WO2000041899A1 - Achieving a marble paint effect on metals and other materials using the immersion technique - Google Patents

Achieving a marble paint effect on metals and other materials using the immersion technique Download PDF

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Publication number
WO2000041899A1
WO2000041899A1 PCT/GR2000/000001 GR0000001W WO0041899A1 WO 2000041899 A1 WO2000041899 A1 WO 2000041899A1 GR 0000001 W GR0000001 W GR 0000001W WO 0041899 A1 WO0041899 A1 WO 0041899A1
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WO
WIPO (PCT)
Prior art keywords
powder
stage
tank
ink
base coat
Prior art date
Application number
PCT/GR2000/000001
Other languages
French (fr)
Inventor
Panagiotis Papayannakis
Original Assignee
Woodall Papayannakis Ltd
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Woodall Papayannakis Ltd filed Critical Woodall Papayannakis Ltd
Priority to AU18848/00A priority Critical patent/AU1884800A/en
Publication of WO2000041899A1 publication Critical patent/WO2000041899A1/en

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Classifications

    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44F—SPECIAL DESIGNS OR PICTURES
    • B44F9/00—Designs imitating natural patterns
    • B44F9/04—Designs imitating natural patterns of stone surfaces, e.g. marble
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44D—PAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
    • B44D2/00—Special techniques in artistic painting or drawing, e.g. oil painting, water painting, pastel painting, relief painting

Definitions

  • a material that may be painted and decorated to produce a marble effect is selected. These materials belong to one of two categories:
  • the chosen object is cleaned in such a way as to rid its surface of any dust or bumps and to ensure that it is absolutely dry, clean and ready to be painted.
  • the object is painted with powder.
  • This paint makes up the basic colour/base coat of the marble effect.
  • the painted object is placed in the kiln at a temperature ranging between 80°C and 250°C and left so that the basic colour/base coat of the marble effect sets on the object.
  • the surface of the object is inspected to ensure that the basic colour/base coat of the marble effect has set onto the surface of the object and that its surface is absolutely dry and free from dust, moisture, bumps, etc.
  • the object is immersed in the first tank either manually or using an automated method.
  • the painted basic colour/base coat of the marble effect in other words the powder, has set onto the surface of the object.
  • the colours of the ink, powder or liquidated powder adhere to the surface of the specific object and they follow the shape of the object and create a marble effect at the point of immersion.
  • the successful decoration of the object depends on the way in which the object is immersed, because depending on the way, speed and angle at which the object is immersed, it receives a higher or lower quantity of the various colours of the ink, powder or liquidized powder on its surface, the quantity of which determines the desired result, namely, a more defined or more subtle pattern, with larger or smaller shapes.
  • the method and speed in which the object is immersed depends and is selected on the basis of the size and complexity of the geometrical shape of the object. This is how the marble effect is achieved.
  • the object is removed from the first tank taking with it an extra quantity of colors of the ink, powder or liquidized powder.
  • the extra quantity of these colours does not, however, adhere to the surface of the object since it is still wet.
  • the object is placed into the second tank or even the third tank if this is considered necessary, in order for it to be rinsed and remain as it was in the first stage. 10. The object is removed from the second or third tank.
  • the surface of the object is inspected to ensure that it is completely free of dust or bumps and is allowed to dry until it is absolutely dry and clean.
  • the object is placed in the kiln for a second time, at a temperature and for a time suitable to its nature and according to the protection and resistance desired of it. In this way, the object is polymerized and the quantity of ink, powder or liquidized powder that has adhered to its surface is absorbed.
