US3417188A - Preference circuit for electronic musical instrument utilizing pulse amplitude discrimination and zero-crossing detector - Google Patents

Preference circuit for electronic musical instrument utilizing pulse amplitude discrimination and zero-crossing detector Download PDF

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US3417188A
US3417188A US466170A US46617065A US3417188A US 3417188 A US3417188 A US 3417188A US 466170 A US466170 A US 466170A US 46617065 A US46617065 A US 46617065A US 3417188 A US3417188 A US 3417188A
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tone
zero
frequency
frequencies
generators
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Jr Walter Munch
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BPO ACQUISITION CORP
DH Baldwin Co
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DH Baldwin Co
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/18Selecting circuits
    • G10H1/22Selecting circuits for suppressing tones; Preference networks
    • YGENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10TECHNICAL SUBJECTS COVERED BY FORMER USPC
    • Y10STECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10S84/00Music
    • Y10S84/02Preference networks

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  • the present invention relates generally to electronic musical instruments, and more particularly to preference circuitry for electronic musical instruments employing a plurality of tone generators which may individually control tone available in an output circuit, the preference circuitry providing that simultaneous actuation of plural keys will produce only one tone in the output circuit.
  • a preference circuit to avoid sounding two notes simultaneously, when these are inadvertently called forth by actuation of two pedal keys and usually the lower of any two notes is preferred to the higher.
  • Various types of preference circuitry have been devised. Many of these have involved complex switching arrangements and are therefore undesirable.
  • Other arrangements have involved networks of the ladder type. These networks involve simple switching arrangements, i.e. one single pole single throw switch per note, but have the disadvantage that different tone signals pass to an output circuit via paths of different impedances, which modifies the relative levels of the several tones.
  • the tone generator output circuits are required to be of low impedance, in order to suppress non-preferred notes by acting as bypass circuit elements, but cross talk occurs because the bypass is not complete.
  • a further object of the invention resides in providing a novel root tone selection system, i.e. a system in which only the lowest note of a chord played by a musician calls forth an audible response.
  • a plurality of square wave tone generators is connected in parallel between ground and separated points of a resistive string.
  • the output impedances of the generators may be higher than or equal to the impedances between adjacent points of a string.
  • the several generators meet different impedances in proceeding to the output end, so that the tone signal of lower frequency is always of greater amplitude.
  • the sum of adjacent tone signals can then be shown to have adjacent zero crossings at times established by the periods of the lower frequency tone signal only, with successive crossings of opposite slopes.
  • the zero crossings can be used to generate square waves, which can control output tone generators, in the form of flip-flops. Zero crossings are controlled by the higher amplitude square waves, regardless of relative frequencies, so that the system can be designed to prefer higher frequencies or lower, as desired.
  • FIGURE 1 is a schematic circuit diagram of a system according to the invention.
  • FIGURE 2 is an explanatory wave shape diagram, pertaining to FIGURE 1.
  • resistances 10, 11, 12, 13 are connected in series to form a resistance string. As many resistances as there are tone generators may form the string, and the resistances may be equal or unequal, but are shown as equal in the preferred embodiment.
  • the junctions between resistance pairs, 10, 11; 11, 12; 12, 13 etc. are denoted 20, 21, 22 and between these junctions and ground are connected tone generators 25, 26, 27 each in series with a switch and a generator output impedance, denoted respectively by reference numerals 25a, 25b; 26a, 26b; 27a, 27b.
  • Resistances 25b, 26b, 27b may be equal to each other and to resistances 10, 11, 12, 13, if desired.
  • Resistance 10 proceeds to the base 30 of a transistor 31, having an emitter 32 connected to a negative voltage terminal 33.
