing technology of printing oil painting technology products is backward. It is only to press the picture on the bottom plate, and then it will be supplied to the market with a little installation. It is difficult to attract consumers' attention.
  • the main object of the present invention is to provide a production and processing worker for a simulated process oil painting.
  • Art can produce large-scaleaki handicrafts with realistic oil painting effects on a large scale, and the price is low.
  • the key to the production process of the simulation process oil painting is: press the selected picture on the selected hard material, and then add color and brighten according to the color of the selected picture, and then use the transparent plastic shield material
  • the surface of the hard material treated with the color enhancement is subjected to oil brush touch coating.
  • the hard material is: stone, wood material, crystal, glass, glass, porcelain material, paint material.
  • the picture pressed on the hard material is: a picture printed on a thin, tough film or paper material.
  • the process of adding color and brightening is specifically: painting the oil color according to the original color tone of the picture on the edge portion of the hard material; the following three process steps are included: dark process, gray process, and Bright process processing.
  • the oil brush touch coating is specifically: applying a transparent gel material to the surface of the hard material subjected to the color enhancement treatment with an oil brush.
  • the transparent gel material is: epoxy resin, transparent rubber, finger oil, glass glue, silica gel.
  • the processing further includes: sanding the surface and/or the edge of the selected hard material prior to applying the selected image to the hard material.
  • the above processing may further include: drilling the back surface of the hard material and/or processing the card slot at an intermediate position below the back surface of the hard material. .
  • the production and processing technology of the simulated process oil painting proposed by the invention can be various and varied in color through basic processes such as substrate selection, picture pressing, edge sealing curing, color enhancement, and simulation oil painting process treatment.
  • the picture is pressed against the hard material to create a realistic oil painting effect, forming a beautiful simulation process oil painting product. Because this product can be attached to a variety of hard materials, and the natural art of everything in the art of oil painting, so that it is not only convenient to take materials locally, but also to make the products more local, and can greatly reduce costs.
  • Enhance market competitiveness Since the product of the invention can have the local characteristics of various places and has a certain artistic content, it can also meet the consumer demand of the tourists, Increase economic benefits and benefits for various places.
  • the present invention is different from the prior art production processing methods, processing techniques, product performance objects, and process characteristics, and the invention is applied to industrial production, and has a process cartridge, low investment, low cost, no pollution to the environment, and products. Safe, non-toxic, easy to carry, easy to clean and many other advantages.
  • the simulation process oil painting product produced by the processing technology of the invention can integrate the original texture and the undulating natural texture of the base material with the landscape, the level, the bright color and the brush stroke of the oil painting art, and let the static
  • the solidified material becomes a beautiful craftsmanship with local characteristics, lifelike and oil painting art charm. Whether it is far-sighted or close-knit, whether it is visual or touch, it is consistent with the art of oil painting.
  • the simulation process oil painting product produced by the processing technology of the invention is different from the existing oil painting printing process product, not only because the substrate attached to the product is different, but also because it has a more direct three-dimensional effect and a few oily brush stroke effects. .
  • the base of the process product of the present invention can be made of different materials and shapes, such as: using ivory plastic, aggregate, wood, etc., or using a wooden or plexiglass plate or a process lacquer plate without using a pedestal.
  • the bottom lining makes the product more beautiful, the variety is more abundant, and the selectivity is stronger.
  • high, medium and low price series can be formed according to different materials to meet the consumption and selection needs of different consumers.
  • the invention can increase the artistic content in the process flow, and add more personalized effects on the finely processed stone pieces, wood chips or wooden plates, porcelain plates and paint plates according to the needs of the consumers, for example: drawing portraits , life pictures, and more.
  • FIG. 1 is a schematic view showing a process of selecting a substrate and performing a patterning and polishing process in the present invention
  • FIG. 2 is a schematic view showing a process step of processing a base groove and a hook hole on a back surface of a substrate according to the present invention
  • FIG. 3 is a schematic view showing a process step of pressing and pressing a selected color picture on a substrate in the present invention
  • Figure 5 is a schematic view showing the processing steps of the color increasing process in the present invention
  • 6 is a schematic view showing a process step of simulating an oil painting effect process according to the present invention
  • Figure 7 is a schematic view of a process product produced by the processing technique of the present invention.
  • FIG. 8 is an overall flow chart of the process of the present invention. Mode for carrying out the invention