  • the decorated object is removed from the kiln.
  • the object is inspected to ensure that it is absolutely dry and clean. At this point the marbling process and the final result in terms of quality and resistance of the surface has been achieved.
  • the object is placed for a third time in the kiln at a temperature suitable for the particular object and for a suitable time to achieve simultaneous polymerization of the powder, base coat, ink, powder or liquidized powder and transparent powder.
  • the surface of the object is inspected to ensure that it is completely dry and clean. At this point the marbling process and the final result in terms of quality, resistance and appearance of marble has been achieved.
  • the paint stages are the same as in Case A.
  • the difference in Case C lies in that before stage 11, a transparent powder is applied to the final decorated object, which is already clean and dry.
  • the object is placed for a second time in the kiln at a temperature suitable for the particular object and for a suitable time to achieve simultaneous polymerization thus absorbing the quantity of ink, powder or liquidated powder and transparent powder which has adhered to its surface and to the layer of transparent paint.
  • the decorated object is removed from the kiln.
  • the chosen object is cleaned in such a way as to rid its surface of any dust or bumps and to ensure that it is absolutely dry, clean and ready to be painted.
  • the object is painted with liquid paint or lacquer. This paint makes up the basic colour/base coat of the marble effect.
  • the object is allowed to dry at room temperature. In this way the liquid paint or lacquer sets to its surface.
  • the surface of the object is inspected to ensure that the basic colour/base coat of the marble effect has set onto the surface of the object and that its surface is absolutely dry and free from dust, moisture, bumps, etc. 5.
  • Two or three tanks, whose dimensions are suitable for the size of the object, are filled with clean water.
  • the painted basic colour/base coat of the marble effect in other words the powder, has set onto the surface of the object.
  • the colors of the ink, powder or liquidated powder adhere to the surface of the specific object and they follow the shape of the object and create a marble effect at the point of immersion.
  • the successful decoration of the object depends on the way in which the object is immersed, because depending on the way, speed and angle at which the object is immersed, it receives a higher or lower quantity of the various colours of the ink, powder or liquidized powder on its surface, the quantity of which determines the desired result, namely, a more defined or more subtle pattern, with larger or smaller shapes.
  • the method and speed in which the object is immersed depends and is selected on the basis of the size and complexity of the geometrical shape of the object.
  • the object is removed from the first tank taking with it an extra quantity of colors of the ink, powder or liquidized powder.
  • the extra quantity of these colours does not, however, adhere to the surface of the object since it is still wet.
  • the object is placed into the second tank or even the third tank if this is considered necessary, in order for it to be rinsed and remain as it was in the first stage.
  • the object is removed from the second or third tank in order to allow it to dry at room temperature or in a kiln at a low temperature, thus absorbing the quantity of ink or powder or liquidized powder which has adhered to its surface.
  • the surface of the object is inspected to ensure that it is completely free of dust or bumps.
  • the above invention is superior compared to any other made to date because it is the only one which can decorate faithfully difficult geometric patterns, for example columns and aluminium profiles, other metals, flat and shaped aluminium surfaces, which can be cut and shaped to any three-dimensional geometric shape and can decorate facades of buildings as well as interiors.
  • Materials such as plywood, plastic, fabric etc, can be used around the home in kitchens, bathrooms, etc, as well as in the workplace.
  • One further advantage of this invention is that certain surfaces have a low weight and small cost.