  • the latter is the midpoint of a voltage divider extending from a negative voltage source 34 to ground.
  • the voltage may be 16 v. and the divider may be composed of a 2.2K resistor 35 and a 1K resistor 36, so that junction 33 is at approximately 5.2 v.
  • Collector 37 of an NPN transistor 31 proceeds to ground via series resistances 38, 39, of 4.7K and 33K, respectively.
  • the junction 40 of resistances 38, 39 is connected directly to the base 41 of an PNP transistor 42, having an emitter 43 and a collector 44.
  • the emitter 43 is supplied with a -l v. supply and the collector 44 proceeds to a flip-flop 45, for control of the latter.
  • Transistor 42 operates over a small range of voltages above or below which it saturates. Thereby it acts as a square wave clipper, when supplied at its base with irregularly shaped Waves, and the square wave output is severely amplitude limited, for all amplitudes of the irregularly shaped waves, and has periods which are the same as time intervals between the zero crossings of the irregularly shaped waves.
  • the generators 25, 26, 27 provide 8 v. peak-to-peak superposed on 4.5 V. DC Circuit values are then established so that approximately zero voltage appears at point 40, in response to the 4.5 V. DC. alone.
  • the 8 v. peakto-peak square waves provided by generators then drive base 41 of transistor 42 alternately more and less negative..However, a small change in signal at base 41 is adequate to drive the output of transistor 42 between cut-off and l v., its emitter voltage.
  • Resistances b, 26b, 2712 may be located on either side of switches 25a, 26a, 27a, and in either position represent generator output impedances. As one moves to the left in the ladder configuration of FIGURE 1, the ratio of amplitudes, as between E014) and E remains constant, although the total current supplied to transistor base 30 decreases the total current being adequate out to thirteen tone generators, the usual condition in organs, which have thirteen pedal keys.
  • the flip-flop may drive a further flip-flop 50, to form a frequency divider stage, i.e. the output of flipflop may be an octave below that of flip-flop 45.
  • flip-flop 45 may itself be a frequency divider.
  • keys 25a, 26a, 27a are key operated switches of an accompaniment manual
  • flip-flop 45 may form an output of a root tone system, i.e. a system which plays a single tone one octave below the lowest note of a' chord played on the accompaniment manual, however complex that chord may be.
  • the flip-flops 45, 50 may each be in cascade with a tone color filter, as 51, 52, selectively connectible to an output system, such as a loud speaker 53, by means of tone color filter selection switches 54, 55.
  • the present invention provides that, of an array of tone generators of an electronic organ having progressively decreasing frequencies, the lowermost frequencies shall have progressively the higher amplitudes.
  • Tones called forth by key switches are additively combined. It can then be shown that the combined tones, although forming a complex wave shape, have clear cut zero crossings at the frequency of the tone of lowermost frequency. The zero crossings are utilized to generate or control output tones for the organ.
  • the ladder network of FIGURE 1 then represents only one system for generating the required array of tones.
  • the principle of the invention permits the highest amplitude square wave of a plurality of such waves to be selected, whether or not of lowest frequency, and the ladder network utilized represents merely a convenient device for assuring the required amplitude differentials where the tone generators have the same output voltages.
  • each of said tone signal generators having a relatively high output impedance
  • control device including means for generating rectangular waves having transitions occurring in response only to zero crossings of tone signal at said output system, whereby only the frequency tone signal having greater amplitude of plural tone signals at said control device controls said transitions.
  • switch means for at will selecting combinations of said tone frequencies
  • said last means comprising means for relatively decreasing the amplitudes of the musical tones as a function of increasing frequency to form leveled tone signals, means for additively combining said leveled tone signals into a composite wave form, said composite wave form having zero crossings corresponding in time with the zerp crossings of only that one of said leveled tone signals having the lowest frequency, and means responsive to the zero crossings of said composite wave form for generating said root tone.