  • the simulation process oil painting processing process of the present invention is shown in FIG. 8 and includes several basic processes: substrate selection, image pressing, edge sealing curing, color enhancement, and simulation effect processing, wherein the substrate selection is Choosing a suitable hard material as the base material of the process product, so that the selected picture can be pasted on the selected base material; the edge sealing curing refers to the edge sealing treatment of the pasted picture edge; The surrounding positions of the pasted pictures are treated with oil paints for bright, gray and dark adjustments.
  • the simulation effect processing refers to the processing of the processed products with the color enhancement by the brush stroke technique of oil painting, so that the final production is carried out. Craft products have realistic oil painting effects and expressiveness.
  • the hard material refers to various materials having no elasticity and no stretching force, such as: stone, wood material, crystal, glass, glass, porcelain material, paint material, and the like.
  • stone material is taken as an example to specifically explain the realization of the processing technology of the present invention, and the processing steps of other materials are similar to those of the stone material.
  • 1 to 6 are respectively schematic views of the operation of each processing step in the processing process of the present invention, and the following is a detailed description of the process flow.
  • FIG. 1 is a schematic view showing the selection of a substrate in a simulated process oil painting process of the present invention.
  • a stone piece is selected as a base material of a simulated process oil painting stone product product, and the shape of the selected stone piece is indicated by reference numeral 11, stone piece 11
  • Natural stone or artificial stone can be used, regardless of size.
  • the edge shape of the stone piece can be processed by tapping, sanding, etc. as needed to form a natural undulating state, as indicated by reference numeral 12.
  • the stone undulation on the surface of the stone is coordinated with the subject matter of the picture, it can enhance and highlight the layering of the picture, so that the surface of the stone is formed into a relatively flat, natural fold 13 and/or the thickness of the stone 14 to meet certain requirements, such as: make the thickness of the stone 14 not more than 8 mm, The front side of the stone piece needs to be polished. Of course, if the selected stone piece itself meets the requirements, the grinding of the stone piece can be omitted.
  • a hole can be drilled or provided on the selected stone piece 11.
  • the hole 21 is generally drilled at the back position 21 of the selected stone piece 11, and the position 21 can usually be at a suitable position in the upper part of the stone piece 11, for example: a centered position for the left and right, of course , position 21 can be set in any suitable position, as long as it is convenient to hang.
  • the size of the hole to be drilled may be a small hole having a diameter of 4-5 mm and a depth of not more than 4 mm, depending on the need.
  • the card slot 22 is machined through the stone cutter at the bottom of the back of the stone piece 11, and the size of the card slot 22 matches the base to be used. If the simulated process oil painting stone product produced does not require the base to be placed or hung, the processing of drilling and processing the card slot can be omitted.
  • the selected image is preferably printed, photocopied, or printed on a thin, tough film or other non-oily paper color or black and white image.
  • the image of the anti-J£3 ⁇ 4 picture is too thick and the pressure is not tight, and the paper picture cannot be processed by the oil color.
  • the picture content can be a picture of a professional artist's oil painting, or a general photography picture.
  • the glue 31 may be made of various glues, which are under a certain pressure, such as a hydraulic or automatic, semi-automatic pressure mechanism.
  • a certain pressure such as a hydraulic or automatic, semi-automatic pressure mechanism.
  • the most important processing steps are color enhancement and simulation effect processing.
  • the color enhancement is as shown in FIG. 5, and the oil paint 52 similar in color to the picture is applied to the corresponding position 53 around the stone piece 41 to which the picture has been pasted, for example: 5 All or part of the diagonal portion of the surface of the stone piece 41.
  • the so-called process of adding color and brightening is actually: using oil paint on the edge of the hard material to paint according to the original color of the picture, including three sub-processes: sequentially ordering the stone pieces 41 around the picture Dark process, gray process, and bright process. Which part of the dark part processing, which part of the gray tone processing, which part of the light adjustment process need to be determined according to the color of the selected picture, in the specific production process, can be colorized by the computer color machine, and then Workers form production lines for production and processing.
  • the simulation oil painting effect processing is the key to determine the quality of the process product.
  • the specific operation is shown in Fig. 6.
  • the brush 61 On the oil painting stone piece 41 which has been processed and fully dried by the process of Fig. 1 to Fig. 5, the brush 61 will be thicker and transparent.
  • the colloidal material 62 is applied on the surface of the stone piece 41 which is pressed with the selected picture, that is, the simulated oil brush touch coating is applied; after drying again, the oil painting stone product is basically completed, and can be further installed for the beautiful simulation process oil painting stone. Base and hook.
  • the oil brush touch is also a common method in the art of oil painting;
  • the transparent colloid material used may be various transparent colloidal chemical materials, and the stone craft products may have different according to different specifications, models and formulas. Appearance quality and shelf life can be selected based on performance and price ratio.
  • Commonly available transparent colloidal materials are: finger oil, silicone, transparent gel, epoxy, glass glue, and the like.