Landscapes

  • Application Of Or Painting With Fluid Materials (AREA)
  • Paints Or Removers (AREA)

Abstract

The object chosen to be painted is cleaned. The object is painted with the basic colour/base coat for the marble effect. The basic colour/base coat of the marble effect is dried onto the object. The surface of the object is inspected to see if the basic colour /base coat of the marble effect has set onto it and to ensure that the surface is absolutely dry and free of dust, moisture, bumps, etc. Two or more tanks are filled with water according to the size of the object. Various colours of ink, powder or liquidated powder are added to the surface of the water of the first tank. The object is immersed into the first tank. The colours of ink, powder or liquidized powder adhere to the surface of the object and therefore to the basic colour/base coat of the marble effect using the immersion method and a pattern, or marble effect, is created. The object is removed from the first tank. The object is placed into the second or third tank in order for it to be rinsed and for the initial pattern to remain on the object. The object is removed from the second or third tank. The surface of the object is inspected to ensure that is completely free of dust or bumps and is allowed to dry until it is completely dry and clean. The decorated object is polymerized between 80 °C and 250 °C once, twice or three times according to its nature and the protection and resistance desired of the object.

Description

DESCRIPTION
ACHIENING A MARBLE PAINT EFFECT ON METALS AND OTHER MATERIALS USING THE IMMERSION TECHNIQUE.
A material that may be painted and decorated to produce a marble effect is selected. These materials belong to one of two categories:
A. Materials which can withstand temperatures of over 150°C, such as aluminium, or any other metal, glass, ceramic, special plastic, MDF, etc.
B. Materials which cannot withstand high temperatures such as plastic, wood, wood derivatives, plywood, paper derivatives, compressed paper, thick fabric, etc.
CASE A
Achieving a marble paint effect on metals and other materials using the immersion technique, where the object to be painted is a material which can withstand temperatures of over 150°C, and the basic colour/base coat of the marble effect is achieved with powder.
1. The chosen object is cleaned in such a way as to rid its surface of any dust or bumps and to ensure that it is absolutely dry, clean and ready to be painted.
2. The object is painted with powder.
This paint makes up the basic colour/base coat of the marble effect.
3. The painted object is placed in the kiln at a temperature ranging between 80°C and 250°C and left so that the basic colour/base coat of the marble effect sets on the object.
4. The surface of the object is inspected to ensure that the basic colour/base coat of the marble effect has set onto the surface of the object and that its surface is absolutely dry and free from dust, moisture, bumps, etc.
5. Two or three tanks whose dimensions are suitable for the size of the object are filled with clean water. 6. Various colours of ink, powder or liquidated powder are added to the surface of the first tank.
In order to add various colors of ink, powder or liquidated powder to the surface of the first tank, either a manual or an automated method is used, i.e. an electrostatic spray gun or a electric friction gun, or a simple flow of air or a simple mechanical method, such as a sieve. These various colors of ink, powder, or liquidized powder do not mix with one another and due to their lower relative densities, they remain on the surface of the water forming random patterns.
At this point special importance is placed on the following: Namely, the way in which the various colours of ink, powder or liquidized powder are added to the surface of the water of the first tank, the quantity of each colour of ink, powder or liquidized powder which is added to the surface of the water, the distance left between the various colours of ink, powder or powdered ink which are added to the surface of the water, the speed in which the various colours of ink, powder or liquidized powder are added to the surface of the water and the height from which the various colours of ink, powder or liquidized powder are added to the surface of the water.
7. The object is immersed in the first tank either manually or using an automated method.
At this point the painted basic colour/base coat of the marble effect, in other words the powder, has set onto the surface of the object. The colours of the ink, powder or liquidated powder adhere to the surface of the specific object and they follow the shape of the object and create a marble effect at the point of immersion.
At this point, the successful decoration of the object depends on the way in which the object is immersed, because depending on the way, speed and angle at which the object is immersed, it receives a higher or lower quantity of the various colours of the ink, powder or liquidized powder on its surface, the quantity of which determines the desired result, namely, a more defined or more subtle pattern, with larger or smaller shapes. The method and speed in which the object is immersed depends and is selected on the basis of the size and complexity of the geometrical shape of the object. This is how the marble effect is achieved.
8. The object is removed from the first tank taking with it an extra quantity of colors of the ink, powder or liquidized powder. The extra quantity of these colours does not, however, adhere to the surface of the object since it is still wet.
9. The object is placed into the second tank or even the third tank if this is considered necessary, in order for it to be rinsed and remain as it was in the first stage. 10. The object is removed from the second or third tank.
11. The surface of the object is inspected to ensure that it is completely free of dust or bumps and is allowed to dry until it is absolutely dry and clean. 12. The object is placed in the kiln for a second time, at a temperature and for a time suitable to its nature and according to the protection and resistance desired of it. In this way, the object is polymerized and the quantity of ink, powder or liquidized powder that has adhered to its surface is absorbed. The decorated object is removed from the kiln. 13. The object is inspected to ensure that it is absolutely dry and clean. At this point the marbling process and the final result in terms of quality and resistance of the surface has been achieved.
CASE B Achieving a marble paint effect on metals and other materials using the immersion technique, where the object to be painted is a material which can withstand temperatures of over 150°C, and the basic colour/base coat of the marble effect is achieved with powder. The paint stages are the same as in Case A. The difference in Case B lies in that a transparent powder is applied to the final decorated object, which is already clean and dry.