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Description

Dec. 17, 1968 w M N H, J 3,417,188
PREFERENCE CIRCUIT FOR ELECTRONIC MUSICAL INSTRUMENT UTILIZING PULSE AMPLITUDE DISCRIMINATION AND ZERO-CROSSING DETECTOR Filed June 23, 1965 5| [FILTER FILTER IF: c1. 2
INVENTOR WALTER MUNCH, JR.
wmm BY MW/3T 1 m ATTORNEYS United States Patent Ohio Filed June 23, 1965, Ser. No. 466,170 4 Claims. (Cl. 84--1.01)
The present invention relates generally to electronic musical instruments, and more particularly to preference circuitry for electronic musical instruments employing a plurality of tone generators which may individually control tone available in an output circuit, the preference circuitry providing that simultaneous actuation of plural keys will produce only one tone in the output circuit.
Adjacent notes of a musical instrument, when played simultaneously, are not harmonious. In the pedal division of an electronic organ, particularly, it is usual to provide a preference circuit to avoid sounding two notes simultaneously, when these are inadvertently called forth by actuation of two pedal keys and usually the lower of any two notes is preferred to the higher. Various types of preference circuitry have been devised. Many of these have involved complex switching arrangements and are therefore undesirable. Other arrangements have involved networks of the ladder type. These networks involve simple switching arrangements, i.e. one single pole single throw switch per note, but have the disadvantage that different tone signals pass to an output circuit via paths of different impedances, which modifies the relative levels of the several tones. In one such system the tone generator output circuits are required to be of low impedance, in order to suppress non-preferred notes by acting as bypass circuit elements, but cross talk occurs because the bypass is not complete.
It is an object of the present invention to provide a novel preference circuit which operates with generator output impedances of relatively high impedance, and provides output signals of the same amplitude at all frequencies.
It is another object of the invention to provide a system for generating zero crossings, responsive to the sum of plural tone signals of different amplitudes, which correspond in timing to the zero crossings of only the tone signal of highest amplitude in the composite signal, and to produce tones in any output system for the system in response to the generated zero crossings, whereby preference is'achieved without requiring total suppression of non-preferred tones in the preference network itself.
It is a further object of the invention to provide response to that one of two superposed, square waves, of unequal amplitude, which has the larger amplitude.
A further object of the invention resides in providing a novel root tone selection system, i.e. a system in which only the lowest note of a chord played by a musician calls forth an audible response.
Briefly describing a preferred embodiment of the invention, a plurality of square wave tone generators is connected in parallel between ground and separated points of a resistive string. The output impedances of the generators may be higher than or equal to the impedances between adjacent points of a string. Assuming the generators to be of decreasing frequency progressively in proceeding from one end to the other of the resistive string, and that the latter end is the output end, the several generators meet different impedances in proceeding to the output end, so that the tone signal of lower frequency is always of greater amplitude. The sum of adjacent tone signals can then be shown to have adjacent zero crossings at times established by the periods of the lower frequency tone signal only, with successive crossings of opposite slopes. The zero crossings can be used to generate square waves, which can control output tone generators, in the form of flip-flops. Zero crossings are controlled by the higher amplitude square waves, regardless of relative frequencies, so that the system can be designed to prefer higher frequencies or lower, as desired.
Reference is now made to the accompanying drawings, wherein:
FIGURE 1 is a schematic circuit diagram of a system according to the invention; and
FIGURE 2 is an explanatory wave shape diagram, pertaining to FIGURE 1.
In the drawings, resistances 10, 11, 12, 13 are connected in series to form a resistance string. As many resistances as there are tone generators may form the string, and the resistances may be equal or unequal, but are shown as equal in the preferred embodiment. The junctions between resistance pairs, 10, 11; 11, 12; 12, 13 etc. are denoted 20, 21, 22 and between these junctions and ground are connected tone generators 25, 26, 27 each in series with a switch and a generator output impedance, denoted respectively by reference numerals 25a, 25b; 26a, 26b; 27a, 27b. Resistances 25b, 26b, 27b may be equal to each other and to resistances 10, 11, 12, 13, if desired.
Resistance 10 proceeds to the base 30 of a transistor 31, having an emitter 32 connected to a negative voltage terminal 33. The latter is the midpoint of a voltage divider extending from a negative voltage source 34 to ground. The voltage may be 16 v. and the divider may be composed of a 2.2K resistor 35 and a 1K resistor 36, so that junction 33 is at approximately 5.2 v. Collector 37 of an NPN transistor 31 proceeds to ground via series resistances 38, 39, of 4.7K and 33K, respectively. The junction 40 of resistances 38, 39 is connected directly to the base 41 of an PNP transistor 42, having an emitter 43 and a collector 44. The emitter 43 is supplied with a -l v. supply and the collector 44 proceeds to a flip-flop 45, for control of the latter.
Transistor 42 operates over a small range of voltages above or below which it saturates. Thereby it acts as a square wave clipper, when supplied at its base with irregularly shaped Waves, and the square wave output is severely amplitude limited, for all amplitudes of the irregularly shaped waves, and has periods which are the same as time intervals between the zero crossings of the irregularly shaped waves.
The generators 25, 26, 27 provide 8 v. peak-to-peak superposed on 4.5 V. DC Circuit values are then established so that approximately zero voltage appears at point 40, in response to the 4.5 V. DC. alone. The 8 v. peakto-peak square waves provided by generators then drive base 41 of transistor 42 alternately more and less negative..However, a small change in signal at base 41 is adequate to drive the output of transistor 42 between cut-off and l v., its emitter voltage.