Landscapes

  • Application Of Or Painting With Fluid Materials (AREA)

Abstract

L'invention concerne une technique de production permettant de simuler la peinture à l'huile artistique, cette technique comprenant plusieurs étapes. Tout d'abord, une image sélectionnée est collée sur un substrat solide, puis on confère couleur et brillance à l'image collée en fonction des couleurs de l'image elle-même, et enfin, le revêtement au pinceau de peinture est exécuté sur la surface de l'image collée sur le substrat. Les oeuvres artificielles colorées et vives de la peinture à l'huile artistique peuvent être produites à large échelle à de faibles coûts.
PCT/CN2005/001326 2004-09-17 2005-08-25 Technique de production permettant de simuler la peinture a l'huile artistique WO2006029562A1 (fr)

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
CN200410040698.6 2004-09-17
CNB2004100406986A CN100364788C (zh) 2004-09-17 2004-09-17 仿真工艺油画石生产加工工艺

Publications (1)

Publication Number Publication Date
WO2006029562A1 true WO2006029562A1 (fr) 2006-03-23

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CN (1) CN100364788C (fr)
WO (1) WO2006029562A1 (fr)

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN109584360A (zh) * 2018-12-03 2019-04-05 西安数文科技有限公司 一种拓印方法及装置

Families Citing this family (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN102371833B (zh) * 2010-08-09 2012-11-21 佛山金采玛石业有限公司 一种纯天然石材剪拼绘画工艺流程
CN109968897A (zh) * 2019-05-19 2019-07-05 徐诤 一种图片或照片的装裱方法

Citations (5)

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Publication number Priority date Publication date Assignee Title
US3929068A (en) * 1973-12-17 1975-12-30 Jones & Co Ltd Samuel Stencils
JPH07232500A (ja) * 1994-02-23 1995-09-05 Kyodo Printing Co Ltd 泥絵日本画の複製方法
CN1182684A (zh) * 1996-11-14 1998-05-27 王国全 树脂罩面的水彩工艺画的制作方法
CN1445111A (zh) * 2003-04-03 2003-10-01 李春帆 仿陶瓷立体浅浮雕工艺书画及其制作方法
CN1488488A (zh) * 2003-08-01 2004-04-14 何裕铭 复合有花纹图案层的卫浴洁具壳体制造方法

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FR2317102A1 (fr) * 1975-07-11 1977-02-04 Laleta Ballini Jean Marc Procede d'impression lithographique sur toile et produit en resultant
CN2167867Y (zh) * 1993-05-12 1994-06-08 储苏明 晶面装饰挂件
JPH0825900A (ja) * 1994-07-15 1996-01-30 Shitsuku:Kk 立体的疑似絵画と立体的疑似絵画の製造方法
CN1063140C (zh) * 1996-09-12 2001-03-14 王琪 云石壁画的制作方法
CN1197721C (zh) * 2002-07-27 2005-04-20 陈知 印刷画的仿真制作方法及其仿真装饰画

Patent Citations (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3929068A (en) * 1973-12-17 1975-12-30 Jones & Co Ltd Samuel Stencils
JPH07232500A (ja) * 1994-02-23 1995-09-05 Kyodo Printing Co Ltd 泥絵日本画の複製方法
CN1182684A (zh) * 1996-11-14 1998-05-27 王国全 树脂罩面的水彩工艺画的制作方法
CN1445111A (zh) * 2003-04-03 2003-10-01 李春帆 仿陶瓷立体浅浮雕工艺书画及其制作方法
CN1488488A (zh) * 2003-08-01 2004-04-14 何裕铭 复合有花纹图案层的卫浴洁具壳体制造方法

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN109584360A (zh) * 2018-12-03 2019-04-05 西安数文科技有限公司 一种拓印方法及装置
CN109584360B (zh) * 2018-12-03 2023-04-07 武汉数文科技有限公司 一种拓印方法及装置

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CN1600581A (zh) 2005-03-30

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