The object is placed for a third time in the kiln at a temperature suitable for the particular object and for a suitable time to achieve simultaneous polymerization of the powder, base coat, ink, powder or liquidized powder and transparent powder.
The surface of the object is inspected to ensure that it is completely dry and clean. At this point the marbling process and the final result in terms of quality, resistance and appearance of marble has been achieved.
CASE C
Achieving a marble paint effect on metals and other materials using the immersion technique, where the object to be painted is a material which can withstand temperatures of over 150°C, and the basic colour/base coat of the marble effect is achieved with powder.
The paint stages are the same as in Case A. The difference in Case C lies in that before stage 11, a transparent powder is applied to the final decorated object, which is already clean and dry.
The object is placed for a second time in the kiln at a temperature suitable for the particular object and for a suitable time to achieve simultaneous polymerization thus absorbing the quantity of ink, powder or liquidated powder and transparent powder which has adhered to its surface and to the layer of transparent paint.
The decorated object is removed from the kiln.
The surface of the object is inspected to ensure that it is completely dry and clean. At this point the marbling process and the final result in terms of quality, resistance and appearance has been achieved. In all the above cases, it is clear that the powder could have been in its liquidized form, as is mentioned in the above cases.
CASE D
Materials which cannot withstand high temperatures such as plastic, wood, wood derivatives, plywood, paper derivatives, compressed paper, thick fabric, etc. and the basic colour/base coat of the marble effect is achieved using liquid paint or lacquer.
1. The chosen object is cleaned in such a way as to rid its surface of any dust or bumps and to ensure that it is absolutely dry, clean and ready to be painted.
2. The object is painted with liquid paint or lacquer. This paint makes up the basic colour/base coat of the marble effect.
3. The object is allowed to dry at room temperature. In this way the liquid paint or lacquer sets to its surface.
It is, of course, left to our discretion to place the object in the kiln, always at a low temperature.
4. The surface of the object is inspected to ensure that the basic colour/base coat of the marble effect has set onto the surface of the object and that its surface is absolutely dry and free from dust, moisture, bumps, etc. 5. Two or three tanks, whose dimensions are suitable for the size of the object, are filled with clean water.
6. Various colours of ink, powder or liquidated powder are added to the surface of the first tank. In order to add various colours of ink, powder or liquidated powder to the surface of the first tank, either a manual or an automated method is used, namely an electrostatic spray gun or an electric friction gun, or a simple flow of air or even a simple mechanical method, such as a sieve. These various colors of ink, powder, or liquidized powder do not mix with one another and due to their lower relative densities, they remain on the surface of the water forming random patterns. At this point special importance is placed on the following: The way in which the various colours of the ink, powder or liquidized powder are added to the surface of the water of the first tank, the quantity of each colour of ink, powder or liquidized powder which is added to the surface of the water, the distance left between the various colours of ink, powder or powdered ink which are added to the surface of the water, the speed in which the various colours of the ink, powder or liquidized powder are added to the surface of the water of the first tank and the height from which the various colours of the ink, powder or liquidized powder are added to the surface of the water. 7. The object is immersed into the first tank, either manually or using an automated method.
At this point the painted basic colour/base coat of the marble effect, in other words the powder, has set onto the surface of the object. The colors of the ink, powder or liquidated powder adhere to the surface of the specific object and they follow the shape of the object and create a marble effect at the point of immersion.
At this point, the successful decoration of the object depends on the way in which the object is immersed, because depending on the way, speed and angle at which the object is immersed, it receives a higher or lower quantity of the various colours of the ink, powder or liquidized powder on its surface, the quantity of which determines the desired result, namely, a more defined or more subtle pattern, with larger or smaller shapes. The method and speed in which the object is immersed depends and is selected on the basis of the size and complexity of the geometrical shape of the object.
This is how the marble effect is achieved.
8. The object is removed from the first tank taking with it an extra quantity of colors of the ink, powder or liquidized powder. The extra quantity of these colours does not, however, adhere to the surface of the object since it is still wet.
9. The object is placed into the second tank or even the third tank if this is considered necessary, in order for it to be rinsed and remain as it was in the first stage.
10. The object is removed from the second or third tank in order to allow it to dry at room temperature or in a kiln at a low temperature, thus absorbing the quantity of ink or powder or liquidized powder which has adhered to its surface.
11. The surface of the object is inspected to ensure that it is completely free of dust or bumps.
At this point, the marbling process and the final result in terms of quality, resistance and appearance of marble has been achieved.
The use of the liquid mentioned in stage 2 of Case D may clearly also be used for the materials in Case A.
The above invention is superior compared to any other made to date because it is the only one which can decorate faithfully difficult geometric patterns, for example columns and aluminium profiles, other metals, flat and shaped aluminium surfaces, which can be cut and shaped to any three-dimensional geometric shape and can decorate facades of buildings as well as interiors.
Materials such as plywood, plastic, fabric etc, can be used around the home in kitchens, bathrooms, etc, as well as in the workplace.
One further advantage of this invention is that certain surfaces have a low weight and small cost.