Assume (FIGURE 2) that only E is present, i.e. the voltage derived, for example, from generator 26, switch 26a alone being closed. Variations of voltage at base 41 occur, about zero base line 50, which gives rise to control voltage 52 for flip-flop 45, driving flip-flop 45 into one state at zero crossing 53, and into the opposite state at zero crossing 54. A similar set of events occurs in respect to generator 25, alone, having a voltage wave form E a lower frequency than is provided by generator 26. Here the zero base line is 55, and the changes of state occur at Zero crossings 56, 57.
If switches 25a and 26a are closed together, signal from tone generator 26, i.e. E is attenuated more than is signal from tone generator 25, i.e. B Assume that for 1 E we have /2 E merely to simplify expositon. This will be the situation for any two adjacent tone generators, if generator output impedance is equal to impedance between adjacent connection points of the string. The sum of E /2 E is then illustrated as the lowermost wave form of FIGURE 2, and it will be observed that both the rising and falling zero crossing, at points 60, 61 are controlled by the zero crossings of the E wave form alone, and are well defined, i.e. occur between values /2 E and /2 E,,. It follows that the control signal applied to flipflop 45 is at the frequency of E the lower frequency of the two active generators. However, were higher frequency signals of greater amplitudes, preference would be in favor of the higher frequency tones, rather than the lower.
While a simple ladder circuit design according to the present system, permits equality of all ladder resistances, such equality is not required and may not be optimum. Resistances b, 26b, 2712 may be located on either side of switches 25a, 26a, 27a, and in either position represent generator output impedances. As one moves to the left in the ladder configuration of FIGURE 1, the ratio of amplitudes, as between E014) and E remains constant, although the total current supplied to transistor base 30 decreases the total current being adequate out to thirteen tone generators, the usual condition in organs, which have thirteen pedal keys.
The flip-flop may drive a further flip-flop 50, to form a frequency divider stage, i.e. the output of flipflop may be an octave below that of flip-flop 45. By the same token, flip-flop 45 may itself be a frequency divider. In such case, if keys 25a, 26a, 27a are key operated switches of an accompaniment manual, flip-flop 45 may form an output of a root tone system, i.e. a system which plays a single tone one octave below the lowest note of a' chord played on the accompaniment manual, however complex that chord may be.
The flip- flops 45, 50 may each be in cascade with a tone color filter, as 51, 52, selectively connectible to an output system, such as a loud speaker 53, by means of tone color filter selection switches 54, 55.
Essentially, the present invention provides that, of an array of tone generators of an electronic organ having progressively decreasing frequencies, the lowermost frequencies shall have progressively the higher amplitudes. Tones called forth by key switches are additively combined. It can then be shown that the combined tones, although forming a complex wave shape, have clear cut zero crossings at the frequency of the tone of lowermost frequency. The zero crossings are utilized to generate or control output tones for the organ. The ladder network of FIGURE 1 then represents only one system for generating the required array of tones. The principle of the invention permits the highest amplitude square wave of a plurality of such waves to be selected, whether or not of lowest frequency, and the ladder network utilized represents merely a convenient device for assuring the required amplitude differentials where the tone generators have the same output voltages.
While I have described and illustrated one specific embodiment of my invention, it will be clear that variation of the details of construction which are specifically illustrated and described may be resorted to without departing from the true spirit and scope of the invention as defined in the appended claims.
What I claim is: 1. In a preference system for square waves of different frequencies,
.a plurality of sources of square wave tones of progressively decreasing frequencies and correspondingly modified amplitudes,
means for at will selecting a combination of said sources and transferring the corresponding square wave tones to a common circuit element, and
means responsive only to zero crossings of signal in said common circuit element for generating a musical tone, whereby the generated musical tones have a frequency locked to the frequency of only one preferred frequency source of the selected combination of said sources.
2. In a reference network,
a plurality of tone signal generators of progressively decreasing frequencies, each of said tone signal generators having a relatively high output impedance,
an impedance string having plural taps distributed therealong,
means for selectively connecting said tone generators one for one to said taps,
an output'system connected to one end of said resistance string,
means for detecting zero crossings of signals in said output system, and
means responsive to said zero crossings for generating wave forms locked in frequency to the frequency of the lowermost signal generator selectively connected to said taps by said means for selectively connecting 3. In a preference system,
a plurality of tone signal generators of progressively decreasing frequencies,
means for progressively modifying the amplitudes of the tone signals as a function of said frequencies,
a control device,
means for at will selectively connecting said tone signal generators to said control device,
said control device including means for generating rectangular waves having transitions occurring in response only to zero crossings of tone signal at said output system, whereby only the frequency tone signal having greater amplitude of plural tone signals at said control device controls said transitions.
4. In a root tone generating system, I
a plurality of musical tone generators of progressively decreasing tone frequencies,
switch means for at will selecting combinations of said tone frequencies, and
means for generating a single tone octavely related to the lowermost frequency of the selected tone frequencies to the exclusion of the remaining selected tone frequencies, said last means comprising means for relatively decreasing the amplitudes of the musical tones as a function of increasing frequency to form leveled tone signals, means for additively combining said leveled tone signals into a composite wave form, said composite wave form having zero crossings corresponding in time with the zerp crossings of only that one of said leveled tone signals having the lowest frequency, and means responsive to the zero crossings of said composite wave form for generating said root tone.
No references cited.
ARTHUR GAUSS, Primary Examiner.
R. H. PLOTKIN, Assistant Examiner.
U.S. Cl. X.R.