Claims

Achieving a marble paint effect on metals and other materials using the immersion technique, where the object to be painted is a material which can withstand temperatures of over 150°C, such as aluminium or any other metal, glass, ceramic, special plastic, MDF, etc.
STAGE 1: The object is cleaned. STAGE 2: The object is painted with powder/base coat.
STAGE 3: The object is placed into the kiln at an appropriate temperature and for a suitable length of time between 80°C and 250°C. STAGE 4: The surface of the object is inspected.
STAGE 5: Two or three tanks are filled with clean water and a corresponding quantity of various colors of ink, powder or liquidated powder, depending on each case, is added to the first tank using an automated or mechanical method, in order to obtain the desired result.
STAGE 6: The object is immersed into the first tank and then using a manual or automated method it is placed into the second or third tank in order for it to be rinsed, if this is desired. STAGE 7: The object is removed from the second or third tank and it is dried. STAGE 8: The object is placed into the kiln and is polymerized for a second time and there is simultaneous polymerization of the decorated surface with the ink, powder or liquidized powder, according to what has been used in each case. In this way the marble effect and the final result in terms of quality, resistance and appearance has been achieved. STAGE 1 : The object is cleaned.
STAGE 2: The object is painted with powder/base coat. STAGE 3: The object is placed into the kiln at an appropriate temperature and for a suitable length of time between 80°C and 250°C. STAGE 4: The surface of the object is inspected. STAGE 5: Two or three tanks are filled with clean water and a corresponding quantity of various colors of ink, powder or liquidated powder, depending on each case, is added to the first tank using an automated or mechanical method, in order to obtain the desired result. STAGE 6: The object is immersed into the first tank and then using a manual or automated method it is placed into the second or third tank in order for it to be rinsed, if this is desired.
STAGE 7: The object is removed from the second or third tank and it is dried. STAGE 8: The object is placed into the kiln and it polymerizes for a second time as regards the powder, base coat of the ink, powder or liquidized powder and the decorated surface. STAGE 9: The surface of the object is coated with a transparent powder and the object is placed into the kiln for a third time thus achieving simultaneous polymerization of the powder, base coat, ink, powder or liquidized powder and the transparent powder. This ensures better protection.
In this way the marble effect and the final result in terms of quality, resistance and appearance has been achieved.
III. STAGE 1 : The object is cleaned.
STAGE 2: The object is painted with powder/base coat.
STAGE 3: The object is placed into the kiln at an appropriate temperature and for a suitable length of time between 80°C and 250°C. STAGE 4: The surface of the object is inspected.
STAGE 5: Two or three tanks are filled with clean water and a corresponding quantity of various colors of ink, powder or liquidated powder, depending on each case, is added to the first tank using an automated or mechanical method. STAGE 6: The object is immersed into the first tank and using a manual or automated method, and then it is placed into the second or third tank in order for it to be rinsed, if this is desired.
STAGE 7: The object is removed from the second or third tank and it is dried.
STAGE 8: The object is coated with a transparent powder for greater strength and protection, and placed into the kiln for a second time where there is simultaneous polymerization of the powder, base coat, ink, powder or liquidized powder and the decorated surface and the additional protection of the transparent powder. In this way the marble effect and the final result in terms of quality, resistance and appearance has been achieved.
IV. Achieving a marble paint effect on materials, which cannot withstand high temperatures such as plastic, wood, wood derivatives, plywood compressed paper, paper products, thick fabric, etc, using the immersion technique.
STAGE 1 : The object is cleaned so that it is ready for painting.
STAGE 2: The object is painted with liquid paint or lacquer.
STAGE 3: The object is allowed to dry naturally and for the liquid paint or lacquer to set on it.
STAGE 4: The surface of the object is inspected.
STAGE 5: Two or three tanks are filled with clean water.
STAGE 6: A corresponding quantity of ink, or powder or liquidized powder in various colours is added to the surface of the first tank using an automated or mechanical method.
STAGE 7: The object is immersed into the first tank using a manual or automated method. This achieves the marble effect. STAGE 8: The object is removed from the first tank, without the ink, powder or liquidated powder adhering to the surface of the object because it is still wet. STAGE 9: The object is placed into the second or third tank if this is desired, for the object to be rinsed.
STAGE 10:The object is removed from the second or third tank in order for it to dry naturally. STAGE l l:In this way the marble effect and the final result in terms of quality, resistance and appearance has been achieved. If the surface of the object is to have greater protection, at this stage its surface is covered with a clear varnish or lacquer.
PCT/GR2000/000001 1999-01-13 2000-01-10 Achieving a marble paint effect on metals and other materials using the immersion technique WO2000041899A1 (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
AU18848/00A AU1884800A (en) 1999-01-13 2000-01-10 Achieving a marble paint effect on metals and other materials using the immersion technique

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
GR99100012 1999-01-13
GR990100012 1999-01-13

Publications (1)

Publication Number Publication Date
WO2000041899A1 true WO2000041899A1 (en) 2000-07-20

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AU (1) AU1884800A (en)
GR (1) GR1003272B (en)
WO (1) WO2000041899A1 (en)

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN110204203A (en) * 2019-07-01 2019-09-06 于洪伟 Marble glass manufacturing process
CN112844990A (en) * 2020-12-21 2021-05-28 上海合富新材料科技股份有限公司 Marble-like aluminum decorative plate and manufacturing process thereof

Citations (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2757473A (en) * 1953-04-27 1956-08-07 Gerlach Chester E Rex Process and compositions for producing glass ornamentation
JPS5423698B2 (en) * 1977-05-18 1979-08-15
JPS56133070A (en) * 1980-03-24 1981-10-17 Tokyo Silicone Kk Coating method
FR2645077A1 (en) * 1989-03-30 1990-10-05 Bouillet Jean Noel Method for decorating a support by means of marbling and resulting support
US5348766A (en) * 1993-01-05 1994-09-20 Elaine Latham Method for marbleizing an object by dipping the object into paint floating on borax-conditioned water
CN1092358A (en) * 1993-12-10 1994-09-21 中国矿业大学北京研究生部 The continuously floating seal machine that is used for floating seal marble pattern
DE4323843A1 (en) * 1993-07-16 1995-01-19 Wild Josef & Co Method of producing patterned coloured coatings
EP0815951A1 (en) * 1996-06-28 1998-01-07 Elaine Latham A method of coating a surface of an object

Patent Citations (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2757473A (en) * 1953-04-27 1956-08-07 Gerlach Chester E Rex Process and compositions for producing glass ornamentation
JPS5423698B2 (en) * 1977-05-18 1979-08-15
JPS56133070A (en) * 1980-03-24 1981-10-17 Tokyo Silicone Kk Coating method
FR2645077A1 (en) * 1989-03-30 1990-10-05 Bouillet Jean Noel Method for decorating a support by means of marbling and resulting support
US5348766A (en) * 1993-01-05 1994-09-20 Elaine Latham Method for marbleizing an object by dipping the object into paint floating on borax-conditioned water
DE4323843A1 (en) * 1993-07-16 1995-01-19 Wild Josef & Co Method of producing patterned coloured coatings
CN1092358A (en) * 1993-12-10 1994-09-21 中国矿业大学北京研究生部 The continuously floating seal machine that is used for floating seal marble pattern
EP0815951A1 (en) * 1996-06-28 1998-01-07 Elaine Latham A method of coating a surface of an object

Non-Patent Citations (3)

* Cited by examiner, † Cited by third party
Title
DATABASE WPI Section Ch Week 7936, Derwent World Patents Index; Class A32, AN 79-65796B, XP002115187 *
DATABASE WPI Section Ch Week 9716, Derwent World Patents Index; Class A35, AN 97-166211, XP002115186 *
PATENT ABSTRACTS OF JAPAN vol. 006, no. 007 (C - 087) 16 January 1982 (1982-01-16) *

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN110204203A (en) * 2019-07-01 2019-09-06 于洪伟 Marble glass manufacturing process
CN112844990A (en) * 2020-12-21 2021-05-28 上海合富新材料科技股份有限公司 Marble-like aluminum decorative plate and manufacturing process thereof

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Publication number Publication date
GR1003272B (en) 1999-12-02
AU1884800A (en) 2000-08-01

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