Claims (1)

  1. 4. IN A ROOT TONE GENERATING SYSTEM, A PLURALITY OF MUSICAL TONE GENERATORS OF PROGRESSIVELY DECREASING TONE FREQUENCIES, SWITCH MEANS FOR AT WILL SELECTING COMBINATIONS OF SAID TONE FREQUENCIES, AND MEANS FOR GENERATING A SINGLE TONE OCTAVELY RELATED TO THE LOWERMOST FREQUENCY OF THE SELECTED TONE FREQUENCIES TO THE EXCLUSION OF THE REMAINING SELECTED TONE FREQUENCIES, SAID LAST MEANS COMPRISING MEANS FOR RELATIVELY DECREASING THE AMPLITUDES OF THE MUSICAL TONES AS A FUNCTION OF INCREASING FREQUENCY TO FORM LEVELED TONE SIGNALS, MEANS FOR ADDITIVELY COMBINING SAID LEVELED TONE SIGNALS INTO A COMPOSITE WAVE FORM, SAID COMPOSITE WAVE FORM HAVING ZERO CROSSINGS CORRESPONDING IN TIME WITH THE ZERO CROSSINGS OF ONLY THAT ONE OF SAID LEVELED TONE SIGNALS HAVING THE LOWEST FREQUENCY, AND MEANS RESPONSIVE TO THE ZERO CROSSING OF SAID COMPOSITE WAVE FORM FOR GENERATING SAID ROOT TONE.
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Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3509265A (en) * 1968-05-09 1970-04-28 Matsushita Electric Ind Co Ltd Signal-selecting system for keyboard type electronic musical instrument
US3542935A (en) * 1967-11-16 1970-11-24 Baldwin Co D H Electronic latch and wipeout system for musical instruments
US3560628A (en) * 1967-06-30 1971-02-02 Warwick Electronics Inc Multi-channel key switch circuit
US3610799A (en) * 1969-10-30 1971-10-05 North American Rockwell Multiplexing system for selection of notes and voices in an electronic musical instrument
US3766305A (en) * 1972-07-17 1973-10-16 Hammond Corp D.c. keyed high low select preference system for polyphonic electrical musical instruments
US3948137A (en) * 1974-03-15 1976-04-06 Nippon Gakki Seizo Kabushiki Kaisha Pitch determining voltage signal generating circuit for a voltage controlled type electronic musical instrument

Non-Patent Citations (1)

* Cited by examiner, † Cited by third party
Title
None *

Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3560628A (en) * 1967-06-30 1971-02-02 Warwick Electronics Inc Multi-channel key switch circuit
US3542935A (en) * 1967-11-16 1970-11-24 Baldwin Co D H Electronic latch and wipeout system for musical instruments
US3509265A (en) * 1968-05-09 1970-04-28 Matsushita Electric Ind Co Ltd Signal-selecting system for keyboard type electronic musical instrument
US3610799A (en) * 1969-10-30 1971-10-05 North American Rockwell Multiplexing system for selection of notes and voices in an electronic musical instrument
US3766305A (en) * 1972-07-17 1973-10-16 Hammond Corp D.c. keyed high low select preference system for polyphonic electrical musical instruments
US3948137A (en) * 1974-03-15 1976-04-06 Nippon Gakki Seizo Kabushiki Kaisha Pitch determining voltage signal generating circuit for a voltage controlled type electronic musical instrument

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